Sign Up Now
Get instant access to over 1 million+ study documents
OR
Already registered? click here to login
By creating your account, you agree to our terms of service, privacy policy and student honor code.
In this way, the young people used the superstitious beliefs dictated by the status quo to introduce a new way of life: love before marriage and marriage by choice.
The idea of dichotomy between the old and the new is substantiated via various other aspects within the story as well. One of these is the traditions that the Baron enjoys: he has inherited that traditions and habits attached to his title. Although the vastness of his wealth is somewhat diminished, he nonetheless has enough left to entertain the poorest of his relations on a regular basis. While many of his contemporaries have abandoned the inconvenience of their remote castles, the Baron however continues his adherence to tradition by maintaining his castle in the mountain. He also tends towards maintaining family feuds for the sake of tradition rather than any personal grudge. This is the case with the new, non-ghostly bridegroom, who comes from a family that is enveloped in just such a traditional...
On this basis, the author makes clear that a traditional marriage between the Baron's daughter and the new suitor would never be allowed. This also reveals the genius of the young couple's plan.
In conclusion, the dichotomy between the ancient and the modern is symbolized most strongly in the dichotomy between a belief in the supernatural and the fact of reality. The young bride and groom base their plan upon the strength of the Baron's superstitious beliefs. The daughter is then the key towards future development; the break with the status quo to create a new order that nonetheless leaves more than enough room for the old to survive. In this way, the bride and groom combine the best elements of the old and the new paradigm to obtain the happiness they deserve, and to do so with the blessing of their elders. This is done in such a subtle way that the transition between the old and the new occurs smoothly, unlike most such transitions.
Sleepy Hollow Washington Irving's "The Legend of Sleepy Hollow" begins as a lot of stories do from the 1800s. There is a quiet and peaceful small town with a wealthy family and all the activities of the townsfolk surround them. The town, according to the narrator is noted for being calm and serene, that is how the little village got the name Sleepy Hollow. The only thing that upsets this personality
Legend of Sleepy Hollow, by Washington Irving [...] why Sleepy Hollow is such a quaint and yet haunted place. Is Sleepy Hollow the perfect setting for this story? Why? Sleepy Hollow seems far too bucolic to house fantastic legends like the Headless Horseman, and yet, it is such a perfectly serene setting, why wouldn't a ghost want to spend eternity there? The Legend of Sleepy Hollow Sleepy Hollow sounds like the
“The Legend of Sleepy Hollow”: Who is the Antagonist? Washington Irving’s “The Legend of Sleepy Hollow” is an unusual horror story, because it does not have a clear antagonist, although the hero Ichabod Crane is pursued by the legendary headless horseman of the titular legend. For the most part, the horseman is a character who is spoken about, rather than actually takes part in the story. Instead, the actual antagonist is
Sleepy Hollow: American Anxiety Via American Gothic The early Americans lived in an America that many are unfamiliar with in this day. Early America was a fierce wilderness rife with uncharted territories and much uncertainty. Thus, there was no doubt that early Americans felt a great deal of anxiety: anxiety about their futures and anxiety about their decision to leave England. Published in 1820, the story, "The Legend of Sleepy Hollow"
First, evil in Sleepy Hollow is more equating with a satirical view that, in this case, evil is a more benign humor, bumbling, caustic in disrupting the town, and, as it was in Ancient Greek and Roman drama, simply more of an irritant than planned destruction. Focusing again on the time period, our first introduction to this theme is one of Dutch New York against Urban New England. The Dutch
As the two protagonists battle wits, a subplot becomes evident: choices must be made between the old order and the new order. The sturdy Brom Bones, with his practical, quaint Dutch upbringing, is a cog in a hole (or the whole, that is the village). Brom fits Tarry Town, and his rowdy mischievous nature functions as a pleasant diversion in the quiet little village. Brom represents the virtues of the