Notably, the newer version omits the word "obey" for the woman's marriage vows. Likewise the phrase "Who geveth this woman to be maried unto this man?" is also removed in the current version. In spite of key differences related to tone and gender, many features have changed little in the Book of Common Prayer marriage ceremony. The exchange of rings is a similar feature. Also, the purpose of marriage is outlined to mention procreation in both texts. Heterosexual language prevails.

Thus, the general structure of the two documents are remarkably similar and shows that the Anglican Church has attempted to remain true to the original document. For example, a pithy introduction is soon followed by the exchange of vows and the "declaration of consent." The main differences between the two texts are related to tone and gender norms.

3. As one of the most powerful female characters in English literature, Ophelia has been a common subject matter for artists. Wikimedia offers a virtual timeline of depictions of Ophelia, both in painting and in theater. The depictions share in common Ophelia's frank sexuality, mysteriousness, and defiance.

Sexuality is a main theme...

A 19th century painting by Ernest Herbert shows Ophelia with large, dark, seductive eyes that stare back at the viewer. Another 19th century painting by John William Waterhouse shows Ophelia lying down in a field of wildflowers beckoning the viewer with her eyes.
Ophelia is depicted as mysteriously linked with nature. She is frequently shown amid flowers, for instance, in Herbert's painting flowers adorn her hair, and in Waterhouse's work Ophelia is either holding out flowers or lying amid wildflowers. Her connection with flowers is both an emblem of sexuality and wildness.

Ophelia is often depicted in a defiant stance. In Waterhouse's "Gather Ye Rosebuds While Ye May," Ophelia holds out a bowl of fresh flowers with a daring look on her face and her chin held high. The look is supplemented by the title of the painting, which suggests defiance.

Depictions of Ophelia show the character as being in control of her sexuality, mysteriously wild and connected with nature, and defiant in her stance. These depictions hearken to the original Shakespeare character while adding nuances to Ophelia's nature. Ophelia has become an female archetype.