Sign Up Now
Get instant access to over 1 million+ study documents
OR
Already registered? click here to login
By creating your account, you agree to our terms of service, privacy policy and student honor code.
Art
Blessings
Zhang Huan's exhibit "Blessings" is at PaceWildenstein Gallery in Chelsea it just open. Huan is a Chinese artist who uses different materials to make everything from sculptures to silkscreen and paintings. His work is very modern, and some of it is very odd, like "Giant No. 3," made of cowskin, steel, wood and polystyrene foam. It is like a big, padded figure sitting on the ground, and it almost looks pregnant or something, even though it seems to be male.
Some of this artist's work is very traditional, like "Going to Work" (2007), except he uses different materials. Like this piece, it is made of ash on linen, he uses only the grains of ash from burned incense to make this, and it is very fascinating to think he could material like this to make art. It gives very fine texture in black, white, and grays and it can be very detail, too. It is strange medium to use, but it works, and he even did a live painting on the sidewalk in front of the 22nd Street gallery using the same material.
A especially like "Memory Door Series," where the artist uses silkscreen and mounts it on an antique wooden door. He then carves parts in the door, and lets the silkscreen go around them and through them. It is very beautiful, and the carving is very detailed and graceful. I like one where the man is standing with his back to the viewer, and there is a carved, delicate tree coming out of the silkscreen. It is very beautiful and moving somehow, almost like I was really there, in China, looking at this scene. I like the way the artist created shadows, too, that make the piece seem three-dimensional.
A also like the door called "Library" that looks like bookcases of books with a desk in front of them. It reminds me of the school library, but it is more detailed, and the books seem to go on forever. I like that this artist, like so many we see, has different talents. He can sculpt, he can carve, he can paint, and I like that he puts these all together in very unique works.
Fine Arts Los Angeles Fine Arts Building "Form follows function" may be a cliche nowadays, one that's parroted in chic commercials for high-end, luxury sedans, but at some point, before the phrase devolved into a catchphrase for Cadillacs, it had real meaning. The architects who designed and built the Los Angeles Fine Arts Building knew what it meant, and they applied that philosophy to their stunning 12-story masterpiece in the city of
Thus, we assume that children gifted in the arts are every bit as intellectually endowed as those with academic gifts. The relationships among giftedness, talent development, and creativity are challenging areas of research. Because researchers lack consensus about what constitutes creativity itself, progress in developing operational definitions of "creativity" has been slow (Clark & Zimmerman, 1992-page 344; Csikzentmihalyi, 1996; Hunsaker & Callahan, 1995-page 2). Although some scholars agree that creative
The line that forms the corner of the wall behind her is much more definite and concrete, but it almost appears as though there has been an attempt to obliterate notions of line in the woman herself -- the folds of her clothes resist any distinguishability. The different uses of line by these two artists also show up in their simple geometry. In his self-portrait, Picasso uses almost no curved
Henri Matisse Still Life after Jan Davidsz. de Heem's 'La Desserte' Henri Matisse was one of the great "colorist of the 20th century" and is one of Picasso's rivals in the area of innovations. Matisse is reported to have "emerged as a Postimpressionist, and first achieved prominence as the leader of the French movement Fauvism." (The Art Story, 2011) Matisse was interested in Cubism but rejected this seeking rather to use color
At this level, focus should be on meeting the needs of the graphic design industry. It is at the graduate level where intense discussion of theory should be developed. I agree with Frascara on this point. In most disciplines, such discussion is typically conducted at the graduate level. The average graphic design student can benefit from this work where applicable, especially if Frascara's proposed reference centers are created. One of
Still, Mohist impact was considerable. The Legalists embraced the Mohists' authoritarian concepts. The Confucians and Taoists both acquired meaning and intensity from responding against Mohist rulers. And the universalistic social vision of Mohism helped motivate comparable propensities in later on, post-classical Taoism. In addition, Chinese reformers of the nineteenth and twentieth centuries, typically discovered Mozi an interesting exemplar of the committed social reform (Kirkland, p. 4-5). The idea of reform