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Character
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What is Character?

Character, as a subject of literary study, sits at the intersection of psychology, ethics, and narrative craft. It asks how fictional and real individuals are constructed, what motivates their decisions, and how their inner lives shape the worlds around them. Courses in literature, film studies, ethics, and early education all engage with character analysis, since understanding how personalities form and function is central to interpreting any text or situation. Works like Winesburg, Ohio, "The Story of an Hour," "Two Kinds" by Amy Tan, and the film A Walk to Remember all offer rich material for examining how identity, morality, and circumstance interact to define a person.

Student papers on this topic tend to take several distinct approaches. Some perform close literary analysis, examining specific figures such as Mrs. Mallard or Landon Carter to trace how actions, dialogue, and setting reveal inner complexity. Others apply psychological frameworks, including psychoanalytic and object relations models, to understand motivation and behavior. Still others move into social and cultural territory, exploring how race and identity are constructed, as in Caucasia by Danzy Senna. Ethical frameworks also appear frequently, with essays connecting personal values to character development in professional or educational contexts.

A strong essay on character grounds its thesis in specific textual or contextual evidence rather than broad generalization. The most persuasive analyses link observable behavior, dialogue, or imagery to deeper claims about what a character represents thematically or psychologically. A common pitfall is describing a character's traits without arguing why those traits matter to the work's larger meaning, so the thesis should always push beyond summary toward interpretation.

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Paper Undergraduate
Race and Politics in 2008
The 2008 Presidential election marked a profound change for both major American political parties and the American electorate as a whole in terms of the way that race is conceptualized in American politics.
Essay Doctorate
Peter Pan's magical elasticity across modern versions and productions
Adults tend not to take the truly important things seriously. This is as terrible a flaw in the adult world as the fact that adults also take much of what is actually unimportant far too seriously.
Paper Undergraduate
Booker T. Washington and W.E.B.
Booker T. Washington and W.E.B. DuBois were the two most influential leaders of the African-American community during the period after Reconstruction and before the Civil Rights Era.
Paper Undergraduate
City Diplomacy: The Increasing Role
Over the past several decades, there has been a tendency for cities to be involved internationally and this is stated to demonstrate that demonstrates that the maintenance of international relations is no longer…
Research Paper Doctorate
Positive and negative liberty: Taylor's critique of negative liberty
Mill & Charles Taylor's concepts of liberty
Paper Undergraduate
Clay Sizemore Is Torn Between
Clay Sizemore Is Torn Between the Spiritual World of His Aunt Easter
Research Paper Doctorate
Ellison Race in Ellison\'s Invisible
In Ellison's Invisible Man the hindrances to the creation of individual identity are not merely limited to racism as it is generally understood; instead, to him, the racial picture in the United States needs to be…
Paper Undergraduate
Perception vs. Reality in Miss
Our perceptions of reality may differ from the actual world that surrounds us, as demonstrated in the short story, "Miss Brill," by Katherine Mansfield. Miss Brill is completely happy with her perception of reality…
Paper Undergraduate
Childhood obesity: causes, effects, and prevention strategies
A view that has been found to be true from many different analytical perspectives is that obesity among children in the United States is a complex and multidimensional problem. The central thesis that will be explored…
Paper Undergraduate
The Adventures of Robin Hood (1938 film)
The legend of Robin Hood is a compelling one that translates well on the silver screen. Errol Flynn plays Robin Hood in the 1938 version of The Adventures of Robin Hood, directed by Michael Curtiz and William Keightley.