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Van Gogh
Vincent van Gogh's work is nearly always identifiable instantly, due to the artist's characteristic use of vivid color and his intense, long brushstrokes. However, earlier van Gogh paintings are more subdued than his later canon. Paintings like "The Potato Eaters," for example, rely on darker palettes. After his inspiring encounter with Japanese woodblocks, van Gogh started to incorporate a richer color palette and his brushstrokes become lengthened almost like calligraphy strokes. Another noticeable element in van Gogh paintings after his encounter with Japanese woodblocks is a lack of lighting source. Unlike "The Potato Eaters," which has a definite source of light -- an incandescent bulb-- illuminating the table from above, most of van Gogh's later work has a generally even color value throughout the canvas. Rather than depict light coming from a distinct, singular, naturalistic source, the artist has chosen to disembody the light. Color value is dispersed, providing the entire canvas with equal values of light. There...
For example, in "Bedroom in Arles," the room is unnaturally permeated with equal light in all corners and all spaces. Nothing casts a shadow, and nothing is a source of light for the room. Likewise, van Gogh's series of still life paintings with sunflowers are completely different from traditional still life paintings because of the absence of color valuation. Light and shadow are deliberately removed, and the overall effect is vibrancy and intensity of hue.
"Starry Night" exemplifies Van Gogh's curious sense of light and color value. The moon is a crescent, and yet it is depicted as a glowing orb with its halo. Stars are rendered large and swirling, like a camera opened to its widest aperture, capturing the trails of light. In the foreground is a large pine tree that is rendered darkly, but the viewer can see the entire village in the valley. "Starry Night" has a long field of view and depth of field.
Van Gogh's sense of spatial perspective is evident in…
Van Gogh's "Self-Portrait with a Straw Hat" (1887) With an oeuvre of over 2000 works Van Gogh's artistic passion matched the intensity of his religious fervor. Religion and art were, essentially, the basis of Van Gogh's life. And the history of his life is, in a way, a history of modern Europe; in another way it is a history of the prelude to 20th century modern art; and in another way
On the contrary, if I had been able to be a clergyman or an art dealer, then perhaps I should not have been fit for drawing and painting, and I should neither have resigned nor accepted my dismissal as such. I cannot stop drawing because I really have a draughtsman's fist, and I ask you, have I ever doubted or hesitated or wavered since the day I began to
Van Gogh was born in the Netherlands to a preacher and his early life had inauspicious surroundings. He was well into maturity when he realized his true vocation was painting, and though he developed his talent in isolation at first, his later experiences in Paris had a profound affect on his painting. Van Gogh is extremely famous for his insanity and mental difficulties, but these conditions also provided the basis
Vincent Van Gogh's Artwork Became Famous After His Death Vincent van Gogh is one of the most well-known artists of all time. His works sell for extraordinary sums of money. Many artists like van Gogh became popular only after their death. Vincent contributed much to Western society. His artistic vision laid the groundwork for modern impressionism, abstraction and even expressionism. His technique is still admired today by artists and students
Vincent Van Gogh Sol LeWitt. References book "a world art" 7th ed. central Texas college edition. Written sere, henry m. chapters 4-6 250 words Compare and contrast the use of line in the works of Vincent Van Gogh and Sol LeWitt. Both the works of Vincent Van Gogh and Sol LeWitt are characterized by frequent deployment of bright, contrasting colors to create a particular aesthetic effect. But Van Gogh's use of
There is a woman sitting in a chair, bent forward and resting her face in her right hand. She is looking toward the ground and seems to be very unhappy. The chair is very tall which makes it so that we can see her long dress. She is resting her feet on some type of box, but her feet cannot be seen. This drawing does not appear to have