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Beauty & the Disney Beast
"Beauty and the Beast" was never really about beauty or ugliness. It has always been about admiration; the reaching out and obtaining of a kind of wealth that otherwise seemed beyond comprehension. Not surprisingly, of course, since ugliness cannot be rewarded in its own right -- or at least it couldn't be prior to the advent of reality TV -- the creature gifted with the keys to the treasury was almost always a character of seemingly mysterious appeal, the beautiful woman. The fact that what made for the physical or intellectual basis of that beauty could itself be transformed into its own kind of commodity & #8230; well, that was just another kind of deception.
There is no question but that it is impossible to do justice to the many transformations of Beauty and the Beast since its incarnation (though Windling did an exceptional job).…
Ashley (2004). Disney Princesses and Feminism: a brief (and biased) history. Pussy Goes GRRR. Viewable at http://pussygoesgrrr.com/2010/03/24/disney-princesses-and-feminism/ .
Brode, D. (2004). From Walt to Woodstock - How Disney Created the Counterculture. University of Texas Press.
Brode, D. (2005). Multiculturalism and the Mouse -Race and Sex in Disney Entertainment. University of Texas Press.
Davis, J. (2009). The Many Versions of Beauty and the Beast. Children's Books: Suite 101. Viewable at http://john-k-davis.suite101.com/the-many-versions-of-beauty-and-the-beast
hile the sisters have to rub their eyes with an onion to make it look like they are crying, the brothers actually shed real tears. Beauty, on the other hand, "did not cry at all, because she did not want to make everyone even sadder" (De Beaumont 71). In addition to serving as another case in which women's self-expression is discouraged, this incident shows the brother's favorable characterization in light of the women's unfavorable one. In this instance only the men are sincere, expressing the emotions they feel. The brothers cry and the father begs her daughter to stay behind. It is only the women who deceive others as to their real feelings, one way or another. Another example of a case in which Beauty is described as inferior to a man is the dinner where Beauty asks the Beast if she can return home to see her father. She…
de Beaumont, Jean-Marie Leprince. "Beauty and the Beast." The Annotated Classic
Fairytales. Ed. Maria Tater. New York, Norton, 2002. 58-94.
Griswold Jerome and Jerry Griswold. The Meanings of "Beauty and the Beast."
Peterborough: Broadview Press, 2004.
Judgment and Superficiality in "Beauty and the Beast": Parsing a Fairytale from a Postmodern Perspective
It is the conceit of nearly every epoch to assume that certain ideas, perspectives, and frameworks are new or unique to the current time, and with postmodernism this has extended to the notion of purposefully and meaningfully fragmented texts. That is, many postmodernists view fragmentation and purposeful alienation from reality -- truly, a questioning of what constitutes reality -- as the quintessential and definitive postmodern element (Erb, 51). hile it cannot be denied that the postmodern period and postmodern works frequently embrace and utilize such fragmentation, and while perhaps no era has used it to the extremes or with the prevalence as the postmodern era, it must also be acknowledged that concepts of alienation from truth and reality are not new to the period, though they were dealt with quite differently in earlier…
Beaumont, Jeanne-Marie Le Prince de. "Beauty and the Beast." Accessed 2 May 2012. http://www.pitt.edu/~dash/beauty.html
Craven, Allison. Beauty and the Belles: Discourses of Feminism and Femininity in Disneyland. European Journal of Women's Studies 9(2) (2002): 123-42.
Davidheiser, James C. Fairy Tales and Foreign Languages: Ever the Twain Shall Meet. Foreign Language Annals 40(2) (2007): 215-25.
Erb, Cynthia. Another World or the World of an Other? The Space of Romance in Recent Versions of "Beauty and the Beast." Cinema Journal 34(4) (1995): 50-70.
Varying forms of what could best be described as peer pressure have also led to the skewing of the perceptions of beauty over the ages; whether one is looking at the popular fads that have grabbed the attention (and wallets) of young people probably for as long as young people have gathered together in groups, or the adult ideas of beauty that spring from something such as nice clothing, a fine horse or in modern times a new vehicle with all of the best features, the influence of others has led people to follow a preconceived notion of beauty and the lack of beauty as well.
Can Morality be Attached to Beauty?
Just as cultural mores can and have led to perceptions of beauty or the lack of beauty for as long as the human race has existed, and the morality imposed on humans by the organized religions of the…
Burke, William. "A Note on the Relationship of Beauty and Peace." International Journal of Humanities and Peace 17.1 (2001): 53.
Gimlin, Debra L. Body Work: Beauty and Self-Image in American Culture. Berkeley, CA: University of California Press, 2002.
Lane, Belden C. "Jonathan Edwards on Beauty, Desire and the Sensory World." Theological Studies 65.1 (2004): 44+.
'For though beauty is seen and confessed by all, yet, from the many fruitless attempts to account for the cause of its being so, enquiries on this head have almost been given up"
illiam Hogarth, The Analysis of Beauty, (1753)
Not very encouraging words, but if the great artist illiam Hogarth felt himself up to the task, we can attempt at least to follow his lead. That beauty is enigmatic goes almost without saying. Different ages, different cultures, and even different individuals, will have their own definitions of "beauty." The problem is more than skin deep. Any term that can be so widely and irregularly employed is bound to trap the casual researcher ... Or reader ... Or viewer ... Or for that matter, any other human being who attempts to define what is and what is not "beauty." People, places, things -- even ideas dreams -- can…
Al-Braizat, Fares. "Muslims and Democracy: An Empirical Critique of Fukuyama's Culturalist Approach." International Journal of Comparative Sociology (2002): 269+.
Browne, Stephen H. "EDMUND BURKE (1729-1797)." Eighteenth-Century British and American Rhetorics and Rhetoricians: Critical Studies and Sources. Westport, CT: Greenwood Press, 1994. 42-50.
Callaghan, Karen A., ed. Ideals of Feminine Beauty: Philosophical, Social, and Cultural Dimensions. Westport, CT: Greenwood Press, 1994.
"The Eighteenth-Century Beauty Contest." Eighteenth-Century Literary History: An MLQ Reader. Ed. Brown, Marshall. Durham, NC: Duke University Press, 1999. 204-234.
supportable logical textual evidence written component options. You analyze primary texts relevant question principles close reading -- noting items word choice, similes, metaphors, connotations, .
"Beauty and the Beast:" Fairy tale vs. cinema
The story "Beauty and the Beast" is one of the most popular juvenile fairy tales of all time. It has also been a potent source of metaphor for many authors and filmmakers. One of the most famous written versions of the fairy tale for children is one authored by Jeanne-Marie Le Prince de Beaumont. Beaumont uses the story in a didactic fashion, both to illustrate the values of Beauty and the superior values of the countryside. hen Beauty's family is located in the city, her sisters adopt the shallow and superficial values of the city and refuse to associate with people of their own merchant class. Only after being humbled in the countryside does the youngest daughter…
La Belle et la Bete. Directed by Jean Cocteau. 1946
Ebert, Roger. Beauty and the Beast. Review. Chicago Sun Times. 26 Dec 1999. [4 Jul 2012]
Le Prince de Beaumont, Jeanne-Marie. "Beauty and the Beast." From the Norton Anthology of Children's Literature. New York: Norton, 2005
Dovima ith Elephants
Richard Avedon's photograph "Dovima with Elephants" was taken in Paris, France during the month of August in 1955. It was a commercial piece for Harper's Bazaar to promote the work of Christian Dior. The picture was taken with trained circus elephants that are visibly shackled while the woman at the center is not, indicating the underlying social tension and low position of women during the period, although that might not have been realized at the time the photograph was taken. The model Dovima, who was born Dorothy Juba, is wearing a whit Dior evening gown and, as the title of the picture suggests, she is surrounded on both sides by large elephants. There are actually two photographs which have the same title and were taken on the same day. One has the model in a black dress. They are both culturally significant but for the sake of…
Edwards, Owen. "Fashion Faux Paw: Richard Avedon's Photograph of a Beauty and the Beasts
is Marred, He Believed by One Failing." Smithsonian Magazine, October 2005.
Pochna, Marie France. Christian Dior: the Man who Made the World Look New. Arcade, 1996.
Swartz, Mimi. "The Couture Cinderella." Vanity Faire, June 1991.
The ancient story involving Eros and Psyche also deals with the concept of beautiful as being equivalent to good. Psyche is tricked into thinking that her lover is actually a serpent who actually wants to consume her and her child when it will need to be fed. Even with the fact that she is familiar with her husband's character, Psyche listens to her sisters and cannot possibly live with him as long as she envisions him as a monster. This demonstrates that humanity had long considered this debate and related to it with the purpose of having people understand that beauty does not necessarily make a person better, as he or she should be simply judged on account of his or her attributes.
One is likely to experience a lot of episodes involving people appreciating other people on account of their beauty throughout his or her life. Employers often act…
Similarly, women today feel the need to appear beautiful and perfect all the time in order to be a part of a class in society. According to what Kilbourne suggests, women use their bodies as masks or objects that need to be taken care of all the time and kept in perfect shape and condition. The media and the advertisements program their minds to think that their appearance is not perfect and they need to change themselves in a particular manner (Kilbourne, 2002).
One of the main roles that media has played in this subject is to make an individual perceive themselves from the eyes of others and to take it as a responsibility to be appealing to the eyes of the audience instead of what they themselves want to do. Advertisements today sell the bodies of women, not in the literal sense but metaphorically speaking, all advertisements have women…
Dahlberg, J. (2008). Sexual Objectification of Women in Advertising. Journal of Advertising Research .
Galician, M. (2004). Sex, Love and Romance in the Media: Analysis and criticism of the unrealistic portrayal of women in mass media. Lawrence Elbaum Associates.
Gammel, I. (1999). Confessional politics: Women's self representations in life writing and popular media. Southern Illinios University Press.
Hall, a.C. (1998). Delights, Desires and Dilemmas: Essays on Women and the Media. Praeger Publications.
romanticism of man with imagination and the curiosity to attach meaning to inanimate objects spills over in many forms- dreams, art, literature, and of late pervades the space in commercial forms like films, advertisements, fashion exhibitions etc. Surrealism has enamored and consequently influenced intellectual and academic pursuits in the past in all fields- social behavior, politics, religion and culture. The import of psychological realms and psychoanalysis on surrealism has been multivariate. Key historical figures- Marx, Freud, Dadi have shaped surrealism since the beginning of the twentieth century. In modern times, fashion and clothing make use of surrealism to evoke extreme emotions by way of animating the inanimate as well as pushing the subjects (inanimate and women) to the limits of obscenity (over-consumption) and grotesque. An analysis of the travel of surrealism through the times shows that the original concepts continue to have an impact on the thought that goes behind…
-- -- . (2015b). The Art Story. Accessed April 20. http://www.theartstory.org/movement-surrealism.htm .
"Surrealism Movement, Artists and Major Works." (2015a). The Art Story. Accessed April 20.
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the studios in order to see them. They made movies in a profitable manner for the sake of the studios, but placed the entire industry under their control and dominated over it. The discussion here is about some of those famous studios inclusive of that of names like Metro Goldwyn Mayer, Culver, RKO, Paramount Studios, Warner Bros, 20th Century Fox, Walt Disney Studios, Universal Studios, Raleigh Studio, Hollywood Center Studio, Sunset Gower Studio, Ren-Mar Studios, Charlie Chaplin Studios and now, Manhattan Beach Studio.…
"What better way to annoy the Hollywood liberals than to remind them every single day that
George W. Bush is STILL the President?" Retrieved from https://www.donationreport.com/init/controller/ProcessEntryCmd?key=O8S0T5C8U2 Accessed 15 September, 2005
"What's interesting about the business is that it's no longer the movie business" Retrieved from http://www.pbs.org/wgbh/pages/frontline/shows/hollywood/picture/corptown.html Accessed 14 September, 2005
And it was rightly found in a life form which we encounter daily in our real lives- insects. ightly, insects possess the shape, form as also the texture that aligns perfectly within the realm of computer technology and the restricted movement was also not a vital challenge to the evolving medium of animation. This started with "A Bug's Life." From then onwards, the Pixar Studio has gone even more into the details of character design which were not believed to be possible till that period, like fantasy monster, fishes and cartoon superheroes. Like the 2D animation prior to that, 3D is yet to defeat the human form in any means in which the characters are able to act in a natural manner and no look like models made of plastic or wooden sculptures in the absence of the life form inside them. (White, 33)
The initial stage of…
Belgrave, Tito a. Applying the 12 principles to 3D animation. July, 2003. http://features.cgsociety.org/story_custom.php?story_id=1429
Collie, Craig. The Business of TV Production.
Cambridge University Press. 2007.
Cusson, Roger; Maffei, Pia; Discreet Logic Inc. 3ds Max 7 Fundamentals and Beyond Courseware. Focal Press. 2005.
d.). This de-institutionalization of the company will help bring the IMAX experience to new movie goers. To further broaden their appeal, IMAX has diversified their movies as well.
IMAX's second part of their business strategy centers on bringing more Hollywood movies to their large format screens. Whether it be remastering previously released films or simultaneously new films, IMAX has worked hard to expand their audience from those who typically enjoyed the unique IMAX documentary films that started the company. Costs of conversions of existing films has reduced significantly, at $22,5000 to convert a standard two-dimensional film and $45,000 to convert a 3-D film ("IMAX: Larger," n.d.). These 3-D films are also a part of the company's current business strategy.
Technological development to improve movie goers' experience as well as differentiate their product from other traditional theaters is a primary focus of IMAX's business strategy. The company has committed both financial…
"IMAX: Larger than Life," 2009, Richard Ivey School of Business, the University of Western Ontario.
This public visibility had an extremely positive effect on the movement, reaching people their more passive campaign would never have touched.
Needless to say, the strategy of marching in the streets was not one typically associated with normal female behavior. Yet, through this brazen tactic, suffragists were able to elevate their public image to a position where they were seen as legitimate participants in the public political arena. Onlookers began to see suffragists as serious and dignified, and as individuals who had courage to make public appearances, presenting themselves to onlookers (McCammon). Much of the effectiveness of these parades was due to the manner in which they were held.
As McCammon notes, woman suffrage parades were neither festive nor frivolous. The women typically marched in formation. They wore white dresses and carried signs and banners stating reasons why women should have the right to vote. In eastern parades, primarily, a…
Beck, E., Dorsey, E., & Stutters, a. "The Women's Suffrage Movement: Lessons for Social Action." Journal of Community Practice 11(3) 2003: p. 13-33. Academic Search Premier database. EBSCOHost. University of Phoenix, Phoenix, AZ. March 9, 2008 http://web.ebscohost.com .
Borda, J. "The Woman Suffrage Parades of 1910-1913." Western Journal of Communication 66(1) Winter 2002: p. 25-52. Academic Search Premier database. EBSCOHost. University of Phoenix, Phoenix, AZ. March 9, 2008
These findings suggest that rap may affect society in several ways. For example, how adolescent whites perceive rap may impact their support for race-based policies such as Affirmative Action as they grow older and become more politically involved. Further, to the extent that rap helps to promote interracial relationships, cross-racial social networks resulting from rap may increase employment opportunities for blacks and other non-whites (97).
However, state Thompson and Brown, another scenario is just as plausible. Since so many of the studies on racial attitudes and rap music have been cross-sectional, it is possible that over time the relationship between whites' opinions on rap music and racial attitudes may change. It is feasible that as the average young adult white rap supporters get older, have a family, and begin a career, the relationship between their opinions of rap music and their perceptions of blacks and support for liberal values may…
Aaron, C. 1998..Black Like Them. Spin Magazine
Farley, C. 1999..Hip-Hop Nation. Time, February 8.
Goff, J.R. 2002. Close Harmony. Greenboro: University of North Carolina Press.
Jackson-Brown, I. 1990. Developments in black gospel performance and scholarship.
Biking and Jogging
I love exercise but only if its getting me somewhere. No wonder then that my two favorite sports are both open air, on the go activities and involved with moving from spot A to spot B.
I am an inveterate cyclist. Put me on a bike and I feel more at home on the saddle than on my car seat or on my revolving chair in front of the computer. I, sometimes, compare my bike to Mohammad's horse, aptly called Barak, swift like lightening. When on the bike with music in my ears, I zoom down the road, or huff up the creek straining and daring myself to make it to the top. My favorite treks are sprints in the fall with the leaves cracking under the wheels and the wheels splashing thoguh puddles with my cheeks feeling robust with the wind. I then feel like Mohammed…
ob einer's 1987 film The Princess Bride enjoyed only moderate box office revenues, but developed popular underground appeal and has become a cult classic. The enduring respect for einer's quirky romantic comedy is immediately apparent: it is far from formulaic, and does not truly fit in either to the "rom com" designation or that of a fantasy. The Princess Bride also includes a cast filled with luminaries like Peter Falk, Andre the Giant, and Christopher Guest. Its cast and celebrity director therefore enhances the credibility of The Princess Bride. Ultimately, though, the script and the overall tone of the film make The Princess Bride classically compelling. William Goldman's eponymous novel, upon which the film is based, transforms seamlessly into a film that capitalizes on the clever story-within-a-story concept. Peter Falk reads The Princess Bride to his grandson, who is staying home sick from school. At first, the grandson balks at…
Berardinelli, J. (2003). The Princess Bride. Retrieved online: http://www.reelviews.net/movies/p/princess_bride.html
Ebert, R. (1987). The Princess Bride. Retrieved online: http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19871009/REVIEWS/710090301/1023
Ecroyd, C.S. (1991). Motivating students through reading aloud. The English Journal 80(6).
Henry, R. And Rossen-Knill, D.F. The Princess Bride and the parodic impulse: The seduction of Cinderella. International Journal of Humor Research 11 (1): 43 -- 64, ISSN (Online) 1613-3722, ISSN (Print) 0933-1719, DOI: 10.1515/humr.1922.214.171.124, / / 1998
Race and Advertising
Virginia Slims and Virgin Boef
Easy to Swallow Social Poison and a Mad Cow Solution)
Popular media today is driven by the advertisements that fund it, and our society is significantly influenced by the images that are found within those advertisements. It is said that the popular consumer is both the producer and the product of social inequality and this can be seen as strongly in the portrayal and interpretation of gender and race stereotypes as in any other example. Advertisements have been shown to exaggerate cultural differences between genders and races. (Coltrane, Messineo) hile the unfair caricatures of certain groups may not be as blatantly cartoonish and obvious as those of decades past, there still remains a very definite stereotypical set of boundaries into which different groups, especially minorities, must fall in order to be featured in the majority of popular media. These kinds of portrayals,…
Coltrane, Scott and Messineo, Melinda. "The Perpetuation of Subtle Prejudice: Race and Gender Imagery in 1990s Television Advertising." Sex Roles: A Journal of Research. March 2000. http://www.findarticles.com/cf_0/m2294/2000_March/63993940/p1/article.jhtml
Nephwrack. "Virgin Boef. http://www.bookofcruxshadows.com/orc/art/brightercover.jpg
Virginia Slims. "Find Your Voice." http://www.media-awareness.ca english/resources/educational/handouts/tobacco_advertising/images/62775041.jpg
Is Ahimsa workable?
The author on the one hand says that the Jains are ideal in respecting the sacredness of life but one the other hand they are too impractical. Even Gandhi himself claimed to follow ahimas yet he had to allow use of DDT to kill mosquitoes. Thus, the idea of ahimas is impractical for protecting lower species because they often kill too many people. Thus the workability of an idea depends on the balance. If the idea of behaving positively to members of species means to respect their light to live than every specie should be allowed to live without harming the other and the one harming the other. And the answer given by the Jainism to author's question is not perfect.
How to React?
The author of the essay does not only give an overview of how people behave but he also tells how they people should…
Apocalypse of Art in the Tech Era
Modern Apocalypse Art and Technological Aspects
The purpose of this paper is to examine modern art, in particular that which is referred to as "apocalypse art" and further to examine the interactions between art and technology. Specifically this paper will look at the new dimensions that technology has contributed to the rendering of art as well as what contribution or impact that art has rendered to technology.
The methodology for this study is through examination of several of the artists as well as scholars who are in some way interconnected in this process of producing apocalypse art.
The question that seems to weigh on the minds of those who view the modern "apocalypse" art exhibits asks:
Has this artist attempted to achieve the effect of shock or is the artist attempting to convey some deeper truth?"
London's Art Gallery featured an exhibit entitled…
Bibliography 3 of 3
28. UNSW (nd) "Anna Munster" [Online] available at http://www.icinema.unsw.edu.au/bios/zbio_munter.html
29. Vesna, Victoria (1999) "Fear of Deletion and the Eternal Trace" [Online] available at http://www.the-artists.org/Artists/Vesna.html
30. Wilson, Cintra (2000) "Joel-Peter Witkin" Salon [Online] available at http://dir.salon.com/people/bc/2000/05/09/witkins/index.html
Reuters News (3 May 2000) "London Gallery's Apocalypse Could Rival Controversial Sensation" [Online] available at http://www.cnn.com/2000/style/arts/05/03/britian.apocalypse.reut/
Mythological Origin Story For Constellation Goddess
In the most ancient times when Men had yet to assert their dominion over the Earth and its inhabitants, and vengeful Gods still controlled the destiny of all creatures, the land of Telzah was ruled by the goddess Anre. As beautiful as she was benevolent, Anre was beloved throughout Tezlah and the people's devotion to her extended even beyond her land's borders. Rather than use her awesome powers to extinguish life wantonly and enjoy herself at humanity's expense, habits her fellow gods and goddesses had long grown accustomed to, Anre was known far and wide for her willingness to aid the injured and assist the fallen. Tales were often told of encountering Anre on one's travels, the extraordinary beauty of her earthly visage belying her any attempt to conceal her divinity, and invariably these stories ended with the provision of food and water, or…
She also learns, too late, that the jewels and the life she coveted so long ago was a sham. Hence, the symbolic nature of the necklace itself -- although it appears to have great value, it is in fact only real in appearance, not in reality and the heroine is incapable of assessing the false necklace's true worth.
The tale of "The Necklace" conveys the moral that what is real, the replacement she returned to Madame Forstier, can be won not with beauty but with hard work, sweat, and toil. Like "The Tell-Tale Heart," "The Necklace" revolves around the use of irony and a single, symbolic element, exemplified in the title object that works throughout the tale, using the literary device of irony, to reveal the protagonist's moral character. That final revelation engineered by the title object makes the story compelling, even if both protagonists may seem morally repugnant. The…
Works Cited de Maupassant, Guy. "The Necklace." Classic Short Stories. 28 Jun 2008. http://www.classicshorts.com/stories/necklace.html de Maupassant, Guy. "A Piece of String." Classic Short Stories. 28 Jun 2008. http://www.classicshorts.com/stories/string.html
Poe, Edgar Allen. "The Tell-Tale Heart." The Online Literature Library. Literature.org.
28 Jun 2008. http://www.literature.org/authors/poe-edgar-allan/tell-tale-heart.html
oberto osellini's "Open City" with regard to the war in ome and "Paisa" for a view of different aspects of the war (religious tolerance, sex, inability to communicate and partisan activities, "Seven Beauties" (a grotesquely comic alternative view of the war) as well as Ignazio Silone, (Fontamara) for the prewar attitudes and Giorgio Bassani (The Garden of the Finzi Contini) for the life and attitudes of Jews and gentiles in Italy. Describe Italy in World War II and is aftermath through the late 1940's and how they impact through to the present day.
The history of any particular period can frequently best be described by the movies and works that were produced during that period. There is no exception made in the case of pre- and during the War Italy when certain movies and a novel that described the conditions captured the situation precisely. The description of this material and…
Bassani, G (1962) The Garden of the Finzi-ContiniFaber and Faber
Ignazio Silone Fontamara
You Tube open City
The piano plays quick octaves and the urgent bass motive portrays an intense wild ride. This strong galloping is also being formulated by the piano's triplet rhythm which allows for the development of the dramatic storyline's urgency.
5. ) There are four different characters in this piece: the Narrator, the father, the son, and the Erlkonig. Although Schubert uses one singer to portray and sing all of the four parts of the characters, the listener is able to quite clearly differentiate them from one another. The son is sung in the high register in a minor key with dissonant harmonies. On the other hand, the father is sung in low register while the Erlkonig is sung in a coy with pleasant and soft melodies in the major key.
6. ) There are two ways that Schubert builds momentum in his piece. The first way is by using the bass as…
Kamien, R. (2010). Music: An appreciation, brief edition. (7th ed. ). New York: McGraw-Hill Humanities/Social Sciences/Languages.
The men of Mortheal started to march down the battlefield. The Territorial Army of King Oreck followed with stable weapons. The army's march soon turned into a slow jog, and then to a run. The spear-bearers led the way with spears held lightly in their hands as they prepared to hurl them into the approaching horde.
The armies were not far from each other now. Orcen armies had been attacking in groups for the last two fortnights, and had suffered many casualties but that did not seem to lessen their numbers any as they streamed forth across the field with no end in sight. Mortheal's army was now running forward as fast as possible while still maintaining their balance. The spear-bearers launched their weapons, desiccating the Orcen front line.
Mortheal himself was one of the first to enter the fray after the spear-bearers had accomplished their task. An axe came…
At the end of the poem the line "and dreaming with strange whale eyes wide open in the waters of the beginning and the end" gives us a clue to the answer to this question. These whales with eyes wide open see reality. The meaning is that in our evolution we have closed our eyes on reality and in doing so have rejected passion.
The whole poem is written in a rhythmic pattern with calming language that also suggests a higher power. The result is that the reader begins to long for this enchanting life of the whale. While the poem raises questions in its content, it also allows the reader to experience the longing that Lawrence feels.
The Mystic lue
The Mystic lue is a poem about death and was written while Lawrence was grieving the loss of his mother. The poem has a staggered quality to it, reflected…
Boulton, James. T. Letters I: The Letters of DH Lawrence. Cambridge: Cambridge University Press, 1979.
Boulton, James. T., Zytaruk, George. J. Letters II: The Letters of DH Lawrence. Cambridge: Cambridge University Press, 1982.
The Columbia Encyclopedia, 6th ed. "DH Lawrence." New York: Columbia University Press, 2001. http://www.bartleby.com/65/la/LawrencDH.html
Sagar, Keith. Life into Art. Athens: University of Georgia Press, 1985.
The Theme of Good vs. Evil: Dichotomous Symbolism in the Poetry of Charles Baudelaire
Nineteenth century marked the emergence and developed of new ideologies and movements as society moved towards modernism. Among these movements was the school of symbolism, a literary movement that became prevalent during this period, especially in Western societies. One of the proponents of the symbolism movement was Charles Baudelaire, French poet who was known for using the theme of contemplation of morality and religiosity in his poetry.
Baudelaire was well-known for his effective portrayal of the theme of good against evil, centering his depiction of this theme on the role of religion, particularly Christianity, and morality in the lives of people in his society. In addition to the dichotomy of goodness and deviltry, the poet also criticized and questioned the norms prevalent in French society. Baudelaire applied the standards of morality as applied between…
Man as a Manifesto of Rationalism
The English Restoration of 1660 delineates a dramatic transition in British literature from writing that is elegant, expressive, and often sentimental to prose and poetry that embraces simple, lucid, classical forms (Evans 203). Additionally, the years after the Restoration saw writers continuing to investigate new regions of the scientific, the philosophical, the political, and the moral. Antecedents of this trend include seventeenth century writers such as Francis Bacon, who pondered always the "nature of truth" (Evans 199), Thomas Hobbes, a political philosopher who asserted that sovereign power is ultimately borrowed from the citizen (McKay, Bennett, and Buckler 552), and John Locke, who contended that all human notions are "derived from experience" (McKay, Bennett, and Buckler 606). Bacon, Hobbes, and Locke foreshadowed and typified the sorts of philosophical texts that would become common during the Enlightenment, works that often expressed the Rationalism of the age.…
Alexander Pope." The Norton Anthology of English Literature, Sixth Edition, Volume 1. Ed.
M.H. Abrams. New York: W.W. Norton & Company, 1993. 2212-2216.
Evans, Ifor. A Short History of English Literature. Baltimore: Penguin Books Inc., 1962.
McKay, John P., Bennett D. Hill, and John Buckler. A History of Western Civilization.
Rap Music: The Result of Violence
Rap music is a phenomenon that is unparalleled in America, at no other time has a music form risen in such a way and gripped a nation as fully. While, rap music has its roots in the ghettos of the U.S.A. And black culture, it is now a full scale industry that caters to the disenfranchised youth of America and bridges all gaps of culture and social level. Indeed, one of the currently most famous rappers, and relevant to this topic, is white, as are most of the current buyers and listeners to rap music. Violence and rap music are interwoven in such a way that it is impossible to completely untwine them but looking at the cause and results of violence is a different topic that needs going into as it has far reaching implications, including the government control of the music industry.…
Villani, Susan. "Impact of Media on Children and Adolescents: A 10-year review of the research," Publication: Journal of the American Academy of Child and Adolescent Psychiatry, April 1, 2001.
The National Media Violence Study, Federman, 1996, 1997, 1998, 1995 "Preventing and Producing Violence: A Critical Analysis of Responses to School Violence." Harvard Educational Review.
Bayles, Martha. Hole In Our Soul: The Loss of Beauty and Meaning in American Popular Music, by, New York: The Free Press, 1996.
Doherty, Brian. Listen up! Eminem gives a voice to his generation, February 18, 2001, issue of the Detroit News
A devil with wings outstretched stands ready to catch the viewer in its teeth, and if one is not careful his eyes are directed upward to the circling demons who parade in the air on their beasts, creating an uproar and ruckus. (These demons are of a unique variety as well -- like witches they reverse the order of nature and these beasts fly on fish, disrupting the senses, but in a weirdly humorous and fascinating way. Teniers' depiction of temptations achieves exactly what temptations set out to do -- distract.)
Line and Texture
The manner in which these demons distract is playful too: they disrupt, yet reinforce. They move in a circle, but the circle is hampered by the lines they effect. For example, one devil pierces another with a long shaft, while the flying fish add an aspect of horizontality to the circular motion of their flight. These…
Kugler, F.T. Masters in Art. Boston: Bates and Guild Company, 1907,
Teneirs, David. Teniers the Younger. Boston: Bates and Guild Company, 1907.
message of the poem. This narrative poem follows one, dynamic event - the death of a boy using a saw to cut wood. The poem does not have rhyming lines; it is simply a block of text that narrates one single and very important event. It begins very quietly, and seems to be one of Frost's poems that celebrate nature and American life, but the end is far more disturbing and tragic. Frost may have written the poem to show how life is fleeting, and everything can change in a split second.
The content of this poem is quintessential obert Frost. It opens with fine imagery of the New England natural world that immediately gives the setting and tone of the poem. It reads somewhat like a Normal ockwell painting, with a perfect setting, close-knit family, and chores consuming their daily lives. The unsuspecting reader expects a perfect family farm…
Frost, Robert. "Out, Out." Skoool.ie. 2005. 5 July 2006. http://www.skoool.ie/skoool/examcentre_sc.asp?id=1250
Kelly, William J. "Frost's Out, Out." Explicator 38.3 (1980): 12-13.
" Johnny Miller, famous golfer and tournament champion in the 1970s and early 1980s. (Dulac, Oakmont Country Club: Awakening the Beast, 2007)
"You can hit 72 greens in regulation in the Open at Oakmont and not come close to winning." Arnold Palmer, famous golfer. (Dulac).
"The golf course is going to be one of the toughest tests we've ever played in a U.S. Open, especially if it's dry, it will be unreal because those greens are so severe." American icon Tiger Woods. (Oakmont: ock & oll ( & roll & roll & roll) nightmare, 2007)
Video and Pictures -- there are a number of graphic and video sources for the course, but some interesting additions might be:
Oakmont: ock & oll ( & roll & roll & roll) nightmare. (2007, June 9). etrieved from Pittsburg Post-Gazette: http://www.post-gazette.com/stories/sports/golf-us-open/oakmont-rock-roll-roll-roll-roll-nightmare-488737/
Oakmont Country Club. (2010, June). etrieved from National Parks Department: http://tps.cr.nps.gov/nhl/detail.cfm?esourceId=1880&esourceType=District
Oakmont: Rock & Roll ( & roll & roll & roll) nightmare. (2007, June 9). Retrieved from Pittsburg Post-Gazette: http://www.post-gazette.com/stories/sports/golf-us-open/oakmont-rock-roll-roll-roll-roll-nightmare-488737/
Oakmont Country Club. (2010, June). Retrieved from National Parks Department: http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=1880&ResourceType=District
Olympia Fields Country Club. (2013, January). Retrieved from GolfNow: http://www.golfnow.com/course-directory/illinois-golf-courses/olympia-fields-golf-courses/olympia-fields-country-club-south-course
Dulac, G. (2007, February 11). Oakmont clears trees to revive Scottish-lins look for U.S. Open. Retrieved from Pittsburgh Post-Gazette: http://www.post-gazette.com/stories/sports/golf-us-open/oakmont-clears-trees-to-revive-scottish-links-look-for-us-open-471759/
features of residual (or "secondary") orality preserved in Voluspa, according to the criteria Ong (1982) advances?
Ong (1982) talks about how cultures in the past were only able to preserve their heritage through stories that meticulously passed down through the years (41). He says that since type was invented, importance has moved from the wise old man or woman to someone who can "discover new things" (Ong, 1982, 41). However, societies still deem some things as too important to completely lose their oral tradition. He talks about the residual orality of having to memorize certain things through mnemonic devices (Ong, 1982, 41).
However, he also talks of residual or secondary orality in another way also. He says that secondary orality is "an orality not antecedent to writing and print, as primary orality is, but consequent on and dependent upon writing and print" (Ong, 1982, 167). His analysis of the practice…
Mountfort, P.S. (2006). Language, literature and desire: Critical reader. Auckland: Lyceum Press.
Ong, W.J. (1982). Orality and literacy: The technologizing of the word. London: Methuen.
" The point made by the poet is similar to the poem above. The reference to John,
The Father of our souls, shall be,
John tells us, doth not yet appear;
is a reference to the Book of Revelations, at the end of the Bible.
That despite the promises of an Eternal life for those who eschew sin, we are still frail and have the faults of people. We are still besought by sin and temptations and there's really no escape. People are people. No matter what we say or do, we find that life is not so simple. Consider this reference, which really refers to a person's frame of reference or "way of seeing."
Wise men are bad -- and good are fools,
This is a paradoxical statement: there is large gap between spirituality and reality. Those we consider wise or bad, might make decisions that are globally profound,…
The wife's lie is revealed in "Bisclavet" because the inner humanity of the werewolf does shine through, albeit to another man. "This beast understands, feels like a man," says the king. (p.5) Ultimately, the king's friendship, a relationship forged in the male sphere of the hunt with Bisclavet is more meaningful and lasting than that of the marital bond, borne of a lie of concealment, first on the part of the man, then on the part of the woman. After the full truth is revealed and the werewolf becomes human again: "The king ran to hug him tight;/He kissed him a hundred times that day." (p.9) hen he learns that his friend is in fact a man, and also that the truth has set the man free, the king cannot restrain his lover-like affection. For the first time in the werewolf's life, the man has honest relationship that allows him…
De France, Marie. "Bisclavet." Translated by Judith P. Shoaf. 1991-96. [12 Oct 2006] http://web.english.ufl.edu/exemplaria/marie/bisclavret.pdf
De France, Marie. "Lanval." Translated by Judith P. Shoaf. 1991-96. [12 Oct 2006] http://web.english.ufl.edu/exemplaria/marie/lanval.pdf
Women throughout Chinese history have experienced the oppression their tradition and culture exert as well as the power only members of their sex can attain in their chosen domains. Although readers have been exposed to historical anecdotes relating foot binding and Man's superiority to women, there are also many stories relating their freedom and tenacity, whether they are wives, concubines, courtesans or prostitutes. The history of Chinese women is not necessarily limited to persecution and being dominated, it is also peppered with inspirational stories of women who have been able to find happiness, success and fulfillment within the parameters Chinese tradition and culture dictate.
In Chinese society, the positions women maintained were very indistinct (http://www.wm.edu/CAS/anthropology/faculty/hamada/Virtual_Classromm/wwwb.../208.htm,1)."In Chinese society, women as a category had a dependent status." (Watson, 1991, 232). efore a girl married, she was controlled completely by her father. After she married, this responsibility was transferred to her husband. If…
Bennett, Natalie. (2001) Women of Emperial China: A Re-Examination. http://www.journ.freeserve.co.uk/china/china4.html
Burns, Dennis. (2002) The View From the Dragon's Lair. http://www.crystal-bridge.com/dennis0402.html
Jaschok, Maria. (1988) Concubines and Bondservants: The Social History of a Chinese Custom. London: Zed Press.
Jaschok, Maria & Miers, Suzanne (eds.) (1994) Women and Chinese Patriarchy. New Jersey: Hong Kong U.
he's gone forever! / I know when one is dead, and when one lives; / he's dead as earth." (King Lear V.iii.256-260)
Titus Andronicus is the central figure and tragic hero of the homonymous play by William hakespeare. He is a General of Rome and father to Lavinia and Lucius. He is a brave solider of Rome who has spent the last ten years of his life fighting Rome's enemies. Although very successful and praised for his heroic acts, Titus Andronicus now feels incapable of assuming the role his country had envisioned for him. Moreover, despite the fact that in the beginning he is seen as a model of piety, and praised for his adherence to tradition and custom, it is precisely this inflexibility - "For now I stand as one upon a rock / Environed with a wilderness of sea, / Who marks the waxing tide grow wave by…
Shakespeare, William. King Lear. Literature Center. http://www.online-literature.com/shakespeare/kinglear/
Shakespeare, William. Macbeth. The Oxford Shakespeare. Internet. http://www.bartelby.com/70/index41.html
Shakespeare, William. Titus Andronicus. Literature Center. http://www.online-literature.com/shakespeare/titusandronicus/3/
Humanities are Important:
An analysis of the Da Vinci Code, Beethoven's 9th, and 1984.
A novel by George Orwell (pseudonym), real name Eric Blair
Published in 1949
A reaction to the totalitarian state engulfing the global community
The Da Vinci Code
A (2006) film by on Howard
Based on the novel by Dan Brown
obert Langdon follows a series of clues that link Leonardo's masterpieces, the mystery of Jesus Christ, and a totalitarian regime in the guise of the Catholic Church
Beethoven's 9th Symphony
Completed in 1824 after the composer (Ludwig van Beethoven) had gone completely deaf, this -- his final symphony -- is often considered to be one of the greatest musical masterpieces of all time. The fourth movement is based on Schiller's "Ode to Joy" and invokes a chorus of universal brotherhood. If you listen long enough, you will hear the music swell into a magnificent burst of…
Kyziridis, T. (2005). Notes on the History of Schizophrenia. Retrieved from http://www.gjpsy.uni-goettingen.de/gjp-article-kyziridis.pdf
Lief, R.A. (1969). Homage to Oceania: the prophetic vision of George Orwell. OH: Ohio University Press.
McLellan, J. (1988). The Beethoven Collection. NY: Time-Life Books.
Orwell, G. (1949). 1984. NY: Harcourt.
By the fifth millennium BCE, China had developed the basic elements that were to identify it as a civilization, such as social structure, agricultural skills and the domestication of animals (Schmidt pp). It was also developing concepts related to the order of the natural environment, to life, death, and life after death (Schmidt pp). China's cultural identity, as it is known today, can be traced to the endeavors of the Neolithic village communities of the Yangshao culture that flourished during this time (Schmidt pp). Ancient Chinese communities produced numerous vessels and objects from various mediums for use in both utility and religious purposes.
Only fragments and traces of items created in ephemeral materials remain from the prehistoric and early historic periods, yet numerous ancient Chinese objects of jade, earthenware, and metal have survived in fairly good condition, most of which were found preserved in ancient burial sites (Schmidt…
Schmidt, Carolyn Woodford. "Early Societies and the Arts: The Foundations of A
The Art of Chinese Bronzes - ancient Chinese bronze artwork.
Creation Myth Analysis
Case Study of the History of iblical Creation Narratives
What Is Myth?
What Is History?
Is Genesis 1:1-2:4 Myth?
Is Genesis 1:1-2:4 History?
Is Genesis 1:1-2:4 oth Myth and History?
An Analysis of the iblical Creation Narrative of Genesis 1:1-25 and Egypt's Possible Influence on the Historical Record
God created the world in just six days, and rested on the seventh, but scholars have not rested at all over the millennia in their investigation of its account in the historical record, particularly Genesis 1:1-25. Given its importance to humankind, it is little wonder that so much attention has been devoted to how the universe was created and what place humanity has in this immense cosmos. Indeed, the creation of the universe and the origin of mankind are the subject of numerous myths around the world, with many sharing some distinct commonalities. According to S.G.F.…
Aldred, Cyril. The Egyptians. London: Thames & Hudson, 1961.
Andrews, E.A.. What Is History? Five Lectures on the Modern Science of History. New York:
Macmillan Co., 1905.
Austin, Michael. "Saul and the Social Contract: Constructions of 1 Samuel 8-11 in Cowley's 'Davideis' and Defoe's 'Jure Divino,' Papers on Language & Literature 32, 4 (1996),
Personal to Politics
Impacts of Racial Discrimination on American Society
The difference between white and black is centuries old. There were times when Nigers were considered as slaves, then there were times when they were declared free but I still believe that deep down the white culture lies the black foundation. Being a racist on the basis of skin color is nothing new in American culture. I was once a strong believer of discriminating on the basis of skin color but time proved me wrong and showed me how wrong I was and how humanity is above everything, every culture, every color, every race.
I had a friend with the name Dean, black guy from Nigeria. His parents shifted in New york long time but used to visit their home town very often. We spent almost our whole childhood together. Those were the good days when we were completely innocent…
Racism as Presented in Shakespeare's 'Othello'
The play Othello by William Shakespeare is the tragic story of a man who has moved from one culture to another. He looks differently than others because of Negroid features, which are mentioned in the play (thick lips compared to Europeans, and dark skin). Possibly because his not completely familiar with the culture within which he lives, he trusts the wrong people, with tragic results.
From the very opening of the play, Iago describes Othello physically but denies him a name (in fact we never hear Othello's name until the third scene). Iago describes how he must pretend to be loyal to Othello, saying, tis the curse of service,
Preferment goes by letter and affection,
Now, sir, be judge yourself
Whether I in any just term am affin'd
To love the Moor." (I.i)
Anyone familiar with the history of racism in the United States…
Bent, Geoffrey. 1998. "Three green-eyed monsters: acting as applied criticism in Shakespeare's 'Othello.'" The Antioch Review, June 22.
Coles, Robert. 1998. "In 'Othello' we meet a man of great dignity and refinement who is gradually undone." America, Feb. 14.
scholar and poet Xu Zhimo developed a style that challenged the traditional poetic styles of china but more importantly challenged the ideas of freedom, morality and love. Xu demonstrated a modernity that included the self as the object of poetic works and he wrote largely without regard for the linguistic constraints of classic Chinese poetry in what would later become known as a free form style. A careful analysis of a few of Xu Zhimo's selected poems will demonstrate for the reader the innovative new ways Xu Zhimo dealt with anxieties and solitudes, hesitations and doubts, nostalgia and expectancy, exile and dreams, all constant themes in romantic minds and works.
In his work Chance, one can his demonstration of the ideals of love and longing, a chance meeting in the night with the language of nature. In and out of one another's lives, with no real authority to remain:
Gunn, Edward M. Style and Innovation in Twentieth-Century Chinese Prose Style and Innovation in Twentieth-Century Chinese Prose. Stanford, CA: Stanford University Press, 1991.
Ohio State University "Xu Zhimo (1895-1931): Biography" Retrieved May 30, 2004 at http://people.cohums.ohio-state.edu/denton2/courses/c503/xzm.htm.
Merriam-Webster's Encyclopedia of Literature -1995 "Xu Zhimo"
Xu Zhimo: "Chance" and It's A Coward World" Retrieved May 30, 2004 at http://search.able2know.com/Books____Literature/Poetry/X/Xu_Zhimo/index.html .
This suggests another realm from which I might be able to draw, using both design elements and textures. Clothing, whether truly traditional or the modern degradations of the older textile traditions, could also prove to be a source of materials for my own work.
My research will involve both academic research into contemporary and past art and craft practices in Saudi Arabia as well as an artistic exploration into the incorporation of unconventional materials into works relevant for today's society. I plan to use unconventional materials in my sculptures such as waste and discarded materials, leather, wood, plastic, and glass. This is the new point in my work, using materials that many people will not see as being properly the building materials of art. Making art that reclaims discarded materials will be one by which I will make work that is -- especially within the realm of Saudi…
Facey, W. Building on the past. Retrieved 24 April 2010 from http://www.saudiaramcoworld.com/issue/199904/al-.udhaibat-building.on.the.past.htm
McNiff, J. (n.d.) Learning with and from people in townships and universities. A paper presented at the American Educational Research Association Annual Meeting, as part of the symposium Communicating and testing the validity of claims to transformational systemic influence for civic responsibility.
Nawaab, N.I. (1998). The suqs of 'Asir. Retrieved 24 April 2010 from http://www.saudiaramcoworld.com/issue/199804/the.suqs.of.asir.htm
Ross, H.C. The fabric of tradition. Retrieved 24 April 2010 from http://www.saudiaramcoworld.com/issue/198705/the.fabric.of.tradition.htm
It was not unusual for Shed to have this mix between his feminine and masculine sides. That is not negative or wrong. For example, in the article "How we find ourselves," Wilson (1996, p.303) relates that today this concept of shaman or two-spirit sided individual has been continued in the indigenous culture. "Many lesbian, gay, and bisexual Indigenous Americans use the term "two-spirit" to describe themselves...This term is drawn from a traditional worldview that affirms the inseparability of the experience of their sexuality from the experience of their culture and community." The interrelationship of sexual identity and ethnicity lends itself to the complexity of the process of developing one's identity. This growing acceptance of the use of the word two-spirit as a self-descriptor among lesbian, gay, and bisexual indigenous Americans stipulates a sexuality deeply rooted in one's own culture. Two-spirit identity supports the interconnection of all factors of identity, such…
Haines, C.R. (1919) the Correspondence of Marcus Cornelius Fronto,. New York G.P. Putnam
Mabillard, a. FAQ: Shakespeare's Life." Shakespeare Online. Retrieved December 12, 2008. (date when you accessed the information) http://www.shakespeare-online.com/theatres/theroyalpalaces.html
Norton, Rictor. (1998) My Dear Boy: Gay Love Letters through the Centuries San Francisco: Leyland Publications,
Plato, Gay, lesbian, bisexual, transgender and queer society Retrieved December 12, 2008 http://www.glbtq.com/literature/plato.html
The relationship they had with one another included a fair division of land, and a good balance of trade. Unfortunately, after the settlers learned what they needed from the Native Americans and took what they could from them, they no longer had any use for the proud people whose land they had invaded.
The relationship between the settlers and the Native Americans began to change as settlers learned to do things for themselves, grow their own crops and breed their own animals for food. With the settlers being able to survive on their own, there was no longer any need for the Native Americans to help. The population of settlers was also growing, and new villages were being built on land that used to belong to the Native Americans.
The settlers kept expanding the areas that belonged to them, and this made the areas belonging to the Native Americans smaller…
An Outline of American History. 2002. From Revolution to Reconstruction. http://odur.let.rug.nl/~usa/H/1954uk/chap4.htm.
This Web site gives a timeline and outline of many of the things that took place throughout the history of the United States and ensures that individuals who are studying history are aware of the good and the bad that occurred.
Foreigners in our own country: Indigenous peoples in Brazil. 2005. Amnesty International. http://web.amnesty.org/library/Index/ENGAMR190022005.
Brazilians are struggling today because they are still losing land to foreign development. Because of that they are being forced to move into smaller and smaller areas and their resources are diminishing.
Oh, To Be England Now That the Industrial evolution Is Here
The emergence and expansion of industry within Victorian England was a primary concern among the writers and other members of the intelligentsia of that colorful era. During the 19th century, people were moving away from the farm and into the factories, which provided writers a new vista to cultivate stories about the plight of Man. Perhaps no one fully understood at the time it was the end of the agrarian age, where farming the land was no longer the only source and means people could survive and flourish in this world. There was a new commerce being generated from the smoke-stacked factories that began to litter the lush, green yet formidable countryside of England. George Eliot's exceptionally poignant novel Felix Holt: The adical, set thirty years prior from its original publication date, examines and highlights the roles of the…
Dickens, Charles. Hard Times. New York: W.W. Norton & Company. 1966.
Disraeli, Benjamin. Sybil. New York: Penguin Books. 1980.
Eliot, George. Felix Holt. London: Penguin Books. 1972.
Gaskell, Elizabeth. Mary Barton. Somerset: John Lehmann Ltd. 1947
Paradaise Lost, Satan's argument to Eve possesses several fallacies. According to Laura Skye: "Satan's speeches are indeed rhetorical masterpieces that confuse and twist as much as his serpentine actions" (Slye 1). Satan does a wonderful job, up until the end of his speech, making his argument sound logical. However, he uses persuasive speech, flattery, and lies in order to convince her -- all fallacies of an argument.
Initially, Satan's actions with Eve involve little effort to convince her that he is not any evil demon that Adam told her to expect on her voyage. Of course, this is an example of one of Satan's fallacies, because he is lying -- of course he is evil; he's Satan, after all. The second type of fallacy he uses is flattery in order to gain her attention and trust, an essential objective if he was willing to destroy mankind (p. 248-249 lines 540-548):…
Thoughts in Captivity. Internet. Available Online. http://www.ebonmusings.org/atheism/thoughts.html .
Skye, Laura. Paradise Lost Novel Notes. Internet. Available Online. http://navisite.collegeclub.com/servlet/novelnotes.SummaryServlet?note=paradiselost
Women of Brewster Place
The realistic artist's or novelist's job is to reflect the world around them and if the world around them is one in which gratuitousness, violence, bad language, and graphic sexuality are rampant, then the artist/novelist has some responsibly in accurately depicting the world in which he or she is situated. It does not necessarily mean that the author condones or supports such a world, merely that he knows it and is compelled to show it so that we, the viewer/reader, can see it and ourselves in it and reflect on our own lives, actions, impulses -- and even, if the artist/writer affords us the opportunity, on the "way out" -- a vision of something higher that can lead the world out of the mess in which it is situated. It does not have to be any overwhelming message or sign: in fact, it can be something…
Naylor, G. (2005). The Women of Brewster Place. NY: Penguin Books.
" James a.S. McPeek
further blames Jonson for this corruption: "No one can read this dainty song to Celia without feeling that Jonson is indecorous in putting it in the mouth of such a thoroughgoing scoundrel as Volpone."
asserts that the usual view of Jonson's use of the Catullan poem is distorted by an insufficient understanding of Catullus' carmina, which comes from critics' willingness to adhere to a conventional -- yet incorrect and incomplete -- reading of the love poem. hen Jonson created his adaptation of carmina 5, there was only one other complete translation in English of a poem by Catullus. That translation is believed to have been Sir Philip Sidney's rendering of poem 70 in Certain Sonnets, however, it was not published until 1598.
This means that Jonson's knowledge of the poem must have come from the Latin text printed in C. Val. Catulli, Albii, Tibulli, Sex.…
Alghieri, Dante Inferno. 1982. Trans. Allen Mandelbaum. New York: Bantam Dell, 2004.
Allen, Graham. Intertextuality. Routledge; First Edition, 2000. Print.
Baker, Christopher. & Harp, Richard. "Jonson' Volpone and Dante." Comparative
Dr. Apelles lives his life the way RECAP conducts its business. He has is daily routine of rising in the morning, walking to the train station, riding out to the countryside to the RECAP complex, and sorting books without taking breaks. Then he takes the train back to the city, dines in the same restaurant, has his one beer, goes home and reads a bit from one of his journals of translation scholarship before sleeping in his queen-sized bed. This routine he breaks every other Friday when he goes to the archive and works on his translations, carrying his pencils and having the same brief conversation with the reading room librarian every two weeks.
Dr. Apelles interacts with people the same way he sorts books at RECAP. As long-time resident of his apartment building, he knows a lot of basic information about his neighbors. He knows their names, their ages,…
Because of the newer mobility of a significant amount of suburban America, driving to national parks was even more an option. The more people visited the Parks, it seemed, the more of a synergistic effect upon their funding and use (Jensen and Guthrie, 2006).
By the Johnson Administration in the 1960s, coupled with more media attention, there was increased public awareness of America's natural treasures. This was now that "Parks for People" Campaign. During this period there was also a fairly significant new awareness about ecology and the natural environment. The mission of the National Parks Service was called into question. eacting to this, Congress passed the General Authorities Acts of 1970, which became known as the "edwood Amendment," since a large part of the Act was devoted to conserving edwood National Park. Based on political pressure from citizens, Congress was also forced to provide a rather significant funding increase…
The National Park Service. (2002, March). Retrieved October 2010, from U.S. History.com: http://www.u-s-history.com/pages/h1605.html
National Park Services Almanac. (2008). Washington, DC: National Parks Service, GPO.
Blackburn, S. (2007). Plato's Republic. New York: Atlantic Monthly Press.
Brown and Pozner. (2001). Exploring the Relationship Between Learning and Leadership. Leadership and Organizational Develpment, 68(2), 274-80.
Norris consistently returns to the animalistic descriptions of McTeague. Early in the story Norris compares him to the likes of a work horse. Such harmless animals focus solely on survival in that they plow the fields so that they can eat. It is this initial description of McTeague as a harmless work horse contrasted with his "abominable" (265) actions in killing Trina that tend to show that violence itself is the inevitable end result of the city's corruptive power.
Before meeting Trina, McTeague is a sexless cart-horse like man among city urbanites, but she awakens the beast inside him in terms of sexuality and obsession. McTeague's foray into sexuality is comingles with a fetishism for gold. Trina conflates sexual pleasure with the possession of money. She often refers to her gold as "beauties" and declares "I love you" as she calls out "Mine, mine, mine -- all of you mine"…
Despite all the graphic, inventive detailed descriptions of the physical suffering and the mental anguish Turner has endured, in the end, it is the cliche, metaphoric image of a breaking heart that sends the strongest message. It should break any human being's heart to kill, and those who are not emotionally torn up by taking another human being's life are therefore, essentially heartless.
There is also an indication in Here, Bullet, that it is not only the heart that malfunctions in the throes of death and killing, but the brain as well. hen Turner speaks of "the leap thought makes at the synaptic gap" he is symbolizing the leap a person's mind is forced to make from have a respect for life and compassion for mankind to suddenly believe that it is okay to kill, maim and torture in the name of your country. Thus from Turner's point-of-view, after being…
Turner, Brian, "Here, Bullet" Here, Bullet, Alice James Books, 2005
Turner, Brian, "Sadiq" Here, Bullet, Alice James Books, 2005
Himes, Andrew, Voices in Wartime Anthology, cited in Alice James Books. Web. 17 June, 2010. http://www.alicejamesbooks.org/pages/book_page.php?bookID=43
Whetstone, David. Culture: A Poet in Tangled Battle Lines of Iraq; Plenty of Poets Described the Horrors of the First World War, but in Modern Combat Zones They Are a Rare Beast. David Whetstone Talks to American Poet Brian Turner, Who Served in Iraq. The Journal (Newcastle, England). March 17, 2008, p. 18.
His use of expressionism is evident in the ways that he used his interior consciousness to realize his artistic objective. The Little Mountain Goats is a dizzying smear of motion and color. Its kinesthetic sensibility and paler color palate recalls Marcel Duchamp's Nude Descending a Staircase more than any of Gauguin's works, suggesting a new influence upon Marc's style. The triangular features of the goats, the geometric primary colors, particularly the unnatural yet earthy tones of the reds and pinks, along with the whites and greens clearly show an evolution in his philosophy, which must be also partially ascribed to the Fauves. Fauvist works used stirring and unusual colors and bold brushstrokes and lack the clearer and more defined lines of Gauguin. ather appropriately, given Marc's frequent subject matter, the word 'Fauve' in French means 'wild beast.'
Over the course of his career, Marc became personally acquainted with both Henri…
Lucie-Smith, Edward. (1999). Lives of the Great 20th-Century Artists.2nd edition.
London: Thames & Hudson. Except accessed November 10, 2009 at http://www.artchive.com/artchive/M/marc.html
Neue Kunstlervereinigung Munchen. (2009). Ketterer Kunst.
Retrieved November 10, 2009 at http://www.kettererkunst.com/dict/neue-kunstlervereinigung-munchen.shtml
Thus, Melville clearly portrays Billy as the greatest of innocents, infused with godlike looks and a pure heart. As this type of a character is realistically unlikely, many readers can quickly interpret Billy to be, therefore, a symbol of innocence. Indeed, even in his hanging Billy's image remains intact, as his last words are: "God Bless Captain Vere" (1426).
This innocence, however, meets with the harsh ruling of justice. Indeed, as Billy leaves the merchant vessel, the Rights of Man, during his impressment, the author foreshadows that Billy, will, indeed loose his rights. As innocent as Melville paints Billy, he paints justice as gruesome. The circumstances that lead to Claggart's murder at Billy's hands are no fault of Billy's, and are planned by Claggart himself. From their first acquaintance, Billy finds himself "getting into petty trouble" because Claggart does not like Billy (1377). Furthermore, Claggarrt's determination to taint Billy's name…
Goldman, Eric. "Bringing out the Beast in Melville's Billy Budd: The Dialogue of Darwinian and "Holy" Lexicons on Board the Bellipotent. Studies in the Novel. 36.4 (2005): 430-442.
Melville, Herman. "Billy Budd, Sailor." Literary Classics of the United States: Melville.
Ed. Harrison Hayford. New York: Literary Classics of the United States, 1984. 1351-1435.
"The Odyssey" also demands that guests show similar kindness in return to their hosts. hile Odysseus is not blameless and morally upright in his actions towards others and he has an occasionally violent temper, he usually only strikes back at a host when he is threatened, as in the case of the Cyclops. For this demonstration of his need for kindness when he is wandering, he is rewarded, finally, with the restoration of his homeland.
hether Odysseus will return is a question that arises over the course of Book 14. Although Eumaeus does not believe his master is returning, he makes a sacrifice to the gods in the hopes that Odysseus will return, and even though Odysseus has arrived, he has not fully 'returned' to his old position even by this part of the book, because his ability to regain his palace remains in doubt. He still needs to be…
Homer. "Book 14." The Odyssey. Translated by Ian Johnston. October 23, 2008. http://records.viu.ca/~johnstoi/homer/odyssey14.htm
" Instead of establishing a set rhythm as with his rhyme scheme, he punctuates in order to delineate an end of a particular episode within the poem which also helps the audience understand when and where his narration changes. Each period concludes an establish section of the poem, the first period ends on "Over her, thrashing and thrusting until he was spent." (ln 8), which importantly ends his narrative of Victorian sex. The following breaks each connote the ending of one thought tangent and the beginning of another. The implication on narrative voice occurs through the shifting of his speaking tone and message after periods. In his first address the narrator is informative, the second he is reflective and the third he places mockery on contemporary standards. Thus, punctuation in this case is use to delineate what specific theme and audience he is address. The use of commas is also…
Frances Hodgson Burnett's 1909 "The Secret Garden" is one of the best loved children's stories of all time. As with most children's stories it is based on the fairy tale motif.
No one really knows the exact origin of fairy tales, in fact they seem to have originated in that timeless realm of their subjects (Harischandra Pp). J.R.R. Tolkien describes the realm of fairy tales as "wide and deep and high and filled with many things: all manner of beasts and birds are found there ... beauty that is an enchantment ... there it is dangerous ... To ask too many questions, lest the gate should be shut and the keys be lost" (Tolkien pp). Fairy tales generally have elements of good and evil, often portrayed by evil stepmothers and fairy godmothers, and usually a fair maiden as the protagonist. Burnett modernized the fairy tale motif in "The…
Burnett, Frances Hodgson. The Secret Garden. Pp.
Harischandra, Neshantha. "Fairy Tales and the concept of femininity."
Nivedini -- A Sri Lankan Feminist Journal. June 01, 2001; Pp.
Only wealth and the existence of the complex commercial society that underpinned it was capable of bringing together this great diversity of objects and making them available for human pleasure - the pleasure of the eye as well as of the stomach. The partial peeling of the orange (an exotic fruit in seventeenth-century Holland), the slicing of the melon and the opening of other fruits, and of the oyster shells, underlines the point that all this wealth is available for consumption, both on the surface and within.
In comparison with the first painting, this image does not speak very forcefully of decay, death, and the subject of vanitas. These elements are present, in the mottling of some of the fruit, the insects feeding on the sliced peach, the mouse that scampers among the food. It is present, too, in the lobster so prominently displayed near the front of the picture…
Barthes, Roland. "The Rhetoric of the Image." Image, Music, Text. Trans. Stephen Heath. New York: Noonday Press, 1977.
Israel, Jonathan I. "Adjusting to Hard Times: Dutch Art during its Period of Crisis and Restructuring (c.1621-c.1645)." Art History 20:3 (1997): 449-476.
Kahr, Madlyn Millner. Dutch Painting in the Seventeenth Century. New York: Icon Editions, 1993.
Leppert, Richard D. Art and the Committed Eye: The Cultural Functions of Imagery. Boulder, CO: Westview Press, 1996.