Jerome Robbins: "Normal" Artist

Jerome Robbins: Something to Dance About Judy Kinberg's 2009 motion picture Jerome Robbins: Something to Dance About provides a view into the life of a person who played a significant role in the twentieth century's art movement. Jerome Robbins used his mastery to make Broadway musicals much more intriguing and choreographed some of the world's greatest ballet dancers. The film uses a great deal of resources with the purpose of providing viewers with a complex understanding of the artist's life.

Things like personal journals, confessions from witnesses that interacted with Robbins (some of them were close to him), and videos showing his performances all come together in painting a picture of the artist. It would be safe to say that Robbins changed the way that many people perceived dance and music. His involvement in the industry provided these people with a completely new point-of-view on the domain and made it possible for them to evolve in ways that they did not thought possible.

He was able to revive many ideas previously believed to be obsolete, taking into account the way he took these respective ideas, restructured them, and presented them to the masses. The film is made so as for viewers to appreciate its content regardless of their condition or of whether or not they know something about the world Robbins spent most of his time in.

Many viewers are likely to become more appreciative toward dancing, signing, and toward art as a whole as a consequence of seeing the film and as a result of becoming acquainted with the resources people like Robbins invest in the domain. Even with the fact that the motion picture is accessible to a wide audience, individuals involved in the entertainment industry are probably going to be especially impressed with the topics it addresses.

The film does much more than to show the story of a person who knew a lot about acting, music, and dancing, as it presents viewers with someone who they can identify with, whom they can love and loath at the same time. This is basically an individual who was concerned with assisting the world evolve artistically while also accepting his intellect and greatness. The contemporary American musical theater owes a great deal of its status to Robbins's struggle to get people to understand it.

By addressing shows such as "West Side Story" and "Fiddler on the Roof," Robins effectively got people to acknowledge that it was time for a change. It is not necessarily that he changed much about how such stories were seen, as he introduced a series of ideas that made it possible for the general public to change its perspective on art and to join him and the industry in revolutionizing the world.

Ron Rifkin's role as a narrator in the film adds to the message the motion picture is meant to put across, considering the way the speaker makes viewers feel more connected to scenes they are seeing. The biographical documentary extends over a large part of Robbins' life and career, showing much about the artist both from the perspective of the general public and from a more intimate perspective -- one that brings viewers closer to Robbins and makes it possible for them to actually understand his point-of-view.

The film's ability to create this form of intimate relationship between viewers and Robbins is largely owed to the fact that he is shown as a human being rather than as a celebrity. The moments he is shown discussing his personal achievements and his life is essential at this point, as they enable viewers to actually comprehend how he felt about his career. His determination is visible at this point, as it becomes clear that he channeled his energy on trying to achieve greatness.

Moreover, his behavior is praise-worthy when considering that his true goal was to create works that would play a positive role in the world as a whole and in theatre in particular. The film obviously wants to continue a controversy that lasted throughout Robbins' life. In spite of his determination to help individuals in film, music and dance progress, the person was largely believed to have debatable strategies and to be different from most persons involved in the domain.

His struggle paid off and he managed to significantly improve the industry and to be remarked as a consequence of his skill. Robbins was certainly not the most lovable person in the world, but he compensate for that by making use of his talent. The film portrays him in his entirety, as it does not attempt to say that he was a moral person or that he was willing to assist everyone involved in the industry.

Instead of praising him through making him look like a god, the motion picture actually attributes human feelings to his personae and thus enables viewers to really become more acquainted with him. It is probably because of the way he was both human and godly (in creating his works of art) that viewers are likely to be captivated with the way.