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Uprooted from their native "bored, swollen, sprawling towns beyond the Ohio" to Paris or, closer to home, Long Island, they at first reveled in the freedom that supporting their lives on the strength of their own ambitions entailed. Gatsby's ambition was love. But when that love is finally and conclusively denied, nothing is left to take its place. The last support buckles.
What remains after the collapse, Nick realizes, is a twilight world populated only by brute material forms without the spiritual content necessary to make them truly "real." This is the true face of the Lost Generation: no longer hoping for a message of salvation that never arrives, and "perhaps" no longer even caring. Nick imagines Gatsby shivering at the prospect of spending the rest of his life among the other "poor...
In Gatsby's case, the end came suddenly; even if it hadn't, the Crash was looming.
Confronted with this vision, Nick -- himself among the lost, estranged from his own origins in the "old warm world" -- decides to return to the West rather than risk suffering the same fate. Gatsby's dream, Nick tells himself, was actually to return to his own origins, to find himself again in the South Dakota he had not so much fled as lost. After all, he says, 30 is too old to confuse honor with deceit.
Works Cited
Fitzgerald, F. Scott. The Great Gatsby. New York: Charles Scribner's Sons, 1925. Print.
Works Cited
Fitzgerald, F. Scott. The Great Gatsby. New York: Charles Scribner's Sons, 1925. Print.
Topics The theme of unrequited love in The Great Gatsby Discuss the fallibility of youth in The Great Gatsby Discuss the primacy of socioeconomic status as it manifests in The Great Gatsby: which characters confront it with the most grace? Which with the least? If Daisy and Jay had been members of the same socioeconomic class would they have ended up together? Why or why not? Provide textual evidence. Nick Carraway goes to great lengths
It also has a "Merton College Library" (93) inside along with period bedrooms were "swathed in rose and lavender silk and vivid with new flowers" (93). Nick tells us that the house has "bathrooms with sunken baths" (93) and Gatsby a private apartment in the house complete with a "bedroom and a bath, and an Adam study" (93). The bathroom even has a toilet seat of "pure dull gold"
" Prohibition, the Red Scare, and the Klan were responses to the flapper, reflecting anxieties about newly pluralistic demographics in the form of Mexican and Japanese immigrants as well as Africa-Americans and religious minorities such as Jewish people and Catholics. Many Americans saw modernity, as they conceptualized it, as a curse, not a blessing. The causes of the "Modern Temper were thus a culture clash of old and new, of
Sunset Boulevard is a classic film noir produced in 1950 and directed by Billy Wilder. The film begins with the murder of Joe Gillis, a floundering screenwriter who ends up dead in a swimming pool. "Poor dope," the voice over says. "He'd always wanted a pool. Well, in the end he got himself a pool, only the price turned out to be a little high." The voice over, delivered in
As we have already mentioned, the mood and tone for moral corruption in New York City was prime in the 1920s and while it may seem there are the rich and the poor, class distinction among the rich plays an important role in the novel. Gatsby's success will only carry him so far because of a dividing line that exists between the new wealth and the old wealth. This
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