Lost illusions, by Honore de Balzac was meaningful to me because I identified with Lucien Chardon. He overcame and humiliation and provided life lessons about the world and human nature. The Red and the Black, by Stendhal touched me through the class struggle of Julien Sorel. He improved society during the Bourbon Restoration. Crime and Punishment, by Fyodor Dostoyevsky influenced me through Raskolinkov. I identified with his conscience, notwithstanding that his applied only retrospectively.
(These were all the progressively shorter working drafts that were too many characters. I'm including them in case you want to make any changes on your end to the shorter version above using anything I had to delete to fit the character maximum.)
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Lost illusions, by Honore de Balzac was extremely meaningful to me because I identified with Lucien Chardon. A poet full of ambitions, he fought hard to succeed...
The author provides valuable life lessons about the working of our world and in dynamics of human nature, society, and media that transcend the centuries since the book was first published.
The Red and the Black, by Stendhal touched me because I identified with the struggle of the protagonist, Julien Sorel. As a member of the lower class, he developed his intellectual talents and tried to address the needs of his society during the era of the Bourbon Restoration. Crime and Punishment, by Fyodor Dostoyevsky influenced me through the protagonist, Raskolinkov. I identified particularly with the significance of conscience in human life, notwithstanding that its role was limited to retrospective rather than the prospective view in the case of Dostoyevsky's principal character.
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Lost illusions, by Honore…
Honore De Balzac's Views On Family Honore de Balzac had a talent for exposing French social life, particularly in relation to families. Through Cousin Bette, Father Goriat and Lost Illusions, Balzac expressed his belief that modern society, with greed, corruption and temptation, threatened the basic family structure, making families into monetary units of far less importance than they had been in previous days. In Cousin Bette (Balzac, 1991), the main character, Lisbeth
Jude the Obscure, by Thomas Hardy and "Lost Illusions," by Honore de Balzac. Specifically, it will compare the theme of illusions in these two texts, citing textual evidence. The two protagonists, Jude and Lucien, are spurned into action because of their illusions; however, along their journeys of becoming a poet and a scholar, Lucien loses his illusions, whereas Jude does not. THE ILLUSIONS OF LUCIEN AND JUDE Poor Jude, he is