Sign Up Now
Get instant access to over 1 million+ study documents
OR
Already registered? click here to login
By creating your account, you agree to our terms of service, privacy policy and student honor code.
Nutcracker Ballet by Tchaikovsky is in the fairy tale genre in the classical ballet type. The overall theme of Act One, Scene One of the ballet is to set the stage of the story: it is Christmas time and the Christmas tree is being decorated. The characters are happy and joyous and looking forward to their time together. The music is crisp and engaging. The characters move about and dance with a gentleness that makes everything seem small and familial and intimate and close. The basic dance steps that are seen are the en pointe, the pirouette, the port de bras, and the saute. Each is simple and conveys a feeling of honest exuberance and happiness, and this is all in keeping with and consistent with the theme and mood setting by this opening scene. The mime and pantomime movements are also there to be seen and help to indicate the expressions and emotions of the dancers.
The story line movement is brief and basically just helps to set the stage for the coming action by introducing characters. The characters consist of the guests in the house and everyone who is watching the performance in front of the tree. The costuming...
Then there is the room in which the scene takes place and it is large and inviting and gives plenty of space for the dance. It is the house of Dr. Stahlbaum and present are his wife and children as well as their guests. This is where the action will begin with Clara and the Nutcracker Prince. It will then lead to the Land of Sweets where the rest of the ballet will continue and some of its more famous musical numbers can be heard, such as the Pas de deux.
The score of course is unforgettable because Tchaikovsky makes such beautiful music that one finds oneself thinking of it later even after the performance. The music here is what really drives the scene and gives it its energy. The…
Bibliography
Goode, D. (2011). The Story of the Nutcracker Ballet. NY: Random House.
Hoffmann, E. T. (2015). The Nutcracker. NY: Bollinger.
Blue Velvet, directed by David Lynch [...] mise-en-scene and cinematography in the film. David Lynch is a master of the film noir, dark and brooding types of films that disturb, disquiet, and titillate all at the same time, and "Blue Velvet" is no exception. The film is part blue porn flick, part girl-next-door love story, and part sadistic kidnapping, and yet the elements all blend together to form a
Clint Eastwood Films Client Eastwood Films Clint Eastwood is often hailed as an adept actor but his work as a director is also legendary. His directing goes back to the early 1970's when he started off with Play Misty for Me. Since then, there have been some extraordinary movies that are ensconced in movie history. These movies include Million Dollar Baby, Unforgiven, J. Edgar and others. The genres he touches on include
Film Still Analysis 1 The 400 Blows The mise en scene of Figure 1 from The 400 Blows shows two youths scattering a flock of pigeons in the streets of Paris. The centermost youth is the main character Antoine Doinel. He and the boy beside him and tramping through a city that is full of adults—but the adults are all in the backdrop, away from the action of the still but not
Women in Middle East The mise-en-scene of "Best in Show" In "Best in Show" it is the mise-en-scene which truly defines the film and in so doing created and develops the emotional effect on the audience. Of course, using a term like "emotional effect" seems slightly pretentious in terms of this movie -- the mockumentary is a clever spoof on dog shows and the human relationship to competition and relationship. The film
Alien Chestburster Scene Analysis Analysis of the Chestburster Sequence in Alien Ridley Scott's Alien (1979) is one of the most riveting and horrifying sci-fi film of the 20th century. While the film's title points to an unknown alien creature, the audience is not introduced to this threat until approximately 52-minutes into the narrative during the infamous, and one of the most recognizable sci-fi scenes of the film -- the chestburster scene. Despite
Kill Bill Scene Analysis Quentin Tarantino's approach to cinema is unique and refreshing. In Kill Bill, Vol. 1 (2003), Tarantino tells the story of a woman, The Bride, hell-bent on seeking revenge on the elite group of assassins, the Deadly Viper Assassination Squad, and their leader, Bill, after they attacked and killed her wedding party and left her for dead. Tarantino's use of mise-en-scene and scene composition helps to establish an