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Ballet
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What is Ballet?

Ballet is a highly formalized performance art with roots in European court entertainment that later developed into a rigorous theatrical tradition. Students write about it across arts, humanities, performing arts, and Western civilization courses because it sits at the intersection of music, drama, visual design, and physical technique. Its history, from early theatrical productions through the innovations of the Ballets Russes, offers rich material for academic inquiry, and works such as Giselle raise questions about how movement, costume, and character combine to convey emotion and cultural meaning. The recurring presence of gender and sexuality as themes further connects ballet to broader conversations in cultural studies and critical theory.

Student papers on this topic tend to approach ballet through several distinct lenses. Historical essays trace the evolution of the form and examine how companies like the Ballets Russes reshaped choreographic and design conventions. Other papers take a cultural angle, exploring how ballet reflects or reinforces ideas about gender, identity, and national identity, with Russian culture appearing as a significant frame of reference. Some essays analyze specific productions or musical collaborators, looking at how composers such as Debussy and others shaped the dramatic and emotional register of staged works through sound and score.

A strong essay on ballet stakes out a focused argument rather than attempting a broad survey of the entire form. Evidence drawn from specific productions, costuming choices, musical structure, or documented choreographic decisions tends to carry the most analytical weight. The most common pitfall is treating ballet as purely aesthetic spectacle without engaging the social or historical forces that shaped its conventions and gave its narratives meaning.

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Paper Undergraduate
Richard Wagner and Franz Liszt: biographical overview and concert program notes
Richard Wagner: Born in Leipzig on May 22, 1813, Wagner's "official" father died six months later and he was cared for by his mother and her lover -- and possibly his biological father -- Ludwig Geyer (Millington, par.
Research Paper Undergraduate
Economic grievances and revolution in America and France
Looking into the dynamics that led to the declaration of American and French revolutions, respectively, it can be observed that both revolutions emerged out of an increasing conflict between civil society and the…
Paper Undergraduate
Plagiarism in academic writing: perspectives from writers and educators
¶ … conversation is original to each. In David Edelstein's (2006) article, "Where have I read this before?," the author focuses on literary writers who have been found to have plagiarized in their works.
Research Paper Undergraduate
Andrew Lloyd Webber's life and musical theater contributions
An Original Showman -- Andrew Lloyd Webber's Personal and Professional Biography loved it! It was better than cats!' Andrew Lloyd Webber's contributions to musical theater in England and America have become so…
Paper Doctorate
Awakening and transformation in Sleeping Beauty and Dirty Dancing
It might seem strange to compare dances in The Sleeping Beauty and Dirty Dancing, however, that is precisely what this paper will attempt to do. The pas de deux dance between Prince Florimund and Aurora in Act III of…
Paper Undergraduate
Rodney Newton, Zoltan Kodály, Rachmaninoff, and Hindemith: twentieth-century composers
Rodney Newton (b.1944): Three Places in Old England
Paper Undergraduate
Stravinsky's "Rite of Spring" and early twentieth-century cultural revolution
Michael Tilson Thomas, the musical director of the San Francisco Symphony, describes Igor Stravinsky's 1913 "Rite of Spring" as a "burst of creative power that shook music to its foundations," (2006).
Paper Doctorate
Uzbekistan's musical heritage and Soviet-influenced dance traditions
CULTURAL Characteristic ONE: A strong musical heritage is an important cultural characteristic of Uzbekistan, according to an article by Alexander Djumaev in the journal Ethnomusicology Forum (Djumaev, 2005, p.
Research Paper Undergraduate
Suzanne Farrell: Ballet's legendary dancer and teacher
The life of a ballet dancer is one of grueling hard work and endless physical effort. To be successful the dancer must deny pleasure, be self-disciplined, and willing to put in countless hours of practice and pain.
Research Paper Doctorate
Agency and identity among women in ultra-orthodox Satmer communities
During the 1990s, none of the five largest air carriers in the US earned its costs of capital. Despite these challenges, airlines like Southwest and JetBlue earned enviable returns. How? An airline can be quite expensive for its owners. Aside from fuel, there is also airplane maintenance, and the number of seats that need to be filled. Airlines make profit by flying frequently, by filling all these seats, and by using less fuel. By sacrificing on other items, such as meals and seat assignments, Southwest set its prices very low, competing with the cost of auto travel rather than other airplanes' fares. Moreover their pricing structure was simple and relatively transparent to passengers, with few classes of fares and few ticket reservations. They were able to do this due to providing frequent point-to-point service between secondary airports that were on average only 515 miles apart. They also focused on simplicity, on eradicating frills, and on high aircraft utilization. Jet Blue imitated Southwest with its combination of low costs, strong brand, and new technology. The Internet helped launch JetBlue since 60% of seats were booked online. Encouraging customers to interact with the airline via Internet made it easier for customers and airline as well as cutting costs inv various ways. Also here the fare structures were simple, and tickets (as they were with Southwest) were electronic. JetBlue's image too was cheap although it attracted a different market – the bankers, brokers, fashion models, and finance officers. This was where it carved its niche. These air carriers succeeded whereas the others failed largely due to their low-cost rates, but also - as compared to other imitators that too tried low cost but shuttered (such as CALite) - because they put their customers first and were truly low cost Why have all the low-cost subsidiaries of legacy airlines, including Delta Express failed? Other low cost subsidiary airlines were not truly low cost – their true expenses were hidden in their financials - and therefore they failed. As regards Delta Express, it attempted to cut costs with lower labor rates and higher aircraft utilizations. It also operated older Boeings and served only light snacks. However its maintenance overhaul gave it low apparent maintenance cost and fights for its profitability showed as CEO Leo Mullin said that "it was a bit of a delusion to say it was a low-cost carrier" (9). Furthermore, Delta was initially a high cost carrier and it would be difficult if not impossible for a high cost carrier to transform itself into a low-cost carrier even with their selling cheap seats and attempting to cut costs. Delta Express still managed their transaction via their parent airline being, intrinsically still, high-cost and, therefore, lost in profitability...