I could not believe they had voted me! There I stood in my blue lace sequined dress that had a split up the side and a low back: the whole of my senior class standing and applauding and smiling before me as I held the stage, wide-eyed and star-struck. Someone placed flowers in my arms and a tiara on my head—I could not even tell you who. All I could feel was electricity: I was so overwhelmed—nothing like this had ever happened to me! And then they called my boyfriend’s name (now my husband of nearly two decades)—“And your Homecoming King, Anthony Miller!”—and up he came—jauntily as ever, all smiles, looking at me like he loved me and had total faith and confidence in me—the way he always did (and always has). I nearly melted: it was like living a dream—a scene in a movie—and, oh, how I did not want it to ever end! We smiled and laughed at one another (I am sure I cried a little, too), and then we took the floor and danced to “Don’t Close Your Eyes” by Keith Whitley (—I still love, love, love this song to this day!). When I close my eyes now, I see it and feel it all over again—it was such an honor, such a moment that I never ever anticipated for myself. Yet, there I was, 1999 Homecoming Queen in my senior year of high school at Atkinson County High—feeling on top of the world and so blissfully happy with my love as we held each other, celebrated by our peers, all of whom seemed as equally joyful to be sharing in this moment with us. How did it happen? I sometimes go back and ask myself that question. I was never the type of girl to dream of being Homecoming Queen. I was popular at school and had lots of friends—but that sort of thing just wasn’t on my radar. I had far greater priorities in my life than the pursuit of crowns and flowers and accolades at dances. I smile at myself to think that now, because while I never frowned or turned my nose up at honors, never yearned for them or for the spotlight, I also recognize the great feeling of pride (and even humility—I don’t know how—but, yes, those feelings can co-exist in one’s heart) that overcame me when I was thrust into the spotlight for that moment by my peers. Why did they do it? They could have...
Did they see something story-book about us? Maybe—it was one of those kinds of stories: The high school romance that just seems so perfect, you have to applaud it: I get it. But I think it also had something to do with who I was—who I’ve always been my whole life.
Mourning Becomes Electra It must have come as something of a shock for the original audience of Eugene O'Neill's Mourning Becomes Electra in 1931 to take their seats, open their programs, and discover that this extremely lengthy trilogy of plays does not actually contain a character named "Electra." This may seem like an obvious point, but it is one worth considering as we approach O'Neill's American analogue to the Oresteia of
Richards, Reverend, former member of the senior staff of the Episcopal Bishop, also expressed concerns regarding Nouwen. Richards questioned whether Nouwen as the "wounded healer" encouraged "a kind of displayed vulnerability and a disincentive to growth that does not serve the priest or the church well." In the final years of his life, Nouwen, admitted publically that he was a homosexual and "ministered" to others, not out of his strengths,
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