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The group does not end up at a house or on the road or at a castle but in a garden, at work where new seeds can grow, yield produce and perhaps enhance the quality of life.
As members of a small group of individuals away from the world's corruption, they can each have a personal task as well as set and reach goals together. This, after all, is what society is: A group of individuals with similar values and beliefs that are working for the common good. The object is to try and destroy the weeds that will do their best to choke and eat away at the seedlings, so the plants can grow and provide food, shelter, clothing and other necessities.
Despite the horrors that all of them have seen and individually faced, they know that boredom, doing nothing, is a worst fate of all. The woman asks rhetorically if it is worse to be raped scores of times by pirates, have a buttock cut off, run the from the Bulgarians, and be flogged and hanged in the galleys -- that is, to go through all these horrors they have experienced -- or stay where they were and do nothing? The new gardeners also know that growing crops is unlike the destruction and suffering...
It does not involve using people for their own economic gains or pleasure. In addition, they know that poverty is another thing to avoid at all costs. It puts people in compromising positions.
The garden does not necessarily have to be exactly just a garden, either, since Candide is an allegory. The garden can stand for other things that people do together. It can be creative activities such as music, dance and theater. or, it can be coming together for education in a school or other learning center. It can be joining as a societal unit for political reasons. or, it can mean helping one another, especially those in need, as volunteers. In a society, the soil can be cultivated in many ways. That is only way it can survive.
Aside from Candide and Pangloss, the character who suffers the most in this novel and demonstrates that the world is far from the best of all possible places is Cudgeon's servant, the old woman. With the characterization of the old woman, Voltaire makes it quite clear that he is satirizing human suffering and the value of philosophy that seeks to endorse or even defend one's existence in such a cruel
Candide LIFE IS WORTH LIVING Voltaire earned much fame and criticism at the same time for his powerful crusade against injustice and bigotry, expressed in brilliant literature. He went up against the government and the Catholic hierarchy, particularly because of the Grand Inquisition. His character, Candide, was very much patterned after his own personality and experience, but his character begins by believing in goodness as prevailing in the world and ends the
" (Voltaire, Chapter 30) as much as the reader might have suspected Pangloss' increasing embitterment, irrational emotional ties to creed, in the world of the novel, still hold true, although rather than believe him or attempt to show disrespect towards the former tutor who has proved so useless to him, Candide stresses that the mans remarks are "excellently observed...but let us cultivate our garden." (Voltaire, Chapter 30) Let us, in other
Voltaire's "Candide" is several novels rolled into one. (Homer and Hull, 1978), he returns to the life of a commoner. His life has gone full circle. From flights of fancy, he derives pleasure from one of the most basic occupations -- farming. Voltaire's epic works at several levels. His disdain for philosophies at the cost of realism is evident. Pangloss, the "metaphysico-theologo-cosmonolonigolo" ic tutor is not particularly equipped when confronted
Candide written Voltaire. You Candide-Literture.org find story. It long. Here a web site Characters Candide Young Baron Cunegonde The Old Woman Cacambo Pangloss Paquette Brother Giroflee Dervish Scene I: Candide's farm, a fairly lonesome plot of land with doting greenery lining the unkempt fields. In the back there are a few dilapidated farmhouses, anemic looking cows, and other visible signs that the place is in a state of decline. Candide stands before the Young Baron, an incredulous look smeared across
Candide In his signature work Candide, French author Voltaire offers an extensive criticism of seventeenth and eighteenth-century social, cultural, and political realities. Aiming the brunt of his satirical attack on the elite strata of society, Voltaire simultaneously criticizes some liberal Enlightenment philosophies. Voltaire mocks the authority of both Church and State, showing the corruption inherent in each. Similarly, the novel points out the insipid arrogance of the aristocracy, especially via his