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Virginia Woolf Essays (Examples)

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Woolf Women in Violence and War
Words: 3453 Length: 10 Pages Document Type: Dissertation or Thesis complete Paper #: 33363722
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Woolf / Women in Violence and War

The current paper deals with the use of stream of consciousness and narrative technique by Virginia Wolf. The author has discussed how Woolf comes and goes in time and space to reveal her inside feelings, and why she used them especially in time of war and domestic violence.

Much has been written about Woolf's use of the stream-of-consciousness technique used widely by other Modernist writers of her time such as DH Lawrance and James Joyce. Stream of Consciousness is the technique use by Woolf and she is considered the pioneer of this technique. The stream of thought was first proposed by William James, Harvard Professor of Psychology in 1890.


In a diary entry that Woolf wrote on the 23 of February in 1926, she compares the writing process she went through while writing Mrs. Dalloway with the process she experienced while writing…


Bakhtin, Mikhail.M.. Art and Answerability. Eds. Michael Holquist and Vadim Liapunov. Trans. And notes, Vadim Liapunov. Austin: University of Texas Press, 1990. Print.

James, William. Different Times of Thought" Principles of Psychology. 260. Print

Herbert, Christopher. Mrs. Dalloway, the Dictator, and the Relativity Paradox. Novel. 35.1 (Fall 2001): Duke University Press. 104-124. Academic Search Premier. Web. 5 April 2010.

Mathis, Mary Shirlene, Ph.D., ?War/narrative/identity: Uses of Virginia Woolf's modernism. Dissertation. The University of Texas. 1995. Academic Search Premier. Web. 5 April 2010.

Woolf on January 21 1931
Words: 925 Length: 3 Pages Document Type: Essay Paper #: 86032376
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She was immensely charming. She was utterly unselfish. She excelled in the difficult arts of family life. She sacrificed herself daily." These language parallels anchor the audience's attention and stress oolf's underlying feminist message. In addition to language parallels, oolf also uses brilliant imagery and symbolism throughout the speech to convey the central ideas.

One of the main motifs in the speech is that of the Angel in the House. The Angel in the House symbolizes the suppression of women and their perpetual oppression by men. The angel comes to life in oolf's speech, as she describes, "she slipped behind me and whispered: 'My dear, you are a young woman. You are writing about a book that has been written by a man. Be sympathetic; be tender; flatter; deceive; use all the arts and wiles of our sex. Never let anybody guess that you have a mind of your own.…

Work Cited

Woolf, Virginia. "Professions for Women."

Woolf on the Economics of
Words: 1540 Length: 5 Pages Document Type: Essay Paper #: 26394182
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Again, oolf's sarcasm rears its head here, as she unpacks the idea
that men should be so preoccupied in shaping an image of women that
conforms to the circumstances which a patriarchal society has manifested.
In this regard, there is a damning economic symbiosis between the real
subjugation of women and the images conjured of the fairer sex by their
alleged admirers. oolf demonstrates the woman of fiction and the woman of
this point in history as both being concocted of male desires, ambitions
and materialist conceits. Here, monetary wealth is tantamount to sexual,
marital and intellectual subjugation.
From the perspective of her time and place, oolf sees something
irreconcilable in the conditions facing women, especially in the quest to
express themselves with literary honesty and accuracy. Today, there is
continued relevance to this idea as women still grapple for equal pay in
various lines of profession, where they…

Works Cited:

Woolf, V. (1929). A Room of One's Own. Ebooks at Adelaide. Online at

Woolf's Androgynous Mind a Room
Words: 731 Length: 2 Pages Document Type: Essay Paper #: 14612208
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Men are perceived based on how they behave and present themselves, and not on how they think. Likewise, women are viewed in a similar light. In order to gain insight into how or why each sex behaves as they do, one must analyze each sex and determine what motivates each sex to behave and think as they do.

It has been theorized that oolf did not mean to insinuate that writers should write from a masculine or feminine perspective, but rather write in a manner that is devoid of sex (right). By eliminating sex from the creative process, one is able to write without a specified target audience, but rather for the masses, regardless of gender or age. The inequalities that have existed between men and women have been brought to the forefront of the Suffrage movement that not only brought to light the differences, but also created social tension.…

Works Cited:

Woolf, Virginia. "A Room of One's Own." The Norton Anthology of English Literature. Ed.

M.H. Abrams et al. New York: W.W. Norton and Company, 1993. 1926-1986. Print.

Wright, Elizabeth. "Re-evaluating Woolf's Androgynous Mind." University of St. Andrews.

Web. Accessed 5 May 2011. Retrieved from

Woolf and Walker the Relationships
Words: 1679 Length: 5 Pages Document Type: Term Paper Paper #: 18627806
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This full spectrum of relationships implies that fully-functioning and developed societies can form around these relationships, and that they are not dependent upon male relationships whatsoever. The strength of the females in the Color Purple culminates in such an organization of their community; and, we are led to believe, that this particular community possesses the capacity to satisfy the women's physical and spiritual needs far better than any male-dominated society could offer.

oolf does not make this same contention in "The New Dress." Although it could be argued, from her other works, that she might possibly agree with such an ultimate organization of female society, "The New Dress" seems to focus more upon the inadequacies of social communication in general, irrespective of gender. This is not to say that gender is not a concern in the story, merely that the overall organization of the society that Mabel finds herself in…

Works Cited

Walker, Alice. The Color Purple. New York: Pocket Books, 1982.

Woolf, Virginia. "The New Dress." A Haunted House and Other Short Stories. eBooks, 2004. Available:

Rhetoric in Woolf's Shakespeare's Sister
Words: 908 Length: 3 Pages Document Type: Term Paper Paper #: 19636407
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Johnson repeated the phase two hundred years later of women preaching (Woolf 774).

Were Woolf to unequivocally state, "Men used to think that women can't act or speak," and then moved on to her next thought, then we hardly would be convinced by her argument. In order to be fully convinced, we rely on that traditional rhetorical supplement known as quotation.

The invention of a talented sister for Shakespeare is one of Woolf's greatest rhetorical inventions. Judith Shakespeare becomes a metaphor not merely for the role of woman in society during Shakespeare's time, but for the plight of all women in general, and all women artists in particular - including, in both categories, Woolf herself.

Finally, the tone of Woolf's essay sweeps us up into her argument from the very beginning and forces us to engage with the issues at hand. Woolf's tone is established at the conclusion of the…

Julian Margery Woolf the Majority
Words: 1027 Length: 3 Pages Document Type: Term Paper Paper #: 84934934
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During one of her mental breakdowns, Margery said she was visited by Jesus who said, "My daughter, why have you left me, when I never for one moment went away from you?" Unlike the religious writings of Julian, Margery wrote of everyday activities and events. She included accounts of her trips, marriage and gatherings with notable people.

The tale of "Shakespeare's sister" that Woolf tells in "A oom of One's Own" relates to the Middle Ages and enaissance and the status of women and the barriers they faced due to the stereotypes about their gender. Ironically, the world had not changed much in this regard when Woolf wrote. She had foreseen the reaction to "A oom of One's Own" and said in her diary: "I forecast, then, that I shall get no criticism, except of the evasive jocular kind... that the press will be kind & talk of its charm,…


Bynum, Caroline Walker. Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion. New York: Zone Books, 1992.

Norton Anthology of Literature by Women, The tradition in English-- 2nd edition, Sandra Gilbert and Susan Gubar eds. New York: W.W.

Norton, 1996.

Robertson, Elizabeth. "Medieval Medical Views of Women and Female Spirituality in the Ancrene Wisse and Julian of Norwich's Showings." Feminist Approaches to the Body in Medieval Literature. Linda Lomperis and Sarah Stanbury, eds. Philadelphia: U. Of Pennsylvania Press, 1993: 142-167.

Room of One's Own Virginia
Words: 1006 Length: 3 Pages Document Type: Term Paper Paper #: 60070510
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She gives an open invitation to ponder, a food for thought to her readers by questioning them: "Why did men drink wine and women water? Why was one sex so prosperous and the other so poor? What effect has poverty on fiction? What conditions are necessary for the creation of works of art?" These lines could be termed as the jist of her essay, plainly put, they cover her scrutiny, as she uses various styles and approaches to explain and weigh the reasons of women's creative inabilities.

Woolf's style however, switching-in and switching-out in her own playful way creates suavity and humor entwined together but not overlooking the pleasure of reading a fluid prose. Also added to the package is loaded sarcasm letting her readers plunge into deeper waters for better understanding of the implications impressed upon women, keeping them from impressing their mark in creative writing show ground. "if…

Compare Woolf's Jacob's Room and Forster's a Room With a View
Words: 2658 Length: 6 Pages Document Type: Term Paper Paper #: 62164289
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Forster, oolf

At the beginning of E.M. Forster's book A Room with a View, the inn's guest Mr. Emerson states: "I have a view, I have a view. . . . This is my son . . . his name's George. He has a view, too." On the most basic level, this statement is just as it appears: Mr. Emerson is talking about what he sees outside of his window. However, the comment also suggests one of the major themes of this book, as well as another early 20th-century novel, Jacob's Room, by Virginia oolf: That is, the view one social class has of another. These books by Forster and oolf described the times in socio-economic terms as well as how the characters related to them.

Forster's novel A Room with a View details the happenstance of the young middle-class Englishwoman Lucy Honeychurch in the early 1900s on a visit…

Woolf, Virginia. The Death of the Moth, and other essays. Harcourt 1974.

Woolf, Virginia. Jacob's Room. The Literature Network. Website retrieved

April 12,

Independent Women Woolf's Lily Briscoe
Words: 898 Length: 3 Pages Document Type: Essay Paper #: 55690784
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Her affairs with Rodolphe and Leon bring her the type of intimacy she longs for even though they cause her much pain. Emma saw her affair with Rodolphe as vengeful because so much of her life felt like it was void of love. e are that she was "becoming a part of her own imaginings, finding the long dream of her youth come true as she surveyed herself in that amorous role she coveted" (Flaubert 175). She did not feel guilt; in fact, she "savored" (175) her relationship with Rodolphe and was without "remorse, disquiet or distress" (175). Emma is overwhelmed with emotions when it comes to Rodolphe and she did not know if she "regretted yielding to him, or whether she didn't rather to aspire to love him more . . . It was not an attachment but a continual excitement" (183). Here we see that she is not…

Works Cited

Flaubert, Gustave. Madame Bovary. Alan Russell, trans. New York: Penguin Classics. 1950.

Woolf, Virginia. To the Lighthouse. New York: Harcourt Brace Jovanovich, Publishers. 1955.

Meno & Phaedo What it
Words: 2011 Length: 6 Pages Document Type: Essay Paper #: 99159345
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An excellent example of a key component in the sexual identity of a woman is the compulsion to get married which most women (particularly during Woolf's day) are bound to experience.

Orlando feels this sentiment as well, which the following quotation demonstrates. Everyone is mated except myself,' she mused, as she trailed disconsolately across the courtyard… I, 'am single, am mateless, am alone.' Such thoughts had never entered her head before. Now they bore her down unescapably (Orlando 1928).

It is noteworthy to mention that this passage precedes Orlando's relationship with Shel. Yet it is highly indicative of the sort of responsibility that most women feel -- that at some point in their lives they are obligated to get married to someone. The weight of these thoughts leads Orlando to feel "disconsolately" and "unescapably" burdened by them. This is one particular instance in which Woolf is actually demonstrating a similarity…


Bimberg, C 2002, 'The Poetics of Conversation in Virginia Woolf's a Room of One's Own: Constructed Arbitrariness and Thoughtful Impressionism', Connotations, Vol 11, no 1.

Fernald, a 1994, 'A Room of One's Own, Personal Criticism, and the Essay', Twentieth Century Literature, Vol 40, no 2, p. 165-189.

No author 2012, 'A Room of One's Own', Encyclopedia Britannica, 

Wolf, V 1928, Orlando: A Biography, [email protected]

Professions for Women in Which
Words: 4067 Length: 12 Pages Document Type: Essay Paper #: 73981604
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hen conducting an ideological critique, the researcher must be concerned with the way ideology is evidenced (or repressed) in the artifact, and a useful concept for identifying these "traces of ideology" is the notion of the ideograph, or the "political language which manifests ideology," which, according to Michael McGee, is "characterized by slogans" (Foss 248, McGee 5). McGee argues "that ideology in practice is a political language, preserved in rhetorical documents," and as such, can be identified in rhetorical artifacts via the "vocabulary of ideographs" frequently deployed in speech. Here it is important to note the importance of context, because in general McGee identifies ideographs as particular words, but one need not view these specific words as eternally and always ideographs; that is to say, these specific words may be identified as ideographs "by the usage of such terms in specifically rhetorical discourse, for such usage constitute excuses for specific…

Works Cited

Condit, Celeste Michelle. "In Praise of Eloquent Diversity: Gender and Rhetoric as Public

Persuasion." Womens Studies in Communication 20.2 (1997): 91-116.

Fernald, Anne E. "A Feminist Public Sphere? Virginia Woolfs Revisions of the Eighteenth

Century." Feminist Studies 31.1 (2005): 158-82.

English Looking Critically at The
Words: 944 Length: 3 Pages Document Type: Essay Paper #: 5196920
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Similarly central to Woolf's aesthetic is the tension between the individual's public personae and his or her 'private' self. Through a range of biographical, autobiographical, and fictional strategies, Woolf explore the extent to which the private self can be conceptualised as a fixed, unitary, and bounded identity. ("eflections on the Self," Page 44)

The looking-glass or mirror represents, in a way, the self, and it also is a device by which the self can be explored and articulated. The voice of the narrator is one that is blended. The narrator is both the narrator and the character that is being described. The narrator is also the voice of the author. The blending of these voices into one voice, not always necessarily coherent and smooth, is a technique that underscores the content and the themes of "The Lady in the Looking-Glass: A eflection." eflection upon one's life is not always positive,…


Howard, Stephen. "The Lady in the Looking-Glass: Reflections on the self in Virginia Woolf." Journal of International Women's Studies, Vol. 8, No. 5, 44 -- 54, 2007.

Squier, Susan. "Mirroring and Mothering: Reflections on the Mirror Encounter Metaphor in Virginia Woolf's Works." Twentieth Century Literature, Vol. 27, No. 3, 272 -- 288, 1981.

Woolf, Virginia. "The Lady in the Looking-Glass: A Reflection." Provided.

Seeing Written by John Berger
Words: 1312 Length: 4 Pages Document Type: Term Paper Paper #: 56876319
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One of the primary ways the Berger chooses to explain this concept to his readers is through detailing the objectification of women, particularly in paintings. The male principles of power and authority have the propensity for viewing women as objects (some of lust, others of beauty, still others of reference). omen, in turn, internalize this sort of perception and come to view their own authority and power as attributable to their status as such objects viewed by men and by others. Therefore, women's perception of the sight of themselves has a duality in the fact that it is both their own viewing of themselves and also incorporates the viewpoint that others, such as men, may have for themselves. Berger suggests this notion within the following quotation. "The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object -- and most particularly an object…

Works Cited

Berger, John. Ways of Seeing. New York: Penguin. 1990. Print.

Who's Afraid of Virginia Woolf? Dir. Mike Nichols. Perf. Elizabeth Taylor, Richard Burton. 1966. Film.

Similiarities in a Room of
Words: 1583 Length: 5 Pages Document Type: Term Paper Paper #: 72271487
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Ramsay's actions and words towards James about this matter are "caustic," and "dashed" his son's aspirations for going to the lighthouse. However, Mrs. Ramsay takes care to inspire the hopes of her son and to protect them, by stating that the following day's weather could actually involve the sun's "shining" and birds "singing," both of which are characteristics of permissible weather. The dichotomy of the perspectives presented by these characters is distinctly in alignment with traditional nurturing roles of mothers and disciplinary roles or those which prepare children for the vicissitudes of life that father's usually have. By presenting such a sharp distinction between the pair, oolf is subtly suggesting that a synthesis of these behaviors would allow for a true consummation of the totality of a person -- which is a concept explored within "A Room of One's Own."

Lastly, although the narration in "To the Lighthouse" is from…

Works Cited

Woolf, Virginia. A Room of One's Own. Ebooks @Adelaide. 1929. Web.

Woolf, Virginia. To the Light House. [email protected] 1927. Web.

Women in War and Violence
Words: 3020 Length: 10 Pages Document Type: Dissertation or Thesis complete Paper #: 29173668
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Women in War and Violence

Women War and Violence

The purpose of this paper is to analyze the theory of being and becoming, and to discuss how this theory relates to war and violence in Virginia Woolf's portrayal of female characters in her novels. Being and becoming relates the theories of existence, and how one becomes and matures as an entity in society. It is evident throughout Woolf's lifetime that her character's evolve from simple creatures consumed with thoughts of darkness and death, that through a myriad of experiences with power, control, and pain they are able to transform their lives from simple existence into complex portrayals of beauty and lives that reflect the art of becoming human beings consumed with the beauty of all life has to offer.


To understand being and becoming, and how this relationship exists with regard to war and violence, and further with Woolf…


Dalsimer, K. 2002. Virginia Woolf: Becoming a writer. Yale University Press.

"Foundation of Activity Theory." Chapter 2: Being and becoming-ontology and the conception of evolution in activity theory. Pp.79-172. In, Karpatschof, B. 2000. Human activity. Contributions to the Anthropological Sciences from a perspective of activity theory. Copenhagen: Dansk Psychologist Forlag.

Johns, C. 2009. Becoming a reflective practitioner. John Wiley and Sons.

Lee, H. 1997. Virginia Woolf, Chapter 1. Books, The NY Times Company, Alfred A. Knopf.

Richard Hughes A High Wind in Jamaica
Words: 5266 Length: 15 Pages Document Type: Term Paper Paper #: 8084380
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ichard Hughes: A High Wind in Jamaica

This story, the first novel by ichard Hughes, takes place in the 19th Century, and mixes the diverse subjects of humor, irony, satire, pirates, sexuality and children into a very interesting tale, with many sidebar stories tucked into the main theme.

The first part of the story has an eerily familiar ring and meteorological link with the December, 2004 tsunami-related disaster in Asia. In A High Wind, first there is an earthquake, then hurricane-force winds, followed by torrential rains (although no tidal wave) devastate the island and the British children who lived there are sent to England. However, on the way they are attacked by pirates and unwittingly kidnapped by those pirates. From there, the novel has a definite Lord of the Flies tone to it: the English children actually take over control of much of the activities on board, which is as…


Greene, Graham. Brighton Rock. London: Heinemann, 1938.

Hughes, Richard. High Wind in Jamaica. New York: Harper, 1957.

Rhys, Jean. Voyage in the Dark. London: A. Deutsch, 1967.

Waugh, Evelyn. A Handful of Dust. Boston: Little, Brown & Company, 1962.

Women's and Gender Studies
Words: 3367 Length: 10 Pages Document Type: Research Paper Paper #: 70447437
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omen and Gender Studies

Of all the technologies and cultural phenomena human beings have created, language, and particularly writing, is arguably the most powerful, because it is the means by which all human experience is expressed and ordered. As such, controlling who is allowed to write, and in a modern context, be published, is one of the most effective means of controlling society. This fact was painfully clear to women writers throughout history because women were frequently prohibited from receiving the same education as men, and as the struggle for gender equality began to read a critical mass near the end of the nineteenth century, control over women's access to education and writing became a central theme in a number of authors' works, whether they considered themselves feminists or not. In particular, Charlotte Perkins Gilman's 1892 story The Yellow allpaper features this theme prominently, and Virginia oolf's extended essay A…

Works Cited

Bak, John S. "Escaping the Jaundiced Eye: Foucauldian Panopticism in Charlotte Perkins

Gilmans "the Yellow Wallpaper." Studies in Short Fiction 31.1 (1994): 39-.

Carstens, Lisa. "Unbecoming Women: Sex Reversal in the Scientific Discourse on Female

Deviance in Britain, 1880-1920." Journal of the History of Sexuality 20.1 (2011):

Room of One's Own by
Words: 1475 Length: 4 Pages Document Type: Term Paper Paper #: 64598213
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Poverty is one of them.

Throughout the essay, Woolf discusses how inequitably women writers have been treated all through history, and how they have been made to feel unwelcome in those places that could be the most comforting. For example, she creates a character "who regretted in a low voice as he waved me back that ladies are only admitted to the library if accompanied by a Fellow of the College or furnished with a letter of introduction" (Woolf). Her inability to enter the library points out the inequity of men and women throughout history, but more importantly, it indicates why a "room of one's own" is so vital in the creative process. For many years, women writers were not welcome in the male dominated world of writing, and because of that, they were shut out from some of the most comfortable and comforting dwellings - libraries. Because of this,…


Woolf, Virginia. "A Room of One's Own." University of Adelaide. 2005. 29 Nov. 2006.

English Literature Feminism Humanities
Words: 1768 Length: 7 Pages Document Type: Term Paper Paper #: 24846552
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Doom in the luest Eye and the Voyage Out Doomed From the eginning:

The Inevitability of Death in the luest Eye and the Voyage Out Commonality is a funny thing. Who would suppose that a young, white twenty-four-year-old, turn of the twenty-first century, English lady might have a great deal in common with a young, adolescent, black American girl? This is exactly the case, however, between Virginia Woolf's main character, Rachel in The Voyage Out, and Toni Morrison's Pecola, in her work, The luest Eye.

Despite their differences in time, location, culture, and circumstance, the characters in the two novels share a common fate based on a common cause. oth characters begin life in unfortunate circumstances that foreshadow the inevitable doom that results from their respective positions in life.

Morrison's The luest Eye, opens with the words, "Here is the house."

It starts out innocently enough -- yet, even before…


Gordon, Lyndall. Virginia Woolf: A Writer's Life. New York W.W. Norton, 1984.

Hussey, Mark. Virginia Woolf A to Z. New York: Facts on File, Inc., 1995.

Morrison, Toni. The Bluest Eye. New York: Plume, 1994.

Woolf, Virginia. The Voyage Out. Oxford: Oxford University, 1992.

Women's Roles in British Fiction 1850-2000
Words: 1818 Length: 6 Pages Document Type: Term Paper Paper #: 79683535
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women's places through the writing of British fiction. Using three classic examples of women's fiction in British literature the writer examines the overt and underlying relationship women have in the world and with society throughout the evolvement of literature. There were three sources used to complete this paper.

Throughout history authors have used their works to explore societal lessons. British literature is well-known for its ability to draw attention to moral, societal or other lessons by which the society reflects on the changes it experiences. The role of females has been a favorite topic of British authors for many years, perhaps spurred on by the various class elements that society has experienced along the way. Three classic works of British fiction provide a blueprint of women's changing role in society by allowing for a time span within their measurement. Charlotte Bronte's, "Jane Eyre"; Virginia Woolf's, "A oom of One's Own";…


Bronson, Charlotte. Jane Eyre

Woolf, Virginia. A Room of One's Own

Fielding, Helen. Bridget Jones's Diary.

Room of One's Own
Words: 1474 Length: 4 Pages Document Type: Research Paper Paper #: 24366491
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Literary realism, of course, focuses on the everyday cultural experience of everyday people who may, within their banal experience, do extraordinary things. The Postmodern movement, as a reaction to a number of 20th century trends, tends to be anti-establishment and looks for meanings hidden in the text, those meanings needing to be exposed and reflected through deconstructing that text (Perkins & Perkins, 2008).But what of the authors who tend to combine both genres -- those who are slightly anti-establishment, allow for deep contextual symbolism, but also find wonder in the everyday? Fortunately, that genre, and the combination of realism and postmodernism, has blossomed globally into a genre called magical realism. For the contemporary reader, magical realism is a genre in which magical, or some would say illogical, scenarios and events appear in a normal setting. The power of this genre seems to be the juxtaposition of the two elements --…


Faris, W. (2004). Ordinary Enchantments: Magical Realism and the Remystification

Of Narrative. Nashville, TN: Vanderbilt University Press.

Humm, M. (2003). Modernist Women: Virginia Woolf, Vanessa Bell. Trenton, NJ:

Rose, P. 91986). Women of Letters: A Life of Virginia Woolf. New York: Routledge.

Not Authentic Representations of Their Authentic Selves
Words: 1767 Length: 4 Pages Document Type: Term Paper Paper #: 76677695
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Authentic Representations of Self universal theme of transitional literature is the sacrifice of self. Many characters, within some of the greatest works of literature express longing as a main theme, as if they are living a life that is not quite what they had in mind. DH Lawrence, Virginia oolf, Beryl Bainbridge and Doris Lessing, all develop characters within their works that establish the idea of a denial of authenticity of self. The four works and the four characters which best describe this sort of sacrifice of self are: Lawrence's Paul Morel in Sons and Lovers, oolf's Clarissa Dalloway in Mrs. Dalloway, Lessing's Susan Rawlings in To Room Nineteen and Charlie from Bainbridge's Clap Hands, Here Comes Charlie.

Even from the start Paul Morel from Sons and Lovers was different. More delicate than other children and the expression of grief through depression that brought on tears is a foreshadowing of…

Works Cited

Bainbridge, Beryl. "Clap Hands, Here Comes Charlie." In Collected Stories. London, UK

Penguin Books, 1994. Pgs. 81-88.

Lawrence, DH Sons and Lovers. Ed. Trotter, David. Oxford: Oxford University Press, 1998.

Lessing, Doris. "To Room Nineteen." In The Norton Anthology of World Masterpieces. New York: W.W. Norton & Company, Inc. 1985, pgs. 2026-2054.

Daughters in Literature Requires a Thorough Analysis
Words: 1924 Length: 6 Pages Document Type: Essay Paper #: 52079961
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Daughters in literature requires a thorough analysis of gender roles and norms. The concept of daughter is directly linked to gender roles, as being a daughter entails specific social and familial responsibilities. Daughters' rights, roles, and responsibilities vis-a-vis their male siblings can therefore become a gendered lens, which is used to read literature. This is true even when the daughters in question are not protagonists. For example, Sonya in Fyodor Dostoyevsky's Crime and Punishment is not a protagonist but her supportive role has a tremendous impact on main character Rodion Romanovich Raskolnikov. Likewise, no one of King Lear's three daughters is the play's protagonist but they nevertheless propel the plot of the play and are central to its outcome. Virginia oolf's To the Lighthouse barely features any of the Ramsay daughters, and yet there are ample textual references to the role of daughters in families and correspondingly, the role of…

Works Cited

Austen, Jane. Pride and Prejudice. Edited by James Kinsley. Oxford; New York: Oxford University Press, 2008.

Dostoevsky, Fyodor. Crime and Punishment. Translated and annotated by Richard Pevear and Larissa Volokhonsky. New York: Vintage Books, 1993.

Shakespeare. William. King Lear. Edited by Stephen Orgel. New York, N.Y: Penguin Books, 1999.

Woolf, Virginia. To the Lighthouse. New York: Harcourt Brace Jovanovich. [1981], c1955.

Philadelphia Story in His 1940 Romantic Comedy
Words: 937 Length: 3 Pages Document Type: Term Paper Paper #: 44220438
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Philadelphia Story

In his 1940 romantic comedy adaptation of Philip Barry's Broadway play, director George Cukor allows Katherine Hepburn, James Stewart and Cary Grant to light up the screen and carry the movie without confusing the audience with camera tricks and editing.

By using subtle camera techniques, Cukor introduces the main characters through action and relies on his star ensemble to paint the picture of their respective characters. The editing is fluid as well as the cinematography. Using such devices as off-screen dialogue, and cues, we follow Hepburn, a Philadelphia socialite as she attempts to marry another man, and avoid a tabloid hound.

Cinematically, this is typical of the movies Hollywood was making in the 1940s. This particular film went on to win a string of Oscars, including Best Picture, and Best Director. Cukor interplays the style of writing within his camera directions so as to allow for an enjoyable…

Literature and History
Words: 870 Length: 3 Pages Document Type: Term Paper Paper #: 11710054
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Universal Themes in Homer's The Odyssey

Homer's The Odyssey is an ancient work that has managed to survive up to the present time. Virginia Woolf argues that the themes and situations presented in The Odyssey are universal themes that all humans can relate to, despite the passing of time. A consideration of the themes and situations presented in The Odyssey will show that this is true. While The Odyssey is set in a different time and culture, the basic situations and struggles are ones that apply equally to all people. These themes and events include the struggle of being adolescent, the changing relationship between a mother and son, the process of a boy becoming a man and the changing relationship between family members as time passes. Each of these are universal themes and this is what makes The Odyssey as applicable to modern life as it was to ancient life.…

British and German Trench Poetry
Words: 385 Length: 1 Pages Document Type: Research Proposal Paper #: 9412341
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These young men were not immersed in the high modernist traditions of Virginia Woolf and T.S. Eliot: rather, they were immersed in the experience of war and their own visceral response to the horrors they witnessed.

Thus a multifaceted, rather than strictly comparative approach might be the most illuminating way to study this period of history and literature. Cross-cultural, comparative literary analysis is always imperfect, particularly given the linguistic challenges presented by evaluating German poetry in relation to its British counterparts. Contextualizing the British war poets requires a certain level of understanding how the war was seen by the other side, and by alien eyes. More is likely to be gained than lost by reading the German war poets in translation. Yet reading the German poets in translation allows the reader to appreciate the influence of symbolism and expressionism in their work that was not present even in the harsh…

Madness in Women in Most of the
Words: 1501 Length: 6 Pages Document Type: Term Paper Paper #: 82655670
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Madness in Women

In most of the novels and the works in consideration we see the struggle for expression and the quest to overcome masculine oppression (on the part of the author) finds expression as a deteriorating mental state of the character.

Largely guided by their urge to break off from the shackles of the society and the pining for the freedom that has been sadly denied to them, women exhibit a kind of madness in their effort to restore the balance. This is fairly obvious from the many literary works created by women. These works invariably depict the quest for freedom and very often they end up as the lamenting tones of a deranged personality. In most of the novels and the works in consideration we see the struggle for expression and the quest to overcome masculine oppression (on the part of the author) is expressed as a deteriorating…

Women & Hedda Women's Roles
Words: 1810 Length: 4 Pages Document Type: Term Paper Paper #: 7259320
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Ultimately Judith Shakespeare, (like Hedda Gabler) according to Virginia oolf, would have very likely taken her own life (1382). Although life today is still far from perfect for many women in many areas of the world, and while some women (in various poorer parts of Africa, Latin America, and Asia, for example) face many of the same attitudes and obstacles Judith Shakespeare would have faced, women in the United States, Europe, and many other areas today are infinitely freer than Virginia oolf's Judith Shakespeare would have been to pursue artistic (or other careers); support themselves while doing so; and to avoid unwanted pregnancies and childbirths.

Henrik Ibsen, Kate Chopin, and Virginia oolf, all writing in either the late 19th or early 20th centuries, all depict, within the works I have discussed, various strictures and limitations on the lives and aspirations of women during those times. For today's women, there are…

Works Cited

Chopin, Kate. "A Pair of Silk Stockings." Electronic Text Center, University of Virginia

Library. December 13, 2004.  sgm&images=images/moden... html>. 4 pages.

Ibsen, Henrik. Hedda Gabler. Henrik Ibsen: Four Major Plays. Ed. John Grube. New York:

Airmont, 1966. 153-221.

Women's Rights in Her Personal
Words: 1162 Length: 3 Pages Document Type: Essay Paper #: 43170342
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Women winning the right to vote, far too long after the founding of America, was of course an important 'first step' in ensuring that women become full participants in the American experiment. But understanding the subtle cultural discrimination, as manifest in John Adams' treatment of his wife, and the subsidiary complaints of Stanton, Wollstonecraft, and Woolf also demonstrate that simply passing a law is not enough to change the rights of women. Women have been treated as children, and also viewed as incapable of truly realizing their dreams because of their capacity to be mothers. This has remained unchanged in the cultural discourse and memory in a way that affects all of our perceptions, male and female, and unless we remember this, we may be too easily seduced by the achievements, however remarkable, of a few talented women who have been able to chip away at the 'glass ceiling.'


Interconnected Life Is Worth Living -- Suicide
Words: 1303 Length: 4 Pages Document Type: Term Paper Paper #: 31053991
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Interconnected Life is worth living -- suicide, art, and the surprises of the Hours

She is going to die. That much is certain -- Virginia oolf is one of the most famous suicidal authors in all of modern and modernist literature. But even when one knows this terrible fact, one cannot help but ask how, and why as her story unfolds before one's ears and eyes. The structure of The Hours also forces one to ask, what are the connections between oolf and the other people, past and present, that pay homage to this great artist's literary works over the course of the narrative? For The Hours not only encompasses oolf's biography and literary works, but other, less famous women who look to oolf for inspiration and guidance. Long after the author herself is dead, she lives on in her work's themes of the connected nature of all humanity and…

Works Cited

Cunningham, Michael. The Hours. New York: Picador, 1998

"The Hours." 2002.

Hours - By Michael Cunningham
Words: 714 Length: 2 Pages Document Type: Term Paper Paper #: 55291488
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And while Clarissa is not repulsed at all by her reflection in the window, Mrs. oolf is another story, as far as how she sees herself. "She does not look directly into the oval mirror that hangs above the basin...she does not permit herself to look." The mirror, to Mrs. oolf, "is dangerous; it sometimes shows her the dark manifestation of air that matches her body, takes her form but stands behind... [and] she washes her face and does not look..."

Virginia oolf, in her husband's eye, is "pale and tall, startling as a Rembrandt...she has aged dramatically, just this year, as if a layer of air has leaked out from under her skin. She's grown craggy and worn...suddenly no longer beautiful." Not only has Virginia lost her loveliness, she is joined by the devil.

There is evil living within a brilliant mind, the ultimate juxtaposition that defines a…

Works Cited

Cunningham, Michael. (1998). The Hours. New York: Farrar - Straus - Giroux.

link between Gender and Culture
Words: 1657 Length: 6 Pages Document Type: Essay Paper #: 97959067
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Gender and Culture
Gender is an important and essential construct in human beings. Throughout generations gender has remained central to the family unit. Normative conditions have always dictated perceptions and expectation with respect to the masculinity of men and femininity of women. Authors like Butler have argued that gender is not an automatic or mechanical construct and that gender authoring should be acceptable and normal. Factually speaking gender is a huge aspect of life that determines how people are recognized and accepted. In the film Zerophilia, Luke struggles with identity due to his condition that allows him to switch between genders after an orgasm. Borrowing from the Film, any unique gender construct will inevitably cause a lot of confusion and possibly affect the life of the victim negatively. This discourse analyzes the different perspectives concerning gender from Butler, Woolf and Horney. It will be deduced that gender fundamentally influences the…