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Shakespeare
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What is Shakespeare?

William Shakespeare stands as one of the most studied figures in academic history, appearing across disciplines from literature and theater studies to history and cultural theory. Students encounter his work in courses on early modern English literature, drama, and Renaissance studies, among others. What makes Shakespeare academically compelling is the sustained interpretive richness of his plays and poetry — works like Hamlet, Othello, Macbeth, Romeo and Juliet, and Richard II raise enduring questions about character, power, identity, love, and death that reward close critical attention across generations of readers.

Student essays on Shakespeare tend to take several distinct approaches. Close reading and character analysis are common, focusing on figures like Hamlet's indecisiveness or Lady Macbeth's ambition and how these illuminate larger themes. Comparative essays appear frequently, whether contrasting Shakespeare's presentations of the same character or examining adaptations like the 1961 film West Side Story alongside source material. Historical and cultural approaches also surface, including examinations of the Elizabethan stage's exclusion of women performers, festive comedy's Saturnalian patterns, and Shakespeare's treatment of political power in plays like Richard II. Some papers extend outward to film adaptations, such as those featuring Laurence Olivier or the 1971 Macbeth.

A strong essay on Shakespeare begins with a focused, arguable thesis rather than a broad claim about genius or timelessness. Evidence drawn from specific scenes, dialogue, and imagery carries the most weight, especially when supported by attention to genre conventions or historical context. The most common pitfall is summarizing plot instead of analyzing how language, structure, or dramatic choices construct meaning — every claim should circle back to the text itself.

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Research Paper Undergraduate
Hamlet as a Renaissance man confronting humanistic ideals
If the Italians rediscovered Humanity trough the Greek and Roman antiquity, the English rediscovered it through the Italians, by the time the Italian Renaissance was already going through its third century.
Research Paper Undergraduate
Mind-body dualism in Shakespeare's Romeo and Juliet
A it is nor hand, nor foot, nor arm, nor face, nor any other part belonging to a man..
Paper Masters
Hamlet and the relationship between tragedy and modern political thought
Hamlet: The struggle of being and the power of passion
Research Paper Undergraduate
The destructive power of love in Shakespeare's Twelfth Night
The play, Twelfth Night, is all about love. While we generally associate love with positive emotions, Shakespeare illustrates in Twelfth Night that love is not always joyful but that it is also an emotion that causes…
Research Paper Doctorate
The impossibility of utopia in 1984, Brave New World, and Haroun
Both utopias and dystopias are speculative stories which completely re-imagine the world we live in or project it in the future. Utopias imagine impossible, ideal worlds in which perfect happiness and harmony reign and…
Research Paper Undergraduate
Deception and ambition in Shakespeare's Richard III and Henry IV
Shakespeare's historical plays, Richard III and Henry IV are both centered around very important political figures- Richard III and Henry IV. The plays have as characters two of the most famous villains in Shakespeare's…
Research Paper Undergraduate
Iago's manipulation and deception in Othello's first act soliloquy
Iago's Soliloquies in Othello (Act I.3.375-396)
Paper Doctorate
Prospero as Ellison's "little man behind the stove" in The Tempest
This is a four-page paper that uses Ralph Ellison's essay "The Little Man at Chehaw Station" to explore themes in Shakespeare's The Tempest. The essay analyzes the concept of the little man behind the stove, which is Ellison's metaphor for an audience that has been neglected or under appreciated. Ellison's little man is also someone who is culturally diverse, and who understands both highbrow and lowbrow types of art. The biggest mistake an artist makes is to underestimate the audience.
Paper Masters
Distinguishing feigned madness from genuine insanity in Hamlet
Fully discuss and analyze Hamlet's madness and his reactions to the situations in the play. Explain if he is truly mad or if his actions are feigned. The editors ask if how readers "can tell the difference between…
Paper Doctorate
Historical accuracy and artistic truth in Shekhar Kapur's Bandit Queen
Macbeth and Richard III are considered two of the greatest tragedies ever written in the English language. However, the historical Macbeth killed a bad, rather than a good king, and the historical Richard III never…