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Sherman Alexie
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What is Sherman Alexie?

Sherman Alexie is a Spokane/Coeur d'Alene author whose fiction, poetry, and screenwriting have made him a central figure in contemporary Native American literature and American letters more broadly. Students encounter his work across courses in American literature, ethnic studies, cultural studies, and the humanities, often because his writing sits at the intersection of identity, history, and humor. His novel Flight, the short story collection Ten Little Indians, the story "What You Pawn I Will Redeem," and the film Smoke Signals—directed by Chris Eyre—offer rich material for examining how Native American experience is represented and contested in modern culture.

Papers on Alexie's work tend to cluster around a few distinct approaches. Literary analysis is common, with students examining theme, character, and voice in works like Flight and its protagonist Zits, or tracing the role of comedy and cultural critique in his storytelling. Comparative essays frequently appear, placing Alexie's treatment of Native American identity alongside other American cultural expressions, including the blues tradition. Thematic studies focusing on home, homelessness, and the weight of the past also recur, as do broader discussions of how individual knowledge and power intersect with collective history.

A strong essay on Alexie grounds its thesis in specific textual evidence—a scene, a narrative choice, a tonal shift—rather than broad statements about Native American experience in general. Essays carry the most weight when they engage with how Alexie uses humor and storytelling as deliberate artistic strategies rather than incidental features. The most common pitfall is treating his work as sociological testimony rather than as crafted literature, which flattens both the argument and the analysis.

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Research Paper Undergraduate
Symbolism of the regalia in Sherman Alexie's short story
¶ … Sherman Alexie's short story "What You Pawn I Will Redeem," a central symbol is Jackson's grandmother's regalia, which he sees in the window of a pawn shop he has never noticed before.
Research Paper Undergraduate
Native American Expressive Culture: Vision, Identity, and Tradition
The Native American tradition can be seen as an evolving cultural tradition that encompasses countless expressions of creativity, from many varied cultures and expressions of culture.
Paper Undergraduate
Time travel and perspective in Sherman Alexie's Flight
"Do you really think I'd become some sort of asshole citizen if I wore a tie and shiny shoes?" This is one of the first things that the main character of Sherman Alexie's latest novel, Flight, says to the social worker…
Paper Doctorate
Individual Knowledge and Power in Dickinson, Alexie, and Carver
19th century poet Emily Dickinson is famous for her writing about the sometimes odd quality of being human, or rather the unnatural social norms that humanity has constructed. Dickinson claims that "[m]uch Sense -- the…
Paper Doctorate
The Meaning of "Home" in Frost, Hughes, and Alexie
This paper analyzes the theme of "home" in Robert Frost's "Death of the Hired Hand," Langston Hughes' "Ballad of the Landlord," and Sherman Alexie's "What You Pawn I Will Redeem." Home carries a certain connotation in each story that links it to the notion of fraternal charity. In other words, home is more than just a "place"--it is a state of being.
Paper Masters
Sherman Alexie's Imagery and Storytelling in Lone Ranger
This paper discusses three stories from Sherman Alexie's book, The Lone Ranger and Tonto Fistfight in Heaven: "Every Little Hurricane," "What It Means To Say Phoenix, Arizona," and "The Trial of Thomas Builds-the-Fire." The focus is on the writing style of these stories, specifically, on the rhetorical use of repetition. Through use of repetition, Alexie manages to create a hypnotic story-telling mode that draws readers into the world of the Spokane Indian Reservation in which the stories are set. The repetition occurs with the words themselves, as well as through the use of the stories that are told – or at times not told – but that retain their power in the lives of the characters.
Essay Doctorate
Sherman Alexie's "Lone Ranger and Tonto Fistfight in Heaven"
Fighting the self in Sherman Alexie's "The Lone Ranger and Tonto Fistfight in Heaven"
Paper Undergraduate
Place and identity in short stories by Walker, Baldwin, and Alexie
From Homer's Iliad to a modern day short story, the theme of place, background, and roots of the author plays a predominant role in the way the story is written, its intended audience, and the manner in which the…
Paper Undergraduate
Sincerity and distance in Lorrie Moore and Sherman Alexie
Sincerity, Sarcasm, and Distance: Commonalities in Lorrie Moore's "How to Become a Writer" and Sherman Alexie's Flight
Paper Masters
Sherman Alexie's use of blues music in Reservation Blues
This essay explores the relationship between Native American identity and the blues in Sherman Alexie's novel Reservation Blues. The blues provide a shared language for the expression of Native and African American experiences, and the novel explores how this shared language can lead to a confrontation with the past. By charting how the blues influence the characters and spaces of the novel, one is able to see how the relationships between Native, African, and white Americans are more complex and cross-cultural than one might previously expect.