That is, Ophelia is limited to seeing herself through the eyes of others, and men in particular, having achieved no core identity of her own. Her brother Laertes could easily today also be a modern-day "organization man," as could have been his father Polonius before him), that is, listening to higher authority and then acting to please that authority, without thinking or reflecting on the wisdom or efficacy, generally or for himself, of what is being requested or why. Hamlet's indecision is perhaps less stereotypically "modern" (although realistically, it is probably very modern, given the ever increasing complexity of today's society, which make it harder and harder, generally, for average people to make decisions).
here do I fit in? I guess I am "modern" only to the extent that Hamlet as a character is modern; and for those same not very encouraging reasons. Pre-18th century according to Margreta de Grazia….

Of course, Hamlet would then likely assume the throne, but Hamlet seems to have little interest in ruling, as he scoffs when Guildenstern and Rosencrantz say that it is his frustrated ambition that makes him melancholic. Hamlet is a rational and philosophical individual, hence his constant self-searching about the nature of the ghost, about the possibility of an afterlife that no traveler may return (if the ghost is a devil), but he also emotionally wants to avenge his father's death, as he does believe his father has been murdered. Hamlet's emotions and intelligence are often in conflict, which makes him a less effective 'adventure hero' than the ruthless and cold Fortinbras.
In contrast to Fortinbras, Hamlet has much more sympathy with Laertes' quest to avenge a murdered father, even though he is the cause of the other young man's outrage. Hamlet accidently kills Laertes' father Polonius while Polonius is spying….

Hamlet" by William Shakespeare
The play "Hamlet" by William Shakespeare has a story that revolves around the main themes of revenge and search for the truth. Shakespeare's male characters, in particular, are portrayed somewhat villainously because of the element of revenge inherent in each character's motivations in the play. Among the male characters in the play, the characters of Hamlet, Laertes, and Fortinbras emerge as the most remarkable among the numerous character in Shakespeare's piece. Many characteristics are shared among these three primary male characters. The first characteristic is that they possess the vitality of their youth, and the second one is that all of them face the world in an idealistic and somewhat naive perspective. Their being young, naive, and idealistic are the main reasons why, throughout the play, they have resorted to radical actions and behavior that will cause either their victory or downfall.

This paper will conduct a….

Hamlet
The play "Hamlet" by William Shakespeare contains a rich diversity of issues and relationships, some of the greatest of which concern those between father and son. These relationships, most notably those between Hamlet and the late King Hamlet, Fortinbras and Old Fortinbras, and Polonius and Laertes, demonstrate a number of significant, unique characteristics as well as several themes that are both timeless and universal.

The first evidence of father/son conversation occurs when the Ghost appears to Hamlet in Act One Scene V. The father's spirit imparts essential information to Hamlet about the circumstances of his treacherous murder at his brother's hands, which in turn precipitates Hamlet's long agonising and plotting. Despite the initial dramatic impact of Hamlet being addressed by a ghost, the conversation reveals that the relationship is effectively typical, in that the father enlightens and guides his son. However, it is also exemplary and exceptional in that the father….

He does however, have a reason for his treatment of these people. In the case of the king's courtiers, Rosencrantz and Guildenstern, they can be seen as plotting against Hamlet and being 'two faced' in their treatment of him" (Hamlet).
From the above evidence, it is clear that due to the consequences of the actions of characters, lives are destroyed, which can be seen from the direction of the stage. Along with that, in many of Shakespeare's plays, it is clear that each main character is a symbol and personifies something. A good example of this would be the fact that Hamlet represents the portion of society who an excessive amount of time thinking about matters, which could destroy people's lives if action is put into play. This becomes apparent at the end of the play when many of the characters (including Hamlet) die due to this particular trait. For….

" This madness likely leads to Ophelia's suicide but, consistent with the entire theme of this play, the exact nature of Ophelia's demise is left to speculation.
The fascination with Hamlet is uncanny. hat provides this fascination is the fact that there is always more to what is going on in the play than what actually appears to be. Observers of the play are left with an overwhelming feeling that they do not really understand what has gone on inside the confines of the play or why. As a result, one leaves the play questioning nearly everything. Halmet, the main character, is the personification of this confusion. Throughout the entire play he is plagued by a never ending incapacity to make a decision.

This confusion continues through nearly every character in the play. Claudius is an immoral murderer but, at the same time, he is a fair and competent ruler. Polonius is….

Hamlet's enigmatic behavior so upsets Ophelia that she drowns herself, making Laertes even more set on revenge. Eventually these two deaths lead to a duel (provoked by Claudius) between Hamlet and Laertes, No one wins.
Laertes kills Hamlet with a poison-tipped sword; Hamlet kills Laertes. Gertrude drinks poison intended by Claudius for Hamlet. Hamlet, dying and seeing his mother already dead, forces the remaining poison down Claudius's throat. Conrad suggests that even with all of his flaws, including extreme procrastination, Hamlet is "essentially courageous" (680). Ultimately then, due either directly or indirectly to Hamlet's failure to act sooner and more decisively in avenging his father's death, everyone, yet no one, is avenged.

The catalyst for the tragic events that take place within Shakespeare's Hamlet is the title character's indecisiveness, leading to an unfortunate series of ill-timed; poorly executed events ultimately resulting in many deaths, most importantly that of Hamlet himself.

But at….

The film may skip scenes like this, and others, to tell the story more quickly, and arguably more dramatically. This may also be because films are expensive to make, so every omitted scene saves money. Polonius has more scenes in the play than the film. In the play, he is a key character, second only to Hamlet, Gertrude, and Claudius. In the film, he almost seems like a minor character.
The relationship between Hamlet and Ophelia is shown more in the film, possibly because the filmmaker wants to emphasize their romance. In the film, Ophelia and Hamlet are often alone together. In the play they are usually with others: In Act II, again, scenes from the play are shortened or omitted from the film. Scene I of Act II, has an exchange between Polonius and Reynaldo (1-72) then on- between Polonius and Ophelia (74-120). In the film we only see….

Hamlet clearly melancholic view of the future of humanity, although he is capable of acknowledging goodness, as he does when he praises Horatio's character before the play-within-a-play, and he even praises Fortinbras' action in the name of the Norwegian's own father, although it goes against the interest of the Danish state. Finally, Hamlet admits that Laertes has a right to be angry on Polonius' account, as Hamlet's rash actions killed Laertes' father, even while Hamlet strove to avenge his own father. Thus, rather than a desperate view of human morality, Hamlet's inaction seems to arise from a combination of paralyzing depression about the nature of acting in a meaningless world and internal self-doubt. He also has an over-active intellect that enables him to rationalize both the murderous instincts of people going against his own interests like Laertes, and as well as his own revulsion at murder, as when he foolishly….

This explains the indecisiveness of Hamlet to remove Claudius and a strong barrier between Gertrude and Hamlet is made by him so as he will never express his true emotions for her. Hamlet feelings for Gertrude will be disguised by the ones for Ophelia which aren't real as long as Claudius stayed in the way. His original indecisiveness about revenge ultimately grew and he tried to defy his order after a while. hen his mother is killed, then the reason for not killing Claudius disappears and he makes the decision to kill his him and avenge his father. His indecisiveness does cost him his life and that of his mother who was the one reason for his living (Utter 137).
The tragic flaw is of Hamlet is evident in his indecisiveness to take revenge for the death of his father. Hamlet brings up several excuses for not taking action yet….

She...handles Rosencrantz and Guildenstern with skill and diplomacy...has the accent of command with her son...witty and perceptive about Polonius...she is not stupid at her job: there she gives out and reserves herself in good proportion." (Pennington 160) Gertrude's performance in the court shows Branagh makes a commitment as a director to giving the female characters of the play individualistic integrity beyond their ability to mirror different Oedipal aspects of the central protagonist's development. "There isn't an iota of sexual energy or tension in Hamlet's confrontation with his mother," unlike Oliver's version, where a bed is featured in the confrontation scene between Hamlet and his mother in Act IV, Scene 3. (Rosenberg, 1996) Julie Christie's Gertrude is morally conflicted about what she has done, and increasingly aware that she might have married a murderer after the confrontation of the closet scene. But Oliver's Gertrude is simply infatuated with her son.….

Hamlet Annotated Bibliography
Cook, Patrick J. Cinematic Hamlet: the Films of Olivier, Zeffirelli, Branagh, and Almereyda.

Athens, Ohio: Ohio UP. 2011. Print. This book focuses on the many versions of Hamlet that have been made for the silver screen. The play by illiam Shakespeare is one of the most frequently filmed works and each version of the story has a unique perspective. Director, screenwriter, and of course actor each influence the overall position of the film. Each chooses which elements of the story to emphasize and which to underplay. Even films that use the complete text of Shakespeare's work still alter the original by the act of interpretation. By examining each version, focusing on the three four major ones, the author helps explain what was important to the artists and by extension to the audience who would have seen the film.

In the context of a paper, each film would be watched and….

..render up myself...Doom'd for a certain term to walk the night...And for the day confined to fast in fires, / Till the foul crimes done in my days of nature/Are burnt and purged away." (I.5). At first, Hamlet believes the ghost is from Purgatory because of the vividness of these images. Then Hamlet constructs a test for the ghost as he worries: "the devil hath power/to assume a pleasing shape; yea, and perhaps/Out of my weakness and my melancholy, / as he is very potent with such spirits" (2.2). In short, Hamlet begins to doubt the doctrine because the ghost ostensibly from Purgatory has asked him to commit a murder, to kill a king.
Hamlet seldom displays a consistent attitude to Purgatory in the play. In his most famous soliloquy, Hamlet says that death is a place from which "no traveler returns" indicating he doubts the ghost (III.1). Hamlet wrestles with….

Hamlet Comparison
Hamlet is arguably illiam Shakespeare's most famous of his many still existing plays. Even people who have not read the play know the basic plot of the story. Prince Hamlet of Denmark is in mourning over the death of his father who, as it turns out has been murdered by his uncle so that Claudius can take over the throne and marry the queen, his brothers' widow. Hamlet decides to act crazy in order to determine if his Uncle Claudius is indeed guilty of the act. Over the course of the story, people die and the play's climax is the final duel between Hamlet and young Laertes where both men die as well as King Claudius and Queen Gertrude. There are countless film versions of the play which represent the attitudes and artistic styles of the filmmakers who created them. One of the earlier film versions created by Laurence….

In the challenge, Laertes will put poison on the end of his weapon so that when he slashes Hamlet it will kill him. To guarantee Hamlet's death, Claudius poisons the wine that is set out for Hamlet to drink during the competition. Unfortunately, Gertrude decides to toast Hamlet's success and drinks some of the poisoned wine. Hamlet receives a slash with the poisoned tip. When he realizes that his mother is dying, he figures out that this has been a trap. Hamlet stabs Laertes and Claudius with the poisoned blade and forces Claudius to drink from the poisoned cup. In the end all of the main characters - Laertes, Gertrude, Claudius and Hamlet are dead. Earlier, Ophelia and Polonius died. Horatio is the only character left to speak to Fortinbras as he enters on the bloody scene. Fortinbras is then made the new king.
5. Claudius sets in motion all….