Use our essay title generator to get ideas and recommendations instantly
4. Pablo Picasso (Oct. 25, 1881 - Apr. 8, 1973)
Our first non-French artist, Pablo Picasso was born in Spain to an artist father. From an early age, Picasso demonstrated remarkable talent and zeal. After moving to Paris his art career exploded when he created the "Cubist" movement using shapes and dull colors to represent the subjects. Later he experimented with "Neo-Classicism" and "Surrealism." Picasso was not only a painter of great renown, but he was also a sculpture in his own right with Chicago's Daley Plaza home to one of his sculptures.
No art exhibit could be complete without something from Picasso. Like our other artists, he too developed his own style: "Cubism," and like our other artists, he was not limited to the canvas. Influenced by many different sources, one can see his father's influence, as well as the great masters like Velaquez, Delacroix, and Manet.
Courthion, Pierre. Georges Seurat. New York: H.N. Abrams, 1988. Print.
Cowling, Elizabeth. Matisse, Picasso. London: Tate Publishing, 2002. Print.
Frank, Elizabeth. Jackson Pollack. New York: Abbeville, 1983. Print.
Palau, I. Fabre, Josep. Picasso. New York: Rizzoli, 1985. Print.
Upon the altar of which this piece would have been a part, the priests of the medieval age would have offered the sacrifice of the Mass -- in which the Body and Blood of the Christ would be offered in an unbloody manner through an act called Transubstantiation. This was a central portion of the Mass and was part of the belief system of the "age of faith" in estern civilization.
The altarpiece depicts various figures from the Christian mythology, such as Christ, the Blessed Virgin, St. Anthony and St. Sebastian. The central image, however, is the one upon which the entire mythology of the Middle Ages is based -- the Incarnation of God and His death upon the cross.
hat this says about the civilization of Europe in the Middle Ages is that it had a strong desire to see their faith as both realistic and mythical. The images…
"Buddhist Studies." BuddhaNet. Web. 12 Aug 2011.
Martinez, Eugenia Soledad. "Crossing Cultures: Afro-Portuguese Ivories of 15th and
16th Century Sierra Leone." Web. 12 Aug 2011.
Michelle of Nah Tah Wahsh PSA. "Pomo Basket." Web. 12 Aug 2011.
sculpture of artist Henry Moore. Specifically, it will look at his art style and how events in his life affected his work
Henry Moore was an influential English abstract sculptor who lived from 1898 too 1986. His modernistic works appear in museums and collections around the world. He was intensely preoccupied with two forms of sculpture above all others, the "reclining figure," which he reproduced dozens of times. Each one was different, but followed the same basic premise of a figure lying down. The other is the "mother and child," which he reproduced countless times in countless ways.
Moore's artistic talent was discovered early, when an art teacher took interest in his work while he was still in secondary school. His family did not encourage him in his artistic pursuits, and so he began his career as a teacher, and then went into the army. In 1919, he received a…
Editors. "Henry Moore on the Internet." ArtCyclopedia. 20 July 2002. 24 Oct. 2002. http://www.artcyclopedia.com/artists/moore_henry.html
Grohmann, Will. The Art of Henry Moore. New York H.N. Abrams, 1960.
Kramer, Hilton. "After All These Years, Henry Moore Is Great." New York Observer. 12 Nov. 01,-page 18.
George Durrie was an American painter who lived and worked during the 19th century (George). Durrie was a northerner who supported abolition and professed a concern over rampant industrialization which he believed diminished the natural landscape. Currie was most famous for his paintings of pastoral landscapes and country images which were later reprinted and sold as lithographs for the popular Currier and Ives Company, particularly his winter scenes which became popular on Christmas cards even up to the present moment. Although perhaps not the most recognized American painter, nor the most productive, it can be easily argued that George Durrie made a lasting contribution to the American artistic tradition and to the subsequent understanding that creative people had the ability and the audience to include social commentary into even the most apparently innocuous of their works. This particular painting by Durrie, entitled "inter in the Country," was created in 1857…
"George Henry Durrie (1820-1863)." 2012. Web. April 2012.
Hutson, Martha et. al George Henry Durrie, 1820-1863. Santa Barbara, CA: Santa Barbara
Museum of Art. 1977. Print.
Art Appreciation Research Paper
This paper focuses on artistic work that concentrates on the themes of love and sex. Although the two seem to be in tandem, at least in terms of application, the dominant theme is love. It refers to different arts and several artists who give their diverse opinions in support and against love. It is essential to highlight the deductions made in this paper reflect the thoughts of associated artists. However, the author has introduced some customized ideas that help create harmony in various authors' opinions. Some sections of the paper juxtapose different artwork sections to illustrate the fundamental differences in the theme of love. The differences make the piece more realistic and appreciated.
The Theme of Love and Sex
The theme of love has dominated the lives of artists for centuries. In the Italian Renaissance, love was the core theme and demanded a political and philosophical…
Anika, D. (2015). Erotic Sculpture - 10 Titillating Examples From the History of Art. Retrieved from Wide Walls: https://www.widewalls.ch/magazine/erotic-sculpture-10-examples
Artble. (2015). The Kiss Analysis. Retrieved from Artble: https://www.artble.com/artists/auguste_rodin/sculpture/the_kiss/more_information/analysis
Artimage. (2015, January 08). Artimage\\\\'s top pick of artworks on themes of love. Retrieved from Artimage.org.uk: https://www.artimage.org.uk/news/2015/our-top-pick-of-artworks-relating-to-themes-of-love/
Artsper. (n.d.). Art Analysis: The Kiss by Klimt. Retrieved from Artsper MAgazine: https://blog.artsper.com/en/a-closer-look/art-analysis-the-kiss-by-klimt/
Macholz, K. (2018, July 20). How Constantin Brancusi Brazenly Redefined Sculpture. Retrieved from Artsy.net: https://www.artsy.net/article/artsy-editorial-constantin-brancusi-brazenly-redefined-sculpture
(Mulcahy and yszomirski 139)
However, this is not art for art's sake; it is art for our children's sake. If one has to put on the back burner that Picasso was a cubist for the sake of challenging a child to look at a painting and just experience it, than so be it. The very act of simply experiencing the art of an artist can have profound effects on the thought process of children as well as adults. They may think it is profound or they may think it is a piece of trash, but at least they are thinking.
Art outreach programs have become the sole window into the art world for some schools. Since funding for school programs has been so drastically reduced, these outreach programs have become absolute necessities for many communities. These programs also introduce not only children to art, but adults are benefiting from these…
Art Program Promotes Self-Esteem, Self-Expression." Daily Herald (Arlington Heights, IL) 24
Feb. 2006: 1.
The Importance of Art to Education. Arkansas River Valley Arts Education (2007)
Art Museum: Case Study
This case study involves a campus art museum that for many years had a competent director, but a relatively staid presence on campus. The last director had a far more populist orientation. He tried to bring schoolchildren into the museum on a regular basis, and bring in traveling art exhibitions that were of interest to the larger public. But he seemed more interested in advancing a radical political agenda than truly supporting art. Because the art museum is seen as connected to the graduate school, there is a great deal of anger amongst faculty members, who believe that the museum should serve the interests of the school, specifically the graduate students studying for PhDs. In the future, the evaluation committee must have a more systematic process for evaluating candidates. The mission of the art museum must be clearly defined. And the past qualifications, necessary skills, and…
Art and Politics
"Light being the very essence of our existence, a work of art that is not concerned with light has no right to exist." (Rosso 23)
The eye takes in and processes a world of information all at once. We do not even fully recognize all of the inputs that the brain processes. In fact, the brain is still more sophisticated than the world's most powerful computer. These facts have deep implications for art and art appreciation since the "impression" of the art is important in the sense that it attempts to recreate a reality. For an artist to try to recreate reality they must pay particular attention to light and color. However, all of this assumes an artist wants to "recreate" something natural and the feeling that accompanies it during the first impression. This is not always the case.
Other artists and architects have focused more on…
He advocates a greater openness and acceptance of other determinations and views about art. For example, the way the art of "disgust" and harsh realism have entered into the mainstream of art should be seen in the context of this reappraisal and reassessment of 'beauty'.
Central to this important debate is the fundamental realization that the meaning and even existence of art is at issue as never before. This is referred to by Danto as a form of "conceptual erasure" which is related to the present state of pluralism in art. y pluralism, Danto means that there are many and not one single view of what art is or should be. He refers to pop art in this regard and extends his argument to the way in which modern forms of art have become conceptual and do not even need to produce an object or work of art.
Danto, Arthur C. 2002. "The Abuse of Beauty." Daedalus 131, no. 4-35+. http://www.questia.com/PM.qst?a=o&d=5000663170 ; (Accessed November 11, 2007).
Danto Arthur C. 1964. "The Artworld," Journal of Philosophy, 61, no. 19: 571-584;
Puolakka Kalle. Interrupting Danto's Farewell Party Arrangements: Comments for Grigoriev. http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=392 : (Accessed November 11, 2007).
Danto Arthur C. 1964. "The Artworld," Journal of Philosophy, 61, no. 19: 571-584; (Accessed November 11, 2007).
Admittedly, these two teams were faced with a daunting challenge in acquiring and interpreting those works of art that were most appropriate for their exhibition goals, and interpretive efforts must use some framework in which to present the resources in a fashion that can be understood and appreciated by the targeted audiences.
Nevertheless, there is little or no discussion concerning the fusion of artistic styles in the two catalogs, with a preference for a neat and orderly, date by date, presentation of representative works that typify the points being made by the exhibition. Despite these shortcomings, both catalogs were shown to be authoritative references that were supported by relevant citations and imagery. Likewise, both catalogs provide useful overviews of the materials that are being presented preparatory to their interpretation, helping place the information in its historical context.
The research showed that interest and appreciation in colonial Latin American art…
Bailey, Gauvin Alexander. Introduction in Art of Colonial Latin America. New York: Phaidon
Paz, Octavio. Metropolitan Museum of Art: Mexico: Splendors of Thirty Centuries. Los Angeles: The Metropolitan Museum of Art.
Pierce, Donna, Gomar, Rogelio R. And Bargellini, Clara. Painting a New World: Mexican Art
Art During Renaissance
The Evolution of Art During the Renaissance
The Renaissance period is defined as a cultural movement that spanned approximately from the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe (rotton 2006, p. 6). This period in the history of art included the painting, decorative arts and sculpture of the period and for many was considered a reawakening or rebirth of historic and ancient traditions based on the classical antiquity and the inclusion of more recent developments by applications of contemporary scientific knowledge.
The Renaissance was seen as a bridge between the Middle Ages and the modern era. The period also marked a cognitive shift from religious perspectives to a more intellectual and social focus. Classical texts previously lost to European scholars became readily available and included science, drama, poetry, prose, philosophy, and new considerations…
Acidini, Luchinat Cristina. The Medici, Michelangelo, & the Art of Late Renaissance Florence. New Haven: Yale UP in Association with the Detroit Institute of Arts, 2002. Print.
Adams, Laurie. Italian Renaissance Art. Boulder, CO: Westview, 2001. Print.
Barter, James. Artists of the Renaissance. San Diego, CA: Lucent, 1999. Print.
Bartlett, Kenneth. The Civilization of the Italian Renaissance. Toronto D.C.
Impressionism in art developed in the 19th century. Impressionist paintings were characterized by visible brush strokes, and subject was drawn from ordinary life and outdoors, rather than being confined to still life, or portraits and landscapes drawn in studios. Emphasis was laid on the effect of light changing its qualities as well as movement. These characteristics of impression can be well observed in the works of art by Gustave Caillebotte, Edgar Degas and Edouard Manet in their paintings Paris: A ainy Day, The Absinthe Drinker and The Bar at the Folies Bergere respectively.
Paris: A ainy Day is an oil painting drawn in 1877 encompasses the Impressionist use of landscape scene. The curator of the Art Institute of Chicago was quoted describing the painting by Hedy Weiss in the Chicago Sun-Times (December 12, 1995) as "the great picture of urban life in the late 19th century." The masterpiece gives…
1. Gaustave Caillebotte, Paris Street: A Rainy Day, retrieved on July 9, 2012 from http://sites.google.com/site/beautyandterror/Home/bourgeoisie-and-proletariat
2. L' Absinthe-Degas, retrieved on July 9, 2012 from http://labsinthedegas.blogspot.com/
3. Edouard Manet, A Bar at the Folies-Bergere, retrieved on July 9, 2012 from http://sites.google.com/site/beautyandterror/Home/capitalism-and-the-death
Art can come in many shapes, sizes, and mediums, yet one thing that all art has in common is its ability to connect to individuals and enable them to experience catharsis, that is illicit an emotional response. Some of the most awe-inspiring works of art are architectural such as the Lincoln Memorial, which bookmarks the National Mall in Washington, D.C.
The Lincoln Memorial is impressive and its sheer magnitude and size was unexpected. Walking up to the memorial, I realized that it was much larger than I had anticipated and that much like a temple, the actual memorial is located at the top of a series of steps. It was nothing like looking at the back of a penny or a five-dollar bill. The Lincoln Memorial successfully combining the concepts of form and function through its structure (Pearson Publication, Inc., 2009, p. 164). The memorial itself was designed by Henry…
National Parks Service. (2012). Lincoln Memorial design individuals. Accessed 21 August 2012,
from http://www.nps.gov/linc/historyculture/lincoln-memorial-design-individuals.htm .
Pearson Publications Inc. (2009). Chapter 5: Art. The Art of Being Human: The Humanities As A
Technique For Living, pp. 114-169.
Along with Georges Braque, Fernand Leger and Pablo Picasso were firmly at the forefront of the cubist movement in modern art. Cubism sprouted from Picasso's experimentations with collage, along with Braque, but later morphed into an interpretive and expressive style of painting that heralded many related movements in abstract modern art including futurism. As Fitz puts it, Picasso used the cubist style to express the things he could not see, but which he knew were there; the things that everybody is "certain of seeing," but which are not depicted on a traditional canvas (228). As a result, Picasso reinvented painting, and reinterpreted what the function of painting was. Leger deserves credit also, for he too pursued the " quest for a means by which to accurately describe three-dimensional objects on a two-dimensional canvas," (Spector). Leger and Picasso developed totally unique and distinct brands of cubism, even if their formative…
Dickerman, Leah. Inventing Abstraction. New York: The Museum of Modern Art, 2013.
Fitz, L.T. "Gertrude Stein and Picasso: The Language of Surfaces." American Literature. Vol. 45, No. 2. May 1973.
Lanchner, Carolyn, Leger, Fernand, Hauptman, Jody, Afron, Matthew, and Erikson, Kristen. Fernand Leger. New York: The Museum of Modern Art. 1998.
Spector, Nancy. "Fernand Leger." Guggenheim. Retrieved online: http://www.guggenheim.org/new-york/collections/collection-online/show-full/piece/?search=Nude%20Model%20in%20the%20Studio&page=&f=Title&object=49.1193
A good example of this can be seen with Sistine Chapel in the Last Supper. In this piece, he is using color and his imagination to understand what is happening. The use of bright and dark colors added to the sense of realism by giving the appearance as if these events were happening at the moment. In the future, this technique would be utilized by artists to create a sense of appreciation and underscore the emotions of the work itself.
Furthermore, the article that was written by Oremaland (1980), is discussing how pieta has often been used throughout many different building projects in the world (with the original at St. Peter's Cathedral). Since that time, various churches have used this dome like structure to create designs that mirror those of Michael Angelo. These different elements are important, because they are showing how this technique was continually embraced by various contractors…
Eknoyan, Garabed. "Michael Angelo," Kidney International, no. 57 (2000): 1190 -- 1201.
Lavoy, Michael. "The Digital Michael Angelo Project," Modern Art, no. 10 (1999): 2 -11.
Oremaland, Jerome. "Mourning and its Effect on Michael Angelo," Annual of Psychoanalysis, no. 8 (1980): 317 -- 351.
Chicago Format. http://owl.english.purdue.edu/owl/resource/717/01/
Critique of Surreal and Post-Impressionist Works of Art
Dali's Autumn Cannibalism (1936) http://arthistory.about.com/od/from_exhibitions/ig/dali_retrospective/dali_pma_05_07.htm
Salvador Dali is one of the great and mercurial figures in art history. The surrealistic Spanish painter was influenced heavily by the tumultuous period of history in which he lived and by the haunting images in his own psyche. Both are on dramatic display in the 1936 piece, "Autumn Cannibalism." Here, Dali paints a depiction of the military conflict tearing his motherland apart from within, offering us this terrifying rendering of civil war as seen through the eyes of one consumed by it.
In the confrontation between the social commentary and the internal reflection that comprise this piece, Dali creates a piece that is decidedly representative of the surrealist movement both in aesthetic and motif. In spite of Dali's incredible influence, surrealism was ultimately a short-lived movement, leaving its impression on the art world through…
According to Sayre (2009), the four roles of the artist are keeping a historical record, giving form to intangibles, revealing the hidden, and showing the world in a new way. In "Mother of Pearl and Silver: The Andalucian," James McNeill Whistler fulfills the role of historical record keeper. The depiction of the Andalucian captures the style, attitude, and culture of the subject. In this sense, "Mother of Pearl and Silver: The Andalucian" is a historical reference. Although the fashion is not quintessentially Spanish, the subject in the painting does capture the mood of the late nineteenth century, when Whistler painted. Whistler depicts the fashion and attitudes of the era in this painting, which also show how globalization was becoming a reality for many Americans and Europeans. An American painter depicts an American model wearing Continental clothes and a Spanish hairstyle.
In "A Burial at Ornans," Gustave Courbet also paints…
"Gustave Courbet (1819-1877): A Biography." Musee d'Orsay. Retrieved online: http://www.musee-orsay.fr/en/collections/courbet-dossier/biography.html
"James McNeill Whistler (artist)." (n.d.). National Gallery of Art. Retrieved online: http://www.nga.gov/fcgi-bin/tinfo_f?object=12197
"Reading Art: Understanding Iconography." Retrieved online: http://corptrain.phoenix.edu/sites/art101r4/index.html
Sayre, H.M. (2009). World of Art. Prentice Hall.
La Berceuse (Woman Rocking
Pellicot Roulin, 1851-1930), 1889.
incent van Gogh
Dutch, 1853-1890). Oil on canvas. The Walter H. And Leonore Annenberg Collection,
Partial Gift of Walter H. And Leonore Annenberg, 1996
The world of art is diverse and rich coming together for appreciation overcoming all cultural barriers. The story of an Gogh and his astounding genius while creating canvases has captivated the interest and attention of millions around the world. Even when people cannot afford art they appreciated the creativity and charm that each of his pictures brings forth. Each of his strokes has a life of its own and the lifelike creation gives an illusion of perfection that is hard to imitate.
The Metropolitan Museum boasts one of his best creative efforts done late in his artistic life. ery near the time of his breakdown at Arles.
La Berceuse or a Woman Rocking a Cradle…
Van Gogh, V. 1958. The complete letters of Vincent van Gogh. Vol.
3. London: Thames and Hudson.
Fry, R. 1998. Cezanne. Chicago: University of Chicago Press.
itual and pageantry also surround the architecture and buildings of the time, as the article on the Medici indicates. The architecture of the enaissance is rich in art and tradition, making it some of the most memorable architecture in the world. Without art, this would not be the case, as the buildings celebrate the beauty of design and balance as well as form and function. Clearly, art permeates every aspect of the enaissance world, from the pageants and rituals that were so common, to the pageantry of the buildings that represent the time.
Not only do these pieces indicate the importance of religion in enaissance society, they indicate that rites, and rites of passage are common throughout the world, even in uncivilized countries, which indicates this is a very common social form of worship and custom. We still observe many rites of passage in society today, from "sweet 16" birthday…
Kertzer, D.I. Ritual, politics, and power.
Platius, a.J. Emblems of the city: Civic Pageantry and the rhetoric of urbanism.
Terry. Benchmarks of kings.
The festival of San Giovanni.
Not immediately recognized for his contribution to the visual art world, William Blake is perhaps better known for his poetry. However, the Englishman received formal training in drawing and was officially apprenticed to an engraver in London in the late eighteenth century. Blake's interest in metaphysics is apparent in all his productions, especially in allegorical pieces based on the Old Testament like his "Nebuchadnezzar," (completed in 1795). Blake's color print, finished in pen and watercolor, is a typical example of the artist's chosen media; he rejected oil paints. Like all art classified as Romantic, "Nebuchadnezzar" is intensely individualistic and introspective. Blake's preoccupation with symbolism and esoterica is apparent in the subject matter as well as its execution. Drawing upon the Biblical allegory of a headstrong king who dreams (and later realizes) that his mind degenerates into that of a beast, Blake visually interprets the book of Daniel. "Nebuchadnezzar,"…
The Renaissance was more than a "re-birth," it was something new and exciting - the ideas and outlooks represented by Titian and the leading lights of his time have continued to shape estern Civilization and the world, helping to create a culture in which we are all - "open-minded and free to take up quarters in an open world."
It is for these reasons and others that Venus and Adonis is the subject of this paper. Titian's captivating painting style, mastery of technique, color, and movement, instantly attract the viewer to the artwork. The subject matter, too, is appealing and compelling. As it did centuries ago, it does today - it tells a story and imparts a lesson. Yet, Titian's work can be instructive eon a thousand different levels. The master's art speaks to the motions, and makes each of us think about what is happening on the canvas;…
Cole, Bruce. Titian and Venetian Painting, 1450-1590. Boulder, CO: Westview Press, 1999.
Elkins, James. What Painting Is: How to Think about Oil Painting, Using the Language of Alchemy. New York: Routledge, 2000.
In Spirit of the Dead Watching, Gaugin also depicts a Tahitian woman with open sexuality. The woman in Spirit of the Dead Watching lays prostrate on a bed, exposing her naked buttocks while gazing directly at the viewer. Her position is submissive, in spite of the alluring look in the woman's eyes. The spirit of the dead represents traditional Tahitian religious beliefs, which would have been in direct conflict with the Christianity imposed upon the island nation by the French.
Sexuality was also a favorite theme of Henri de Toulouse-Lautrec. The artist was well-known for his escapades in Montmartre, Paris's cabaret district. Toulouse-Lautrec's work depicts a seedy underbelly of Parisian life rather than idealizing the bourgeoisie. Like Gaugin's work, the paintings of Toulouse-Lautrec embody the social changes taking place in European society during the late nineteenth century.
In Stocking, Toulouse-Lautrec depicts two dancers, one of which is just getting dressed.…
Hill, a. (2001). Gauguin's erotic Tahiti idyll exposed as a sham. Guardian. October 7, 2001. Retrieved May 2, 2010 from http://www.guardian.co.uk/world/2001/oct/07/arts.highereducation
Pioch, N. (2002). Gauguin, (Eugene-Henri-) Paul. WebMuseum. Retrieved May 2, 2010 from http://www.ibiblio.org/wm/paint/auth/gauguin/
Roskill, M. (1997). Paul Gaugin. Grolier Multimedia Encyclopedia, Release 9.01. Cited online and retrieved May 2, 2010 from http://www.discoverfrance.net/France/Art/Gauguin/Gauguin.shtml
The artist made a very interesting selection of media to visually display the message of the work. Any other choice would have diminished the impact of the display. The television format for example indicates the technological advance of money and trading, making it increasingly easy to access from all parts of the world. Had a flat screen be used, the impact of the background and foreground dimensions would not have been as significant. The use of powder for the graph and a real credit car on top of the photo provides further impact in terms of the multi-dimensionality of the work. The combination of elements in the work therefore shows its meaning. Each element of the work leads the visitor to better understand its intended meaning.
The work is highly unusual, not least because of its physical position in the display. The attention is immediately attracted by its position on…
Five years from now, you chat with a friend about your favorite humanities class (this one, naturally). What were your favorite artworks encountered throughout the course that you will share with them? Why?
"The Persistence of Memory" by Salvador Dali.
This is a painting by Catalonian-Spanish surrealist Dali. I could choose anything that Dali does to describe my favorite artwork, because I greatly admire his ability to create imagery and symbolism that blends nature with the supernatural. This painting is like a dream. There are elements of reality inside the painting, such as the watches and clocks, the landscape in the background, and the tree. However, there are also elements of the painting that are clearly unreal, such as the clocks melting. Dali is not too concerned about the accuracy of representation, as the perspective of the painting is wrong in terms of depth of field. However, the artist…
Van Gennep maintains that rites of passage and rituals are intertwined, and thus, many of them can be related back to the religious rites celebrated in the other article. In fact, the artist in question created many religious items used in religious rituals in addition to his religious singing performances.
Not only do these pieces indicate the importance of religion in enaissance society, they indicate that rites, and rites of passage are common throughout the world, even in uncivilized countries, which indicates this is a very common social form of worship and custom. We still observe many rites of passage in society today, from "sweet 16" birthday parties to graduation from high school and college, which indicates we still have many roots in enaissance society, including our appreciation of rites and rites of passage.
Barr, C. A enaissance Artist in the service of a singing confraternity.
Van Gennep, a.…
Barr, C. A Renaissance Artist in the service of a singing confraternity.
Van Gennep, a. (1996). Territorial passage and the classification of rites.
Art is processed in the brain, and neuropsychological principles show how. One of the prime examples showing the way art influences the brain is with the Mona Lisa. Da Vinci's painting is notable for the peculiar and ambiguous smile on the subject's face. There is "dynamism" in the smile, artist understood this and deliberately make optical illusion of sorts (Chakravarty 69). The illusion is a product of "imaginative thinking which involves frontal cortical activation in the viewer's brain coupled with activation of the motion area (area V5/MT) of the viewer's visual cortex," (Chakravarty 69). Thus, some viewers may perceive La Gioconda as smiling, and others may not.
Cave art proves that creative expression has always been a part of human history. As Dutton points out, the ancient Greeks were the first to recognize that art had a distinct psychological component. Art has functioned differently in different cultures…
"Behavior Genetics." Retrieved online: http://www.personalityresearch.org/bg.html
Chakravarty, Ambar. "Mona Lisa's Smile." Medical Hypotheses. Vol. 75, No. 1, July 2010, pp. 69-72.
Dutton, Dennis. "Aesthetics and Evolutionary Psychology." The Oxford Handbook for Aesthetics, edited by Jerrold Levinson (New York: Oxford University Press, 2003). Retrieved online: http://www.denisdutton.com/aesthetics_&_evolutionary_psychology.htm
Gallese, Vittorio. "Mirror Neurons and Art." Chapter 22. Retrieved online: http://old.unipr.it/arpa/mirror/pubs/pdffiles/Gallese/2010/bacci_melcher_22_2010.pdf
Art (History Art ages) Discussion question 1 page long follow directions carefully youtube lectures provided
There is no denying the fact that one of the hallmarks of embrandt's works of art is his copious usage of elements of light, dark and shadow to great effect. This sort of tenebrism is deployed by the artist initially to give a sense of contrast to his works. Light and dark are antipodes of one another, and by involving both of these elements the painter was able to create striking counterpoints within his works of art. This fact is seen quite prominently in his self-portrait circa 1629. Not only does the artist use both light and dark elements to illustrate his face and the brimming future which he saw in front of himself as an artist, but this portrait is also characterized by loose brushwork which is distinct from the crisp strokes of the…
Soltes, O. (2011). "Shadow and light from Rome to the lowlands." www.youtube.com. Retrieved from https://www.youtube.com/watch?v=VeUdxzqslQ0
art time period (1860-1910) catches eye, reviewed Case assignment. It reminds event life kind emotional reaction . I ntroduce report information artist, work chose reflects Impressionist values, information helps understand work.
Van Gogh's "Starry Night"
Vincent Van Gogh's 1889 painting Starry Night is certainly compelling and likely to captivate the attention of any individual seeing it for the first time. There is something special about this particular artwork, as it virtually transports viewers to a surreal world, one that Van Gogh designed especially with the purpose of having people confused and hypnotized at the same time. The fact that the painting is one of the most replicated works in the modern era makes it possible for someone to understand the impact it has had on society and the fact that it has come to be one of humanity's defining works. "One of the beacons of The Museum of Modern Art,…
Crispino, Enrica, "Van Gogh," (The Oliver Press, Inc., 2008)
"Vincent van Gogh Biography," retrieved March 29, 2013, from the ariel art galleries Website: http://arielartgalleries.com/Artists/Van%20Gogh%20Starry%20Night.htm
"Vincent Van Gogh: The Starry Night," (The Museum of Modern Art, 2008)
To me, art is a concept that is impossible to define, because any definition of art necessarily limits art, and art should be limitless. I would say that art is what separates humans from other animals, because I feel like the ability to create and appreciate art is one of the defining elements of humanity, but I have seen examples of animals creating artwork, so I do not know that it is a uniquely human concept. However, whether art is unique to humans or is something shared by other highly intelligent animals, I know that art is essential to the human experience. I agree with Dr. Cornell est that, "You can't talk about the struggle for human freedom unless you talk about the different dimensions of what it means to be human" (est). Therefore, to me, art is about, not only being human, but also about creating the social…
Hegel, George. "Hegel's Lectures on Aesthetics. Volume 1." Marxists.org. N.p. Unk. Web.
17 Oct. 2013.
Hooks, Bell. "Beauty Laid Bare: Aesthetics in the Ordinary." Feminish.com. 157-165. 1995.
Web. 17 Oct. 2013.
Saddling them with the idea that every work must have some kind of recognizable theory that speaks to the viewers may be too much for some artists to manage, and it could shut down their creative process. As another critic notes, "[I]n Western culture, after all, art is associated with the free expression of a unique vision or the pleasurable cultivation of individual tastes" (Williams 2004, p. 3). Thus, by branding a theory on a piece of art, the artist is pigeonholed into a certain genre, which reduces their "free expression," and the viewer is not as apt to enjoy the art according to their "individual tastes."
In conclusion, it is fine to have a theory when creating or admiring art, but that theory challenges creativity and the enjoyment of the piece. If a viewer or an artist is so busy attempting to figure out the theory of a piece…
Freeland, C. 2003, Art Theory: A Very Short Introduction, Oxford University Press, Oxford, England.
Hertel, C. 2003, 'Ivan Gaskell: Vermeer's Wager Speculations on Art History, Theory and Art Museums', the Art Bulletin, 85(3), 611+.
Irvine, M. 2008, 'Art Theory Concepts', Georgetown University [Online] Available at http://www9.georgetown.edu/faculty/irvinem/visualarts/art-theory-intro.html .
Murray, D.C., & Murray, S. 2006, 'Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity', Art Journal, 65(1), 22+.
All of these examples show that there is no linear narrative of art, rather the construction of even so-called periods between different nations and periods lies in the mind of the beholding academic, not in some universal truth of what is art's history. Critics also have their own abysses, and their own sands of what seems familiar and unfamiliar. Even art periodization is subjective as art, it is not a science, and thus periods should not be taught as absolute standards and markers of art history.
Furthermore, other nations such as China have had different histories and different conceptions of what constitutes making art altogether, as well as different forms of periodization as a result. Western art's periods have been much more dynamic, and more characterized by seismic revolutions in aesthetics, as opposed to other nations. There is more blurring between what art is, and what has a practical religious…
However, on the other hand there is a concern that this theory remains as a force in art theory and that this suggests that it does have some value. Some critics are equally critical of the new pluralistic and non-hierarchical theories of art, and see these theories as "flattening out" or reducing cultural differences and achievement in a negative sense. They assert that the pluralistic and egalitarian view of art has a hidden danger it that it reduce standards and in fact threatens the very status of art. While one cannot agree with the biases and divisions that Cultural Hierarchy permits, there the possibility that this theory does hold some value. It is suggested that if the negative aspect of the theory of Cultural Hierarchy could be reduced or ameliorated, there may still be a place for it in art theory- albeit in a much altered way. The danger that…
Atlas, Caron. Cultural Policy: In the board rooms and on the streets http://www.communityarts.net/readingroom/archivefiles/2002/08/cultural_policy.php (Accessed November 17, 2007).
Critique of Mass Culture Theory. http://www.blacks.veriovps.co.uk/content/2992.html (Accessed November 17, 2007).
Introduction: the quest for cultural legitimacy. http://18.104.22.168/search?q=cache:4K45iQTyF4MJ:assets.cambridge.org/97805218/01911/excerpt/9780521801911_excerpt.pdf+%22Cultural+Hierarchy%22+in+art&hl=en&ct=clnk&cd=20&gl=zan (Accessed November 17, 2007).
Critique of Mass Culture Theory. http://www.blacks.veriovps.co.uk/content/2992.html (Accessed November 11, 2007).
Henri Matisse's painting Woman efore an Aquarium, and the poem of the same title by Patricia Hampl. The also paper look at the reasons why a poet may choose to base their work on an existing work of art.
Poets sometimes choose to write about works of art for many reasons, because they become inspired by them, or repulsed by them, or maybe because they are enraged by the work of art. Further, the work of poets can also inspire artists, for much the same reasons. Many would argue that both poets and painters are artists, and that, as such, the issue of why and how poets become inspired by paintings is irrelevant; it is argued that a painting can be as much of an inspiration for a poet as a scene from nature, or a memory, or a smell, as anything that stimulates the muse to write can be…
Neret, G. (1999). Matisse. Taschen.
Brettell, R.R. (1999). Modern Art: 1851-1929. Oxford University Press.
Vincent Van Gogh: oman with a spade as seen from behind. (1885)
Vincent Van Gogh is a master artist whose works have fascinated the society for decades. The manner in which he portrays his subjects and the deliberation of each stroke gives a life like result that is a pleasure to see. Vincent Van Gogh went through life searching for the elusive perfection that he could capture on canvas.
Though many would say that his works are itself a perfect presentation, Van Gogh proved to be his own biggest critic. He stated in one his Letter 257 c. January 3, 1883, "By working hard, old man, I hope to make something good one day. I haven't yet, but I am pursuing it and fighting for it..." thus were immortalizing his own life. e could have aptly used these words to write his eulogy for the search for something better is…
Van Goghs Found Hidden Under Van Gogh Paintings; Newsday REUTER; 04-13-1994
Three examples come to mind: the aboriginal art of the indigenous peoples of Australia, the native art of Central and West Africa, and some of the cave paintings from Lascaux. Like Anderson, each produced colorful, realistic, yet unique depictions of nature and animals. Shown here from left to right are Australian Aboriginal Art, Folk Art from Tanzania, and a poster of one of the Cave Paintings from 10-15,000 BC in Lascaux, France. Note the similarity in texture and line to Anderson, the fact that the animals almost curve, and that we have an anatomical element within each of the three interpretations.
Anderson, however, is far more enveloping than many other primitivists. One can almost sense the hours he spent observing these creatures. And, the sense of movement that is communicated in the flatness by the oscillation of the circles from crab to crab, as if they were imitating sonar back…
The Life of Walter Inglis Anderson. (2009, April). Citied October 2010, from Walterandersonmuseum.org: http://www.walterandersonmuseum.org/frameset3.htm
Hansen, L. (September 28, 2003). "The Art of Walter Inglis Anderson." National
Public Radio. Cited October 2010, from:
Film plays an important role in all of our lives; it would be nearly impossible to find a person who has not been affected in some way by a movie. From the films we watch in our childhood, to the classics, and the more challenging cinema we see later as we study the art of filmmaking, the movies offer so much opportunity to consider the principles of art (Janaro & Altshuler, 1984). Because filmmaking is a multimedia endeavor, involving costume design, sound and lighting, music, skillful writing, graphic art, and performance art, considering filmmaking as a whole encourages appreciation of all that goes into just a few minutes of reel.
When I consider Tarantino films, for example, I think about how the filmmaker places the music front and center in Pulp Fiction. The soundtrack to that movie is as memorable as the characters. I also appreciate how filmmakers like Tarantino…
Janaro, R. P., & Altshuler, T. C. (1984). The art of being human: The humanities as a technique for living. New York: Harper & Row.
Saatchi Gallery. Retrieved online: http://www.saatchigallery.com/artists/duane_hanson.htm
178). For example, Sakkal reports that, "The measuring system of Ibn Muqlah is based on a circle with a diameter that equals the height of the letter Alef. It controls the correct proportions of the letters by comparing them to the circle, and by diagonal dots written with the calligraphy pen" (1993:9). In his analysis of Ibn Muqla's role in the standardization of the geometrical basis of Arabic writing, Ernst, citing an early treatise, illustrates the religious significance of the circle as being an integral part of these revisions to calligraphic script: "God (glory be to the Most High) created the world in a circular form. The master Abu Ali Muhammad ibn Ali ibn al- Husayn ibn Muqla the scribe (may God have mercy on him) realized that writing could be made circular. He transmitted that method of [round] Kufic in this fashion that is now current, so that it…
Brown, Keith, Anne H. Anderson, Laurie Bauer, Margie Berns, Graeme Hirst and Jim Miller.
Encyclopedia of Language and Linguistics. Boston: Elsevier, 2006.
Blair, Sheila S. And Jonathan M. Bloom. 2003. "The Mirage of Islamic Art: Reflections on the Study of an Unwieldy Field." The Art Bulletin 85(1): 152-154.
Eaton, Gai. Islam and the Destiny of Man. Albany, NY: State University of New York Press,
The ancient cities of ome and Florence are layered ones. If one has the chance to walk the streets of these cities it is clearly that the they have had far more than the nine lives of the feline: Layer upon layer of human life and human ingenuity is displayed in the many different styles that line the streets. While we may tend to think of ome and Florence as the classical city that they once were (and of which they still bears many elements) they are also in many ways Gothic cities, for some of the cities' finest examples of architecture date from the Gothic period. This paper examines two particular Gothic churches - Santa Maria Maggiore in ome and the church of S. Maria del Fiore in Florence is no exception. Each church is examined for the combination of specific historical forces and styles, the building…
Brown, Peter. "A Dark Age Crisis." English Historical Review 88 (1973), 1-34.
Cameron, Averil. "The Virgin's Robe: An Episode in the History of Seventh-Century Constantinople." Byzantion 49 (1979), 42-56.
Croddy, S. "Gothic Architecture and Scholastic Philosophy." The British Journal of Aesthetics 39 (3), 263-272.
Davis, Michael, Science, Technology, and Gothic Architecture. Avista 8 (2) (1994/95), 3-6. http://www.area.fi.cnr.it/bivi/eng/schede/Toscana/Firenze/17cattedrale.htm
I come from a mixed background, and my culture has been influenced also by various normative elements in American society. The Cuban side of my family has stressed the importance of frequent cultural gatherings and a strong emphasis on food, drink, and other social elements of celebration. The German side of my family has less of an emphasis on overt expressions of culture, and provides an interesting and educational counterpoint. Taking together with the elements of the dominant American culture and its predilection toward creating homogeneity, the various elements of my cultural identity converge in unique ways that I can explore in the classroom. Working with children, I can also incorporate evidence-based practices to teach about the relevance and importance of music and the arts.
Personal eflection (Part I)
Cuban culture values art, music, and dance to the extent of it being technically impossible to separate these elements from…
Bucek, L.E. (2013). Children's dance-making. Dissertation retrieved online: http://rave.ohiolink.edu/etdc/view-acc_num=osu1366147483
Campbell, L.H. & Simmons, S. (2012). The heart of art education: Holistic approaches to creativity, integration, and transformation. Reston, VA: National Art Education Association.
Perkins, et al. (2014). The benefits of early music education for language acquisition among Head Start students. ASA Conference Session.
Asia and Africa in estern European Art
Globalization is generally associated as a modern phenomenon, however, it is a global movement that began with the Greeks and did not accelerate until the renaissance era. The est, going back to Alexander the Great, has a long history of interactions with Asia and Africa. Ideas and goods were consistently traded. This trend of globalization accelerated with the age of exploration in the 16th century when Europeans came into further contact with Africa, Asia, and the Americas. Driven by the quest for gold and natural resources estern European traders navigated the world. This had a profound effect back home, as Europeans developed an interest in the exotic. The interest blossomed during the 18th and 19th century, during the height of estern power and colonialism. Curiosity into the foreign permeated all levels of society. Artists incorporated Asian and African artistic styles into their…
Soltes, Ori. "They All Came to Paris." YouTube. YouTube, 11 Oct. 2011. Web. 2 Apr. 2014. .
Soltes, Ori. "Asia and Africa in the Western Mind." YouTube. YouTube, 11 Oct. 2011. Web. 2 Apr. 2014. .
In his painting Flight into Egypt, Battista Dossi took great care to tell the story of the Holy Family at the very moment the painting shows. He evokes the urgency in the life of the traveling Holy Family as they flee for the life of their child. All that needs to be said in the painting is told with color and precision, movement and depth, and the entirely personal glimpse into the lives of the Holy Family. Battista's work is at once compelling and evocative of the situation.
The work entitled Flight into Egypt is oil on panel by the Ferrarese artist Battista Dossi, (circa 1490 to 1548) who was the younger brother of Dosso Dossi. The brothers were the primary painters in the court of Ferrara under the Alfonso I'd'Este and Ercole II d'Este. Unfortunately, most of the documented work the brothers did for the court was…
Art, ritual, and religion are inseparable in the aboriginal societies of Oceania. Aboriginal myths of creation and the Dreamtime are rendered in art and permeate the various types of art found throughout indigenous Australia from bark and rock paintings to the modern renditions on canvas. Similarly, the art of Pacific Islands before 1980 is inseparable from their cultural contexts. The concept of art is different in the Pacific Islands than it is for the Europeans who colonized the region. Therefore, it is important to understand both aboriginal and Pacific Island art within their own historical, cultural, and social worldview. Art was functional, symbolic, and sacred, and was tacitly decorative.
The aboriginal Australians have populated their lands for 50,000 years, and during that time developed highly sophisticated cosmologies comprising "what anthropologists say is the world's longest enduring religion," (Kiger, n.d.). Although there is a considerable amount of diversity in the exact…
Art History: From the Early Modern to the Contemporary
Produced early 2000's
Media - Scuplture
Ron Mueck - "A Girl" (Lina, 2011)
This sculpture is a huge lifelike portrayal of a baby girl. hereas many artists wish to portray images of life at its best, or better, superrealism movement has tried to show life as it actually is. This work is fascinating because of its size and what it represents. All of us have had this experience, but it is not a memory we have access to.
Making Political Statements
An American Tragedy -- Evergood (The Art Story, N.d.)
An American Tragedy
Oil on Canvas
This painting is labeled a piece within the Social Realism movement and portrays a conflict in Chicago and was based on real events. Evergood, the artist, had experienced the oppression of the police personally and was said to…
Graves, M. (2016, April 8). Bauhaus 1920s - 1930s. Retrieved from Postmodern Timeline: http://www.wttw.com/main.taf?p=88,5
Harvey, M. (N.d.). Faith Ringgold, Who I Am and Why. Retrieved from IRAAA: http://iraaa.museum.hamptonu.edu/page/Faith-Ringgold,-Who-I-Am-and-Why
Lina, D. (2011). 13 Hyper-realistic Sculptures by Ron Mueck. Retrieved from Bored Panda: http://www.boredpanda.com/13-hyper-realistic-sculptures-by-ron-mueck/
The Art Story. (N.d.). Social Realism. Retrieved from The Art Story: http://www.theartstory.org/movement-social-realism-artworks.htm#pnt_3
Diane Blake Art Exhibition
King Island, Bass Straits -- Diane Blake. Diane is a native of the Eastern Shore, but has travelled all over the world to capture her images. She has been an artist and photographer for over 30 years, and loves to use her artistic lens to examine the natural environment. In particular, we focus on Diane's view of the seascapes and natural beauty of King Island, Tasmania (Art with Al, 2013).
Description and ationale - Dianne Blake celebrates the natural beauty of Mother Nature with her interpretations of the land and sea of a number of environments, in this case, King Island, Tasmania. Her work focuses on texture, color, and combinations of both that create natural wonder in paintings. In this case, Diane focuses on kelp, sponges, anemones, works, barnacles and the myriad of life in tide pools and rock ponds near the ocean shores. Each of…
Art with Al. (2013). King Island, Bass Strait by Dianne Blake. Artwithal.com. Retrieved from: http://www.artwithal.com.au/exhibitions/king_island_bass_strait/artwork/
Board of Studies, NSW. (2006) Creative Arts K-6 Syllabus. Retrieved from: http://k6.boardofstudies.nsw.edu.au/files/arts/k6_creative_arts_syl.pdf
(athus) (Day) ("Susan Elliot")
Clearly, the five different works are illustrating how the art of the 21st century is taking the techniques of the past and they are incorporating them with contemporary beliefs. The way that this is occurring is through using classical themes and approaches to set the mood of each piece of art. Then, it is building upon them by taking modern day issues and highlighting the importance of them.
Once this takes place, is the point that these beliefs will become a part of the message that the artist is sending to the viewer. This is when they will have a greater understanding of these ideas and will be motivated to take action. As a result, 21st century art is illustrating how these images are influencing everyone.
"Cathe Hendrick." Cathe Hendrick, 2012. Web. 27 Nov. 2012
"David Hatton." David Hatton, 2012. Web. 27 Nov. 2012…
"Cathe Hendrick." Cathe Hendrick, 2012. Web. 27 Nov. 2012
"David Hatton." David Hatton, 2012. Web. 27 Nov. 2012
"Igal Fedida." Igal Fedida, 2012. Web. 27 Nov. 2012 < http://igalfedida.com/index.php >
"Marianne Monnoye -- Termeer." Marianne Monnoye -- Termeer, 2012. Web. 27 Nov. 2012
art is contingent upon who it is that is conducting the interpretation process. What may be seen one way by a certain individual, may be viewed completely differently by another person. Art is a very subjective topic. One's emotions and feelings go into the process of both creating art and reading other people's art. My definition of art is quite vast. Art is a form of expressing one's feelings. These feelings can stem from sadness, elation, anger, and/or repression. In the beginning of the artistic process, the artist is not too concerned with what others think of their artwork; the art-creating process is in fact viewed as a way to rid oneself of emotions that one may not comprehend at the moment. Art then takes on a life of its own, allowing people to see what they want to see. It is very rare to find two interpretations that are…
To illustrate these different views, he creates Starry Night over the Rhone. This shows the sense of anticipation that is occurring before the evening begins. As he is depicting, a quit outdoor cafe that is waiting for: the customers to begin arriving and the festivities to commence. To illustrate this sense of anticipation he uses different colors and lighter brush strokes. As there is: yellow, black, blue, tan and gray; to highlight the overall emotions that Van Gogh is feeling (when he reflects on his life in Paris). At the same time, the lighter brush strokes are used to show the changes of time that are taking place, by making the background somewhat blurry. This is important, because it is illustrating how the artist is trying to create that sense of realism and the passage of time, by showing their positive emotions about their past lives. ("Vincent Van Gough," 2011)…
Dance at Le Moulin de la Galette. (2011). Web Museum Paris. Retrieved from: http://www.ibiblio.org/wm/paint/auth/renoir/moulin-galette/
Frans Hals. (2011). ABC Gallery. Retrieved from: http://www.abcgallery.com/H/hals/hals.html
Hudson River School. (2011). Visual Arts. Retrieved from: http://www.visual-arts-cork.com/history-of-art/hudson-river-school-landscape-painting.htm
Jean -- Antione Houdon. (2011). Scholar Resource. Retrieved from: http://www.scholarsresource.com/browse/artist/637
Artists Since 1945
hat are the influences and events that caused Abstract Expressionism to develop? hat are the two modes of Abstract Expressionism? Compare and contrast these two modes and specially discuss the work of two artists from each mode. Share why you chose these four artist.
During and after orld ar II, artistic expression was destroyed in Europe. This is because, the onslaught of the Nazis created an environment of persecution. In some cases, these activities were based upon artists using their expressionism as a form of criticisms and social critiques. hile at other times; a host of individuals were persecuted because of their race or nationality. The result is that they fled to locations such as New York to be able to continue with their work. This played a major role in determining how Abstract Expressionism developed by taking a different approach that questioned and challenged the status…
Adams, Ellen. After the Rain. Ann Arbor: Proquest, 2007. Print.
For example, the ethnic client who paints a huge red heart with an arrow piercing its center is communicating a universally understood message: I have been affected by love/passion/emotion.
Natalie Rogers, founder of the Person Centered Expressive Therapy Institute is a strong proponent of expressive art. In this form of art therapy, the ethnic client is encouraged to "express inner thoughts by creating outer forms."
When treating a client with art therapy, Ms. Rogers uses many techniques of expressive art: drawing, coloring, dancing, musical demonstrations, and the like.
Once these exercises are completed, the participants are encouraged to explore the nuances involved in the interaction: did communication occur? Was it a pleasant experience? Were boundaries an issue? Who led? Who followed?
Despite the fact that this work is not done solely with ethnically displaced clients, the premise remains the same; through expressive creativity, one's self may be realized, recognized, and…
Art Therapy, a Guide for Mental Health Professionals. New York: Brunner/Mazel,
Burt, H. (1993). Issues in art therapy with the culturally displaced American Indian youth. Arts in Psychotherapy. 20: 143-151.
Cohen, B., Barnes, M., & Rankin, a. (1995). Managing Traumatic Stress Through Art. Maryland: Sidran Press.
(Kleiner, 2010, pg. 360)
While Giotto's Christ Entering Jerusalem, is a depiction of Christ entering the Jerusalem. In this situation, he is trying to instill a sense of history and righteousness by showing Christ entering one of the holiest cities in Christianity. At the same time, he is embracing the same kind of basic painting style that was most commonly used during the time. This is important, because it shows how Giotto is taking more a historical approach about various events that are occurring. ("Christ Entering Jerusalem," 2009)
When you compare the two works side by side, it is clear that the 13th century ible is telling a story about how everyone should be acting within society, by highlighting how the King is viewed in same light as other religious symbols. While Christ Entering Jerusalem is showing a historical approach, based upon past events (giving everyone a sense of respect…
Christ Entering Jerusalem. (2009). Art Work Today. Retrieved from: http://artworktoday.blogspot.com/2009/04/christ-entering-jerusalem-by-giotto.html
Michael Angelo's David. (2010). Turismo. Retrieved from: http://www.turismo.intoscana.it/allthingstuscany/tuscanyarts/michelangelo-david-facts/
Pieter Bruegel. (2010). Met Museum. Retrieved from: http://www.metmuseum.org/toah/hd/brue/hd_brue.htm
Dobson, R. (2000). Weighing of Souls. Encyclopedia of the Middle Ages (pg. 1540). New York, NY: Routledge.
The most striking difference of this painting is the extensive use of gold leaf. A matured use of shadow and detail can be seen in this tangka, indicating a later, more developed art form. It lacks the detail to symmetry found in the other two examples as well. This piece provides an excellent contrast to the earlier two Tangka that were examined. it's attention to shading, clear outlines, and accents in gold may indicate the Menris school of the 1500s (Tibetanartschool.com).
Tangka paintings are an important part of Tibetian life. Many regional differences exist in the painting styles and techniques that are employed in the paintings. It might be noted that Tangkas in western Tibet take on a Chinese flavor. Tangkas of the religious nature are divided into three major portions. They are the top, middle and lower portions of the painting, representing the heaven, earth and underworld (U-wayttours.com).…
Asianart.com. Desire and Devotion: Art From India, Nepal, and Tibet in the John and Berthe
Ford Collection. < http://www.asianart.com/exhibitions/desire/tara.html > Accessed
November 23, 2010.
Rumsey, D. Green Tara.
By the fifth millennium BCE, China had developed the basic elements that were to identify it as a civilization, such as social structure, agricultural skills and the domestication of animals (Schmidt pp). It was also developing concepts related to the order of the natural environment, to life, death, and life after death (Schmidt pp). China's cultural identity, as it is known today, can be traced to the endeavors of the Neolithic village communities of the Yangshao culture that flourished during this time (Schmidt pp). Ancient Chinese communities produced numerous vessels and objects from various mediums for use in both utility and religious purposes.
Only fragments and traces of items created in ephemeral materials remain from the prehistoric and early historic periods, yet numerous ancient Chinese objects of jade, earthenware, and metal have survived in fairly good condition, most of which were found preserved in ancient burial sites (Schmidt…
Schmidt, Carolyn Woodford. "Early Societies and the Arts: The Foundations of A
The Art of Chinese Bronzes - ancient Chinese bronze artwork.
As a result, both works of art share this similarity, as they want to instill the audience with a sense of awe and respect for this person. (Stokstad, 2011)
When you step back and analyze both statues, it is clear that Donatello as well as Michael Angelo is trying to impress upon the audience a sense of: strength and respect for their statues. This is illustrated by the way they are using his physique, to underscore his physical strength and sexual prowess. However, both artists have different interpretations about what this character should look like. As far as Donatello is concerned, he is highlighting these momentous changes that are occurring (through a graphic depiction of the aftermath of the battle). Where, he shows David posed victoriously, with his foot on top of Goliath' severed head. This is important, because Donatello is trying to instill in the audience a sense of…
Donatello's David. (n.d.). Oneonta. Retrieved from: http://employees.oneonta.edu/farberas/arth/arth213/donatello_david.html
Michael Angelo's David. (n.d.). Italy Guides. Retrieved from: http://www.italyguides.it/us/florence/michelangelo_david.htm
Stokstad, M. (2011). Art History. Upper Saddle River, NJ: Pearson Education
post-revolutionary French art, and are titled; Nudity a La Grecque in 1799 and Colonization Gross's Plague-Stricken Jaffa share some fundamental commonalities. The similarities that these two articles share are their methodology, formal artistic analysis and their account and implicit description of the relationship between art and social history. Both of these articles also provide historical accounts of artistic criticism of post-Revolutionary history painting. Most significantly Grisby's articles provide a view of post-Revolutionary France where art, history and politics all combine to allow readers to more fully understand cultural and social issues of great importance of the time.
Darcy Grimaldo Grisby sets out to dispel commonly held notions and opinions regarding Gross's Plague-Stricken Jaffa. The most significant theory he seeks to dispel is one that claims the painting is simply a government commissioned propaganda piece created to enlarge the image of the then, soon to be emperor of France Napoleon Bonaparte…
Grimaldo Grisby, Darcy . "Nudity A la Grecque in 1799." Art Bulletin 80.2 (1998): 311-335. Print.
Grimaldo Grisby, Garcy. "Rumor, Contagion, and Colonization in Gros's Plague-Stricken of Jaffa." references 51 (1995): 1046-1093. Print
As the various are works are depicting the two as a perfect match. A good example of this can be seen in the painting the Meeting of Marie de ' Medici and Henry IV at Lyon. Where, Rubens is showing the two in heaven, looking down on themselves when they were younger riding lions. This is important, because the image of them in heaven is highlighting how they are God's match. While the lions are an illustration, of how they are from the same kind of background. As a result, a sense of mysticism is embraced with: heaven and the lions. While reality is depicted by: showing the two people as they actually appeared in real life. Therefore, the aroque style is illustrated through the use of: mysticism and realism that are connected to one another. ("Marie de ' Medici and Henry IV at Lyon," 2011)
Artermisia Gentileschi. (n.d.)…
Artermisia Gentileschi. (n.d.) the Art History Archive. Retrieved from: http://www.arthistoryarchive.com/arthistory/baroque/images/ArtemisiaGentileschi-Woman-Playing-the-Lute-1609-12.jpg
The King's Interior Apartments. (2011). Palace of Versailles. Retrieved from: http://en.chateauversailles.fr/discover-the-estate/the-palace/the-palace/the-kings-interior-apartments
Marie de ' Medici and Henry IV at Lyon. (2011). Arts Heaven. Retrieved from: http://www.artsheaven.com/peter-paul-rubens-the-meeting-of-marie-de-medici-and-henri-iv-at-lyon.html
The Merode Altarpeice. (n.d.). Home Schools. Retrieved from: http://www.homeschoolonline.co.uk/art/great-works-of-art/the-merode-altarpiece-by-robert-campin.html
Whitney collection, what qualities do the art works seem to have in common?
When you look at the Whitney collection from the year 2000, it is clear that that all of the artists are reflection of a sense of realism in the various works. As, they are taking everyday events and are depicting them in such a way, that they are giving the audience a sense of appreciation for what many people see regularly.
A good example of this can be seen by comparing the works of Doug Aitken with John Coplans. In the Doug Aitken's photograph, he is illustrating an everyday event by highlighting a single shopping cart sitting in a parking lot. As, everyone has: went home and Aitken is showing how this is part of everyday life in America. This is giving the viewer a sense of appreciation for the kinds of images that we see everyday,…
"Doug Aitken." Whitney Collection, 2011. Web. 23 Jun. 2011
"John Coplans." Whitney Collection, 2011. Web. 23 Jun. 2011.
"Whitney Collection." Whitney Collection, 2011. Web. 23 Jun. 2011
Power Politics and Glory
Example 1: The Great Wall Of China
It is a common phenomenon for an object to be associated with the ruler or the country in question. The Great Wall of China, where not only served as a defense system, but also consolidated the image of China as a mighty power for many years. The Wall -- acted more as a psychological defense mechanism -- giving the image of China as a united nation.
The design and the emergence of the wall was only possible in the then current prevailing Political Condition of the country, when the country needed to defend itself from foreign attacks by the Mongols.
The design of the Wall was used as a medium to inspire fear and an image of a strong state -- depicted by the strong wall itself. Aesthetic consideration was not point or considering factor, as the main point…
Carlisle, Lyndsay. "Walls and their impacts in a worldwide historical Context." Mexico: National Institute Of Ecology, n.d.Web. 27th Aug 2011
Ecotourism & Adventure Specialists . "The Palace at Paleanque National Park." n.d. Web. 28th Aug 2011.
Great Wall of China. n.d. Web. 27th Aug 2011.
Iliana Papadopoulou, Anastasia Veneti. "Committed Art and Propaganda." Annual PSA Conference. Leeds: Political Studies Association, 2005: 1-16.Web. 28th Aug 2011
There are many instances of art acting as a means of enabling people back to health. This healing aspect of creativity is, I believe, due to the fact that we are liberated from the restrictions of the world in the process of creativity and because artworks are in a sense the residue of the experience of spiritual and expanded consciousness.
There are numerous clinical studies which show the effective of art therapy. For example, a number or art therapists have studied the affect of art therapy on people who have experienced loss. "Art therapists consistently observe the power and potential of art to help identify, cope with, and heal the pain experienced during the grief process..." (Hill, M.A.)
However, the healing process in creativity can best be explained by the deeper meaning of spontaneity.
Nachmanovitch asks the important question: "How does one learn improvisation?" The answer to this question is…
Hill M.A. Healing grief through art: art therapy bereavement group workshops. Retrieved 8 September, 2006, from Malinda Ann, M.A http://www.drawntogether.com/healing.htm
Nachmanovitch, S. (1990) Free play: The Power of Improvisation in Life and the Arts. Los Angeles: Jeremy P. Tarcher.
Wordsworth W. LINES COMPOSED a FEW MILES ABOVE TINTERN ABBEY,
ON REVISITING the BANKS of the WYE DURING a TOUR. JULY 13, 1798. Retrieved September 7, 2006, at http://www.bartleby.com/145/ww138.html
The exoticism and escapism of Romantic Art is manifest by the focus in the features of Napoleon on the bright or the wider scenes of the battlefield. However, it is the works of Francisco Goya that perhaps most perfectly epitomizes the intense individualism and emotion of Romantic art. Even the titles of Goya's works like "Yo lo Vi (This I saw)" and "Para Eso Yo Nacido (for this I was born) places the artist's individual consciousness squarely in the center of the meaning of the painting. There is no attempt at objectivity, and no apology for the subjective nature of the representation.
The Third of May" although a political work, is not of a noble or significant figure, or a beautiful human body like "Marat." Most of the painting has a hazy quality, as if seen through the night, except for the illumination of the victims. It shows the ugliness…
Gustav Klimt Lesson Plan
"Describe the central focus and purpose for the content you will teach in the learning segment".
Students will learn the art of Gustav Klimt, which will assist in creating the work of art that will resemble Klimt's style. Moreover, students will be introduced to the Gustav Klimt's artwork focusing on his love for cats. (Weidinger, 2007).Students will also learn their artistic style and utilize their patterns and shapes to fill up their works. Moreover, students will continue to build and develop the basic skill sets utilizing art tools such as paint, glue, scissors, and oil pastels. Students will also learn how to utilize the line variation, stylized form, symbol, color, and media variety with the ability to create their "Tree of Life". Moreover, the lesson plan will assist students to learn about cool and warm colors incorporating them into the artistic styles of Gustav…