Effectively, then, the insurgency is leftist, and in the cases of these films, the left wins, either by proxy or by morality and the world is once again a better place. REFERENCES and WORKS CONSULTED Braudy, L. And M. Cohen, eds., (2009). Film Theory and Criticism. Oxford University Press. Burgoyne, R. (2010). Film Nation: Hollywood Looks at U.S. History. University of Minnesota Press. Hayward, S. (2006). Cinema Studies: The Key Concepts. Routledge. Santas, C. (2007).

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Kill Bill Scene Analysis Quentin Tarantino's approach to cinema is unique and refreshing. In Kill Bill, Vol. 1 (2003), Tarantino tells the story of a woman, The Bride, hell-bent on seeking revenge on the elite group of assassins, the Deadly Viper Assassination Squad, and their leader, Bill, after they attacked and killed her wedding party and left her for dead. Tarantino's use of mise-en-scene and scene composition helps to establish an

Pyotr Ilyich Tchaikovsky's 1812 Overture is a classical piece that has historical roots as well as many roots in modern pop culture. Some argue that it is probably one of the most popular classical pieces of all time. Tchaikovsky was a Russian composer who specifically wrote this piece to memorialize the 1812 defense of Russia when Napoleon and his forces attacked Grande Armee in 1812. However, the piece was actually

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