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Supernatural
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What is Supernatural?

The supernatural encompasses phenomena that exist beyond the boundaries of the natural world — spirits, prophecies, divine intervention, mythological beings, and forces that defy rational explanation. In academic settings, this topic appears across religious studies, literature, anthropology, and cultural history courses. It invites students to examine how different societies and texts construct meaning around what cannot be empirically verified, and how belief in supernatural power shapes human behavior, identity, and storytelling across time and place.

The papers archived here approach the supernatural from several distinct angles. Literary analysis features heavily, with essays examining the role of the supernatural in works such as Macbeth, Hamlet, and the myths of Hercules, Theseus, and Gilgamesh, as well as stories by authors like Stephen King and Gabriel García Márquez's symbolism in A Very Old Man with Enormous Wings. Cultural and historical approaches appear as well, including explorations of the Gothic period, Maori cultural practices, and Renaissance English theater. Some papers engage with realism and naturalism to question or contrast supernatural frameworks, while others take a more contemporary focus, treating subjects like crop circles and the meaning and purpose of dreams.

A strong essay on the supernatural establishes a clear, arguable thesis about what function the supernatural serves — whether narrative, ideological, psychological, or spiritual — rather than simply cataloguing occurrences. Evidence drawn from close reading of primary texts or specific cultural frameworks tends to carry the most weight. The most common pitfall is treating the supernatural as mere decoration; effective essays connect it directly to character, power, or the construction of reality within the work or culture under study.

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Research Paper Doctorate
Murder as springboard: violence and evil in Ian Rankin's Hide and Seek
Murder seems like the ultimate social wrong. Ian Rankin's Hide and Seek offers a different picture in which murder is not only almost the most innocent of the crimes committed, it is the starting point that leads to…
Paper Undergraduate
Holy saturation and spiritual gifts in Orthodox Christian theology
The traditional, or Orthodox view, is that the church is a necessary medium between the laity and God, and that without the church and the hierarchy of clergy, the congregation would be unable to attain the wisdom of God.
Paper Undergraduate
Stephen King's Pet Sematary: grief, resurrection, and moral descent
King, Stephen. Pet Sematary. New York: Doubleday, 1983.
Research Paper Undergraduate
Robber barons or tycoons: American businessmen in early industrial history
The big business boom in the United States in early 1900s was seen by many as a bane and others as a blessing. Those who labeled it a disease were also those who called the owners of big businesses "robber barons" and…
Paper Undergraduate
Victor Frankenstein's dangerous pursuit of forbidden scientific knowledge
Mary Shelley conceived of Victor Frankenstein as playing God, in much the same way as some individuals today see scientists who are seeking to discover things which they consider best left undiscovered and mysterious.
Research Paper Doctorate
Vassily Kandinsky and German Expressionism's abstract ideals
Russian-born abstract expressionist painter Vasily Kandinsky (1866-1944) whose "explorations of the possibilities of abstraction make him one of the most important innovators in modern art the father of abstract…
Paper Doctorate
Racial stereotypes explaining black athletic success in professional sports
¶ … Stereotypes -- Why are Black People Good at Sports?
Paper Undergraduate
Fantasy genre conventions in Harry Potter and Alice in Wonderland
Both Harry Potter and the Sorcerer's Stone and Alice in Wonderland belong to the fantasy genre because of the numerous events that happen in both books that are not connected to the real world, because of the presence…
Paper Doctorate
Uncertain vision in Oedipus the King and Othello
Within the realm of tragedy, the result of not being able to differentiate between what is real and what is not, sometimes referred to as "uncertain vision," is often death, or worse. Two stories, originating in two very different times, are Sophocles' "Oedipus the King" and William Shakespeare's "Othello," and while both share the common literature devise "uncertain vision," there is a distinct difference in the underlying cause of the uncertain vision of the main characters. One story uses uncertain vision that is brought about by fate, while the other's uncertain vision comes from the deception and plotting of an evil human being.
Paper Undergraduate
Christopher Nolan's The Prestige: cinema, stage magic, and reality
¶ … Prestige: Where theatrical conventions meet the real life of cinema in Tesla's laboratory