Theater Essays Examples

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Theatre Today

Words: 1052 Length: 3 Pages Document Type: Essay Paper #: 42104414

Theatre Today & Theatre for Me

Theatre, as a genre of creative expression, is still very much valid in the 21st century. It originated thousands of years ago, and still draws crowds in the 21st century around the world. Many of the classic plays of many cultures are still performed, as well as adaptations of other forms (such as films, songs, etc.) are transformed into plays that interest and captivate audiences. Of the plays we read in the course this term, I was able to find value in all of them, but I did not personally enjoy all of the plays.

Theatre today is sometimes based on historical events and figures, as well as new takes on old ideas in modern forms. Many plays are period pieces, and in many cities, such as New York City and London, there is a proliferation of one-person plays (one man show, or a one woman show). Theatre today connects audiences across cultures and time, and this is one aspect of theatre that appeals to me. I appreciate theatre that is stylized and inventive. Though I am interested in classic plays, many young people and young adults do not have the same tastes or…… [Read More]

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Theatre - An Art and

Words: 1078 Length: 3 Pages Document Type: Essay Paper #: 67077387



Most of Fugard's plays stand as a proof of reality reflected in theatre as an art of real life. Athol Fugard's play My Children! My Africa reflects a cruel reality of his times: South Africa's dehumanizing system of apartheid laws that denied freedom to blacks. Worried that his country would never live in peace, Fugard wrote the play in hopes that the polarization between blacks and whites would end and world will know peace, freedom and understanding between each other. The play is based on a true incident and gives good insights into the situation in South Africa.

My Children, My Africa" is inspired by real events and describes a teacher's attempt (Mr. M) to bring understanding between two of his students: one is a middle class white girl - Isabel - and the other one is a brilliant black boy - Thami - who grew up in Coketown ghetto. The path toward understanding each other is marked by pain, but in the end brings respect and acceptance between the two of them.

This humane and dedicated teacher who believes in the power of ideas, not stones, inspires the minds of the enthusiastic white schoolgirl and black schoolboy and changes…… [Read More]

Bibliography:
Fugard, Athol. My Children! My Africa!

http://www.wilmatheater.org/seasons/2006-2007%20Shows/Africa/OpenStages_MyAfrica.pdf.Retrieved on December 14, 2006
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Theatre Women in Sitcoms the

Words: 1239 Length: 4 Pages Document Type: Essay Paper #: 98142066



Towards the end of the play, after Argan finds out about the intentions of his wife and those of his daughter, he agrees for Angelique to marry Cleante, the man she really loves, as long as he agrees to become a doctor. Argan's brother has an even better idea by proposing that Argan be made a doctor himself. To this end, he calls some gypies that perform dances and rituals that make Argan a doctor. According to some versions of the play, during these manifestations, the patient suffers from a heart attack and dies.

"The imaginary invalid" is a highly intriguing play, of recurrent notoriety and secular popularity due to the multitude of themes approached. Some of the more popular of these themes include the greed of the principal character, the rivalry between the daughters and the step mother or the pursuit of financial gains.

Greed is one important element that influences the relationships between people. As it has been mentioned before, Argan is a rich man, who affords the services of doctors and apothecaries, but who still pays his bills only in half and complains that he is being robbed. Despite the fact that he disposes of the financial…… [Read More]

References:
Gaines, J.F. The Moliere encyclopedia. Greenwood Publishing Group. 2002

Roach, C. The perfect housewife: sitcoms of the 1950s. Yahoo Voices. 2009. http://voices.yahoo.com/the-perfect-housewife-sitcoms-1950s-3775574.html accessed on December 10, 2012
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Theatre English-Speaking Versions of Hamlet vs European

Words: 2617 Length: 8 Pages Document Type: Essay Paper #: 22081107

Theatre:

English-speaking versions of Hamlet vs. European versions

The many contemporary interpretations of Shakespeare enacted on the modern stage underline the fact that Shakespeare was a playwright for the ages, not simply a man of his own time. However, in the ways in which Shakespeare has been adapted to modernity, it becomes apparent that modern directors are just as intent upon revealing their own personal preoccupations as well as revealing the nuances of Shakespeare's plays. This can be seen when comparing British interpretations with European and other non-English language stagings of Hamlet. Although the most obvious difference between these two categories is that British interpretations are in the original language of Shakespeare while European stagings are enacted in translation, the difference runs far deeper. English productions tend to emphasize the psychological, internal conflict of Hamlet and view the play in terms of its psychological drama. In contrast, European interpretations of Hamlet have stressed the social dimensions of living in a Denmark that is ruled by a murderous king with a secret, a place which Hamlet calls a prison. Shifting attitudes towards 'truth' can be seen in the representation of 'truth' and theatricality in Hamlet in all nations' productions, but the…… [Read More]

Sources:
Dasgupta, Gautam. "Germany's Fourth Wall." Performing Arts Journal, 13. 2 (May, 1991):

62-77.
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Theatre Art

Words: 1343 Length: 3 Pages Document Type: Essay Paper #: 93824753

Shape of Things:

Theatrical Convention from Class: Suspension of Disbelief -- the audience is made to believe that a man or any person for that matter could become so obsessed with a single person that they are willing to completely change themselves, including having plastic surgery and destroying their interpersonal relationships for a person whose only appeal to them is a sexual one.

Potential Convention: Given the subject matter of the play and the heightened emotions the ending portrays at least on the part of one character that I would try to have the actors deliver their dialogue and their attitudes as realistically as possible.

In the Blood:

Theatrical Convention from Class: Pathos -- the audience is meant to feel sympathy for the main character of this play and to understand her sense of desperation and her inability to find a way to preserve herself and her sense of dignity and also support her children.

Potential Convention: Due to the highly tense nature of the play, it might benefit best by containing the setting as much as possible to a single setting, such as directly inside our outside the home of the impoverished family.

Wit:

Theatrical Convention from Class: The…… [Read More]

Works Cited:
Albee, E. (2000). The Goat or Who is Sylvia? Overlook TP.

Edson, M. (1995). Wit. Faber & Faber.
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Theatre Art

Words: 1594 Length: 5 Pages Document Type: Essay Paper #: 19368416

Blood by Suzan-Lori Sparks expands on the main theme of society's unfair disregard for its people of low condition in general, for women, and for adulterers. Hester La Negrita, the protagonist, is an African-American woman who struggles to survive in poverty along with her five base-born children. The family's outcast status is portrayed as a direct inducer and accelerator of emotional suffering, poverty, lack of education, and sexual exploitation.

(A) From a structural perspective, In the Blood is constructed in two acts and nine scenes, employing a linear plotline (Rush, 2005). In this sense, the play debuts with the equilibrium of Hester striving to provide for her children in meager conditions, the inciting incident represented by the suggestion to seek help from the available former lovers and fathers of her children, the major dramatic question of whether or not she will attain it, the developing action as Hester approaches Reverend D. And Chilli with this intention and is openly rejected by both, the climax when she violently murders her oldest son, and finally the resolution and renewed state of equilibrium as the tragic hero is imprisoned and can no longer provide for her children.

(A) The literary connection to Nathaniel…… [Read More]

Resources:
Bailin, D. (2006). "Our Kind: Albee's Animals in Seascape and the Goat Or, Who Is Sylvia?." The Journal of American Drama and Theatre, Vol. 18, No. 1.

Putnam, R.D. (2000). Bowling Alone: The Collapse and Revival of American Community. New York: Simon & Schuster.
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Roman Theatre History Theatre Has

Words: 1668 Length: 5 Pages Document Type: Essay Paper #: 776966

Their plays were similar to the Greeks and many of them were just translated versions. Theatre was an instrument used by the administration to keep the public from devoting much time to the political affairs. Thus any mentioning on stage regarding the political situation or activities would have serious consequences for the author for writing it and the actor for agreeing to perform it. In addition it also served as a purpose to get away from everyday life and worries. It was a part of their life and civilization. As time passed by the theatre evolved but women were not allowed to take part in it for a very long time. With the establishment of churches and the influence of popes, women faced yet another problem in getting accepted as being part of the society. Roman theatre was a major influence on the later European theatre and they learnt much from the Romans. It has played an important part in the beginning and evolution of the European theatre. Thus it is necessary for everyone especially children to know about the Roman theatre so that they would be exposed to more ideas and their mind and thoughts would be more open.…… [Read More]

Bibliography:
1) Giulia De Dominicis - Article Title: The Roman Theatres in the Age of Pius VI. Journal Title: Theatre History Studies. Publication Year: 2001. Page Number: 81.

2) Live Hov - Article Title: The 'Women' of the Roman Stage: As Goethe Saw Them. Journal Title: Theatre History Studies. Publication Year: 2001. Page Number: 61.
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English French Theatre Similarities and

Words: 1450 Length: 5 Pages Document Type: Essay Paper #: 89298775

The machines were used to create vertical and horizontal movements which had not been done before. In other words, a god could be pictured using the machine as floating down onto the stage, or boats moving across it. Night or dawn could appear, or ghosts (Lawrenson 92). Most of these machine-plays were produced at the Theatre du Marais. There is a difference here, too. The French machine plays reached the public, whereas the English masques of the early century were performed mainly for royalty. Certainly the stage sets for court ballets and opera were more elaborate and special than the public designs since they were subsidized by the royal coffers.

Both English and French theatre took over the new Italian techniques for changing scenery. The French theatre abandoned triangular prisms used in conjunction with painted backdrops. At the beginning, these were painted simultaneously and dropped over or pulled back to reveal another scene (Lawrenson 85). The scenes or the built stage had all kinds of buildings: castles, fortresses, temples, palaces, mountains, prisons, gardens, terraces, tombs, forests, grottoes, town squares, landscapes, and street scenes were included. Lighting effects were used to indicate day and night, whereas in the English theatre lighting…… [Read More]

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Musical Theatre Is Almost as

Words: 1528 Length: 4 Pages Document Type: Essay Paper #: 38163442

" Bob Fosse reached his peak with such shows as "Chicago" and "Dancin." The 1980s saw a decline of musicals, reviving in the 1990s with shows by Andrew Lloyd Weber and Walt Disney and a revival of musical comedies (Musical101.com).

For over two centuries, musical theatre has entertained Americans nationwide in urban areas as well as smaller communities. Many professionals now worry about the death of the musical. Others call it evolving rather than dying. With music and storytelling being so much a part of the heritage of this country, it is much easier to agree with those who see a continuing evolution.

Allen, Robert C. Horrible Prettiness: Burlesque and American Culture. Chapel Hill, NC:

University of North Carolina Press, 1991.

The Daily Tribune. New York: 12 March 1847.

Henderson, Mary C. Theater in America. New York: Times Mirror, 1986.

McNamara, Brooks. The Shuberts of Broadway. New York: Oxford Press, 1990.

Musical101.com "The Cyber Encyclopedia of Musical Theatre, TV and Film. 25 January 2005. http://www.musicals101.com/future.htm

Snyder, Robert. In The Encyclopedia of New York City Kenneth T. Jackson (Ed.) New Haven, CT: Yale University Press, 1995, 1226.

Sobel, Bernard. Pictorial History of Vaudeville. New York: Citadel Press, 1961.

Traub, James. The…… [Read More]

References:
Snyder, Robert. In The Encyclopedia of New York City Kenneth T. Jackson (Ed.) New Haven, CT: Yale University Press, 1995, 1226.

Sobel, Bernard. Pictorial History of Vaudeville. New York: Citadel Press, 1961.

Traub, James. The Devil's Playground: A Century of Pleasure and Profit in Times Square. New York: Random House, 2004.
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Musical Theatre From Musical to Film it

Words: 1090 Length: 3 Pages Document Type: Essay Paper #: 13039536

Musical Theatre

From Musical to Film

It is rare to find a quality musical that is beautifully adapted from the stage onto the screen. In fact, throughout the years, American cinema has ping-ponged between deaths and revivals where musical film adaptations are involved. Flops such as Rent (2005) and The Phantom of the Opera (2004) have shown the world the disappointing result of adaptation. Yet in essence, a successful adaptation is possible; this is evident in the likes of such musicals as Chicago (2002) and Mamma Mia! (2008), all three of which brought back the reason why people view musicals in the first place: for the glitz, the glamour, and the flair of character, song, and dance number. Yet with all of these adaptations, there is no denying the fact that each musical has carried over the same core elements that allow for the production of a movie of the same name. These elements include the musical integrity of the songs, the canonical setting of the production, and the character personalities as shown on stage.

Firstly, in all musical adaptations, it is important to follow through with the musical integrity that had been popular in the stage productions. After all,…… [Read More]

Works Cited:
Chicago. Dir. Rob Marshall. Perf. Catherine Zeta-Jones, Renee Zellweger, and Richard Gere. Miramax Films, 2002. DVD.

Edney, Kathryn. "Resurrecting the American Musical: Film Noir, Jazz, and the Rhetoric of Tradition in City of Angels." Journal of Popular Culture 40.6 (2007): 936-952. Academic Search Premier. EBSCO. Web. 7 June 2011.
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Influence of Stanislavsky Outside Theatre

Words: 1909 Length: 6 Pages Document Type: Essay Paper #: 58451423

Stanislavsky

Constantin Stanislavsky is the father of modern acting theory. His theories which he extols in his four books, My Life in Art (1924), An Actor Prepares (1936), Building a Character (1941), and Creating a Role (1961) have had an unparalleled effect on actors and acting instructors throughout the world. Acting theorists such as Vsevelod Meyerhold, Uta Hagen, and Bertold Brecht have all taken his theories into account while developing their own. Indeed, entire movements in world drama have been in part inspired by the work of Stanislavsky.

But what of his influence on Russia? During Stanislavsky's life and his career Russia went through many changes. Two major events in Russian history would determine the fate of theatre and as a result Stanislavsky. The first was the failed revolution in 1905. "The great rehearsal," Lenin called it and that's exactly what it was. The second major event was the 1917 revolution which in part turned Russia into the heart of the Soviet Union.

Konstantin Stanislavsky developed the Moscow Art Theatre in 1898. The creation of this particular theatre was important in that it differed from many of the other theatres of the time. It was a fully professional theatre organization…… [Read More]

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Subscriber Importance to a Live Theatre Venue

Words: 1129 Length: 3 Pages Document Type: Essay Paper #: 71881803

Subscriber Importance to a Live Theatre Venue

The Importance of Subscribers to a Live Theater Venue

Live theater is far different from movies and other types of venues. Unfortunately, people often do not realize that, and they take live venues for granted. When they do not see the differences or realize how live theater productions work, they do not realize the value of supporting these kinds of venues through subscriptions or sustaining memberships (Vogel, 1998). Becoming a sustaining member of a live theater venue is one of the best ways in which people who love the theater and want to support performing arts can do so, and has been for some time (American, 1966). The same is true of subscriptions, whereby people get newsletters, tickets, and other information - often in advance and at a discount compared to non-subscribers. While it may not seem significant, these types of helping hands can add up to significant money over the life of the specific play or production, and also over the life of the entire venue.

Live theater works in two ways. It can be a traveling kind of theater where the group moves from place to place with a particular production,…… [Read More]

Sources:
American Theatre. "Theatre Facts: A Report on Performance and Potential in the American Nonprofit Theatre Based on Theatre Communications Group's Annual Fiscal Survey," April, 1966.

League of American Theatres and Producers, Inc. "Release: Broadway Business Booms into 1998," 22 December 1997.
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Are Theatre Nurses Equipped With the Skills Required to Perform Pre-Operative Visits

Words: 7009 Length: 25 Pages Document Type: Essay Paper #: 79311704

Theatre Nurses Equipped With the Skills Required to Perform Pre-Operative Visits

To Perform Pre-Operative Visits?

Are Theatre Nurses Equipped With the Skills Required

To Perform Pre-Operative Visits?

Dissemination

Are Theatre Nurses Equipped With the Skills Required

To Perform Pre-Operative Visits?

Pre-operative assessment is part of the ER process that many medical professionals believe can be accomplished on the part of nurses in the unit.. The objective listed for pre-operative assessment is that special requirements for the surgery as well as the peri-operative stay should include identification and coordination of all essential resources, should inform the patients and prepare them to proceed and to ensure the patient's fitness for the procedure(s) scheduled. . The nursing team clinically examines as well as assessing all emergency patients before surgery to ensure the fitness of patients to the greatest possible extent. Strategies include, "redistributing cases from emergency to elective theatre schedules, day case emergency surgery, and booking parts of the emergency care process." Stated is that, "these strategies have resulted in significant operational clinical improvements in the care delivery for emergency and surgical patients." (NSH, 2005) Care delivery, autonomy, culture management, information managements, leadership, psychologic management and relationship management processes are all listed as…… [Read More]

Bibliography:
Walsgrove H, Fulbrook P.(2005) Advancing the clinical perspective: a practice development project to develop the nurse practitioner role in an acute hospital trust. J Clin Nurs. 2005 Apr;14(4):444-55. PMID: 15807751

Walsgrove H. (2004) Piloting a nurse-led gynaecology preoperative-assessment clinic. Nursing Times. 2004 Jan 20-26; 100(3):38-41. PMID: 14963959
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Readers' Theatre

Words: 2002 Length: 6 Pages Document Type: Essay Paper #: 3342647

Theater

Over the last several years, there has been a continuing emphasis on finding ways to improve the total amounts of learning comprehension in reading. Part of the reason for this, is because the achievement scores in these areas have been consistently declining. A good example of this can be seen with a study that was conducted by the National Endowment for the Arts. They found that the total number of Americans who are reading on daily basis has declined by 14% in over 20 years. ("National Endowment for the Arts," 2007) The reason why, is because the advancements in technology and availability of different products (i.e. video games and other forms of entertainment) have created a change the kinds of activities they are involved in. Over the course of time, this has caused most children to read less.

To address these issues and help to improve these numbers, a new program was introduced to help motivate students to read more called Reader's Theater. This is when students will read out loud different scripts (from grade level books) with the intention of helping to: improve their reading skills and self-confidence. If this approach is utilized throughout the school year, it…… [Read More]

Resources:
National Endowment for the Arts. (2007). NEA. Retrieved from: http://www.nea.gov/news/news07/TRNR.html

Baflie, C. (2007). Reader's Theater. Reading Rockets. Retrieved from: http://www.readingrockets.org/article/39/
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Hamlet A Theatre Review in

Words: 579 Length: 2 Pages Document Type: Essay Paper #: 78430484



Dane Johnston gave a stunning performance in the title role of the play. In fitting with the modern interpretation of the classic, Johnston's rendering of Hamlet is akin to the "emo" youth subculture - just as Ophelia is meant to conform to the "gothic" subculture. At the same time, Johnston delivered Hamlet's numerous long monologues with sophistication and ease, proving to the audience that you do not have to fake a British accent in order to accurately capture the Shakespearean essence of the role.

Hamlet's best friends, Horatio (Kit Fugard) and Marcella (Vanessa Downs), were also portrayed as "scene kids," but obviously of an artistic and intelligent nature. Angela Donor's interpretation of Ophelia tended to be a bit melodramatic at some points during the play; at the same time, it can be said that such over-acting may be necessary, as it is part of Ophelia's true nature.

Overall, the technical side of the show was executed quite well. The lighting was soft and sensitive throughout, never overbearing. Longstreet's score was performed on electric and acoustic guitars, with a looping machine and an octave pedal. He also used such exotic instruments as the sitar, djeme, and flute. While it might have…… [Read More]

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Creative Theatre Writing Dramatic Dialogue

Words: 495 Length: 2 Pages Document Type: Essay Paper #: 12592316

How long has this been going on?

Johnny: Now Vena, nothing's going on. Rochelle just happened to be with me when I went in to Safeway's.

Vena: (voice rising) "Happened" to be with you? It hasn't even been a full year, and already you've moved on to my family members. Is this what you meant by when you said you wanted to see other people? My family? Who's next, my mom!

Johnny: Please, Vena, don't start again. Remember, this is the whole reason why we broke up in the first place. I was going to be graduating, we wouldn't be able to spend as much time together, and you knew you would get jealous.

Vena: But with my cousin? And in my hometown? Didn't you care about me at all; didn't I mean anything to you?

Johnny: (soothingly): Really, I think you're jumping to conclusions. Rochelle wasn't hanging all over me, we were just holding hands

Vena: Goodness!

Johnny: & #8230;and it was just our first date & #8230;

Vena: First?, there's going to be more?

Johnny: & #8230;and furthermore, she told me she's still seeing Roger, okay? There, doesn't that all make perfect sense?

Vena: Johnny Metucci, you are…… [Read More]

Resources:
Johnny: & #8230;and furthermore, she told me she's still seeing Roger, okay? There, doesn't that all make perfect sense?

Vena: Johnny Metucci, you are incorrigible! For the first time ever, I'm glad that you dumped me last year. I think you, Rochelle, Roger, and whoever else is in your lover's triangle all deserve each other.

Johnny: Funny, I think that's the same thing your mother said.
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Compare and Contrast Traditional Theatre Grecian to Modern Theatre

Words: 2730 Length: 7 Pages Document Type: Essay Paper #: 2326355

Classical and Modern Greek Theater

There are clear connections between the classical and modern theater in Greece - just as there are clear connections between the theater of classical Greece and the modern theater of the West in general. Much of what we believe to be proper theater-making comes from classical works: We still use many of the same ideas about character, about motif, about plot. But even as many of the internal structures have remained the same, the culture in which the plays of ancient and modern Greece are written and produced has changed dramatically, thus changing the content and understanding of the plays themselves. We can see how theater has changed (and how it has not) by examining one particular aspect of that runs through so many Greek plays, the concept of free will.

The works of the ancient Greek playwrights are difficult for us to read within the context of the 21st century because most people today believe in the validity of the idea of free will. This inclination towards believing in the importance of free will is especially important for Americans, since we have all been (more or less) raised by the national philosophy that dictates…… [Read More]

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How Shakespeare's Globe Theatre Mirrored the Society in the Unity of Order

Words: 2621 Length: 8 Pages Document Type: Essay Paper #: 84898701

William Shakespeare was born into a world of words that took him from cold, stone castles in Scotland to the bustling cities of Italy and the high seas of colonial change. An emblem of the Renaissance, the Bard of Avon was not only the conqueror of his own mind and pen, but also of the language of his own social, political, and religious reality. His theatre, the epic Globe, mirrors the stories of the early, bustling London and ever-morphing England in the duration of its own life, from plank and dirt to flame and fame.

By 1598, Richard Burbage was the practicing don of the London theatre world, extending his fingertips for production all over the lively center of British commerce and governance. His players, a collection of all-male actors, were widely recognized throughout the theatre world, one of the only sources of popular entertainment.

Burbage produced the works of a variety of writers, including William Shakespeare, in his own space called "The Theatre." That year, however, Burbage ordered his company to pull down The Theatre and remove its timber to Bankside.

London was ripe with theaters, including the Hope, Theatre Royal at Whitehall, The Fortune, and The Blackfriars, among…… [Read More]

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She Loves Me Theatre Essay

Words: 661 Length: 2 Pages Document Type: Essay Paper #: 59628128

Roundabout's She Loves Me stars Jane Krakowski and Laura Benanti. Other key performers are Zachary Levi and Gavin Creel. Music is by The Jerry Bock and features classical tunes like "Will He Like Me," "Tonight at Eight," and "A Trip to the Library." In the scene the introduces the song "Will He Like Me," the character played by Laura is dressed in a white trench coat and hat with a sing song kind of melody and dress style reminiscent of the 1920's or 40's. Her dark brown hair looks as if it was pin curled and her makeup is faint with a light lip very indicative of classic movies like Casa Blanca.

Jane Krakowski sings "A Trip to the Library and while the set seems a bit a simple throughout the show, especially this number, (the bedroom scene with the number "Vanilla Ice Cream" seemed lazy in its preparation especially the small little Chinese food takeout that was supposed to be the 'ice cream) the manner of dress keeps in harmony with the rest of the scenes and keeps that 'Old Hollywood' feel. A good example of that is the "M" on Jane's white blouse that was often worn during…… [Read More]

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Theatre Art

Words: 1066 Length: 3 Pages Document Type: Essay Paper #: 37629048

Dee:

The Shape of Things, a play by Neil LaBute, (A) expands on the central themes of society's distortional emphasis on appearances, and art as a potentially limitless and human-sculpting instrument. Linearly structured in three acts, the plot closely follows the problematic evolution of a student couple from a Midwest university. Starting as a discrepant match, Evelyn and Adam develop an oddly unequal relationship, as the former increasingly impacts major changes in the apparel and psychological onset of her partner, who complies with every single suggestion out of innocent devotion.

The public clarification scene from the third act has a great potential for theatricality due to the fact that it comes across as a bitter surprise and a ruthlessly planned humiliation, yet admittedly it challenges the cultural and ethical boundaries concerning art and the human being as object for art. The reason why a large part of the audience exhibits revulsion at every stage of the presentation is that they perceive a major disregard of personhood in Evelyn's stealth and methodic sculpturing of another individual. Specifically, Adam had not been aware that he was being manipulated as case study, and harbored genuine feelings for his girlfriend which caused him to…… [Read More]

Sources:
Allen, James Sloan. "Tolstoy's Prophesy: "What Is Art?" Today." New Criterion, December 1998: 14-17.

Antakyalioglu, Zekiye. "Chaos Theory and Stoppard's Arcadia." Journal of Istanbul Kultur University, March 2006: 87-93
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Arts Music Film Literature and Theatre

Words: 2572 Length: 8 Pages Document Type: Essay Paper #: 93856208

1939, John Steinbeck published his novel The Grapes of Wrath, and that same year the film version of the story was released. The film was directed by John Ford and was very popular, and the book and the film together reached millions of people. In writing this novel, Steinbeck reflected many of the social, economic, and political currents of the time. The story is set in the Great Depression era, and the Depression was still have its effect in 1939. What would bring about the end of the Great Depression was already starting in Europe, meaning World War II, which does not impinge directly on the story of the Joad family but which we can see from our standpoint today was about to bring about massive changes in American society. The very nature of the story of the Joads, however, links that story to the Depression and its effect on the fortunes of farmers and others in the 1930s.

John Steinbeck shows that common people like the Joads are affected by economic changes which are not of their own making. At the same time, this family is still responsible for many of its own problems. It is evident that Steinbeck…… [Read More]