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Richard Iii
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What is Richard Iii?

Richard III sits at the intersection of history, politics, and literary craft, making it a compelling subject across courses in English literature, drama, and cultural history. Shakespeare's portrayal of the king — a scheming, self-aware villain who manipulates his way to the throne of England — raises questions about power, morality, and the construction of historical memory. Because the play was written under Tudor rule, it also invites scrutiny of how political context shapes artistic representation, a tension that keeps the topic analytically rich for students at every level.

The papers archived here approach Richard III from several distinct angles. Comparative essays examine Shakespeare's Richard alongside figures from other works, including Macbeth and Frankenstein's creature, weighing how each text frames ambition and moral corruption. Historical revisionism surfaces prominently, with writers questioning whether Shakespeare's portrait reflects truth or Tudor propaganda — a thread also picked up through Josephine Tey's The Daughter of Time. Other papers focus on performance and adaptation, referencing Laurence Olivier's interpretation, while some extend to broader contexts such as the Globe Theatre, Animal Farm, or the crime film genre to explore how the play's themes translate across media and form.

A strong essay on Richard III benefits from a clearly bounded thesis — choosing one lens, such as language and self-presentation, the ethics of power, or historical revisionism, rather than attempting all at once. Close reading of Shakespeare's monologues tends to carry significant analytical weight, since Richard's own words reveal character more directly than external commentary. The most common pitfall is treating Shakespeare's version as straightforward historical fact rather than a deliberately constructed dramatic and political narrative.

41 papers
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Paper Undergraduate
Soliloquies and the revelation of character in Shakespeare's plays
When Characters Stop Being Polite and Start Being Real: The Importance of Soliloquies in the Works of William Shakespeare
Paper Masters
Laurence Olivier's acting style in Shakespearean roles and film
Laurence Olivier is still regarded as one of the greatest actors ever to live, both on screen and on stage. He embodied so many of the classically regarded technical skills and yet was able to touch audiences with his…
Paper Undergraduate
Ethics and Morality in Frankenstein and Richard III
Ethics & Morality in Frankenstein & Richard III
Paper Undergraduate
Othello vs. Iago: A Character Foil Analysis in Shakespeare
Two characters that could not be more different are found in William Shakespeare's play, Othello. The characters that serve as foils too one another are Othello and Iago. While our first impressions of the men are…
Research Paper Undergraduate
Richard III and Macbeth: Ambition, Power, and Villainy
The lust for power, the thirst for ambition, and the act of murder are the driving forces behind the characters of Richard III and Macbeth. While both men are villains, they become so in very different ways.
Paper Undergraduate
Oedipus Rex and Off-Stage Action in Classical Theatre
The classical Greek theatre and the Shakespearean plays, although abounding of murders and suicide acts, spilled with blood and horrifying acts of brutality, still left place for their audience's imagination to be put…
Research Paper Doctorate
Richard III as Shakespeare's Humbert: The Villain Protagonist
Literature is filled with characters that are designed to be lovable. For instance, Cordelia from Shakespeare's "King Lear" is the good sister: She cares not about Lear's bequest, but rather only focuses on her love and…
Research Paper Doctorate
Shakespeare vs. Tey: Competing Visions of Richard III
¶ … SHAKESPEARE'S RICHARD III AND TEY'S RICHARD III
Paper High School
Five Notable Examples of Medieval Art and Architecture
I have travelled around the world and looked for the top five examples of Medieval Art. I believe the following are these:
Thesis Undergraduate
Garrick and Kean as Richard III: Contrasting Acting Styles
David Garrick in the eighteenth century and Edmund Kean in the early nineteenth would both make their reputations on performing the title role in Shakespeare's Richard III, but as with the stage history of King Lear in…