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Women do play some role in the promotion of the tough guise image. Whether they would like to admit it or not, most women's idea of a man is one that is strong, macho and protective of them. The saying that, 'Nice guys finish last' has some truth to it. Many women look over the shy, quiet type of man because of the images they have seen in the media and in everyday life. This type of man has no appeal because he is seen as a pushover and the women feel that he could not protect and care for them the way a tough guy could.
The film covered several aspects of the reasoning behind the tough guise. He discussed how the image in perpetuated in young boys almost from the day they are born. He covered how the image plays out along racial and class lines. The fact that he showed several different males who seemed to be from various backgrounds giving practically the same answer to why males have to be tough gave evidence and sort of validated what the...
But, the image of the tough guise is so prevalent throughout all races and classes that it seems nearly impossible to make a chance. Chances are that the majority of parents would rather their son play a sport than become a ballet dancer. It might help for women to get more involved in this tough guise issue. By taking a more active role in their son's development and letting them know it is okay to have and show their true feelings, maybe the cycle will begin to break. This film could also be used in any discussion about other types of inequalities between the sexes, but again women will have to stand up and take on larger roles in order for there to be some type of change. It is no longer acceptable to sit back and say it is a man's world. Women have to work together to make this world equal for both sexes.
Scorsese cuts to a boring subdivision: Henry Hill exits his boring house in a bathrobe, stoops to get the newspaper "just like anybody" else, and for a moment remembers that he used to be a gangster. Scorsese cuts to a clip of the violent thug Jimmy (played by Joe Pesci) firing rounds point blank at the audience, and then cuts back to Henry who is either smiling or grimacing
The documentary film Tough Guise provides many more striking and direct examples of the manner in which aggression in all three forms discussed by Kauffmann have become a seamless part of male identity in our society. From the association of aggression and physical prowess with sexuality and performance capabilities to the extreme pressure in minority communities to conform to specific masculine identities as a way of asserting independence, male violence
O Brother, Where Art Thou? Homer in Hollywood: The Coen Brothers' O Brother, Where Art Thou? Could a Hollywood filmmaker adapt Homer's Odyssey for the screen in the same way that James Joyce did for the Modernist novel? The idea of a high-art film adaptation of the Odyssey is actually at the center of the plot of Jean-Luc Godard's 1963 film Contempt, and the Alberto Moravia novel on which Godard's film is
Gender and Communication Fight Club: A world of feminine influence barring open communication David Fincher's Fight Club released in 1999 has acquired more than its due share of critical analysis by many critics and viewers while the film embodies a variety of themes including the often uttered gender and communication issues. Among other themes many have found isolation, emasculation, consumer culture, violence and even lack of father figure. In this paper we're
The role of sex in advertising is even more blatant in a food advertisement of an ejaculating Tabsco sauce bottle over a split bake potato -- hot and spice as a metaphor for intercourse. Sex sells: a woman wants to be desired by a man which requires the perfect figure, in the perfect low-cut dress with the perfectly matching nail polish, and a man can only be desired by a
Sociology and Feminist Theories on Gender Studies Postmodern Feminism in "Cherrie Moraga and Chicana Lesbianism" In the article entitled, "Cherrie Moraga and Chicana Lesbianism," author Tomas Almaguer analyzes and studies the dynamics behind Moraga's feminist reading of the Chicano culture and society that she originated from. In the article, Almaguer focuses on three elements that influenced Moraga's social reality as she was growing up: the powerful effect of the Chicano culture, patriarchal