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Comedy
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What is Comedy?

Comedy is one of the oldest and most studied genres in literary and cultural history, examined across English literature, film studies, drama, and media courses. It encompasses a wide range of forms—from theatrical plays and narrative fiction to film and television—making it relevant in courses on genre theory, dramatic literature, and criticism. What makes comedy academically rich is its relationship to serious human concerns: love, death, character, and social tension are all refracted through humor, allowing writers and filmmakers to approach difficult subjects with distance and irony. Works like Shakespeare's Henry IV Part 1 and films such as Roberto Benigni's Life is Beautiful demonstrate how comedy operates as both entertainment and critique.

Student essays on this topic take several distinct approaches. Many papers engage in comparison and contrast, weighing comedy against tragedy to examine how the two genres define each other through character, plot structure, and audience response. Others perform close analysis of specific works—studying motifs, narrative elements, and dramatic technique in plays and films. Some papers adopt a cultural criticism angle, such as exploring whether comedy functions as a last frontier of sexism and examining its relationship to feminism. Film theory and criticism provide another framework, with essays analyzing how directors use humor to shape audience perception and emotional experience.

A strong essay on comedy establishes a focused thesis about how humor functions in a specific text or context rather than simply describing comic moments. Evidence drawn from character behavior, dramatic structure, and audience effect carries the most analytical weight. The most common pitfall is treating comedy as inherently lighthearted, when the strongest arguments engage with the tension between humor and darker themes like death, power, or gender.

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Paper Doctorate
Onion News Network vs. WikiLeaks as Alternative Media
This paper discusses the Onion News Network and WikiLeaks in terms of their role as news providers. They are compared with each other and with conventional TV news.
Paper Doctorate
Honor and Respect in Homer's Iliad and Aristophanes' Lysistrata
Honor and Respect: the Ends of Iliad and Lysistrata
Essay Doctorate
T.S. Eliot and Amy Lowell: Love and Religion in Modernist Poetry
This paper analyzes two American poems from the early part of the twentieth century: Amy Lowell's "Madonna of the Evening Flowers" and T.S. Eliot's "Love Song of J. Alfred Prufrock." The emphasis is on the different handling of the traditional genre of love poetry. Lowell is understood as using religious imagery to approach the love poem and "make it new" (in Ezra Pound's words). Eliot by contrast uses effects of comedy and satire to create a collage-effect to renovate the idea of a love-poem. Conclusion describes Lowell's use of religious imagery as being the only available means whereby to approach writing a lesbian love-poem at the time of the First World War--to that extent, Lowell's poem is described as being more "shocking" and modern (despite its comparatively placid exterior) than Eliot's poem.
Essay Doctorate
Dante and Beatrice: Love, Muse, and Divine Guide
This paper examines the relationship of Dante and Beatrice in The Vita Nuova and The Divine Comedy, and shows how Beatrice's role in Dante's life is like that of a muse, drawing the poet ever higher till he has a vision of God Himself. Dante thus is transformed from romantic lover to spiritual lover thanks to the help of Beatrice.
Research Paper Doctorate
Drama's Shift from Court to Common Stage: 17th–18th Century Europe
¶ … caviar of the court to the cries of the courtyard -- the popularization of drama from the 17th to the 18th century in Europe
Research Paper Doctorate
Shakespeare's Political Criticism in Hamlet: Rule of One
Shakespeare as Political Critic: Hamlet and the Rule of One"
Research Paper Doctorate
Supernatural in Renaissance Drama: Marlowe and Shakespeare
There are things in heaven and earth, not dreamt of in the philosophy of Horatio, not simply in "Hamlet" but also in the "Midsummer's Night Dream" of Shakespeare, and the "Dr. Faustus" of Christopher Marlowe.
Paper Undergraduate
National Cinema: Identity, Genre, and Hollywood's Global Reach
The document contains a discussion of the concept "national cinema" and a review of what this means in the international context. The fact of globalization today, along with the dominance of Hollywood within the film industry significantly complicates the ideal of national cinema for specific nation states, especially where these are small in size and economy.
Research Paper Doctorate
Classic Literature Through Pop Culture: A New Approach
When one watches "Rambo: First Blood Part II" are we actually watching a contemporary version of the Iliad about the ferocity of Achilles on and off the battleground? When we watch Francis Ford Coppola's "Godfather"…
Research Paper Doctorate
Alfred Hitchcock's Classic Films: Techniques and Stories
Production: Gaumont-British; Producer: Michael Balcon; Screenplay and Adaptation: Charles Bennett and Alma Reville from the novel by John Buchan; Principal Actors: Madeleine Carroll, Robert Donat, Lucie Mannheim and…