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Ballet
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What is Ballet?

Ballet is a highly formalized performance art with roots in European court entertainment that later developed into a rigorous theatrical tradition. Students write about it across arts, humanities, performing arts, and Western civilization courses because it sits at the intersection of music, drama, visual design, and physical technique. Its history, from early theatrical productions through the innovations of the Ballets Russes, offers rich material for academic inquiry, and works such as Giselle raise questions about how movement, costume, and character combine to convey emotion and cultural meaning. The recurring presence of gender and sexuality as themes further connects ballet to broader conversations in cultural studies and critical theory.

Student papers on this topic tend to approach ballet through several distinct lenses. Historical essays trace the evolution of the form and examine how companies like the Ballets Russes reshaped choreographic and design conventions. Other papers take a cultural angle, exploring how ballet reflects or reinforces ideas about gender, identity, and national identity, with Russian culture appearing as a significant frame of reference. Some essays analyze specific productions or musical collaborators, looking at how composers such as Debussy and others shaped the dramatic and emotional register of staged works through sound and score.

A strong essay on ballet stakes out a focused argument rather than attempting a broad survey of the entire form. Evidence drawn from specific productions, costuming choices, musical structure, or documented choreographic decisions tends to carry the most analytical weight. The most common pitfall is treating ballet as purely aesthetic spectacle without engaging the social or historical forces that shaped its conventions and gave its narratives meaning.

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Paper Doctorate
Michael Peters and the choreography of 1980s pop music videos
The form of dance which is employed in pop music contexts such as concerts and music video is often taken for granted. However, the complex ensemble productions often featured in this context owe a great debt to the late Michael Peters. The discussion here considers the work of the Tony and Emmy winning choreographer, best known for his work with MTV hit-makers such as Pat Benetar, Lionel Richie and Michael Jackson.
Paper Doctorate
Gender expectations and male psychology in Billy Elliot
¶ … Billy Elliot directed by Stephen Daldry. Specifically it will discuss the psychological aspects of the film, including gender expectations and male psychology. "Billy Elliot" tells the story of an eleven-year-old…
Research Paper Undergraduate
Schooling, training, and education: distinctions and ideological impact
Schooling, Training, and Education: What is the Difference?
Research Paper Undergraduate
Alienation and estrangement in Kawabata's Snow Country and Camus' The Stranger
Kawabata's Snow Country and Camus' the Stranger
Research Paper Undergraduate
Economic grievances and revolution in America and France
Looking into the dynamics that led to the declaration of American and French revolutions, respectively, it can be observed that both revolutions emerged out of an increasing conflict between civil society and the…
Paper Undergraduate
Plagiarism in academic writing: perspectives from writers and educators
¶ … conversation is original to each. In David Edelstein's (2006) article, "Where have I read this before?," the author focuses on literary writers who have been found to have plagiarized in their works.
Research Paper Undergraduate
Andrew Lloyd Webber's life and musical theater contributions
An Original Showman -- Andrew Lloyd Webber's Personal and Professional Biography loved it! It was better than cats!' Andrew Lloyd Webber's contributions to musical theater in England and America have become so…
Paper Doctorate
Awakening and transformation in Sleeping Beauty and Dirty Dancing
It might seem strange to compare dances in The Sleeping Beauty and Dirty Dancing, however, that is precisely what this paper will attempt to do. The pas de deux dance between Prince Florimund and Aurora in Act III of…
Paper Undergraduate
Rodney Newton, Zoltan Kodály, Rachmaninoff, and Hindemith: twentieth-century composers
Rodney Newton (b.1944): Three Places in Old England
Paper Undergraduate
Stravinsky's "Rite of Spring" and early twentieth-century cultural revolution
Michael Tilson Thomas, the musical director of the San Francisco Symphony, describes Igor Stravinsky's 1913 "Rite of Spring" as a "burst of creative power that shook music to its foundations," (2006).