Movie Essays (Examples)

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Film Leverage

Words: 2153 Length: 6 Pages Document Type: Essay Paper #: 9490327

Film Awards

The film industry produces experience goods for consumer enjoyment and consumption, and substantively relies on consumer differentiation for the economic success of movies. Moviegoers appear to differentiate films primarily on the basis of genre, starring actors, exposure to promotion, recommendations from other moviegoers and film critics, and -- for the dedicated film buffs and connoisseurs -- directors, cinematographers, and even screenwriters associated with the film production (Albert 1998, De Vany 2004, Eliashberg and Shugan 1997, Hand 2002, Krider and Weinberg 1998, Nelson et al. 2001, Ravid 1999, Smith and Smith 1986, Wallace, Steigermann and Holbrook 1993). Access to information about films is related to the resources and networks that moviegoers enjoy, and on the attention that films garner, as expressed by the media and through social networks. Information about films is accessed by moviegoers from many sources: 1) The genre of the film; 2) the rating of the film by the Motion Picture Association of America (MPAA); 3) the country of origin of the film; 4) variables related to star power, as measured: a) by number of actors listed in Entertainment Weekly's list of 25 Best Actor and 25 Best Actresses; and b) the number of actors and…… [Read More]


Albert, S 1998 "Movie stars and the distribution of financially successful fitness in the motion picture industry." Journal of Cultural Economics, 22(4), 249-270.

Chang, B-H and Ki, E-J 2005, Devising a practical model for predicting theatrical movie success: Focusing on experience good property. Journal of Media Economics, 18(4), 247-260.

Chen, Andrew. "Forecasting Gross Revenues at the Movie Box Office" Department of Economics, University of Washington June 2002. 20 July 2006

Decanay, JC, King-Calvo, MT, Santos, AA 2010, Information cascades as social learning: The case of box-office ticket sales in the Philippines. Proceedings of the European Conference on Knowledge Management, 2010 p.334-344.
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Film Journal Comparison of Similarities

Words: 409 Length: 1 Pages Document Type: Essay Paper #: 90101323

The leading lady of the film within the film is crazy, without the need for abusing any form of intoxicating substance. But the primary difference between the contemporary and the past film does not lie in any of these imperfect parallel details involved in their mutually chaotic plots, nor the minute distinctions in the minds and portrayals of stock characters. Rather, the difference lies in the way that DiCillo's style of storytelling constantly forces the audience to remain on edge, unaware if they are watching real life or the film that is being filmed -- or the director or actor's idealized dream of what the creative product should be. Thus, the later film has an added nuance about how the creative process can take over the lives of actors and directors, as well as seem absurd to individuals outside of the movie business. It also forces the viewer not simply to laugh ironically at the lives of the people before them, but to realize that both the viewer, the actors, and the people behind the set are all engaging in a kind of fantasy, whenever the process of filmmaking…… [Read More]

Making a movie about making a movie. This may hardly sound like a gripping subject matter, merely annoying self-commentary and self-analysis on the part of the screenwriters, directors, and actors involved in the self-referential and navel-gazing project. However, this subject matter has proved popular fodder since Francois Truffaut filmed "Day for Night" in 1973. "Living in Oblivion," directed by Tom DiCillo in 1995 is only the most recent film to take up this now familiar plotline.

Truffaut's film despite the French director's reputation as a cutting edge auteur of cinema seems to play to many common assumptions the audience might have about 'creative types' and film. The plotline of the film within a film is melodramatic and inchoate. The film is over its budget, the director's vision, he feels, is being ruined. The leading actress abuses alcohol. The leading actor is sexually involved, to the evident detriment of his performance, with a behind-the-scenes member of the crew.

While Truffaut's film depicts the difficulties of temperamental animal and human actors -- "Living in Oblivion" depicts a temperamental dwarf who is angry about the misrepresentation of his people. "Living in Oblivion" depicts a cameraman, as opposed to a leading actor, who has romantic difficulties. The leading lady of the film within the film is crazy, without the need for abusing any form of intoxicating substance. But the primary difference between the contemporary and the past film does not lie in any of these imperfect parallel details involved in their mutually chaotic plots, nor the minute distinctions in the minds and portrayals of stock characters. Rather, the difference lies in the way that DiCillo's style of storytelling constantly forces the audience to remain on edge, unaware if they are watching real life or the film that is being filmed -- or the director or actor's idealized dream of what the creative product should be. Thus, the later film has an added nuance about how the creative process can take over the lives of actors and directors, as well as seem absurd to individuals outside of the movie business. It also forces the viewer not simply to laugh ironically at the lives of the people before them, but to realize that both the viewer, the actors, and the people behind the set are all engaging in a kind of fantasy, whenever the process of filmmaking or viewing occurs.
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Film Music Critique Dziga Vertov's

Words: 410 Length: 1 Pages Document Type: Essay Paper #: 92521409

Woody Allen's Annie Hall

Music is hardly used at all throughout the course of Woody Allen's classic comedy film Annie Hall. Like the great Ingmar Bergman, a director that Allen has idolized throughout the course of his career, Allen chose to leave a music score out of the film altogether.

Allen has always been known for his unconventional use of music in his films. He has never commissioned an original score for any of his movies; rather, he prefers to use established jazz and classical music recordings. But in a lot of his films, these jazz scores can be heard constantly in the background. Not so in Annie Hall.

One of the few uses of background music to be heard in Annie Hall include a boy's choir Christmas melody that features in a scene where the characters are driving through Los Angeles. In another instance, Mozart's Jupiter Symphony can be heard in another driving scene through the countryside.

The conspicuous absence of music throughout effectively forces the audience to focus more on the dialogue and action as it unravels throughout the course of the film.… [Read More]

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Film Tough Guise Tough Guise

Words: 745 Length: 2 Pages Document Type: Essay Paper #: 3226482

Women do play some role in the promotion of the tough guise image. Whether they would like to admit it or not, most women's idea of a man is one that is strong, macho and protective of them. The saying that, 'Nice guys finish last' has some truth to it. Many women look over the shy, quiet type of man because of the images they have seen in the media and in everyday life. This type of man has no appeal because he is seen as a pushover and the women feel that he could not protect and care for them the way a tough guy could.

The film covered several aspects of the reasoning behind the tough guise. He discussed how the image in perpetuated in young boys almost from the day they are born. He covered how the image plays out along racial and class lines. The fact that he showed several different males who seemed to be from various backgrounds giving practically the same answer to why males have to be tough gave evidence and sort of validated what the entire film was about.

Of course, something should be done to address the increase in male violence…… [Read More]

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Film Troy 2004 A Mythical

Words: 892 Length: 3 Pages Document Type: Essay Paper #: 52233876

There are enough similarities of story and characterization, however, that while one must take care not to see Troy as fact, or even as an essentially faithful movie version of the Homer's the Iliad, one may still learn something about the plot, characters, and setting of Homer's great poem by seeing it. Educationally speaking, perhaps one of the greatest benefits of a major motion picture like Troy is that seeing it might interest more people in reading the Iliad, for comparison, and/or in learning more about Greek legends, myths, and mythological characters in general.

The basic plot and setting of the film is this: the Mycenae Greeks (Greece and Sparta) and the Trojans, having been at war, have finally reached peace after many years. Two handsome young Trojan princes, Hector and Paris (sons of King Priam) are celebrating this fact with Menelaus, King of Sparta (Menelaus's brother Agamemnon is King of Greece). After that, the princes will set sail back to Troy. Then, however, the film cuts to a scene Paris and Helen, the beautiful young wife of King Menelaus (the "face that launched a thousand ships") in bed together. Next, Paris, more impetuous, and less thoughtful, than his careful…… [Read More]

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Film Psychoanalysis of the Film

Words: 997 Length: 3 Pages Document Type: Essay Paper #: 21091058

Grey with a way to accommodate the needs of their Ids and their Superegos. Their Superegos imposed the societal constraints on sexual relationships, which would drive both Lee and Mr. Grey to enter into monogamous sexual relationships. Their Ids drove Lee and Mr. Grey to seek immediate gratification of their aggressive urges through sexual behavior. By entering into a relationship with each other that allows them to fulfill both needs, Lee and Mr. Grey allow their Egos to reconcile the needs of their Ids and Superegos.

Furthermore, the Secretary addresses the issue of sexuality, and highlights the intimate relationship between sexuality and aggression. The unusual thing about the Secretary is that it demonstrates that a relationship that might be viewed as deviant was actually helpful to both members of the relationship. Prior to becoming involved with one another, Lee and Mr. Grey are both in pretty bad shape. Lee was cutting herself. Mr. Grey was obsessive-compulsive in an almost paralyzing manner. However, Mr. Grey's need to be perfect combines with Lee's need to be corrected, and the two combine to form a unit that works well for the two of them.

The Secretary also challenges the assumptions about S&M relationships.…… [Read More]

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Film Critique Apollo 13 the

Words: 330 Length: 1 Pages Document Type: Essay Paper #: 76085251

This lack of trust further leads to dysfunctional conflict.

Dysfunctional conflict refers to a destructive and unhealthy disagreement among people. In a team, this could lead to a removal of focus from the task at hand. This occurs in the scene, where all the members of the team allow their emotion of fear to control their behavior. Rather than seeking solutions, they appear to look for scapegoats upon whom to blame their situation. The scene ends with the potential to resolve the conflict.

The scene focuses very much upon the conflict aspect of communication breakdown, rather than clearly illustrating the positive aspects of the team involved. There appears to be no basis of trust among the team members, which leads to an escalation of dysfunctional conflict. In order to better illustrate the full range of aspects involved in the concepts, the scene might have included a sense of basic trust before the…… [Read More]

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Film Being John Malkovich Sexuality

Words: 3487 Length: 10 Pages Document Type: Essay Paper #: 26718878

His stance is also one of superiority as he presents himself as the victim of his own vision and artistic expression. In this context, the generic pronoun "they" symbolizes Craig's detachment from the world around him as he feels superior which he believes, is what causes his isolation.

Craig's wife, Lotte, is perhaps the most radically changed as a result of traveling through the portal. She becomes convinced that she is a transsexual, and consequently, feels the only way she can be true to herself is to assume a new sexual identity, i.e. that of a man. However Lotte abandons her desire of sexual reassignment when she becomes aware that by starting a relationship with Maxine, she can in fact assume a different gender role simply by falling in love with Maxine. Maxine, on the other hand, embarks on a sexual relationship with Malkovich so she can be with Lotte. Through the masculine John Malkovich body, Lotte experiences a kind of reverse sexuality in which John Malkovich becomes the female part and Lotte functions as the male part. Rejected as a woman, Lotte instead experiences sex with Maxine through John Malkovich's body but while Maxine professes her love for Lotte,…… [Read More]

Weeks, Jeffrey. 2003. The Invention of Sexuality. In Sexuality, 11-28. New York: Routledge.

Dragunoiu, Dana. "Psychoanalysis, Film Theory and the Case of Being John Malkovich." Film Criticism 26.2 (2001): 1-7

Gauntlett, David. 2002. Michel Foucault. In Media, Gender, and Identity: An Introduction, 115-134. London: Routledge.
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Film Project Othello Modernized Shakespeare

Words: 2228 Length: 6 Pages Document Type: Essay Paper #: 25205463

My story being done,

She gave me for my pains a world of sighs:

She swore, in faith, twas strange, 'twas passing strange,

Twas pitiful, 'twas wondrous pitiful:

She wish'd she had not heard it, yet she wish'd

That heaven had made her such a man: she thank'd me,

And bade me, if I had a friend that loved her, should but teach him how to tell my story.

And that would woo her. Upon this hint I spake:

She loved me for the dangers I had pass'd,

And I loved her that she did pity them.

This only is the witchcraft I have used:

Here comes the lady; let her witness it.


Setting: The inside of the administrative building. Nighttime. Othello is wearing a suit, and is confronted by the school's president, 'Dr. B,' and several members of the administration in their pajamas.

John Othello: Look Dr. B, I know it's not easy when your little girl leaves you. Lord knows how I'd feel if I were in your shoes. Maybe I'd feel just the same way, as if I'd like to strangle the guy who took my only baby girl away. I've never been a father, or…… [Read More]

Works Cited

Shakespeare, William. "Othello." MIT Classics Page. [2 Nov 2006]
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Film Technique in Saving Private Ryan

Words: 831 Length: 2 Pages Document Type: Essay Paper #: 26169011

Film Technique of 'Saving Private Ryan'

Saving Private Ryan by Steven Spielberg opens with a sequence that, to some degree, complies with "war drama" conventions. But the movie also possesses innovative elements, challenging the characteristic heroic notion of war. The director employs micro techniques like handheld camera use as well as other techniques that correspond to the documentary genre (e.g., on-location filming) for creating an intense feeling (realistic), making the war appear awfully shocking; the conveyance is a negative representation of war (Andrews).

Amplified diegetic sounds communicate the immensely ghastly reality of the D-day clash. Loud crashing waves reflect soldiers' vulnerable position as they face the brutal and violent nature of war. Loud marching-beats help portray war as an unnatural occurrence in society, as it indicates the natural order of things has suffered from Nazi indoctrination, making of a dominating and regimented man, rather than as a free and peaceful being. Hence, the war sounds echoing around soldiers expose them to the inevitable realities; the sounds of crashing waves foreshadow the deafening explosions constantly being pounded at them; the waves' sound signifies an attack by the enemy. Using the violent sound of attacking gives the battle a realistic impression, the…… [Read More]


Andrews, Lauren Rose. A close study of micro film techniques in 'Saving Private Ryan' directed by 'Steven Spielberg' in 1998'. Web. 20 February 2013. 13 April 2016. Retrieved from:

SPROE. Saving Private Ryan: Combat Footage. 08 May 2010. Web. 13 April 2016. Retrieved from:
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Film Pilosophy Philosophy in Films

Words: 1602 Length: 5 Pages Document Type: Essay Paper #: 76278246

Humanity seems to unravel altogether in Pi: Faith in Chaos, both written and direct by Darren Aronofsky. Max is a brilliant but socially crippled young mathematician who has built a supercomputer and possibly unlocked the mathematical secrets of the universe, explaining everything from the stock market to God. The mathematical precision with which the world would operate if this is true casts a great deal of doubt on the existence of free will. At the same time, however, the film is asking questions about reality, and whether or not Max's discovery can truly be used in any practical way. Ultimately, both questions are rendered moot by Max's destruction of the mathematical portion of his brain. Though this seems to be an act of free will, it could also be the natural and inevitable next step in the algorithm of his life following his discovery of the sacred 216-digit number. Regardless, the knowledge is lost for at least another generation. In this way, the film also asks what we are capable of knowing, and what the true utility of knowledge is. The two questions are quite distinct -- one asks what is truly possible, the other what is ultimately worthwhile. Max's…… [Read More]

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Film Auteur Theory in Tim

Words: 2585 Length: 10 Pages Document Type: Essay Paper #: 61136258

Gotham is a dark place, which manifests evil in the character of the Joker (Jack Nicholson). Bruce Wayne, Batman, is the force with which evil must reckon. Batman, however, has his own dark side, which is manifest in his costume, his gothic style mansion, and the technology he employs to combat the Joker and other criminal elements.

In this film, Burton needed only a few big name and talented actors -- Jack Nicholson (the Joker), Michael Keaton (Bruce Wayne aka Batman), Billy Dee Williams (Harvey Bent), and Kim Bassinger (Vicky Vale) to attract that audience that might otherwise have opted out of a comic book to film production. Yet the actors in this instance by virtue of their talent need minimal direction, and that allows Burton to focus on the structure of the film. The film is not structured around the actors, but the actors fill the structure of the film, the code that is Burton's own interpretation of the storyline, by bringing to life the characters within that structure. The actor is interpreting the director's coding the darkness of the scenery, the emphasis on the visual elements that suggest this is a cesspool of all that which is deteriorating…… [Read More]

Reference List

Dudley, Andrew (1984). Concepts in Film Theory, Oxford University Press.

Caughie, John (1982). Theories of Authorship: A Reader, Routledge, New York, New


Valicha, Kishore (1988). The Moving Image: A Study of Indian Cinema, Orient
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Film Gay and Lesbian Stereotypes

Words: 613 Length: 2 Pages Document Type: Essay Paper #: 17433966

The homosexual community is also associated with characteristic mannerisms that, in fairness, do project homosexuality.

There is nothing necessarily prejudiced or closed minded about making assumptions that those who adopt mannerisms and clothing or hairstyle choices that generally denote a specific orientation (whether to crime or homosexuality), are likely to be associated with that orientation. In many cases, the external behavior and manner of dress helps individuals communicate information (such as their sexual orientation) about themselves to the world. But the converse is not true. Specifically, when we make assumptions about people knowing nothing else about them other than their sexual orientation, it is inappropriate. First, sexual orientation is not necessarily associated with any other behaviors; if anything, the mannerisms and style of dress generally associated with homosexuality are matters of preference, choice, and social modeling (or mimicry). Second, to the extent any other behaviors are more often evident in homosexuals, many individuals are exceptions to those generalizations. In other words, most baseball players chew tobacco, but that does not mean that all tobacco chewers play baseball or that all baseball players chew. Second, to the extent that other mannerisms and preferences are statistically linked to sexual identity biologically, their…… [Read More]

references are.

Ultimately, the film is a reminder not to make generalizations about people and not to allow any single aspect of other people define your entire impression (or expectations) of them. The message seems most directed to the audience within ten years of Meagan's age and helps promote the relative insignificance that sexual identity and preference should have on our opinions about and expectations from other people.
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Film - Hable Con Ella

Words: 581 Length: 2 Pages Document Type: Essay Paper #: 53429319

Whereas Marco's devotion to Lydia is based on his perception of guilt and responsibility for her predicament, Benigno's infatuation with Alicia seems to be a perfect example of the manner in which men can be love struck by a complete stranger even without any substantial interaction between them first. From the perspective of human sexual attraction and romantic infatuation, Benigno's infatuation is typical; what is atypical and perhaps less realistic is Benigno's continued devotion in light of Alicia's prognosis for recovery. From a much darker perspective, the apparent mental instability to which Benigno is prone may provide some explanation for his preoccupation with a virtual stranger. Ordinarily, it is not so much the manner in which men become infatuated with strangers so quickly that is sometimes a function of mental instability.

On the other hand, what very often is an indication of psychological dysfunction or obsession is the continued infatuation for a stranger even after rejection of a social overture. In that regard, the exact same male gestures are interpreted very differently.

Romantic gestures that are in context and appropriate to circumstances are generally greatly appreciated by the female object of those affections; conversely, out-of-context gestures that are inappropriate to…… [Read More]

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Film the Early Years of

Words: 849 Length: 3 Pages Document Type: Essay Paper #: 87691284

However, in spite of the fact that the film was promoted as a motion picture displaying real-life events, it appears that the director did not hesitate to modify a series of aspects about the environment that he shot in and the story itself. The protagonist's wife and children were not actually his and Flaherty correctly believed that audiences would be more deeply impressed if he presented the story from a more spectacular point-of-view. Even with this, one can still claim that the film is a documentary because it presents viewers with its own creation.

Many individuals took advantage of the fact that documentary films were very influential and devised propaganda strategies using motion pictures. Many individuals involved in this affair considered that fiction films no longer had a strong appeal and that society was more concerned about seeing 'cinema verite'. Many filmmakers got actively engaged in creating films discussing political topics with the purpose of influencing the masses in adopting particular attitudes in regard to the respective political concepts. In their determination to create films displaying reality, most of them failed to actually do so because of the fabricated scenes they introduced in their movies. Even with this, the general…… [Read More]

Works cited:

Aufderheide, Patricia, "Documentary Film: A Very Short Introduction," (Oxford University Press, 2007)

Ellis, Jack C. And McLane, Betsy a. "A new history of documentary film," (Continuum International Publishing Group, 2005)

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Film Frozen River Courtney Hunt's

Words: 1866 Length: 6 Pages Document Type: Essay Paper #: 59436904

The relationship between the two women is strengthened as the film advances and as they discover that they have more things in common than they initially thought. The two criminal-oriented individuals find that they have serious issues with their families and that something urgently needs to be done for them to solve their problems. The bond they form is best observed to the end of the motion picture, when Ray has second thoughts about leaving Lila and instead presents herself to the authorities, willing to be penalized for her actions. In spite of the fact that some viewers might consider the film's ending to be dull in comparison to the dramatic outcome they expected, the final is actually satisfying, as Ray's punishment is somewhat equivalent to the illegalities that she committed.

The frozen river can be taken for granted, with all the risks involved in crossing it, and it can also be considered to mirror Ray and Lila's lives, as they are both in danger of "falling through the ice." Ray risks being fired and losing the chance to raise money for her dream home, while Lila risks never seeing her baby again. The frozen river in the women's lives…… [Read More]


1. Dir. Hunt, Courtney. Frozen River. Sony Pictures Classics, 2008.
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Film Field of Dreams Executive Review The

Words: 832 Length: 3 Pages Document Type: Essay Paper #: 79999728

film Field of Dreams

Executive review: The objective of this paper is to provide an in-depth analysis of the film 'Field of Dreams' [1989], taking into consideration such intrinsic aspects of the film as the plot; characterizations; contextualization and storyline; moods and particularly evident ideological perspectives.

The plot within Field of Dreams begins to take shape when, due to instruction given unto him by a mysterious, heavenly voice one day, Ray Kinsella [Costner], a struggling Iowa farmer, begins to turn one of his cornfields [virtually the exclusive source of his income] into a baseball diamond. The characters he meets and the experiences he subsequently has, the eventual result of his accomplishment (s) and the ultimately reconciling and redeeming conclusion collectively converge to make for a movie that, in spite of having various fictional and illogical inclinations, depicts a pot that is fundamentally logical moralistic.

The film, directed by Phil Alden Robinson and released in 1989 [and with Kevin Costner [playing Ray Kinsella], Amy Madigan [playing Anni Kinsella] and Ray Liotta [playing Shoeless Joe Jackson] in lead roles] revolves around a plot that, in spite of having uncharacteristically simplistic tenets, happens to come forth in as much as a rather touching…… [Read More]

It begins to become increasingly apparent as the movie nears it conclusion, especially with the appearance of the ghost of Kinsella's father that the prime objective of the movie isn't baseball or success; in fact, it becomes increasingly evident that this is movie based upon representing the lives of people living with deep set regrets due to particular wasted chances within their lives. The film isn't just for baseball fans and neither is it just for those with sentimental tendencies, its fundamentally for people those experienced loss and want, just for a few minutes, a shot at regaining things that they have lost as a result of past mistakes.

External Source

Ebert, R. (1989). Field of Dreams. Digital Chicago @
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Film Analysis of Sunset Boulevard 1950

Words: 1376 Length: 4 Pages Document Type: Essay Paper #: 2435744

Sunset Boulevard is a classic film noir produced in 1950 and directed by Billy Wilder. The film begins with the murder of Joe Gillis, a floundering screenwriter who ends up dead in a swimming pool. "Poor dope," the voice over says. "He'd always wanted a pool. Well, in the end he got himself a pool, only the price turned out to be a little high." The voice over, delivered in classic film noir style, turns out to be none other than Gillis himself. Far from being an unreliable narrator, though, Gillis promises "the facts" and delivers. The entire film Sunset Boulevard is the retelling of "the facts" from Gillis's perspective. Wilder's choice of narration is dutifully ironic, as a failed filmmaker becomes famous. The theme of the movie is reminiscent of the Great Gatsby, with its peek at American decadence and lost dreams. Because it offers rich social commentary, Sunset Boulevard signals the changes taking place in American society at the time the film was written. American society had just crawled out of the Second World War. Hollywood was booming, and so was the economy as it was about to propel Americans into one of the most conflicted and contradictory…… [Read More]


Armstrong, R. (2000). Billy Wilder: American Film Realist. NC: McFarland & Co.

Gibson, A. (2001). And the Wind Wheezing Through That Organ Once in a While": Voice, Narrative, Film. Retrieved online: 

Smoodin, E. (1983). The image and the voice in the film with spoken narration. Quarterly Review of Film Studies 8(4): 19-32.

Wilder, B. (1950). Sunset Boulevard. Feature film.
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Film CAPOTE 2005 Directed by Bennett

Words: 2000 Length: 6 Pages Document Type: Essay Paper #: 19081309

The ultimate proof of the film's tendency to utilize hyperbole to portray the author as someone whose morality was questionable due to his own pursuit of success, wealth and fame lies in the quantity of interactions that Capote had with the two prisoners. There is certainly evidence in Clarke's biography that implies there was a fondness and physical attraction between the author and Smith. However, the sheer number of visits that the movie portrays is certainly erroneous. In actuality, the writer's "extended prison sojourns in the film are…fictionalized. In five years, Capote…visited his subjects no more than half a dozen times, though he did correspond with [them] weekly... He…was less interested in dealing with the defendants as people (Gibbons)."

As such, it becomes fairly obvious that the film Capote exaggerated a number of different facets of his personality and behavior in order to render the author as a consummate perfectionist who was willing to do anything to ensure the success of his next book. There are several reasons why the filmmakers took this approach, the most salient of which is to portray the writer's tale as a classic morality one in which a good person ultimately turns bad. This is…… [Read More]

Works Cited

Blake, Leslie. "True, Man." 2005. Web. 

Dujsik, Mark. "Capote." Mark Reviews Movies. 2005. Web.

Gibbons, Phil. "Capote' vs. Capote." Fairness and Accuracy in Reporting. 2006. Web.

Leopold, Todd. "Bennett Miller: Fame of 'Capote', Love of 'Cruise'." 2006. Web.
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Film Interests Choose a Film Interests Isolate

Words: 1264 Length: 4 Pages Document Type: Essay Paper #: 85505221

Film Interests

Choose a Film Interests

Isolate a specific issue, case, problem, or scenario related to business, politics, leadership, advertising, marketing, or ethics in the film.

In the movie Wall Street, there is a focus on a number of issues to include: business, marketing and ethics. What happened is Bud Fox is an up and coming broker who will do anything to be successful. This is when he meets Gordon Gecko, who encourages Fox to become creative in the investment advice that he is providing (by obtaining inside information). The impact is that Fox quickly become corrupted by the easy money and fast life of Gecko's world. Once he realizes that Gecko is using him for his own personal benefits, is when he begins to face legal troubles (with him being arrested for insider trading). After wearing a wire and recording Gecko's involvement is when Fox goes to court. The uncertainty is showing how he was able to do the right thing in the end. Yet, Fox's future remains checkered, as he must come to grips with what happened. ("Wall Street," 2012) (Newkirk, 1998)

These different areas are illustrating how there are business challenges, as he will do anything to…… [Read More]


Wall Street. (2012). IMBD. Retrieved from: 

Newkirk, T. (1998). Insider Trading. SEC. Retrieved from:
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Film History

Words: 8657 Length: 18 Pages Document Type: Essay Paper #: 24941469

movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the "studios" in order to see them. They made movies in a profitable manner for the sake of the studios, but placed the entire industry under their control and dominated over it. The discussion here is about some of those famous studios inclusive of that of names like Metro Goldwyn Mayer, Culver, RKO, Paramount Studios, Warner Bros, 20th Century Fox, Walt Disney Studios, Universal Studios, Raleigh Studio, Hollywood Center Studio, Sunset Gower Studio, Ren-Mar Studios, Charlie Chaplin Studios and now, Manhattan Beach Studio. In the past there were different kinds of movies being made by different kinds of studios. A Warner's picture looked completely different from a Paramount picture, which again looked very different from a MGM picture, which was also very different from a Republic picture, and again different from an RKO…… [Read More]

"What better way to annoy the Hollywood liberals than to remind them every single day that

George W. Bush is STILL the President?" Retrieved from Accessed 15 September, 2005

"What's interesting about the business is that it's no longer the movie business" Retrieved from  Accessed 14 September, 2005
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Film United 93 Directed by

Words: 1834 Length: 5 Pages Document Type: Essay Paper #: 23215394

It also says a lot about our society that so many people went to see the film and endorsed the film. It is not because this film is about heroes or heroism. It is because the film's ultimate message is to never forget the people who died in the September 11, 2001 terrorist attacks. It was a time when the people of the country came together in support and grief, and a time that made the country and its people just a bit closer to one another. It was an epic time in history and this film makes everyone remember, ultimately so they will never forget.

In conclusion, this is an important and emotional film. It is certainly not easy to watch, and it is easy to demonize the terrorists and fault the military because of their scrambled messages and inaction. However, the director does not demonize the terrorists or point fingers at the military. He allows the viewer to make up their own mind about what they see, and does not preach or moralize in the film. What he does do is paint a convincing and poignant picture of 40 people and a flight crew on an airplane they…… [Read More]


Fortuna, Michael. "Bingham Feels 'United 93' Does Son's Memory Justice." Villages Daily Sun. 2006. 1 Dec. 2008.

Roberts, Sheila. "United 93 Movie Review." 2006. 1 Dec. 2008.

United 93. Dir. Paul Greengrass. Perf..J. Johnson, Gary Commock, Polly Adams, and Opal Alladin. Universal Pictures, 2006.

Wilson, Tyler. "United 93' a Powerful Re-Enactment of Tragedy." University of Idaho. 2006. 1 Dec. 2008.
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Film Is Not Yet Rated

Words: 1077 Length: 3 Pages Document Type: Essay Paper #: 58969329

The NC-17 rating, of course, is a compromise to avoid serious films being given the 'X' rating associated with pornography possessing no artistic value. But having any rating system at all means that filmmakers who want their films to reach a wide audience, and need a wide audience to pay back their backers may feel pressured to compromise their artistic integrity for the sake of getting a more desirable rating, because R-rated films can draw in more movie goers.

The subjective nature of film ratings even under the MPAA is evident when one considers that certain things we take for granted, like nudity, for example, were originally prohibited by the Hayes Commission. Foreign films from nations with different sexual standards, documentaries about important subjects, and other films that contain taboo topics can be effectively censored by being given a NC-17 rating, while violent, major Hollywood blockbusters with little artistic pretentions receive more desirably R-ratings, simply because they do not contain certain hot-button scenes and issues.

Two filmmaking techniques are used to convey the ideological point-of-view of "This Film is Not Yet Rated." One is the common format of many film documentaries, involving interviews with filmmakers and directors and clips from…… [Read More]

Works Cited

This Film is Not Yet Rated" Directed by Kirby Dick. 2005.
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Film W By Oliver Stone

Words: 1521 Length: 4 Pages Document Type: Essay Paper #: 62150417

But it did make me wake up a little to the fact that this was not a true date and fact biopic, but a Stone biopic, which looks more into the heart of darkness of the topic than most others in the genre.

While the humor was there another unexpected feeling I walked away with was fear. This is just not fear of this particular president's way with words or from his gut decision making cowboy politics. It is the fear and the reality that the president is after all is said and done a human being making, often, inhuman decisions. One tends to think of the president as on a pedestal and the scrutiny there is so much higher that any error or misstep or malapropism is multiplied a hundred fold. But in this particular president, Stone by way of implication is saying that if you are not fit for anything else than politics and government is for you. He presents Bush as a human being that is true, but his history of poor success in any job he tried and being constantly bailed out by his father, says that those who can do and those who can't can…… [Read More]

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Film and Perspectives on History

Words: 2572 Length: 8 Pages Document Type: Essay Paper #: 82644447

The newsreels are a successful thematic device as they are used to guide the viewer through the details of the events. It was the decision more so of the studio executives to leave some things out as they only used what would drive the story of the horse. Only upon further investigation of the history does one gain a fuller knowledge. Still the filmmaker's intention of getting the story to the forefront of the American consciousness was successful and met critical review.

Malcolm X

In the film Malcolm X, Spike Lee misleads the viewer about the full nature of racism held by the Nation of Islam. The Nation of Islam characters in the movie say that whites are "blue-eyed devils," but never revealed to viewers is the doctrine about whites being eliminated in racial Armageddon. Furthermore, Lee did not limit the film's context to historical accounts; instead he chose to put in messages that push for revolution today. For example, while the movie begins with Denzel Washington, in the role of Malcolm X, speaking in which he denounces whites as "the number one murderer," the images of the 1990s; in particular, images of Rodney King being beaten are shown. This…… [Read More]

Works Cited

Malcolm X Dir. Spike Lee. Perf. Denzel Washington and Angela Bassett. 40 Acres and a Mule Filmworks, 1992.

Seabiscuit. Dir. Gary Ross. Perf. Tobey Maguire, Jeff Bridges and Chris Cooper.

DreamWorks Pictures, 2003.

The Best Years of Our Lives. Dir. William Wyler. Perf. Myrna Loy and Fredric March.
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Film Theory

Words: 2093 Length: 6 Pages Document Type: Essay Paper #: 29431991

Film Theory

The canonical model of the purely cinematic (Eisenstein, Kracauer, Bazin) starts disappearing in contemporary theory. Most film theorists since the 1970s (Baudry, Wollen, Mulvey, Stam/Shohat, or Jameson, etc.) Explain in different ways how the textual (content and form, the film text itself) and institutional have merged together. Choose two theorists for whom the institutional issues are integrally connected to the textual ones, and explain their insights about reading cinema.

Laura Mulvey's piece, "Visual Pleasure and Narrative Cinema" is divided into three sections. The first section is the introduction, the next section is called "Pleasure in Looking: Fascination with the Human Form." The third section is called "Woman as Image, Man as Bearer of the Look," which is followed by a summary of the entire work. Mulvey makes numerous assertions in her work, but one of her primary intentions of "Visual Pleasure and Narrative Cinema" is to call serious, critical attention to the act of looking as part of the cinematic experience. She calls attention to three fundamental types of looking: the looking of the camera at the frame as it records the footage, the looking of the audience upon the screen, and the looking of the characters between…… [Read More]


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Hooks, B. 1991. Micheaux: Celebrating Blackness. Black American Literature Forum: Black Film Issue, 25(2), 351 -- 360.

Hooks, B. 1992. The Oppositional Gaze: Black Female Spectators. Black Looks: Race and Representation. South End Press, Boston.

Mulvey, L. 2004. Beyond the Gaze: Recent Approaches to Film Feminisms -- Special Issue. Signs, 30(1), 1286 -- 000.