Metropolitan Museum of Arts: Johannes Vermeer (Dutch, Delft 1632 -- 1675 Delft) Young Woman with a Water Pitcher (1662) History of the Painting The Metropolitan Museum of Art (MMA) notes that this was the first Vermeer painting to enter an American public collection, and is one of a small group of canvases dating from about 1662 -- 65 in which isolated women appear as mistresses of their private domains. Technical analysis reveals that a

Admittedly, these two teams were faced with a daunting challenge in acquiring and interpreting those works of art that were most appropriate for their exhibition goals, and interpretive efforts must use some framework in which to present the resources in a fashion that can be understood and appreciated by the targeted audiences. Nevertheless, there is little or no discussion concerning the fusion of artistic styles in the two catalogs, with

Rather, the vines and clusters f grapes on the tree give the piece its true softness and roundness. This is mirrored by the effect of the figures' hair. Both faun and children all possess curling flowing ringlets that seem to hang as loosely as do the grapes, emphasizing a sense of liberty in the work. The sense of softness and liberty bestowed upon the piece by the line and texture

Art La Berceuse (Woman Rocking Cradle) (Augustine-Alix Pellicot Roulin, 1851-1930), 1889. Vincent van Gogh Dutch, 1853-1890). Oil on canvas. The Walter H. And Leonore Annenberg Collection, Partial Gift of Walter H. And Leonore Annenberg, 1996 The world of art is diverse and rich coming together for appreciation overcoming all cultural barriers. The story of Van Gogh and his astounding genius while creating canvases has captivated the interest and attention of millions around the world. Even when people

Art of classical antiquity, in the ancient cultures of Greece and Rome, has been much revered, admired, and imitated. In fact, the arts of ancient Greece and Rome can be considered the first self-conscious and cohesive art movements in Europe. Style, form, execution, and media were standardized and honed to the point where aesthetic ideals were created and sustained over time. The art of classical antiquity in Greece and Rome

Art in Cultural Context Cybele is an ancient figure who represented the mother goddess and in her was granted the ability to create and populate the world according to her desires. She was both the most powerful of the gods and also an amalgamation of the most powerful of the goddesses. In both Ancient Greece and Ancient Rome, cults which worshipped Cybele were established and elaborate temples were constructed in her