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.." (line 8). This quatrain as a whole makes it clear that the meaning of the poem applies to the poem itself.
The third quatrain is entirely regular, as is the first line of the closing couplet, but the final line of the poem has an inverted first foot that continues the pattern of breaking up the structure of the poem and the meter at key moments. The final couplet reads: "For sweetest things turn sourest by their deeds; / Lilies that fester, smell far worse than weeds" (lines 13-4). Continuing the same interpretation of the poem as self-referential that has heretofore been used, this line suggests that the poem and even the poet's skill could be turned sour by using used for ill purposes (such as more directly accusing the perceived cause of the poet's displeasure), and the inverted first foot of the second line of the couplet again arrests the reader's attention and calls attention to the structure of the poem, making the slef-referential quality quite apparent. It is also interesting to note that the second syllable of the first word is "lies," meaning deceptions. The fact this syllable, which...
It is not even necessarily the most valid interpretation. But it certainly has a solid basis in the structure of the poem, particularly at the points in which the meter was deliberately broken. A poet of Shakespeare's quality would not emphasize things arbitrarily; his break with the strict meter of the sonnet must have served a purpose, and in this poem it clearly influences the meaning of the work.
Spray-On Solar Power Cells A solar cell, or photovoltaic cell, is a semiconductor device consisting of a large-area p-n junction diode, which, in the presence of sunlight is capable of generating usable electrical energy. This conversion is called the photovoltaic effect. The field of research related to solar cells is known as photovoltaics. Solar cells have many applications. They are particularly well suited to, and historically used in situations where electrical power
Greeenblatt also points out that to truly grasp the meaning of the poem and the transience alluded to therein, readers must consider the social code for homosexual love. The Church did not tolerate sodomy and it would make sense that men would be attracted to other men considering how women were often treated as lower-class citizens. Through this "seesaw game of acknowledgment and denial" (253), Shakespeare "stages his sexual
Message, Different Genres Literature is a means by which people can raise questions about the society they live in and address issues of concern to them. One of the questioned often raised relates to the role of women in society. Female writers are able to use literature to express their opinions and explore what it means to be a woman in society. This was especially true in the times when
Night the Crystals Broke Write where you got inspiration from? The inspiration from this poem comes from my grandmother and her family, who lived through the pogroms and just before the Nazis took over Hungary. The title refers to the Kristallnacht, the event in which the Nazis burned synagogues and their religious items, and broke the windows. They also broke the windows of the local businesses. This poem also refers to
Night the Crystals Broke This ballad begins On a far-away shore A land she knew so well. This land was green, filled with tropical sun And her house was filled with mirth Which also lay etched on their faces Then the fires came The smoke from the Ark And the disintegration of the star Quick, Quick, They left Quick Quick They left Her belongings stuffed In a bag the size of her heart Which beat Faster Faster When the arms of that Statue Embraced her. This ballad conveys the
Death and Dying in "Do Not Go Gentle Into That Good Night" and "Because I Could Not Stop for Death" Death is a common theme in poetry and has been written about and personified throughout history. Among some of the most recognizable poems that deal with the subject are "Do Not Go Gentle Into That Good Night," by Dylan Thomas (1951), and "Because I Could Not Stop for Death," by Emily Dickinson