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Evangeline is Longfellow's epic historical love poem-based loosely on American and Canadian history. Subtitled "A Tale of Acadie" by Henry Wadsworth Longfellow, the poem traces the tragic tale of titular heroine Evangeline. She was separated from her husband and reunited with him after years of traveling and searching not unlike the story of Ulysses. Setting and culture are especially poignant themes in Longfellow's poem. At the outset, the poet establishes the tranquility of Acadie and then later details the hardships of life in North America and especially the French and Cajun cultures.
In Part One, Canto 3, Longfellow writes of the " the tremulous tides of the ocean." In Canto 4, Evangeline cries out to Gabriel with a "tremulous voice" and similarly in Canto 5 the Acadian peasants sing with "tremulous lips." In Part 2, Evangeline again has a "tremulous accent," and in Canto 3 of Part Two, Longfellow describes the "tremulous gleam of the moonlight," again using the word to describe both human and natural phenomena. Signifying the condition of trembling, the word evokes anxiety, fear, trepidation, and even epileptic seizure. The sense of impending doom pervading the poem and the theme of death and travesty are encapsulated by this word, used repeatedly but judiciously by Longfellow. When Longfellow uses the word tremulous to describe the tides of the ocean and the gleam of the moonlight, he personifies those natural elements to connect Evangeline's experiences with the natural world.
The phrase "like the tremulous tides of the ocean" is a simile: Longfellow here compares Evangeline's body with the undulating tides using the word "like" to denote the comparison. The phrase "the infinite meadows of heaven" is a metaphor for a starry night (Part One, Canto 3). Also in Part One Stanza 3, Longfellow alludes to fairy tales about goblins but also to Christian scripture and legend: "how on Christmas eve the oxen talked in the stable." When Longfellow describes the statue of Justice in Part One, Stanza 3 the poet uses personification: "a brazen statue of Justice / Stood in the public square, upholding the scales in its left hand." The statue is depicted as being human.
The mood of "Evangeline" is romantically tragic, full of emotion and suspense. The poet's use of natural imagery creates the romantic tone, but the motifs also signal tragedy.
Tales In the 17th century, fairy tales were miles apart from the versions we read and watch today. Endings would not always be as happy as we know them to be and there were far more complications, perversity and brutalities. For instance, in Sleeping Beauty, the girl is not kissed and awakened by her prince; rather, he rapes her and makes her pregnant while she is still unconscious. I plan
Media presentations of justified violencemay also change the belief that violent behavior is wrong, encouraging the development of pro-violence attitudes. […] Violence is acceptable because it is not real, therefore "victims" do not really suffer (Funk et al. 26). Given this serious -- and well-documented -- consequence of even imaginary violence, writers and readers of fairy tales should exercise care that their depictions of violence are truly relevant to the
popular culture is relatively young and new in modern society. Sociologists and psychologists began to pay attention to it only at the end of the nineteenth century and at the beginning of the twentieth. Popular culture is a set of values, customs and system of beliefs which are common for people of different financial, class and gender background, so that it forms a wide group of people which goes
film "Pretty Woman" is, in many ways, a modern day Cinderella story (Kelly 1994). To begin with, the major premise of both stories is that a woman of extremely low social standing succeeds in joining with a man of power and wealth. Additionally, both tales involve an element of deception: the females are forced to pretend to be something they are not. Also, both women are rescued from their
CinderellaDisney\\\'s animated Cinderella is a classic fairy tale film that was first released in 1950. The story follows the life of Cinderella, a young girl who is mistreated by her stepmother and stepsisters after the death of her father. Despite her difficult circumstances, Cinderella remains kind and hopeful, and ultimately wins the heart of the prince with the help of her fairy godmother.The Grimm version of Cinderella, also known as
product of a virtual exploration about art in Babylonian culture. I chose the Striding Lion of Babylon after carefully sampling the digital pieces of art at Royal Ontario Museum and the Oriental Institute Museum. The artifact I chose was crafted and sculpted on glazed brick-wall as a relief. The lion is a symbolic representation of the iron age of the Neo-Babylonian art. The piece dates back to around the