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Character
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What is Character?

Character, as a subject of literary study, sits at the intersection of psychology, ethics, and narrative craft. It asks how fictional and real individuals are constructed, what motivates their decisions, and how their inner lives shape the worlds around them. Courses in literature, film studies, ethics, and early education all engage with character analysis, since understanding how personalities form and function is central to interpreting any text or situation. Works like Winesburg, Ohio, "The Story of an Hour," "Two Kinds" by Amy Tan, and the film A Walk to Remember all offer rich material for examining how identity, morality, and circumstance interact to define a person.

Student papers on this topic tend to take several distinct approaches. Some perform close literary analysis, examining specific figures such as Mrs. Mallard or Landon Carter to trace how actions, dialogue, and setting reveal inner complexity. Others apply psychological frameworks, including psychoanalytic and object relations models, to understand motivation and behavior. Still others move into social and cultural territory, exploring how race and identity are constructed, as in Caucasia by Danzy Senna. Ethical frameworks also appear frequently, with essays connecting personal values to character development in professional or educational contexts.

A strong essay on character grounds its thesis in specific textual or contextual evidence rather than broad generalization. The most persuasive analyses link observable behavior, dialogue, or imagery to deeper claims about what a character represents thematically or psychologically. A common pitfall is describing a character's traits without arguing why those traits matter to the work's larger meaning, so the thesis should always push beyond summary toward interpretation.

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Research Paper Undergraduate
Core values of contemporary Canada and the metrosexual consumer
Core values evolve over time. What do you think are the 3-5 core values that best describe Canadians now?
Research Paper Undergraduate
Willy Loman's resistance to change in Death of a Salesman
¶ … play, "Death of a Salesman" by Arthur Miller, the character, Willy notices his life is changing without his blessing, which has no control over. From there, while he will not accept his life is changing, he…
Research Paper Undergraduate
Marriage urgency in Pride and Prejudice across centuries
Urgency to Marry in 18th Century vs. 20th Century as seen in Pride and Prejudice
Research Paper Undergraduate
Defining science and the scientific method of inquiry
Science is a varied and dynamic issue and term, within it there is a sense of many definitions and variations on a theme of mans' unique ability to reason in a manner that is at least limitedly influenced by emotion.
Paper Undergraduate
Gender resistance and female agency in Molière's Tartuffe
Traditional power structures between men and women are challenged in, Jean Baptiste Moliere's play, Tartuffe. Through the characters of Mariane and Dorine, we see how traditional ideals are challenged in a society where…
Paper Undergraduate
Willy Loman's failure as a father in Death of a Salesman
Father Doesn't Know Best: A Study of Willy Loman
Paper Undergraduate
The man box: gender stereotypes and emotional masculinity
'Men are from Mars; Women are from Venus' proclaims a popular line of self-help books. The differences between the genders have become such an ingrained social stereotype, even in the 21st century, they have become an…
Paper Undergraduate
Six leadership styles in Primal Leadership by Goleman, Boyatzis, and McKee
Six types of leadership: Precis of Primal Leadership
Paper Doctorate
Loneliness and love in Kafka's Metamorphosis and Joyce's The Dead
This paper is an analysis of the stories The Metamorphosis by Kafka and The Dead by James Joyce. The introduction provides an overview of the two stories. The paper compares the writing style, the theme and general story line within the two texts, establishing comparisons and contrasts between the two writers.
Essay Doctorate
Mise-en-scène and character in Double Indemnity's "End of the Line"
An analysis of the scene titled "End of the Line" from the 1944 film Double Indemnity by Billy Wilder is undertaken. In the paper, the roles of director, art director and production designer are defined. Additionally, the role mise-en-scene plays in establishing the film's mood is undertaken. In the film, lighting, setting, and costuming contribute to the film's ambiance.