Y Tu Mama Tambien
Alfonso Cuaron's 2001 film Y Tu Mama Tambien shares a number of superficial similarities with Gus Van Sant's 1991 film My Own Private Idaho. Both films focus on an intense friendship between two young men, structuring itself around dual protagonists -- Julio Zapata (Gael Garcia Bernal) and Tenoch Iturbide (Diego Luna) in Cuaron's film, Scott Favor (Keanu Reeves) and Mike Waters (River Phoenix) in Van Sant's. Both films are essentially a road movie, and both complicate the young men's relationship with a third central character who comes between the two. What is most interesting in comparing the two films is the way in which they handle differently two central themes: homosexuality, and social class.
The depiction of social class by Cuaron is realistic, and told with exquisite novelistic detail: the most memorable example is the revelation (by voiceover) that when Julio uses the bathroom at Tenoch's family house, he is careful to light a match afterward, and when Tenoch uses the bathroom at Julio's family apartment, he lifts the toilet-seat...
Joy Luck Club and American Culture Section One (1-2 paragraph summary). Introduce and summarize the main plot of the movie. Describe the main story and characters involved. To do this in 1-2 paragraphs, you will need to be brief and focus on the main events in the movie. The Joy Luck Club (1993) was based on Amy Tan's 1989 novel and deals with issues of culture, assimilation and generation conflicts between a
She married a Chinese-American and had several sons and a daughter. Of the four women, she had lived the longest time in America. As a result, she was the most assimilated of the four women. She also had the help of her husband, who had been struggling with assimilation for quite some time. Lindo is on a quest to reconnect with her lost Chinese identity. On a visit to mainland
The reader is poignantly aware of the potential for greater communication and understanding, but only in the reader's mind is the dialogicity between positions uncovered and experienced." (Soulis, 1994, p.6) This potential is never perfectly realized in the narrative of the book, as outwardly experienced, but some internal healing and unity between mother and daughter is clearly achieved at the very end. Although they cannot verbally unite, June sees
Joy Luck Club" by Amy Tan Multiple meanings, multiple experiences: Multiculturalism and mother-daughter relationships in "The Joy Luck Club" by Amy Tan In the novel "The Joy Luck Club," author Amy Tan delved into the dynamics and nature of relationships between Chinese mothers and second-generation Chinese-American daughters. Illustrating through the relationships of four mother-and-daughter pairs, Tan reflected how multiculturalism had contributed to the strain in the relationships of people exposed to
Joy Luck Club by Amy Tan Tan's debut novel is arguably one of the most famous works of Asian-American writing. It is one of the few works with an explicitly Asian theme to find mainstream popularity. The novel remained on the New York Times best-seller list for nine months and was later adapted into a hit movie. To date, no other Asian-American novel has matched the critical and popular success of
Some passages from Buddha and Confucius were read by children to start the play. The mothers and other Chinese family members (immigrants) were seated in the first three rows, and the women were all given corsages as they came into the auditorium in the Chinese community center. They did not know in advance what the play was about, only that their daughters were involved. The plot of the play
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