¶ … Memory of Elena
A Poem to Explain Grief
Often a poem's meaning is apparent from only the title. This is not the case with "The Memory of Elena," a poem written by Carolyn Forche in 1981. At first, the title suggests a poetic recollection of Elena, but as the poem develops, we see that it is at first a memory of a lunch with Elena and then Elena's own recollection of the tragic events that destroyed her life. The memories of the poet and Elena merge, becoming as one. The poet remembers her meal with Elena even as Elena recalls her last night with her husband years earlier in Buenos Aires. In the poem, Forche uses the simple symbolism of a meal shared together to bring to light how important remembrance is and how important it is to mourn and recognize the sacrifices others make on our behalf.
"The Memory of Elena" is a narrative poem that tells the story of a morning spent between two women. The poem begins with Forche's memory of shopping in a flower market, where she and Elena walk between the flower stalls and count "the dark tongues of bells," or their pistils or stamens, a reference to masculinity, otherwise absent and missing in the poem (3). These flowers quickly give way to another image, that of flowers that look like church bells, which "hang from ropes / waiting for the silence of an hour" (4-5), waiting for another hour before they ring. It is the top of the hour. These are disturbing images of flowers, for they are not described at all for their beauty. Rather, they are used to unsettle the reader and foreshadow later verses in the poem,...
Robert Frost's "The Road Not Taken" The Road Not Taken Although readers have a tendency to miss this element from the poem, the title is probably the largest giveaway, particularly with the Poem, "Road Not Taken." A lot of individuals have got the idea that The Road Not Taken is actually a good poem about simply being different as well as choosing the road that no individual will take; that it
The remainder of the poem assumes a more regularly rhythmic form, although the meter is not strict. Some of the remaining lines and stanzas follow an iambic hexameter, such as stanza three. However, many of the lines are in anapestic hexameter, or contain combinations of various meters. The poet inserts dactylic and anapestic feet along with iambic and also trochaic ones for intensity and variation, much as one would
Unfair Robert Francis was an American poet whose work is reminiscent of Robert Francis, his mentor. Francis' writing has often compared to other writers such as Frost, Emily Dickinson, and Henry David Thoreau. Although Francis's work has frequently been neglected and is "often excluded from major anthologies of American poetry," those that have read his work have praised him and his writing. In "Fair and Unfair," Francis comments on balance
Thomas Hardy's Poem "The Voice" The title of Thomas Hardy's poem "The Voice" reveals a lot about its mode of delivery. The audible whispers of the woman calling, calling are conveyed to the reader through literary devices such as rhyme and rhythm. The voice of the woman is translated into the voice of the poet. "The voice" of the woman becomes a symbol of the narrator's memory, which is tainted by
Apparently Plath wrote the poem during her stay in the hospital, which can be a depressing place notwithstanding all the nurses and orderlies dressed in white. The appendectomy followed a miscarriage that Plath had suffered through, so given those realities in the poet's life -- especially for a woman to lose a child she had been carrying -- one can identify with the bleak nature of the poem. Confronted
Dickinson "I Felt a Funeral in My Brain" Filled with words and phrases laden with imagery of death, drowning, and droning drums, Emily Dickinson's haunting poem "I Felt a Funeral in My Brain" provides insight into a fractured mind. The poet employs a plethora of poetic techniques such as alliteration, repetition, rhyme and rhythm to create mood and convey the central themes of emptiness and mental chaos. Alliteration and repetition reflect
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