Paradoxically, based on the outcome of the story, it can be argued that the snake in the crest is not poisonous or else Fortunato's "bite" would have had more severe consequences on Montressor; however, the story ends with Montressor getting away in Fortunato's murder. Symbolic foreshadowing can also be seen in the conversation about masons between Montressor and Fortunato. As Fortunato questions Montressor about being a mason, Montressor assures his victim that he is and pulls out a trowel "from beneath the folds of [his] roquelaire" (277). Ironically, Fortunato is asking if Montressor is a Freemason and not a mason by trade. Furthermore, Montressor's assertion that he is a mason also hints at how he will carry out his revenge.

Lastly, symbolism and irony are evident in the characters' names. Montressor's name can be loosely translated into my treasure, which can refer to the type of slight that was committed against him by Fortunato as he is the only...

On the other hand, Fortunato's name is wrought with irony as his name can be loosely translated to lucky one, which he is most definitely not.
Throughout "The Cask of Amontillado," symbolism and irony are used to foreshadow the tragic fate Fortunato will suffer at the hands of Montressor, his alleged friend. Each of the symbols -- the family crest and motto, masonry, alcohol, and character names -- serve to create a deeper meaning in Poe's story. These symbols also force the reader to pay close attention to what is occurring and what is being said, allowing Poe to not only play with words and the narrative, but also with his audience.

Works Cited

Poe, Edgar a. "The Cask of Amontillado." The Complete Tales and Poems of Edgar Allan Poe.

New York: Vintage Books, 1975. pp. 274-279. Print.