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Arts
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What is Arts?

The arts encompass a broad range of human creative expression, including visual art, music, theatre, cinema, and architecture. Students across disciplines — from art history and cultural studies to political science and education — are asked to write about the arts because the field raises fundamental questions about how societies represent, critique, and understand themselves. Papers on this topic explore everything from the patronage systems of the Renaissance, as seen in the role of the Medici family, to the development of European art music within westernization movements, making it a subject with deep historical and cross-cultural dimensions.

The papers archived here reflect a wide variety of approaches. Historical and biographical analysis appears frequently, with studies of individual artists such as Jacob van Ruisdael and Toulouse-Lautrec grounding broader arguments in specific careers and movements. Formal analysis is another common method, asking writers to examine compositional and structural elements within a single work. Other papers take a policy angle, such as arguments surrounding the National Endowment for the Arts, while still others use cultural criticism to connect artistic production to social forces — linking cinema's early development between 1900 and 1929 to shifting public life, or examining Harold Pinter's theatre in relation to Aristotelian dramatic conventions.

A strong essay on the arts begins with a clearly scoped thesis that moves beyond simple description to make an arguable claim about meaning, influence, or value. Evidence drawn from close formal observation, historical context, or documented cultural impact tends to carry the most weight. The most common pitfall is treating art as mere illustration of a social trend rather than analyzing it on its own terms as a constructed, deliberate object worthy of sustained critical attention.

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Paper Masters
Comparing the lives and architectural writings of Palladio and Sinan
The document compares two architects, Sinan and Palladio. Two writings by each respective architect are examined for similarities and differences, while their lives and work are also discussed briefly. Both show a remarkable reverence for their respective Gods, and both use the art of architecture to solidify this reverence.
Research Paper Undergraduate
Wallace Stevens and the imagination in modernist poetry
Wallace Stevens: The Emperor of American Poetic Modernism
Research Paper Undergraduate
Formal and spatial qualities of postmodern architecture
What formal and spatial qualities characterize postmodern architecture? What is the relationship of postmodern architecture and classicism? How does this relate to the socio-political context within which postmodern…
Research Paper Undergraduate
Robert Arneson and the transformation of ceramics into fine art
¶ … ceramic artist Robert Arneson, an artist noted for his whimsical and distinctive ceramic pieces. Robert Arneson changed the way many people look at ceramics and sculpture, and his works helped create a new dimension…
Paper Undergraduate
T.S. Eliot's theory of tradition and individual talent
¶ … Eliot makes in "Tradition and the Individual Talent" is the supposed lack of tradition in English writing. He counters this by explaining that tradition is impossible to escape, and that this view is just a…
Paper Undergraduate
Isaiah 57:3-13 as God's warning to the wicked and idolatrous
Isaiah 57 can be divided into three sections, according to the audience. The chapter addresses the righteous and those who have fallen into idolatry. The chapter opens with a message to the righteous, comforting them…
Paper Doctorate
Viral marketing and integrated communications strategies at Nordstrom and Vans
The communications process of viral marketing is represented by developing and spreading promotions like videos, interactive games, ebooks, images, or text messages through social networks like Youtube, Facebook, or…
Paper Undergraduate
Mortal vulnerability and divine punishment in ancient mythology
In mythology, mortals experienced some of the greatest difficulties on this earth because they believed they were dealing with gods who could unleash their vengeance on them at any moment.
Paper Undergraduate
Robert Rauschenberg's "Bed" and the horizontal picture plane
Even in work as abstract and deconstructed as cubism, notes Steinberg, "where the Renaissance worldspace concept almost breaks down, there is still a harking back to implied acts of vision, to something that was once…
Paper Undergraduate
Jacob van Ruisdael's naturalistic style and symbolic landscapes
Jacob van Ruisdael (1628/29-83) is stated to be the "pre-eminent Dutch landscape painter of the seventeenth century" (Burlington House, Royal Academy of Arts, 2006) and is well-known for the number of subjects he…