¶ … madness, then there is method, to it, reflects Polonius in Act 2. In other words, even this old and foolish courier sees through Hamlet's charade of madness. Hamlet calls Polonius a fishmonger, slang for a keeper of a brothel, and indeed Polonius has been playing a cat and mouse game of his daughter's sexuality with the prince, advising her to be coy with Hamlet, and then saying that the girl's beauty is the cause of the young man's madness. Hamlet himself says that he will assume a guise of madness after the appearance of his father's ghost, but the extremity of the situation, and the lack of clarity of how this secures him an advantage at court -- to say nothing of his uncontrolled performance with his mother after "The Mousetrap" suggests that although Hamlet plays at madness, his reasons for deliberately seeming mad often are entirely illogical, and shift from moment to moment.
Question
Polonius counsels his son to keep his own counsel, not to borrow from others, and basically to be a selfish individual. To thine own self be true is not a truth of one's true, internal self, but to be true to one's own interests. He tells Laertes to keep his good friends close to his heart, but Polonius' definition of friendship is not so much of fellowship, but who can prove politically advantageous to the young man.
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Two examples of sublime reasoning in the play are when Hamlet says to his old school friends before the arrival of the players that Denmark is a prison, simply because he feels that it is -- in other words, place and quality of place is a state of mind, rather than having an extrinsic reality. and, in regards to the players, Hamlet says they must be treated better than they deserve, in Act 2, because if they did not, who would escape "whipping." However, for faulty logic, Laertes is unparalleled, as he blames Hamlet alone not only for Polonius' death, but for Ophelia's madness as well, and willingly goes along with Claudius' underhanded plans to kill Hamlet in a slanted duel -- which, if he is as good a fighter as Claudius' says Laertes is, he should not need to cheat at
narration in four novels, "The Grapes of Wrath" by John Steinbeck, "Old Man and the Sea" by Ernest Hemingway, "All the King's Men" by Robert Penn Warren, and "Absalom, Absalom!" By William Faulkner. Specifically, it compares are contrast the four different methods of narration in each of these novels. Each of these classic novels uses a different form of narration to set the stage for the characters and move the
Michel Foucault's Madness and Civilization (mentioned on page 5 of 11, "the reading list") Michel Foucault's Madness and Civilization is a complex work with so many different themes that it requires strenuous and concentrated reading to understand and retain Foucault's argument. The material then needs a review in order to reflect and critically engage with the reading. This kind of book is no light reading nor can it be done
Studies have indicated that those who are creative and significantly well thought, of often have issues with depression, alcoholism or drug use. The model created guidelines that illustrated commonalities among elite creative people to include: receive support for developing those qualities from parents, who often have creative or aesthetic bents as well as emotional difficulties of their own; harbor an ingrained contrariness and opposition to established beliefs, which frequently antagonizes other people; face physical
Interdisciplinary Methods One weakness of Robert G.L. Waite's classic work of psychobiography and psychohistory, The Psychopathic God: Adolf Hitler (1993) is that no written evidence exists today from any psychologist or psychiatrist who actually examined Hitler, although his political opponents in Germany allegedly had reports from military psychiatrists in the First World War that Hitler was no promoted above private first class because of mental and emotional instability. In spite of
Strangelove, put him over the top" (p. 61). The learning curve was clearly sharp for Kubrick, and he took what he had learned in these earlier efforts and put this to good use during a period in American history when everyone was already ready to "duck and cover": "The film's icy, documentary-style aspect served not only to give the movie its realistic edge that juxtaposed nicely with its broad
philosopher Rene Descartes can be regarded as the supreme rationalist. Descartes believed that only through our rational minds could we fully know God and find evidence of God. Empirical knowledge was not sufficient justification to prove the existence of God because our senses could delude us or be faulty (such as through madness or blindness). In contrast, through rational inquiry we could first demonstrate our own existence on a
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