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Character
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What is Character?

Character, as a subject of literary study, sits at the intersection of psychology, ethics, and narrative craft. It asks how fictional and real individuals are constructed, what motivates their decisions, and how their inner lives shape the worlds around them. Courses in literature, film studies, ethics, and early education all engage with character analysis, since understanding how personalities form and function is central to interpreting any text or situation. Works like Winesburg, Ohio, "The Story of an Hour," "Two Kinds" by Amy Tan, and the film A Walk to Remember all offer rich material for examining how identity, morality, and circumstance interact to define a person.

Student papers on this topic tend to take several distinct approaches. Some perform close literary analysis, examining specific figures such as Mrs. Mallard or Landon Carter to trace how actions, dialogue, and setting reveal inner complexity. Others apply psychological frameworks, including psychoanalytic and object relations models, to understand motivation and behavior. Still others move into social and cultural territory, exploring how race and identity are constructed, as in Caucasia by Danzy Senna. Ethical frameworks also appear frequently, with essays connecting personal values to character development in professional or educational contexts.

A strong essay on character grounds its thesis in specific textual or contextual evidence rather than broad generalization. The most persuasive analyses link observable behavior, dialogue, or imagery to deeper claims about what a character represents thematically or psychologically. A common pitfall is describing a character's traits without arguing why those traits matter to the work's larger meaning, so the thesis should always push beyond summary toward interpretation.

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Paper Undergraduate
John Stuart Mill's harm principle and individual liberty
In what is perhaps his most famous work, the book-length essay on Liberty, nineteenth-century English philosopher John Stuart Mill attempts to define both the extent of human liberty and the ways in which society can…
Paper Undergraduate
The monster's inherent goodness in Frankenstein's nature versus nurture debate
Mary Shelley's novel, Frankenstein, is a classic illustration for the argument of nature prevailing over nurturing when we examine the life of the monster, a being that is born inherently good driven to behave badly…
Paper Undergraduate
Socrates' defense through Plato's Republic and justice
Socrates is probably one of the most famous figures in history, as a philosopher and as a character as well. His life perspective, his deeds, his teaching method and his end make him a subject of analysis and debate for…
Paper Undergraduate
Tom's guilt and rationalization in The Glass Menagerie
Glass Menagerie told entirely from the viewpoint of Tom -- who is himself at least somewhat representative of the author, Tennessee Williams -- is largely a way for Tom (and Tennessee) to rationalize away the guilt he…
Essay Doctorate
Stanley Milgram's obedience experiments and ethical implications
You have just answered an advertisement to participate in an experiment from researchers at Yale University. You enter a professional looking building and are met by a professional looking man in a white lab coat.
Essay Doctorate
Escape from marriage in Thurber's and Chopin's short stories
This paper compares and contrasts the theme, style, structure, and other literary elements of James Thurber's "The Secret Life of Walter Mitty" and Kate Chopin's "The Story of an Hour." Both stories have the same theme--escape from one's spouse--but address it in very different ways using very different characters.
Research Paper Doctorate
Evolution of leadership models and research approaches
A lot of research has gone into the subject of leadership skills as seen from a number of several different perspectives. As a matter of fact, from the early years of 1900 onwards, analyses on the types of leadership…
Research Paper High School
Social class discrimination in Dickens's Oliver Twist and Great Expectations
Both stories, Great Expectations and Oliver Twist, are one of escape for their characters. For Oliver, it is escape form his starvation and bondage. For Pip is it escape from his poverty and illiteracy. Both escape into another world. The world of an 'upper class'. Each has a huge number of similitudes as they have dissimilarity. Their greatest similarity is that both describe the miseries of the abused orphaned penniless waif growing up in poor surrounding, Oliver more than Pip. The distinction between both is that whilst Oliver is a description and rendering o poverty and the abuse of societal class discrimination at its worst, Great Expectations journey beyond that and has the mature character reflect on his experiences and discover that perhaps the poor man is no worse off – and often indeed better than the wealthy. In great Expectations it is Pip and the convict who turn out to be the heroes, whilst the upper class gentlemen are parodied. Great Expectation is, therefore, a parody on genteel British society. Both books decry the abuse and injustice of a 'civilized' class system, particularly the injustice that is doled to the most vulnerable members of society. Great Expectations, however, goes beyond in questioning whether the wealthy are indeed better characters than the poor,simple and illiterate and it concludes with a determined 'no.'
Paper Doctorate
Bazin's ontology of cinema and the gap between film and reality
When photography appears in historical development, its indexicality adds the appeal of endurance through time to the impression of likeness in painted perspective. Crucially, ?likeness' is not given epistemological or cognitive value in itself, but rather is being invoked as a sup- port for fundamental needs of the subject vis-a-vis time. And cinema adds duration to the embalming of a single temporal instant in still photography. As Bazin puts it in ?The Myth of Total Cinema,? this makes cinema the realization of a perennial compulsion, a virtually ageless dream of perfect realism, which would have to include duration. But, as with any wish fulfillment, such preservation of the real object is protectively converted into the preservation of the subject. Always, for Bazin, cinema achieves its specificity through the relations of the subject.
Essay Doctorate
Love and desire in Sidney's "Astrophil and Stella" and Spenser's "Amoretti"
Love and Desire in "Astrophil and Stella" and "Amoretti"