Richard III And Macbeth Research Paper

PAGES
4
WORDS
1273
Cite

Richard III and Macbeth In the plays of William Shakespeare, certain themes seem to appear over and over again. In both the stories of Richard III and Macbeth, very ambitious men use nefarious means in order to achieve leadership of their countries. Each man is in line for the throne, but has to deal with other people who are closer to the crown than he is. So, the title character takes it upon him to eliminate all the people who stand between him and ultimate power. It doesn't matter if they are family members or friends. Anyone who stands in the way is done away with either through murder or by framing the person for murder. What often happens when a man or woman uses bloodshed to get ahead in the world is that the deaths come back to haunt them, often in a physical form. This haunting, whether real or imaginary always precedes the character's eventual fall and death.

In Richard III, the title character wakes from a dream before he goes to do battle with his enemy Richmond. In the dream, he sees all the ghosts of the people he has either directly murdered or who he helped destroy through his actions. Upon waking, the king delivers a soliloquy in which he tries to justify his actions to himself and the viewing audience. Through-out the story, Richard has been able to manipulate everyone around him. Those that he could not manipulate, he had taken care of. However, as the people take up arms against him, Richard becomes aware that he is losing control even though he is the king. He cannot manipulate the people as he was able to do earlier on. Instead he has to rely more and more on violence to achieve his ends. In the passage, he vacillates between regretting his actions and calling himself a villain to declaring himself the rightful...

...

He says, "I am a villain: yet I lie, I am not" (V.v. 191). Not only does he lose the power to control his fellow countrymen, but this passage is evident that he has also lost the power to control himself.
Similar to Richard III, the character of Macbeth in the play of the same name is a very ambitious man who commits treachery and murder in order to become the king. Macbeth had a partner in his misdeeds. Lady Macbeth, his wife, not only encouraged several of the murders, but took part in the killing of her king also. It is Lady Macbeth who spurred her husband to action against King Duncan and now that he is dead, he makes it clear that he is not strong enough to control his kingdom without her. He says, "Life's but a walking shadow, a poor player / That struts and frets his hour upon the stage" (V.v. 24-25). Life is fleeting and terribly short. He knows that his end is coming.

The two stories are similar in that both men commit murders in order to become the kings of their respective countries. Both know that their desires are immoral but decide that their ambition is stronger than their understanding of right or wrong. However, neither man is strong enough to keep the power of the throne for long after they have attained it. For Richard III, he faces far too much opposition from the relatives of the men and boys that he has killed to be able to hold onto the power for long. In Macbeth's case, he also is haunted by the dead, but he also loses the source of his strength when his wife goes insane and commits suicide.

Essay Topic 2:

Richard III is about a man who is willing to do anything in order to achieve his goals. He kills family members and friends at will,…

Sources Used in Documents:

Works Cited:

Shakespeare, William. Macbeth. The Norton Shakespeare. New York: W.W. Norton, 2008.

Print.

Shakespeare, William. Richard III. The Norton Shakespeare. New York: W.W. Norton, 2008.

Print.


Cite this Document:

"Richard III And Macbeth" (2011, October 24) Retrieved April 24, 2024, from
https://www.paperdue.com/essay/richard-iii-and-macbeth-116572

"Richard III And Macbeth" 24 October 2011. Web.24 April. 2024. <
https://www.paperdue.com/essay/richard-iii-and-macbeth-116572>

"Richard III And Macbeth", 24 October 2011, Accessed.24 April. 2024,
https://www.paperdue.com/essay/richard-iii-and-macbeth-116572

Related Documents

Richard III was one of Shakespeare's earliest plays, and possibly aside from Titus Andronicus, one of his most brutal. This violence is contrasted with Shakespeare's use of supernatural elements such as dreams and curses, because these supernatural elements grant certain characters power who would otherwise be powerless in the face of the physical violence upon which Richard and his rise to power depend (even though Richard himself shies away from

They want to be king so badly that they can justify any action that helps them achieve their goal. These actions include murder. Both men become villains in different ways - Richard seems to have been born villainous and Macbeth seems to prove that villains are not born but made from outside influences. Shakespeare proves both assertions valid when we see Macbeth reach the same level of conniving and

This reinvention has continued in every era since, including in the modern film adaptation of Richard the Third starring Ian McKellan. Set just prior to World War II and with Richard as a fascist dictator who often appears quasi-Naziish, this film version gives much darker political overtones to Richard's climb and eventual reign than appear in Shakespeare's text. Though this makes the depth of Richard's evil far more profound

SHAKESPEARE'S RICHARD III AND TEY'S RICHARD III This paper explores the differences between Shakespeare's account of Richard III and Josephine Tey's Account of the same. The paper reasons out the causes of differences. COMPARISON OF SHAKESPEARE'S RICHARD III AND TEY'S RICHARD III Shakespeare's descriptions of Richard III have been the most popular historical account. He describes Richard to be a physically deformed individual with his deformities eating away at his mind and soul

Shakespeare: Richard III
PAGES 4 WORDS 1093

Duke of Gloucester Shakespeare's Richard III, The Duke of Gloucester, may not bear much resemblance to the real king in character and appearance but in this play, he is certainly the most dominant and a fully developed figure that serves as both the protagonist and villain of the play. For critics, it is hard to decide whether Richard III can actually be called a tragedy because here the protagonist appears less

Romantic Era The years in which the Romantic Era had its great impact -- roughly 1789 through 1832 -- were years in which there were "intense political, social, and cultural upheavals," according to Professor Shannon Heath at the University of Tennessee at Knoxville (Heath, 2009). The beginning of the Romantic Era actually is traced to the French Revolution, and though that tumultuous event was not in England, William Wordsworth and