Bollywood Indian culture is clearly demonstrative of a postcolonial culture. The post- colonial nature of the country, as well as its intrinsic diversity drastically effect the expressions of culture and the arts. One foundational example is the movie industry within the country. Nicknamed "Bollywood" by the west it is both an essential part of the new India and a challenge to the traditional and neo-traditional standards of the diverse culture. One

Music and Dance in Indian Films In sheer quantity, INDIA produces more movies than any other country in the world-over 900 feature-length films in at least 16 languages, according to a recent industry survey. This productivity is explained by several factors: the size of the Indian audience, low literacy rates, the limited diffusion of television in India, and well-developed export markets in both hemispheres. (http://worldfilm.about.com/cs/booksbolly/) In its historical development, India's film industry

viewer ship of Hindi Films with respect to the Non-Asian population in the UK The Hindi film industry or the 'Bollywood' as it has been referred to have made a significant mark not only in the Indian society, but has had far reaching influence among Indians residing abroad. We shall concentrate on the Hindi films in the UK with respect to the resident Indian population. The United Kingdom alone accounts

Y Tu Mama Tambien Alfonso Cuaron's 2001 film Y Tu Mama Tambien shares a number of superficial similarities with Gus Van Sant's 1991 film My Own Private Idaho. Both films focus on an intense friendship between two young men, structuring itself around dual protagonists -- Julio Zapata (Gael Garcia Bernal) and Tenoch Iturbide (Diego Luna) in Cuaron's film, Scott Favor (Keanu Reeves) and Mike Waters (River Phoenix) in Van Sant's. Both

Boyz in the Hood to Gangs of New York John Singleton's directorial debut Boyz n the Hood was released to critical acclaim in 1991, depicting with gritty realism the violence awaiting an entire generation of young men living in sprawling cities that were struggling under the weight of endemic urban decay. Starring Cuba Gooding Jr., Laurence Fishburne, Morris Chestnut and Angela Basset, Boyz n the Hood managed to capture the

Film Required for the Class With a Non-Required Film of Your Choice Boyz n the Hood and Menace II Society John Singleton's motion picture Boyz n the Hood, and the Hughes Brothers' film Menace II Society both address the idea of the Los Angeles 'hood' as being a particularly dangerous place for young people trying to find their personal identity. Both films have central characters who are somewhat different from their