Also, according to Luke, the "poor" may fall under a spiritual category, referring to individuals who are committed and humble and depend solely on God (Bartholomew, Green and Thiselton). Because Jesus ministry had no boundaries, Luke wrote that the church should also have no boundaries and should include the rich and the poor. One of Luke's greatest desires may have been for the church to include the rich and the

Negro Spirituals and the Development of Blues, Ragtime and Jazz Music The melodies and rhythms of Africa have found their way to America through many ways and the African-American spirituals are one of them. There is one religious folk song, originally sung by the African-American protestants of the southern United States is now known as the spirituals. These pieces of music originated during the period of 1800 to 1850. It was

Blues music however did not cross racial lines, with the majority of famous blues musicians still residing in New Orleans and various other well-known black music entertainment venues of the South. Gospel music has been an African-American church tradition with influences from traditional African music and especially prevalent during the slavery era. Later (most likely because of those particular ignominious associations and all they implied, especially in the South) gospel

Music appreciation [...] my personal attraction to jazz music and some of its composers and performers. Jazz music has been called a particularly American invention, and the many forms of jazz epitomize a successful and exciting country on the move. Jazz encompasses many facets of music, from be-bop to swing, and one testament to jazz's endurance is its continued popularity today. Jazz breathes life into the listener, and embodies

He encourages people to come aboard a train being engineered in "weirdo abandon" by musicians who "dramatized a sense of what it is to be American" (1987, p. 10). Christgau, another writer who sees the correlation between this music and the greater society in which it occurred, adds: "rock criticism embraced a dream or metaphor of perpetual revolution. . . . Worthwhile bands were supposed to change people's lives,

Though the sema is performed for an audience, the main goal is not to entertain, but instead for the individual dancer to recognize his or her submission to God, to ultimately enter into a state of nirvana and to join together with the forces of nature and connect with God, and then to finally descend back to earth to the humble task of being a servant. It isn't about