This paper analyzes the imagery, language, and dream-like qualities of Samuel Taylor Coleridge's poem "Kubla Khan." It examines how Coleridge employs hyperbole, vivid exotic imagery, and alternating sentence rhythms to transport readers to a mythical, otherworldly realm. The paper also explores how the poet's use of paradox—the sunny dome paired against caves of ice—reinforces the visionary nature of the poem, and how the concluding lines invite the reader not to wake but to surrender to the dream, accessing a realm of experience attainable only through the imagination.
Samuel Taylor Coleridge's images in his poem "Kubla Khan" are exotic, painting a vivid fictional picture of a far-off, mythical world in the ancient Near East. His language strives to create a kind of Never-Never land in the reader's mind, and succeeds in making the reader more accepting of some of the more extravagant images in the poem, such as the "woman wailing for her demon-lover." The language of the poem is full of hyperbole: "caverns measureless to man" and "from this chasm, with ceaseless turmoil seething, / As if this earth in fast thick pants were breathing." The dream-like quality of the poem is further conveyed by the poet's repeated assurances to the reader that the nature of the pleasure-dome lies beyond words and beyond the human capacity to describe such a wonderful, unrealistic place.
Coleridge alternates long, winding sentences full of rich images with short, breathy exclamations, as if encouraging the reader to gasp in wonder alongside him: "A savage place!" and "And 'mid this tumult Kubla heard from far / Ancestral voices prophesying war!" and "That sunny dome! those caves of ice! / And all who heard should see them there, / And all should cry, Beware! Beware!" The images are not taken from a specific day in the history of Kubla's reign; rather, they are a conglomerate of supposedly characteristic events, all of which inspire awe at the strangeness of the kingdom, and all of which are removed from anything resembling ordinary life. They exist in an indeterminate time and place — like a Romantic dream.
"Admiration, autocracy, and dreamlike timelessness"
"Paradox and vision resolve in Paradise's closing image"
You’re 52% through this paper. Sign up to read the remaining 2 sections.
Sign Up Now — Instant Access Already a member? Log inAlways verify citation format against your institution’s current style guide requirements.