Voltaire's "Candide" is several novels rolled into one. (Homer and Hull, 1978), he returns to the life of a commoner. His life has gone full circle. From flights of fancy, he derives pleasure from one of the most basic occupations -- farming. Voltaire's epic works at several levels. His disdain for philosophies at the cost of realism is evident. Pangloss, the "metaphysico-theologo-cosmonolonigolo" ic tutor is not particularly equipped when confronted with life's harsh realities. In the long run, there is a reversal of roles: from Candide's starry eyed wonderment of Pangloss' learning, to Pangloss' life at the pleasure of Candide.
The essay will argue that in keeping with the alternative title for Candide -- Optimism -- throughout the narrative, Candide always looks ahead to the future. His travails would have put paid to most people. But his optimism and will to survive enables him to use all his abilities to protect himself and those he loves -- even by killing. There is an element of luck that perhaps veers away from the logic of the narrative. Candide's optimism and fresh-faced approach to life is fraught with na vete. Some of that na vete comes from learning concepts from the perspective of idealism from a theoretician like Pangloss. As the narrative progresses, one can consider a graph in which one axis extends from zero realism (100 per cent idealism) to the other end (of the narrative) where the relative amounts of realism and idealism are reversed.
The beginning of the narrative finds Candide living at the pleasure of one of the most powerful noblemen of Bavaria. He falls in love with the baron's daughter Cunegonde. The baron espies them kissing and casts Candide out of the castle. Thus, begin his travails. The conclusion of the narrative shows that Pangloss, Martin (another philosopher-character) and Candide cannot get away from philosophical discussion about the meaning of life and the origins of good and evil.
But in the scheme of things, these discussions merely serve as idle distractions which have no bearing on any of their lives. Indeed, the last line of the literal (English) translation sums this up well. "That's well said,' replied Candide, "but we must cultivate our garden.' "
So is Candide about the horrors visited upon the protagonist and those near and dear to him? Or is it that the main cast of characters find themselves in the historical scheme of things? In order to understand why Candide's story is one of a fruitful life because he came through physically and emotionally anguished times, one must obtain a perspective of the difficulties that Candide went through.
When Candide is expelled from the castle, he is conscripted into the Bulgar Army. Then he is wrongly accused of deserting. He has to choose between death and running the gauntlet 36 times, that is, being beaten by the entire Bulgar army for every time he runs the gauntlet. He is saved from certain death by the King of the Bulgars who takes pity on Candide. Eventually, Candide escapes. In Holland, he hopes to find succor. But the country is going through the effects of a war and famine. And all the protestant clergy can do is offer lame platitudes that bear little resembling social awareness. Candide challenges the clergy and he is met with remonstrations and castigations. An Anabaptist named Jacques takes Candide in and provides him with succor. Later, Candide meets Pangloss and discovers that his beloved has been murdered with her entire family. While traveling to Lisbon, Jacques drowns in a storm. Candide and Pangloss arrive in Portugal to find that it is under the control of the Inquisition. Here Candide discovers Cunegonde is alive and a sex slave of the Grand Inquisitor. Candide kills Cunegonde's enslavers and the couple escapes to Buenos Aires. Candide and Cunegonde plan to marry, but as soon as they arrive in Buenos Aires, for financial reasons she marries the governor of Buenos...
Candide In his signature work Candide, French author Voltaire offers an extensive criticism of seventeenth and eighteenth-century social, cultural, and political realities. Aiming the brunt of his satirical attack on the elite strata of society, Voltaire simultaneously criticizes some liberal Enlightenment philosophies. Voltaire mocks the authority of both Church and State, showing the corruption inherent in each. Similarly, the novel points out the insipid arrogance of the aristocracy, especially via his
On the one hand his gesture can be interpreted as the desire to reconstruct the original garden of paradise. This hypothesis could be supported by the name of the character and the reader could understand that he maintains his innocence despite having seen and experienced the evil which characterizes the real world. The fact that he dedicates himself to gardening also suggest that his awareness regarding the fact that if
Candide LIFE IS WORTH LIVING Voltaire earned much fame and criticism at the same time for his powerful crusade against injustice and bigotry, expressed in brilliant literature. He went up against the government and the Catholic hierarchy, particularly because of the Grand Inquisition. His character, Candide, was very much patterned after his own personality and experience, but his character begins by believing in goodness as prevailing in the world and ends the
This section of the novel opens our eyes to the real monster of the story and, as a result, we feel sympathy for the creature. His desire to learn about life and the world around him is amazing and his encounter with the De Lacey family demonstrates just how much he wants to makes friends and be a part of his "community." He teaches himself to read and attempts
He has refused to see the world clearly for so long, that once he has no choice other than to apprehend reality with its full force, it hurts him to see Cunegund grown ugly and shrill, and himself in mean and reduced circumstances. He resolves to find some inner strength and bear down upon his ill temperament, to make his garden grow and to take pleasure in the simple tasks
" (Voltaire, Chapter 30) as much as the reader might have suspected Pangloss' increasing embitterment, irrational emotional ties to creed, in the world of the novel, still hold true, although rather than believe him or attempt to show disrespect towards the former tutor who has proved so useless to him, Candide stresses that the mans remarks are "excellently observed...but let us cultivate our garden." (Voltaire, Chapter 30) Let us, in other
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