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Character
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What is Character?

Character, as a subject of literary study, sits at the intersection of psychology, ethics, and narrative craft. It asks how fictional and real individuals are constructed, what motivates their decisions, and how their inner lives shape the worlds around them. Courses in literature, film studies, ethics, and early education all engage with character analysis, since understanding how personalities form and function is central to interpreting any text or situation. Works like Winesburg, Ohio, "The Story of an Hour," "Two Kinds" by Amy Tan, and the film A Walk to Remember all offer rich material for examining how identity, morality, and circumstance interact to define a person.

Student papers on this topic tend to take several distinct approaches. Some perform close literary analysis, examining specific figures such as Mrs. Mallard or Landon Carter to trace how actions, dialogue, and setting reveal inner complexity. Others apply psychological frameworks, including psychoanalytic and object relations models, to understand motivation and behavior. Still others move into social and cultural territory, exploring how race and identity are constructed, as in Caucasia by Danzy Senna. Ethical frameworks also appear frequently, with essays connecting personal values to character development in professional or educational contexts.

A strong essay on character grounds its thesis in specific textual or contextual evidence rather than broad generalization. The most persuasive analyses link observable behavior, dialogue, or imagery to deeper claims about what a character represents thematically or psychologically. A common pitfall is describing a character's traits without arguing why those traits matter to the work's larger meaning, so the thesis should always push beyond summary toward interpretation.

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Eugene O'Neill's tragic vision of dehumanization in "The Emperor Jones" and "The Hairy Ape"
Eugene O'Neill's play, "The Emperor Jones (1921)," is the horrifying story of Rufus Jones, the monarch of a West Indian island, presented in a single act of eight scenes of violence and disturbing images.
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Medieval political thought in Machiavelli, Erasmus, and Cohn
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Moral contradiction and tragedy in John Ford's The Searchers
John Ford's The Searchers is based on a very simple straightforward story of a man's search for his niece, who has been abducted by Indians. Yet, what makes the film an undoubtedly great masterpiece is that it succeeds…
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Rawls and Hampshire: contrasting theories of political justice
Justice in Society According to Rawls and Hampshire
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Melville's portrayal of ambition and passivity in Bartleby
In many ways, "Bartleby, the Scrivener" is a rather strange and enigmatic story. It does not follow a natural line, it is more of a character-based story, full of the strangest characters.
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Justice as moral righteousness and individual virtue
The understanding and practice of 'justice' is central to the achievement of peace and happiness by the individual as well as society, as a whole. However, no amount of institutalization and administration of legal,…
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Swift's exploration of human nature through the Houyhnhnms and Yahoos
Jonathon Swift's Gulliver's Travels (1726) is a satiric novel aimed at revealing the trends of seventeenth-century philosophy, including ideas on human nature. For instance, as Gulliver, the main character embarks on a…
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Betrayal and atonement in The Lion, the Witch, and the Wardrobe
In the novel The Lion, the Witch, and the Wardrobe, C.S. Lewis creates the beginning of an epic work in children's fiction, a story set in a different world called Narnia where the young friends who are the protagonists…
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Disguise, costume, and role playing in Ben Jonson's Volpone
Ben Jonson's Volpone, first performed in London in 1605, was a highly successful play centering on the theme of greed. Volpone is particularly notable for Jonson's characters' use of disguise, costume and role playing…
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Female power and morality in Macbeth and The Spanish Tragedy
Women and power are often viewed as anathema in the conventional view of Jacobean drama, although ironically the dramatic form reached its height during the reign of Elizabeth. Lady Macbeth is often cited as proof…