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Michael Bennett's legacy as a choreographer:
A Chorus Line and Dreamgirls
Michael Bennett's choreography in productions such as Dreamgirls and A Chorus Line dominated the Broadway stage of the 1970s and 1980s. Along with the work of other great choreographers of the era like Bob Fosse, Bennett is credited for revolutionizing Broadway theater and the role of dance in the Broadway tradition. In A Chorus Line in particular, the dance tells the story, not plot or even song. However, unlike Fosse, Bennett did not have a style that was so distinct that it overwhelmed every production in which he was involved. Bennett tailored his choreography to the needs of the show and allowed it to reveal the themes of the production unlike Fosse's very distinctive style. Bennett's mark upon his stage shows is more subtle, but still evident.
The premise of A Chorus Line is simple: the tale unfolds the…
A Chorus Line. Directed by Richard Attenborough, 1985.
Dreamgirls. Directed by Bill Condon, 2006.
Festival Title: Break it Out!
Festival Mission: Break it Out! is dance festival celebrating the LGBTQ community, and which encourages young people to be proud, strong, and confident. According to the Centers for Disease Control and Prevention, LGBTQ youth are twice as likely to have attempted suicide than their heterosexual peers, and were far more likely to have experienced bullying, depression, substance abuse, and negative attitudes towards schooling too. Involvement with music and dance can change the lives of LGBTQ young people -- and their peers as well. This festival will help get all kids involved, using positive energy and creativity to generate a forward-thinking community that supports the ambitions and dreams of young people.
The dance festival will include workshops and performances by local and national organizations in a variety of styles, but will focus on hip-hop dancing, music, and art as a means to provide a high-energy engaging…
Center for the Art of Performance at UCLA. "Anne Teresa de Keersmaeker." Retrieved online: http://cap.ucla.edu/rosas/
Centers for Disease Control and Prevention. "Lesbian, gay, transsexual, and transgender health." 2014. Retrieved online: http://www.cdc.gov/lgbthealth/youth.htm
De Keersmaeker, Anne Teresa
The overall tone of the work is positive and life-affirming in spite of apparent obstacles that are perceived as externalities to the dancer's range of motion. The dancer at times hugs herself, which seems to suggest a need to love oneself; at other times, the dancer opens the arms wide in an embrace of the world and of life's possibilities. Then the dancer moves in a circle as though to encompass the range of these possibilities and move towards them. When the dancer shrinks down, there is danger or one of life's obstacles getting in the way. When the dancer rises again, life is once more possible because of the inner strength within.
The sound score is dramatic with a woman's voice singing the words over a few instruments that sound like strings. The work seems to be about a woman awakening to life. The dancer…
I think style most aligns with Millepied's approach in this piece: the female dancer expresses such a limp, languid and languorous feeling, almost as though she were rag doll compelled into action by the male ballet dancer, the music, and indeed the audience. Her posture, and the balance of her head (constantly rolling around on her shoulders as body poses then collapses in the arms of her male counterpart, at once stretching and rising with the swell of the music and then crashing as though the feeling and movement were impossible to sustain). Perhaps it is the music itself, its unending repetitious quality, that tugs at Millepied's dancer's and thus gives us the style that we see on the stage -- or perhaps it is Millepied's own sense of our culture -- stuffed, artificial, inauthentic, yet propped up by these traditions -- art, music, dance -- which he…
West Side Story, filmed in 1961, was one of the most ground-breaking works not only in terms of subject and genre, but also in terms of the boundaries it broke with its musical scores and choreography. Indeed, the film's dance sequences often form part of its plot. Its musical scores depict the deep distrust and underlying violence in the uneasy truces between the street gangs whose members form the basic plot background of the film. What is most interesting is that the film not only broke the romantic plot norm with its "omeo and Juliet" story, it also broke some norms in the minds and physical exertions of its dancers. One example of such norm defiance is "Cool," one of the songs just before full violence broke out between the gangs and the final tragedy of its outcome.
The first and most important pioneering element of the dance sequences in…
Sivitz, R. (2007, Apr. 24). An Analysis of West Side Story's Songs "Cool" and "America." Retrieved from: http://voices.yahoo.com/an-analysis-west-side-storys-songs-cool-america-50871.html
controversy with regard to the field of choreography, as many are inclined to ignore it. The media world is especially important in the contemporary society when considering its ability to influence individuals. A great deal of ideas associated with the media has gradually come to be significant when regarded from the perspective of an ordinary person. While the technological progress in the contemporary society has reached great heights, people continue to have trouble integrating the social order properly. Choreography was particularly important when taking into account its history and its ability to change people's understanding of the world.
Laban was often inclined to blame dancers on account of how they failed to act in accordance with his 'laws'. As a consequence, many dancers criticized his tendency to interfere in their line of work. He considered progress in general as one of the concepts that need to guide people through their…
Music and Dance in Indian Films
In sheer quantity, INDIA produces more movies than any other country in the world-over 900 feature-length films in at least 16 languages, according to a recent industry survey. This productivity is explained by several factors: the size of the Indian audience, low literacy rates, the limited diffusion of television in India, and well-developed export markets in both hemispheres. (http://worldfilm.about.com/cs/booksbolly/)
In its historical development, India's film industry paralleled that of the West. Dadasaheb Phalke's Raja Harishchandra, the first silent film for popular consumption, appeared in 1913; Alam Ara, the first "talkie," was released in 1931. ut the Indian cinema derived its unique flavor from the older Indian musical theater-particularly from the Urdu poetic dramas of the late nineteenth century. The influence of this tradition ensured that Indian movies would favor mythological or legendary-historical stories, that their dialogue would carry an Urdu flavor even in languages…
National Identity in Indian Popular Cinema 1947-1987 (Texas Film Studies) by Sumita S. Chakravarty Univ of Texas Pr; (December 1993)
Encyclopedia of Indian Cinema by Ashish Rajadhyaksha (Editor), Paul Willemen (Editor) British Film Inst; Revised edition (September 1999)
Cinema of Interruptions: Action Genres in Contemporary Indian Cinema by Lalitha Gopalan British Film Inst; (July 1, 2002)
Michael Bennet-What makes him unique
Michael Bennett was born in 1943 under the full name of Michael Bennett DiFiglia. He was devoted to the theater and over the course of his life was a dancer, choreographer and director; before succumbing to AIDS complications at 44 years old. His unique style was his legacy to Broadway -- particularly regarding Musical Theater.
Musical theater has a rich and storied history; dating back centuries. First conceived as "narration with song and dance incorporated"; it was meant to glorify beautiful females, dancers, singers and the occasional comedian (eynolds, 882). Broadway Musicals were not always successful; but dance continued to be integral and professionals of all genres fell under the purview of the choreographer (eynolds 693).
By the 1970s the cost of staging a Broadway show was exorbitant. It was often decided to pare back dancing and choreography as a means of saving money (Clark).…
Clark, Daryl Kent. "Michael Bennett: A Singular Sensation,." 100 Treasures - Michael Bennett. Dance Heritage Coalition, Jan. 2012. Web. 26 Feb. 2014. From http://www.danceheritage.org/treasures/bennett_essay_clark.pdf
Cerasaro, P. 2013 Tony Awards Clip Countdown: #7 - Michael Bennett Masterpieces. 2013. Web. 8 Feb. 2014. http://www.broadwayworld.com/article/2013-Tony-Awards-Clip-Countdown-7-Michael-Bennett-Masterpieces-20130603
Cohen, Selma J., and Dance Perspective Foundation, eds. "Musical Theater."International Encyclopedia of Dance. Oxford: Oxford University, 2005. Online.
Dietz, Dan. Off Broadway Musicals, 1910-2007: Casts, Credits, Songs, Critical Reception and Performance Data of More than 1,800 Shows. Jefferson, NC: McFarland &, 2010. Print.
Balanchine to Petipa
George Balanchine was born in the year 1904. He was invited to come over the United States of America by Lincoln Kirstein, in the year 1933, and subsequently, Balanchine arrived in America in the month of October 1933. One of the very first things that Balanchine is reputed to have done after his arrival in the United States, was to found the 'School of American Ballet', which opened in the year 1934, with a class of twenty five students. It must be stated here that although Balanchine and Kirstein made several attempts through many years to start a Company, they did not succeed in their endeavor, but the School of American Ballet, however, has endured and remains intact, to this day. This was the Scholl through which Balanchine was able to present his very first ballet to the entire world, in America, which was named the 'Serenade'.…
Ballet Training Techniques. Retrieved From
http://www.the-ballet.com/techniques.php Accessed 15 October, 2005
Balustrade. Retrieved From
Fitness Industry in Hong Kong
Hong Kong is a densely populated, coastal city in Asia, where both Eastern and Western cultures meet. In this city-state of 7 million persons, the potential for the fitness industry (fitness clubs) to find consumer demand is evident in the government's recent emphasis on health and fitness as well as the entertainment industry's usage of body image to convey an impulse among consumers to mimic what they see. At the same time, Hong Kong has a distinctly Asian desire for fitness workouts that are more dance-oriented than in the West. Choreography is a big draw for Hong Kong fitness club users and the more complex the choreography, the more likely the draw. Still, fitness clubs also appeal to older consumers who want to belong to a club and who seek to achieve some activity in their lives, as there is limited open space in Hong…
Men are expected to put across domination and to affirm their masculinity during a hip hop dance. Hip hop and tango are both designed to put across the feeling that there is a strong connection between the message and the dance, the dance and the dancer, and the dancer and the message.
Tango and hip hop are relatively similar when considering that professional dancers are primarily interested in dancing from the perspective of someone who actually understands why he or she is dancing. These people are not only interested in looking beautiful as they dance, as they are also concerned about having audiences understand their emotions.
All things considered, choreography is one of the most important concepts in the contemporary society and it is very important for the general public to understand that dances are more than movements designed to please the eye. Individuals also dance with the purpose of…
Benshoff, Harry M. And Griffin, Sean "What is Gender?," "What is Sexuality" in America on Film: Representing Race, Class, Gender and Sexuality at the Movies, Blackwell Pub., 2004, pp. 203-206, 293-296.
LaBoskey, Sara "Getting off: Portrayals of Masculinity in Hip Hop Dance in Film," Dance Research Journal, 2001, 33(2), pp. 112-120.
Leigh Foster, Susan, "Choreographies of Gender," Signs, Vol. 24, No. 1 (Autumn, 1998), pp. 1-33.
Manning, Susan, "The Female Dancer and the Male Gaze: Feminist Critiques of Early Modern Dance," Meaning in Motion: New Cultural Studies of Dance, ed. Jane C. Desmond, Duke University Press, 1997, pp: 153-166.
oreover, they work well with solo dance moves (which is why they worked out so well for Beyonce. Thus I would describe De Keersmacker's work as timeless, "avant-garde" (Gardner, 2011) ballet that pushes the envelope.
A.3. It is difficult to pinpoint specific themes in the choreography of De Keersmaker. The Choreographer herself admitted that she dislikes themes and tries to eschew them from her work (Jenkinson, 2009). Therefore, if one were to explore the lack of themes in the choreographer's work, they would revolve around innovation and novelty. She incorporates a wide variety of media within her choreographed pieces, such as varying elements of sound (both musical and otherwise), text and different varieties of light. She also sings along to her songs (Williams, 2003).
A.4. The main way that this choreographer's work is influencing larger society is through the form of flattery known as imitation. Beyonce's lifting of several of…
Macaulay, Alastair. "In Dance, Borrowing is a Tradition." The New York Times. 2011. Web. http://www.nytimes.com/2011/11/22/arts/dance/is-beyonce-a-choreography-thief-in-countdown.html?ref=anneteresadekeersmaeker&_r=0
Williams, Ann. "Rosas - Anne Teresa De Keersmaeker'Once'." Ballet Magazine. 2003. Web. http://www.ballet.co.uk/magazines/yr_03/nov03/aw_rev_anne_teresa_de_keersmaeker_1003.htm
Rosas Danst Rosas Anne Teresa de Keersmaeker 3. 2010. http://www.youtube.com/watch?v=zS_kWttptS4
1955 Film Version of Oklahoma: An Evaluation
Oklahoma is a musical set in the turn of the 20th century which concerns two cowboys who spar against a malevolent ranch hand and a migratory vagrant for the union of the hearts of the women they love. The video being examined today is the 1955 film version of this very musical. The musical debuted in 1943 and was largely considered to be quite innovative for a multitude of reasons: the play integrated a range of songs with the main storyline in a harmonious and engaging fashion and also showcases a simplicity and austerity of production designs. This film version of the musical was able to present the bulk of the songs which were generally removed from the bulk of the stage presentations. There was a slight streamlining of the story which differed in a certain sense from the musical: Laurie (played by…
Zinnemann, F. (Director). (1955). Oklahoma [Motion Picture].
Having unleashed Demon, the Song is now welcomed into the gang and begins sporting the traditional "black suit" of the gang members. Here, again, it is important to remark on the deviation from stereotype to contemporary national image that wardrobe and props bring to the film. There are no robes of silk, no long, silky geisha looking women waiting on men in the community baths. Rather, Landlady, one of the protagonists in the film, barely makes a move without a burning cigarette hanging out of her mouth. She is in white satin lingerie throughout most of the film. hile Landlord is often seen in his silk robe, and is often being beat by Landlady. Landlord and Landlady and even Demon serve to reinforce the positive image of Asian family in that Landlady and Landlord are not elderly, but late 40s, and Demon is definitely 50 ish.
Together, good or bad,…
Chanan, Michael. "The Changing Geography of Third Cinema." Screen 38.4 (1997): 372-388. Questia. 23 May 2008 http://www.questia.com /PM.qst?a=o&d=98737571' target='_blank' REL='NOFOLLOW'>
Since his first dance routine more than half a century ago, Paul Taylor has become one of the world's most popular and respected choreographers. His works are performed by companies throughout the globe. Taylor has created more than 150 dance pieces. His style is unique and he is often seen as a distinctly American artist.
critics and audiences all over the world agree that Taylor is a giant among modern dance choreographers. He has developed what is very much his own style of dance -- a style that celebrates vigor, athleticism and strength -- making Taylor, in a very special sense, an American choreographer. (iography of Paul Taylor)
Taylor has been responsible for the choreography of more than ninety performances with his own company, which has a distinguished history. The company has also performed in more than 300 cites in the United States, as well as performances in…
Bibliography. Westport, CT: Greenwood, 1996.
Greskovic, Robert. "Field of Dreams." Dance Magazine Feb. 1994: 138+. Questia. 10 Feb. 2005 http://www.questia.com
Hardy, Camille. "Quality Comes First in Second Companies." Dance Magazine Nov. 1995: 70+. Questia. 10 Feb. 2005
Well, I kind of introduced that into Lindy Hopping. And we call it an air step because that's the way that we envisioned it -- as a step. We said, This has to be done in time with the music. it's not a lift -- it's a step -- so you gotta do it as a step (Editors).
Many people would add innovations and other moves to the basic Lindy, and it would spread out to create an entire form of swing dancing that included air-steps, synchronized dancing, and jitterbugging, all popular forms of swing dance. However, Manning was a true innovator in swing dance, and has been honored with several documentaries. He also was interviewed for the Ken Burns documentary "Jazz," and HBO plans to make a full-length feature film about his remarkable life.
In conclusion, Frankie Manning is the true father of the Lindy Hop, and with his…
Author not Available. "Happy Feet." Personal Web Page. 2004. 29 April 2005. http://www.gotthatswing.com.au/happy.html
Crease, Robert P. "Divine Frivolity: Hollywood Representations of the Lindy Hop, 1937-1942." Representing Jazz. Ed. Gabbard, Krin. Durham, NC: Duke University Press, 1995. 207-228.
Editors of WNET. "Frankie Manning." Thirteen.org. 1998. 29 April 2005. http://www.thirteen.org/cityarts4/week11/my_html/uncut-week11.html
O'Meally, Robert G., ed. The Jazz Cadence of American Culture. New York: Columbia University Press, 1998.
inception in 1974, the Alvin Ailey Dance Theatre has established one of the firmest foundations of modern dance in America. The company has since formed Ailey II to showcase budding, emerging talent -- something that completely keeps with the original spirit of the Ailey brand and which helps keep modern dance fresh. Integral to the Ailey II project is education, but admission remains tight and exclusive, limited to only twelve members at a time (The Ailey School). The Ailey II mission is to provide first-hand experience with choreographers and master classes to develop the next generation of talent.
Ailey II has been called "iconic," a "powerhouse," and "jaw-dropping," and for no small reason (Boynton; Dalzell). Any viewing of an Ailey II performance is a treat. The most recent performance includes "Gemeos," choreographed by Jamar Roberts with music by Fela Kuti. This hyper-energetic piece exudes masculinity and invokes archetypal male energy.…
The Ailey School. "Ailey II." Retrieved online: Retrieved online: http://www.theaileyschool.edu/ailey-school/professional-division/ailey-ii
Boynton, Andrew. "Ailey II's Off-the-Charts Energy." The New Yorker. 27 April, 2012. Retrieved online: http://www.newyorker.com/culture/culture-desk/ailey-iis-off-the-charts-energy
Dalzell, Jenny. "Ailey II.0." Retrieved online: http://www.dancespirit.com/uncategorized/ailey-ii-0/
For Stroman, the musical numbers must be integrated within a narrative rather than standing as more autonomous (or hegemonic) components of the Broadway Musical.
Michael Bennett brought a less-defined style than Stroman or Fosse, although he made a great impact on the Broadway musical. His costuming was more colorful than the previously accepted norm, as he incorporated garish neon pink, green, and yellow tones into his costume design for the 1975 play a Chorus Line (Hecht). By focusing on costuming, Bennett made the costuming a more integral component of the Broadway musical than previously been accepted.
(B): How Can Prospective Dancers Use Information About Dance Style to Develop Their Style?
There are many ways in which up-and-coming dancers can utilize information about dance styles and audition techniques to enhance their dance career. ith regard to audition technique, every prospective dancer should have a strong knowledge of the source text for…
Cowsell Jr., R.L. "Broadway Retrogresses: The Bookless Musical." The Journal of Popular Culture xii.3 (1978): 545-549.
Felleman Fattal, Laura. "The Search for Narrative." The Journal of Aesthetic Education 38.3 (2004): 107-115.
Hecht, Thomas. "Dance Costume." The Berg Companion to Fashion. Ed. Valerie Steele. New York: Berg, 2010. 195-198.
arts consistently contribute to socio-political change. As a uniquely personal and corporeal art form, dance can directly contribute to socio-political change by combining the best features of theater with those of more abstract art forms like music. The body can be used to convey torture, anguish, pain, and death. Choreography enables the acting out of complex battles fought between multiple players, helping the audience to envision multiple possible outcomes. Dance sometimes makes a statement about current affairs in succinct, immediate, and palpable ways.
This week's content highlights the ability for dance to become a vehicle for social change. Though not typically associated with politics, dance has traditionally served as a political medium and continues to do so. We have witnessed the political function of dance in multiple cultures and historical epochs. Dance has been used as a tool by the political elite to establish or reinforce social norms and codes…
Rite of Spring - Vaslav Nijinsky & Igov Stravinsky
In what ways has The Rite of Spring laid the foundations for postmodernism in art, music, and dance?
The Rite of Spring by Igor Stravinsky, choreographed by Vaslav Nijinsky, laid the foundations of postmodernism in art, music and dance by promoting the ideas rooted in Kant and Nietzsche -- namely that truth exists not as an objective reality but rather as a construct of the mind -- a subjective, internalization of externalities (Knight 89). Postmodernism in the 20th century was essentially a reaction to the modernism of the 19th century and modernism's elevated belief in Reason, based on Enlightenment ideology which came about as a result of the Scientific Revolution and Protestant Reformation in Europe. The postmodernist reaction to the inheritors of the Enlightenment was to elevate irrationality and absurdity -- the idea that human beings, far from using Reason, very…
Buckle, Richard. Nijinsky. UK: Trinity Press, 1971. Print.
Griffin, G. Edward. The Creature from Jekyll Island. NY: Amer Media, 1998. Print.
Hans Richter. Dada: Art and Anti-Art. NY: Thames and Hudson, 1997. Print.
Hewett, Ivan. "The Rite of Spring 1913: Why did it provoke a riot?" Telegraph, 16
Adaptation theory, memoir, and dance
The writer of the grant proposal introduces adaptation theory for the English literature review related to dance. Writer notes how dance has been used to capture literature. However, what has not been explored is dance becoming literature. Meaning notable American modern dance choreographers and their memoirs, how-to guides, autobiographies, and criticisms. These various forms of literature on dance provide an idea of how dance can be turned into something worth of review from a literary standpoint. Moreover, the writer points out the choreographic memoir as the best example of such form.
Therefore, the writer aims to explore choreographic memoirs and autobiographies and how they should be considered their own literary genre to allow future generations to better understand dance in a literary sense. By performing various choreographic memoirs, the writer wishes to discover the criteria and components for the ‘new genre’. This literary…
If anything, the urge to document their performance as fully as possible -- extended long shots and all -- runs the risk of swamping the narrative, but for Kelly, perhaps, the balletic dream was the narrative, or at least, the point of constructing the story in the first place.
Extended detours into pure ballet notwithstanding, the "stage-oriented" economy of Singin' in the Rain does not permit it to linger on the outright repetition of any shot or sequence. However, allied techniques allow it to achieve a certain degree of formal and sentimental unity. In terms of large-scale structure, the decision to bookend the film's action between two theatrical premieres is extraordinary. Unlike a more explicitly flashback-driven story like Sunset Boulevard (a near-contemporaneous but darker meditation on Hollywood's transition to sound), the trajectory here is less circular than spiral in form: The gala debut of the film-within-a-film that closes Singin' in…
Review of Related Literature
This chapter provides a review of the literature concerning hypnosis, Eastern Meditation, Chi Kung, and Nei Kung and how these methods are used to treat various ailments and improve physical and mental functioning. A summary of the review concludes the chapter.
In his study, "Cognitive Hypnotherapy in the Management of Pain," Dowd (2001) reports that, "Several theories have een proposed to account for the effect of hypnosis. State theories assume that the hypnotic trance is qualitatively different from all other human experiences. From this perspective, trance capacity is supposedly a fairly stale trait that exhiits sustantial individual differences. Nonstate theories, often referred to as social learning, social psychological or cognitive-ehavioral theories of hypnosis propose that hypnotic phenomena are related to social and psychological characteristics such as hope, motivation, expectancy, elief in the therapist, desire to please the therapist, a positive initial…
bibliography. (2010). http://science.jrank.org / pages/7857/Meditation-Eastern.html.
Many religious traditions have practices that could possibly be labeled meditation. In Judaism, Christianity, and Islam, these practices are usually associated with prayer, contemplation, or recitation of sacred texts. In the religious traditions of the Native Americans, Australian aboriginals, Siberian peoples, and many others, what could be identified as meditation techniques are incorporated within the larger rubric of shamanism. It is, however, in the religions of Asia that meditation has been most developed as a religious method.
Meditation has played an important role in the ancient yogic traditions of Hinduism and also in more recent Hindu-based new religious movements such as Maharishi Mahesh Yogi's Transcendental Meditation program. But it is most especially in the monastic or "elite" forms of the various traditions of Buddhism (Theravada, Tibetan/Vajrayana, and Ch'an/Zen) that meditation techniques have taken center stage and have been developed to the highest degree of sophistication and complexity.
Short-Term Effects of Meditation vs. Relaxation on Cognitive Functioning. Contributors: Gillian King - author, Jeffrey Coney - author. Journal Title: Journal of Transpersonal Psychology. Volume: 38. Issue: 2. Publication Year: 2006. Page Number: 200+.
Authors cite the lack of relevant studies concerning the effect, if any, of meditation on short-term improvements in cognitive performance. The results of this study clearly showed that meditation, per se, does not produce a short-term improvement in cognitive performance compared to other relaxation techniques.
it's been fun, but I don't really know anyone here. I don't really do the bar scene, and that's pretty much what everyone else who lives in my building does. So I guess it's time to look for somewhere else."
equired: A Little Extra Green
Although those living in Manhattan would probably still think of the neighborhood as a bargain, by a more objective standard (and during a recession), the rents are certainly not conducive to anyone without a firm standing in the upper ranges of the middle class.
A 1000-foot apartment at Bedford and Third, for example, boasts "recent renovation" at $2,900 a month.
Whatever might be left over after rent might be spent at Antidote Chocolate. One particularly interesting aspect of the fact that this chain has moved into the neighborhood is that most of its stores reside in far-pricier and more established neighborhoods.
This suggests not only…
Antidote Chocolate. (2011). Retrieved from http://www.antidotechoco.com/flavors.php
Duane Reade Cracks the Secret to Williamsburg Success: Beer! (2011). Retrieved from http://ny.curbed.com/archives/2011/01/14/duane_reade_cracks_the_secret_to_williamsburg_success_beer.php#reader_comments
Free Williamsburg. (2005). Retrieved from http://www.freewilliamsburg.com/bars/archives/bedford_avenue_stop/
Hotpads.com. (2011). Retrieved from http://hotpads.com/apartments/Bedford-Avenue-and-N-3rd-Street-Brooklyn-NY-11211 -- 1rjevj0kynq3v#lat=40.715583&lon=-73.960139&zoom=20&previewId=1rjevj0kynq3v&previewType=listing&detailsOpen=true&listingTypes=rental, sublet, room, corporate&loan=30,0.0525,0
Store managers are left voice mails on recommendations for pricing and product mix changes. The disadvantages of a satellite network are that first it can be seriously impacted by bad weather, is expensive to repair and maintain, and has security risks from advanced hacking approaches (Carr, 2004). Despite these limitations however Dollar General us successfully using their satellite-based WAN to collaborate on what matters most, and that is pricing management, revenue management and product mix decisions that have a direct impact on the company's ability to stay in business for the long-term.
David F. Carr. (2004, July). Gotcha! Ups and Downs of Satellite Networking; Very small aperture terminal satellite networking has long been a favorite of retailers seeking rapid geographic expansion, from Dollar General to drugstore chain Walgreens. Baseline, 1(32), 32.
Kim S. Nash. (2004, July). 8 Days to 'Go'; Dollar General opens two new stores every day. The…
David F. Carr. (2004, July). Gotcha! Ups and Downs of Satellite Networking; Very small aperture terminal satellite networking has long been a favorite of retailers seeking rapid geographic expansion, from Dollar General to drugstore chain Walgreens. Baseline, 1(32), 32.
Kim S. Nash. (2004, July). 8 Days to 'Go'; Dollar General opens two new stores every day. The secret isn't miracle grow. Instead, there's a well-honed choreography of human muscle and precision logistics that sets up each new outlet in little more than a week. We give you an inside look at what Dollar General doesn't want you to know. Baseline, 1(32), 32.
Denis and Michael enthall used the space for productions and actor training. From 1963 -- 76 it was the temporary home of the National Theatre of Great ritain (see Royal National Theatre). riefly closed due to funding cuts, it reopened in 1983. Again threatened by lack of funds, it was purchased and preserved by a charitable trust in 1998. In 2003 Sir Elton John became the theater's president, a restoration drive was organized, and the formation a new Old Vic company was announced. Directed by the American actor Kevin Spacey, the group is intended showcase new theatrical talent (Old Vic, 2003).
During the 1920s and '30s Lilian aylis put on all of Shakespeare's plays, opera, and ballet. She and her troop did it all on a shoe string: ginger beer crates made up the scenery, and the casts were so poorly paid that Lilian often made dinner for them…
Coloson, P. (2006). Georgian Portraits. Read Books.
Lilian Baylis. (n.d.). Retrieved April 8, 2009, from absolute astronomy: http://www.absoluteastronomy.com/topics/Lilian_Baylis
Old Vic. (2003, March 16). Retrieved April 8, 2009, from Everything2: http://everything2.com/title/Old%2520Vic
Thorndike, S. & . (1990). Lilian Baylis. Taylor & Francis.
2006). The article introduces an innovative research strategy; doctors are observing - in magnified format - key movement patterns in infants who may be showing early signs of as. To open the door to a "more accurate way of distinguishing autism from as," Teitelbaum explains, researchers are employing the "Eshkol-achman" movement notation (EMN), which was originally developed for dance and choreography. The EMN, in short, allows the most delicate deficits in infant movement to be detected.
Because the EMN system was designed to allow choreographers to write movement down on paper "that dancers could later reconstruct in its entirety," the EMN is proved to be "very detailed in analyzing a person's movement." Thus, the research team from the University of Florida asserted, when 16 videotapes from parents whose children had been diagnosed with as were analyzed using the EMN, this system of research was borne out as valid. The EMN…
AZ Psychiatry. (2005). Asperger's Syndrome: Epidemiology. Retrieved 7 Dec. 2008 at http://www.azpsychiatry.info/cap/asperger/epidemiology.htm .
Hutcheson, Julian; & Rausch, Jeffrey L. (2006). Janssen Asperger's Risperidone Study.
Medical College of Georgia. Clinical Trials NIH. Retrieved 7 Dec. 2008 from http://clinicaltrials.gov .
Kohn, Arlene; Zaphiriou, Marianna; & McDougle, Christopher J. (2005). A Study of Aripiprazole in Children and Adolescents with Asperger's and Pervasive Development
A significant aspect of court pageantry of the time was the performance known as masking, in which the courtiers themselves assumes other roles while wearing masks. The anonymity of the performance permitted them to engage in behavior that might otherwise be considered inappropriate. However, the custom of masking also gave concrete form to Castiglione's metaphor of the courtier as one who was continually playing a role. As Federico states in Book II of the Courtier,
But if a Courtier who is accustomed to handling affairs of importance should happen to be in private with his lord, he must become another person [lit., put on another mask], and lay aside grave matters for another time and place, and engage in conversation that will be amusing and pleasant to his lord, so as not to prevent him from gaining such relaxation.
In this situation, the courtier is not only, once again, assuming…
http://www.questia.com /PM.qst?a=o&d=97573375' target='_blank' REL='NOFOLLOW'>
ather than functioning solely as a sporting event, the '84 Summer Games delivered a broader scope of entertainment never before seen or attempted. The event encompassed entertainment not only in the form of sporting competition, but also in music and arts (Masterman, 2004). It is now understood that special events possess a powerful role in the society.
2012 Olympic closing ceremony will be a mega event as it will have a large effect on the entire economy of the UK. The event is going to get huge media coverage that is why it is important to adopt right marketing strategy for this event.
Issues of human resource management
Human resource management is vey important aspect of this grand event. The better evetn mangers and event management organizations understand the labor force and employs hired for the event the better resources can be allocated to effective recruitment and retaining strategies.
Hoy, W., & Miskel, C.1982. Educational administration: Theory, research, and practice. NEw York: Random House.
Masterman, G.2004. In Lashley C.(Ed), Strategic sports event management: An international approach. Great Britian: Elsevier Butterworth Heinemann.
McDonnell, I., Allen, J., & O'Toole, W.1999. Festivals and special event management. Singapore: John Wiley & Sons Australia
National Survey on Giving, Volunteering and Participating. 2004. Ottawa: Stastics Canada
Yes, the Oedipus complex aspect of Shakespeare it gives us and which in turn invites us to think about the issue of subjectivity, the myth and its relation to psychoanalytic theory. (Selfe, 1999, p292-322)
Hemlet and Postcolonial theory
Postcolonial theory was born as a result of the publication of the famous work of Edward Said, Orientalism (1978). This theory claim that some authors (Paul Gilroy, Achille Mbembe, Francoise Verges, etc.) and that seem so elegant in its formulation, in my opinion raises three fundamental problems: At a time when we are witnessing the emergence of new expressions of colonialism (colonialism, cultural, political and economic globalization, neo-colonialism nestled in the relationship between the hegemonic colonial past and their old colonies, colonialism in disguise that structure the relationship between international institutions and developing countries, institutions from the rest behest of the former colonial powers according to their interests), speak of post-colonial era…
Aragay, Mireia, and Gemma Lopez. 2005. "Inflecting Pride and Prejudice: Dialogism, Intertextuality, and Adaptation." Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, p201-19.
Aragay, Mireia, ed. 2005. Books in Motion: Adaptation, Intertextuality, Authorship. Amsterdam and New York: Rodopi, p88-96.
Baetens, Jan. 2007. "From Screen to Text: Novelization, the Hidden Continent." The Cambridge Companion to Literature on Screen. Ed. Deborah Cartmell and Imelda Whelehan. Cambridge: Cambridge UP, p226-38.
Balides, Constance. 2000. "Jurassic Post-Fordism: Tall Tales of Economics in the Theme Park." Screen 4 I .2: p139-60.
professional wrestling in America today. Specifically, it will include the question: does pro-wrestling cause violence in children? Pro-wrestling is a violent sport, and one of the most popular in America today. Many people in the public and the media question whether pro-wrestling, especially popular with children, causes violent behaviors in them. There are many documented cases of children's violence being caused or aided by actions they saw pro-wrestlers make on television, and it seems quite certain that children are certainly influenced by the violence they see during pro-wrestling matches.
Does Violence in Pro-wrestling Cause Violence in Children?
Professional wrestling is one of the most popular sports in America today, and it is clear by watching only one or two bouts that it is an extremely violent sport. One writer notes about the current massive popularity of pro-wrestling, "America's latest cultural obsession lies in the wrestling ring, where the likes of…
Billups, Andrea. "Analysts Grapple With the Popularity of Pro-wrestling." The Washington Times 22 Dec. 1999: 2.
Butters, Patrick. "Wrestlers Pinned by Image of Gore: Fatal Fall is Further Injury to the Sport." The Washington Times 2 June 1999: 8.
Jackman, Mary R. "Violence in Social Life." Annual Review of Sociology (2002): 387+.
Reuter, Ted. " Kids Grapple with Wrestling Violence." Dr. Politics.com. 30 March 2000. 26 Nov. 2003.
Historical Themes in Chhau dances
The themes behind the Chhau dances have very strong political ties. "Formerly there were 26 (twenty six) Feudatory states in Orissa Province, Sareikala a former 'A' class legendary princely State was one of them, now a District named Sareikala-Kharswan of Jharkhand state is situated to the north of Orissa on the bank of river Kharkai and surrounded by the big hills and rivers have given as much more protection to the former state barely 45 KM from the Iron and Steel city of Jamshedpur." (Chhaudance, 2004)
Singhbhumi, known as the land of the Lion was unconquered and therefore as close to a free state for many centuries. This is most likely the true origin for the principles of the classical style of tribal folk dances. "The Chhau Dance has been nurtured under an atmosphere of independence, undisturbed by outside influences. It represented a…
Chhaudance. (n.d.). History of Chhau Dance. Retrieved on November 30, 2004, at http://www.chhau.com/homehistory.htm
Kamat. (n.d.). Masked Chhau Folk Dancer from West Bengal. Retrieved on November 30, 2004, at http://www.kamat.com/kalranga/dances/4595.htm
Dancing appears glamorous, easy, delightful. But the path to the paradise of the achievement is no easier than any other. There is fatigue so great that the body cries, even in sleep. There are times of complete frustration; there are daily small deaths. (Graham).
Are there ever any outstanding artists who create a new style or have a completely different vision of expression who are not compulsive, driven and somewhat disturbed? Or, is it actually these personal characteristics that make them become geniuses? Some of the stories related about the great dance innovator Martha Graham's impatience, anger, and obsessive personality are disquieting. Yet she was one of the most important individuals in Western art. As noted in an article by Porterfield about Graham's contribution: "(she) was to dance what Picasso was to painting and Joyce was to literature. One of the most influential dancers, choreographers and teachers of…
Bannerman, Henrietta. Overview of the Development of Martha Graham's Movement System. Dance Research, 17(2),Winter 1999.
Campbell, Mary. "An American Original." Dance Magazine. March, 1999.
Cohen, Selma Jeanne (Ed). Dance as a Theater Art. Princeton, NJ: Dance Horizons, 1992.
Daily Worker. "Graham Interprets Democracy." 7 October 1938.
" (Vaziri T.) www.vfxhq.com/1998/armageddon_review.html"
On the other had there is also praise for the ways in which some of the special effects in the film are achieved. This applies to the sequence in which Shanghai is destroyed when the impact of the asteroid creates a sense of depth. This effect is created by a combination of matte paintings, miniature buildings and computer regenerated items. (Vaziri T.)
The critique of the films in terms of the special effects centers on the fast cutting style of ay's direction. The critics state that the lightning changes and fast shots, similar to musical videos, leave the audience wanting more. The director is continually cutting away to different scenes and sequences. This is a critique that is put forward time and again. There are also criticisms of the way in which the special effects are manipulated and directed. Again this refers to the pace and…
Curtis, Bryan. The Bad Boy of Summer: Michael Bay vs. his critics. 2005. Accessed October 23, 2005.
JAMES, CARYN. REVIEW; Take Action and Blood; Sprinkle With Laughs
1995. NY Times. Accessed October 24, 2005. http://query.nytimes.com/gst/fullpage.html?res=990CEEDF1F3AF934A35757C0A963958260
Miller Prairie. ARMAGEDDON: INTERVIEW WITH MICHAEL BAY. 1998. Star Interviews
Personal Learning Styles
After completing the VAK questionnaire, I have learned that out of the four types of learners, I have strong tendencies for three out of the four types. I am mostly a visual and read/write learner with equal scores in both areas. Furthermore, with a score very close to the first two categories, I am also a kinesthetic learner. Lastly, with the lowest score, I am an aural learner. Compared to how I perceive my own learning styles outside of this questionnaire, I mostly agree. I think I am mostly a visual and kinesthetic learner.
I do learn by reading and writing, as well as aurally, but not as much. They are not so much my preference for learning, but I cannot deny that those aspects assist my understanding. Some people are not the best at public speaking or giving instructions, and that is why I…
Advanology. (2012). The Visual-Spatial Learning Style. Web, Available from: http://www.learning-styles-online.com/style/visual-spatial/ . 2012 October 02.
LangVid Language Training. (2010). Studying Style: Tactile-Kinesthetic Learners. Web, Available from: http://www.studyingstyle.com/tactile-kinesthetic-learners.html . 2012 October 02.
The Study Gurus. (2012). Study Advice for Reading and Write Learners. Web, Available from: http://www.thestudygurus.com/read-write-study-tips/. 2012 October 02.
3). Review the other learning styles: visual, aural, read/write, kinesthetic, and multimodel (listed on the VARK Questionnaire Result page). 4). Compare your preferred learning strategies to the identified srategies for your learning style. 5). Appraise how this will change your way of stuying, if any. In a paper (750-1,000 words), summarise your analysis of this exercise. include the following: 1). Provide a summary of your learning style. 2). List your preferred learning srategies. 3). Compare your preferred learning strategies to the identified strategies for your preferred learning style. 4). Appraise any changes you need to make in your study habits.
The piano plays quick octaves and the urgent bass motive portrays an intense wild ride. This strong galloping is also being formulated by the piano's triplet rhythm which allows for the development of the dramatic storyline's urgency.
5. ) There are four different characters in this piece: the Narrator, the father, the son, and the Erlkonig. Although Schubert uses one singer to portray and sing all of the four parts of the characters, the listener is able to quite clearly differentiate them from one another. The son is sung in the high register in a minor key with dissonant harmonies. On the other hand, the father is sung in low register while the Erlkonig is sung in a coy with pleasant and soft melodies in the major key.
6. ) There are two ways that Schubert builds momentum in his piece. The first way is by using the bass as…
Kamien, R. (2010). Music: An appreciation, brief edition. (7th ed. ). New York: McGraw-Hill Humanities/Social Sciences/Languages.
local and neighbor venues is of interest to both my family and me. In particular cultural theaters are very interesting, particularly for the overall awareness they provide. Last month my family and I attended the Harold Washington Cultural Center in Bronzeville.he American Association of heaters estimates that there are approximately 600 million visits to local U.S. theaters annually. AAM spokesman Hall says that while that number is high, it's been relatively flat in the last few years, and theaters are thinking about ways to increase visitor ship. Some of these sprawling complexes have the look and feel of theme parks. Like children's museums, they tend to feature hands-on aspects such as 3-D imaging and interactive seating geared to kids and their families. he Harold Washington Cultural Center Washington DC is estimated to receive approximately 5.8 million visitors each year.
he performance facility itself is very nice and has plenty of…
The performance facility itself is very nice and has plenty of seating. The overall ambiance was truly a spectacle to behold. The halls were all full of kids of all ages with families and school field trips, which created a fun environment in which to learn. The displays were varied and had different amounts of interactivity, were well-lit and clearly deeply cleaned. What was very incredible about the overall experience was the price. The visit itself was very low cost which was very encouraging to all patrons in attendance. Seats are comfortable and accessible from all perspectives. Concession tables from independent vendors are also available. These tables are unique as they often serve cultural diverse food and assortments. This makes the overall viewing experience in the theater better due in part to its massive selection of food. The HWCC provides excellent plays, musicals and concerts which have all been positively reviewed by critics. Once inside my family and I completely forgot all about the ordeal and overall hassle at the box office.
One negative aspect that I experienced in the theater is the overall customer service. The Box office opens an hour before an event and extremely unorganized. Both my family and I paid cash and I didn't get a ticket or receipt. In addition, there was only one line for will call and ticket purchases. The line is outside and always long. This was particular troublesome as the weather was extremely humid, causing patrons to feel uncomfortable. A separate will call would have made the line go much quicker, especially since you only have one hour to get your tickets and find a seat.
Both my family and I had the opportunity to view one of my favorite movies "Imitation of Life" and was very pleased with the overall production. The vision of the director to bring this 1959 film to the stage (original movie was in 1934 and based from the book with the same title) was to say the least a very good adaptation. The musical score, the nine piece live band, set design, choreography, casting, costume design and well written play made for a good evening at the theater. I enjoyed all the actors, dancers and singers, but especially enjoy watching the actresses who played Bea Pullman and Delilah Johnson. It was a nice touch for the director to introduce the behind the scene staff afterwards. When you see a production like this you know it takes a full team to make it happen
The dance style known as breakdancing has other names including "b-boying" and "breaking." The latter are the preferred terms used by those who are purists and originators of the form with breakdancing becoming the more popular term as popularized by the media (Schloss). This originated as part of the emerging hip-hop culture of the late 1970s and early 1980s. It became quickly popular, first in urban communities and then spread. In the current historical moment, breakdancing can be found in all social, ethnic, and gender groups and has been developed from a style of popular dance into an art form. hat began as a street dance to impress peers has transcended the culture and become a part of the dance world, giving as much respect and dignity as ballet or waltz. Breakdancing mastery requires a great deal of control, coordination, and practice. Those who attempt it without understanding the…
Bloom, Julie. "Street Moves in the TV Room." The New York Times. 2008. Print.
Chang, Jeff. Total Chaos: the Art and Aesthetics of Hip-Hop. New York City, NY: Basic Civitas,
Cook, Dave. "Crazy Legs Speaks." 18. Dec. 2012. Web.
Developmentally Appropriate Curriculum
Locate a set of standards that relate to the arts or aesthetic learning. Read them through and select one or two that apply to a particular early childhood age group. Discuss how you could use these standards to plan an art activity for young children. You may use The National tandards for Arts Education website or choose any other state standards you would like.
The category that I selected is Dance, and the standard is Grade K-4 Dance tandard 3 which reads: Understanding dance as a way to create and communicate meaning. The Achievement tandard consists of the following objectives:
tudents observe and discuss how dance is different from other forms of human movement (such as sports, everyday gestures)
tudents take an active role in a class discussion about interpretations of and reactions to a dance
tudents present their own dances to peers and discuss their meanings…
Stuart Brown: Importance of Play. [video]. Retrieved http://www.goplayproject.org/2010/06/importance-of-play/
Stuart Brown: Why Play Is Vital -- No Matter Your Age. [video]. Retrieved http://www.youtube.com/watch?v=HHwXlcHcTHc
Zaretskii, V.K. (November -- December 2009). "The Zone of Proximal Development What Vygotsky Did Not Have Time to Write." Journal of Russian and East European Psychology 47-70 -- 93. doi:10.2753/RPO1061-0405470604.
Seeing, Looking, egarding
When Mulvey (1975) wrote about the psychological importance of the male gaze, most women would have recognized in her description of the dynamics of phallocentrism and the male observation of women their own experiences. Mulvey argued that men use their ability an authority to look at women as a means of maintaining their power in a patriarchal society, and this use of the gaze is something that women often encounter in their lives. Applying a psychoanalytic approach to film criticism, she compared the force and intent of men's physical penetration of women's bodies with the psychological penetration and control that men can assert over women by capturing them with their eyes, their gaze. The ways that men look at women in movies and television shows reflects this use of the gaze as essentially a weapon that can be used to intimidate women. The power of the…
Hellstern, M. (2010, May 26.) "20 Questions with Candace Bushnell." Original content. Retrieved 14 December 2010 from http://www.oprah.com/oprahsbookclub/20-Questions-with-Author-Candace-Bushnell/2.
Holland, E. (1999). Deleuze and Guattari: Anti-Oedipus. New York: Routledge.
Horney, K. (1967). Feminine psychology. W.W. Norton Company, New York.
Marshall, S. (1996). "Edith Wharton on Film and Television: A History and Filmography." Edith Wharton Review: 15 -- 25.
Certain eternal questions haunt every human being: are we just body, or body and soul? We are born alone and die alone -- but are we truly alone in this universe? Is there a God? How deep is love, how genuine, how real, and can it be everlasting? In the extraordinary, haunting poem, "Sex Without Love" by Sharon Olds, the mere choreography of sex raises the deepest questions about body, soul, God, love, and aloneness. Although some have interpreted this poem as an argument against casual sex, particularly the kind of casual sex that leads to mothers giving away their unwanted babies, the poem is actually a philosophical meditation on aloneness. It is a felt, and primal, philosophy -- the poet brings us right into the experience of the body with her words, and leaves us moved, uneasy, and feeling as unprotected as the "children at birth,/whose mothers…
Maya Deren: An Experimental Life
Maya Deren, born Eleanora Derenkowsky on April 29, 1917 in Kiev, Ukraine, has been referred to as "the high priestess of experimental cinema." (1) Even though she was a dancer, choreographer, poet, writer and photographer, she is still considered a pioneer not only in experimental filmmaking, but also a voice for the feminist film community.
In 1922, the Derenkowsky family fled the threat of anti-Semitism in the Ukraine, arriving in New York where they changed their name to "Deren." The family, though, was frequently unhappy and at odds. As an adolescent, Maya was sent to Geneva to attend The League of Nations International School while Maya's mother, Marie Deren, studied languages in Paris and her father, Solomon Deren, practiced psychiatry in New York City.
After attending school in Geneva, Deren studied journalism and political science and became active in student politics at Syracuse University. She…
4. P. Adams Sitney, Visionary Film: the American Avant-Garde 1943-1978, Oxford: Oxford University Press, 1979, p.10
5. Nichols, Maya Deren and the American Avant-Garde, Berkeley: University of California Press, 2001, p.5
6. Deren, p. 33
in "Piaf," Pam Gems provides a view into the life of the great French singer and arguably the greatest singer of her generation -- Edith Piaf. (Fildier and Primack, 1981), the slices that the playwright provides, more than adequately trace her life. Edith was born a waif on the streets of Paris (literally under a lamp-post). Abandoned by her parents -- a drunken street singer for a mother and a circus acrobat father -- Edith learns to fend for herself from the very beginning. As a natural consequence of her surroundings, she makes the acquaintance of several ne'er do wells. She rises above the lifestyles of the girls she grows up with who prostitute themselves for a living in the hope that they will eventually meet a benefactor with whom they can settle. Edith has a talent for singing and she indulges this interest by singing loudly in the streets.…
Beauvoir, Simone de, and Parshley, H.M. The Second Sex. New York: Alfred A. Knopf, 1993.pp. lv, 786
Eisenstein, Zillah R. The Radical Future of Liberal Feminism. The Northeastern Series in Feminist Theory. Northeastern University Press ed. Boston: Northeastern University Press, 1986.pp. xi, 260
Engels, Fredrick. "The Development of Utopian Socialism." Trans. Lafargue, Paul. Marx/Engels Selected Works. Revue Socialiste. Ed. Basgen, Brian. Vol. 3. New York: Progress Publishers, 1880. 95-151.
Origins of the Family, Private Property, and the State. 1894. Retrieved April 10, 2003 from. http://csf.colorado.edu/psn/marx/Archive/1884-Family/
Igor Stravinsky is one of the greatest composers in history. The purpose of this discussion is to provide basic biographical information and important musical contributions of the subject. In addition there will be a reaction to one of his musical works.
Igor Stravinsky was born in 1882 in Oranienbaum, ussia. Stravinsky's father was a bass player with the St. Petersburg Opera house and Stravinsky was exposed to music at an early age. In his autobiography Stravinsky writes that one of his first memories of music was women singing in his village. He recalls hearing them singing in unison as they walked home. Stravinsky also states that he would imitate their voices and was complimented on how accurate an ear he had for music. He writes of this experience,
To this day I clearly remember the tune, and the way they sang it, and how, when I used to…
Igor Stravinsky," Microsoft® Encarta® Online Encyclopedia 2003
http://encarta.msn.com© 1997-2003 Microsoft Corporation. All Rights Reserved.
Berceuse (Lullaby). Igor Stravinsky. The Rite of Spring/Firebird (1997). Naxos Music Label. http://www.questia.com /PM.qst?action=openPageViewer&docId=91062670
Haimo, E., & Johnson, P. (Eds.). (1987). Stravinsky Retrospectives. Lincoln, NE: University of Nebraska Press.
group "temptation" with respect to the following aspects:
The Temptations were the end result of the merging of two groups in 1960. Eddie Kendricks and Paul illiams formed a high school group in Birmingham, Alabama called the Cavaliers with Cal Osborne and iley aller. After graduation they moved to Cleveland where they met manager Milton Jenkins, who felt the group would do better based out of Detroit. They agreed and then changed their name to the Primes." http://www.history-of-rock.com/temptations.htm
The Temptation is the name of the most successful musical groups in the year 1960.The music of this group became famous amongst the masses because of its quality. The researches and historical evidences proves that the group was the end result of the merging of two groups in the year 1960.The Temptation was the most renowned and commercially famous male groups of…
As retrieved from The Temptations http://www.history-of-rock.com/temptations.htm
On May 3rd, 2004
As retrieved from The Temptations (Formed in 1960 in Detroit)
http://www.rhythmandtheblues.org.uk/artists/temps.shtml . On May 3rd, 2004
Vignola began his career as an architect in ologna and supported himself by painting and making perspective templates for inlay craftsmen, later traveling to Rome to work and study. His talent and skill was utilized by the papacy, including Pope Julius III and the papal family of the Farnese. He worked with Michelangelo and was deeply influenced by his style.
It is believed that Cardinal Gianfrancesco Gambara commissioned Vignola to design the Villa Lante in 1566. The first casino was completed immediately, but the second one was not finished until after 1587 when the Cardinal passed away. The two casini differ mainly in the style of frescoes. The first casino uses a riotous highlight of color used to highlight the architecture, while the second casino was done in a more classical style of fresco and plaster sculpture combination.
The gardens of the Villa Lante incorporate water features in "a visual…
Coffin, D.R. 2003. Pirro Ligorio: The Renaissance Artist, Architect, and Antiquarian. Pennsylvania: Penn State Press.
Lees, Frederick. 1997. The Chateau de Vaux-le-Vicomte. Architectural Record. pp. 413-433.
Pater, Peter. 1976. Renaissance Rome. California: University of California Press.
Rogers, Elizabeth Barlow. 2001. Landscape Design: A Cultural and Architectural History. New York: Harry Abrams, Inc.
CL's "Hello itches" and the Post-Feminist Representation of the ody
In the music video by CL entitled "Hello itches," CL has managed to escape the constriction of the typical K-pop girl group (sexy, innocent, seductive, chic) by asserting a more aggressive, masculine-mimicking (gagsta-rap-mimicking to be exact), hyper-sexual attitude of domineering vibes; yet, in doing so, she has fallen into another and separate trope -- not the trope of the cute/sexy K-pop artist but rather the trope of the strong, feminist, sexually assertive/aggressive pop artist (a trend represented in various modes by others such as Nicki Minaj, Iggy Azalea, eyonce, Lady Gaga). CL's performance in the video channels the swagger of chauvinistic hip-hop artists, who wave and strut and bounce in front of the camera while surrounded by their posse and/or cadre of scantily clad women. For CL, her posse is the cadre of women -- but here they are donned…
Gill, Rosalind. "Postfeminist media culture: Elements of a sensibility," European
Journal of Cultural Studies, vol. 10, no. 2 (2007): 147-166.
McLuhan, Marshall. Understanding Media, critical edition, edited by W.Terrence.
Gordon. Berkeley, California: Gingko Press, 2013.
Love Got to Do with It? (1993): Tina Turner
BEHS 453 (section)
The movie, 'What's Love Got to do with it?' is a biography of pop/&B singer Anna Mae Bullock (stage name- Tina Turner). It records the struggle she underwent to escape the clutches of her violent husband, Ike (played in the movie by Laurence Fishburne). The first few scenes of the movie portray young Tina's (played by Angela Bassett) initial singing career in Nutbush, Tennessee, before Ike Turner discovered her. By the time they met, Ike had already become a household name in the music industry, as a guitarist, record producer, and songwriter. Under Ike's guidance, Tina became a star; however, he soon got jealous of her fame and began abusing her; Tina had to struggle hard to escape his control (MASLIN, 1993; What's Love Got to Do With It , n.d).
The movie introduces a shy…
Brady B. (1995)- Review of What's Love Got To Do With It - JCJPC - Volume 3, Issue 3. (1995). Retrieved November 16, 2015, from http://www.albany.edu/scj/jcjpc/vol3is3/love.html
Coventry Domestic Violence and Abuse Partnership. (2011). Retrieved November 16, 2015, from http://www.safetotalk.org.uk/professionals/good-practice-guidelines-when-supporting-a-victim-of-domestic-violence-and-abuse/
Domestic Violence Assessment and Intervention provided by the Family Violence Prevention Fund. (n.d.). Retrieved November 18, 2015, from Jackson, N. A. (Ed.). (2007). Encyclopedia of domestic violence. Taylor & Francis.
MASLIN, J. (1993, June 9). Retrieved November 16, 2015, from http://www.nytimes.com/movie/review?res=9F0CE4D71539F93AA35755C0A965958260
art form, dance provides the means by which to fuse political and creative power. The body can communicate political ideology, subverting social norms in subtle ways. Dance frequently communicates issues related to race, class, gender, and power. Dance can also be used to either reflect or change values and norms.
For example, ballet was born in the Baroque court of Catherine de Medici, who recognized the potential for dance to symbolize the bringing about of order in a chaotic world ("Baroque Court: Catherine de Medici"). A similar function of dance can be found among the Bedoyo of Java, for whom dance undertook a cosmological as well as a political pertinence: creating or exhibiting order in a world that was otherwise chaotic or unpredictable. Dance reveals the potential for human beings to be disciplined and use their bodies to create order, as opposed to allowing themselves to slip into temptation. In…
"Asante Court: The Asante of Ghana," (n.d.).
"Baroque Court: Catherine de Medici," (n.d.).
"Bedoyo of Java," (n.d.).
"Louis XIV: The Sun King," (n.d.).
Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice" by Jilian Hernandez, the essay explores the concept of 'raunch aesthetics' in the video for the song, "Don't Let Go." Hernandez also explore the notions of community cultural capital, color blind/new racism, and postfeminism through the performance of the women in the video. Hernandez's interpretation of queer and feminist teachings via these four concepts and through the music video provides a unique look, into analysis of text and visuals to gather and form ideas and theory.
The first concept to analyze is 'raunch aesthetics'. A term see in feminist theory, 'raunch aesthetics' describes the women in hip hop and the various ways they express sexuality via staging, choreography, and performance of lyrics. Women in hip hop that participate in 'raunch aesthetics' are thought to attempt to own their sexual identities as well as their bodies by…
Grandmaster and Gong Er: Wong Kar Wai's Ip Man and the Women of Kung Fu
Wong Kar Wai's Grandmaster begins with a stylish kung fu action sequence set in the rain. Ip Man battles a dozen or so no-names before doing a one-on-one show with another combatant who appears to be at equal skill and strength. Ip Man handily defeats him and walks away unscathed. Thanks to fight choreography by Chinese director and martial arts choreographer Yuen Woo-ping (The Matrix, Kill Bill, Crouching Tiger, Hidden Dragon), the sequence would seem to set up a different sort of movie than what follows, which is a mostly soulful, introspective look at period in the life of Ip Man. Wong Kar Wai gravitates towards dramatic license in many places -- especially with the fictional character of Gong Er, who repeatedly enters and re-enters Ip Man's life in the film (even though no such…
One typically does not consider the floral designs required by Barnsdall to be a good match for the harsh lines and square angles used in house.
In order to accommodate the needs of the design and those of the owner, right used hollyhocks and floral designs to help soften the harsh lines created by the concrete. This allowed the work to flow, rather than to bring out the contrast created by these two opposing elements. Contrast is the key to right's work. However, this is difficult ground from a design perspective, as one must be careful not to make the building seem out of place in the natural landscape. Consider the following photo and the contrast between the concrete walls set against the rolling green hills in the background.
Photo Credit: Christy Rogers, 1998
This is an excellent example of how lines were used to contrast and draw attention to…
Friends of Hollyhock House. Hollyhock House (1921). http://www.hollyhockhouse.net/hhhistory.html . Accessed December 11, 2007.
Galinsky. Hollyhock House: Los Angeles. www.galinsky.com/buildings/hollyhock/index.htm. Accessed December 11.
Lockley, W. California Romanza. Hollyhock House, Hollywood, California. Historic Buildings Survey. 2004. http://www.waltlockley.com/hollyhock/hollyhock.htm. Accessed December 11, 2007
National Historic Landmarks Program. Barnsdall Complex, Aline. http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=853494857&ResourceType=Building. Accessed December 11, 2007.
omantic era began in the late eighteenth century as a reaction against the Age of Enlightenment and was a period of great change and emancipation. The movement started as an artistic and intellectual reaction against aristocratic social and political norms of the Enlightenment and against the scientific rationalization of nature. During the Enlightenment literature and art were primarily created for the elite, upper classes and educated, and the language incorporated in these works was highly poetic, completely different from that spoken by the masses. Artists of the omantic era accessed the ballads and folklore that was familiar to commoners, rather than from the literary works popular with the aristocracy. This shift in emphasis was most strongly manifested in the visual arts, music, and literature. This was the beginning of a period of artistic freedom, experimentation, and creativity. The movement stressed strong emotion, imagination, freedom from classical correctness in art forms,…
Constable, J. (1821). The hay wain. [Painting] The national gallery. Retrieved January 6, 2012, from http://www.nationalgallery.org.uk/paintings/john-constable-the-hay-wain
Kartha, Deepa. (2010). Romanticism: Chariteristics of romanticism. Buzzle.com. Retrieved January 6, 2012, from http://www.buzzle.com/articles/romanticism-characteristics-of-romanticism.html
Nourrit, A. (1832). La Sylphide. Ballet encyclopedia. Retrieved January 6, 2012, from http://www.the-ballet.com/sylphide.php
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Othello by William Shakespeare and the film version of the play directed by Oliver Parker. Specifically it will analyze play from a dramatic and design point-of-view. The film, released in 1995, stars Laurence Fishburne, Irene Jacob, and Oliver Parker. This film is an excellent rendition of Shakespeare's classic play, made even more appealing by the exceptional acting by Laurence Fishburne, who brings a sensual side to the role that is quite effective.
There have been many performances of Shakespeare's play "Othello" on the stage and in film. One of the best is the 1995 version that starred Laurence Fishburne as Othello. His performance made this dramatic play even more memorable and understandable, and truly brought the character of Othello to life. He gave Othello a sensual quality that helped explain Desdemona's attraction to him, and added another dimension to the character. The film also highlighted the racial tension at the…
Othello. Dir. Oliver Parker. Perf. Laurence Fishburne, Irene Jacob, and Kenneth Branagh. Columbia Tri-Star, 1995.
The intersections between gender, sexuality, identity, and lifestyle converged at an expected moment. I was as prepared as anyone else. Andrew is my brother, and I know him well. It was his friend Darren's 21st birthday. Darren is adorable: he's six feet tall, with plump lips naturally blushed the color of Fuji apples. His skin is milky white, and his eyes are shimmering sateen blue. I haven't got a crush on Darren; I would, but Darren is gay. He's been out of the closet since he was fifteen years old. My brother has known Darren since the two played together in our little apartment complex playground. Almost two decades later, the two friends are doing shots together in a gay nightclub. My brother is straight. Really, he is. But on Darren's birthday, something happened to place my brother Andrew temporarily in an interstitial realm. My brother, not being the…
Jerome Robbins: Something to Dance About
Judy Kinberg's 2009 motion picture Jerome Robbins: Something to Dance About provides a view into the life of a person who played a significant role in the twentieth century's art movement. Jerome Robbins used his mastery to make Broadway musicals much more intriguing and choreographed some of the world's greatest ballet dancers. The film uses a great deal of resources with the purpose of providing viewers with a complex understanding of the artist's life. Things like personal journals, confessions from witnesses that interacted with Robbins (some of them were close to him), and videos showing his performances all come together in painting a picture of the artist.
It would be safe to say that Robbins changed the way that many people perceived dance and music. His involvement in the industry provided these people with a completely new point-of-view on the domain and made it…