Use our essay title generator to get ideas and recommendations instantly
Comic Book Fun Home
"Fun Home" by Alison Bechdel
American writer Alison Bechdel has been known as one of the most famous writers. She is the author of world famous comic Fun Home, written in 2006. Fun Home is often referred to as Family Tragicomic. The presence of phase transitions and queerness in the comic has made it very famous among the comic with readers.
The comic has highlighted childhood and youth of the author in Pennsylvania, USA. The comic highlights the ups and downs in the life of the author surrounding around complexities in the relationship of the author with her father. Some of the main themes that have been mentioned in the book include sexual orientation, the roles of different genders, suicide, dysfunctional family and most importantly the roles that are played by the literature in understanding one's own self, life and family. More than seven years were…
Bechdel, Alison. Fun Home: A Family Tragicomic, Mariner books, Edition 001 Series. Houghton Mifflin Harcourt, 2007.
Comic books have graduated from pulp entertainment to literature and even historiography. Their role in literacy development as both medium and message has become uncontested, with both traditional superhero comic books unique graphic novels being included in school libraries (Griffith 181). Whereas comic books were once derided when compared with non-illustrated texts, now educators, librarians, and sociologists recognize the value and importance of comic books as a pedagogical tool. Schwarz notes that graphic novels can "introduce students to literature they might never otherwise encounter," stimulate interest in reading in general while also providing substantive content for literary analysis (" Graphic Novels for Multiple Literacies," 282). In " 'He's Gotta Be Strong, and He's Gotta Be Fast, and He's Gotta Be Larger than Life,': Investigating the Engendered Superhero Body," Taylor uses a gender studies perspective to demonstrate the value and importance of superhero comics in understanding processes related to the social…
From his high school beginnings to his entry into college life, Spider Man remained the superhero most relevant to the world of young people (Wright 234). His comic books, in fact, included some of the first mentions of the demonstrations -- the 1968 demonstrations at Columbia University. Peter Parker is in the middle of a demonstration at Empire State University, where the administration had decided to convert an empty building into a hotel for visiting alumni instead of a low-rent dormitory for minority students. He had to somehow find a middle ground between his concern for the students and the combat lawlessness as Spider Man. "As a law-upholding liberal, he finds himself caught between militant leftists and angry conservatives (234-235). He refused to join the demonstrations and wanted to listen to the university's side of the issue before taking a personal stand one way or another. The comic ended with…
Costello, Matthew. Secret Identity Crisis: Comic Books and the Unmasking of Cold War America. New York: The Continuum International Publishing Group, Inc., 2009
Horn, Maurice. The World Encyclopedia of Comics. New York: Chelsea House, 1976.
Reynolds, Richard. Super Heroes. Jackson: University Press of Mississippi, 1992.
Rovin, Jeff. Encyclopedia of Superheroes. New York: Facts on File Publications, 1985.
Evolution and Impact of Comic Book Art
From the early days of yellow dog comics featuring "The Yellow Kid" at the fin de siecle, to Will Eisner's innovative use of angles and white space in "The Spirit," to the genius Carl Barks and his Uncle Scrooge, Donald Duck and Gyro Gearloose characters, to Frank Frazetta's masterpiece covers of "Creepy" and "Eerie," to more modern colorful depictions of big-breasted women replete in futuristic armor, comic book art has been the source of interest for sociologists and the art community alike. To determine the evolution of comic book art and its impact on society, this paper provides a review of the relevant peer-reviewed and scholarly literature, followed by a summary of the research and important findings concerning these issues in the conclusion.
eview and Discussion
According to Mellegaard (2012), in recent years, "Comics have been used as propaganda to promote messages from…
Baskind, S. (2011,Winter). Masters of the comic book universe revealed!/From Krakow to Krypton: Jews and comic books. Shofar, 29(2), 165-169.
Behlman, L. (2004, Spring). The escapist: Fantasy, folklore, and the pleasures of the comic book in recent Jewish-American Holocaust fiction. Shofar, 22(3), 56.
Miller, A. (2011, January 1). Comic art and commitment: An interview with Morvandiau.
European Comic Art, 4(1), 105-107.
Hajdu, the Ten-Cent Plague
"Since I have written about comic books, I have heard from quite a number of young adults who told me that their childhood emotional masturbation problem was started or aggravated by comic books."[footnoteRef:0] This is an actual quotation from Dr. Fredric Wertham's notorious mid-1950s attack on the comic book industry, Seduction of the Innocent, and it demonstrates the extent to which Wertham ignited a "moral panic" about comic books, and ultimately caused an entire industry to cave to public pressure and change the content and artwork of comics for more than a generation. Does anyone nowadays -- sixty years after Wertham got Congress to take an interest in the censorship of comic books -- still believe that masturbation is a serious moral plague? Does anyone believe that comic books seduce and corrupt the innocent? In an era where any child who can spell can have access…
David Hajdu, The Ten-Cent Plague. New York: Farrar Straus, 2008.
Louis Menand, "The Horror: Congress Investigates The Comics." The New Yorker, March 31, 2008.
Fredric Wertham, MD. Seduction of the Innocent. Introduction by James E. Rebman.
Laurel, NY: Main Road Books Reprints, 2004.
Track B: Comic Book - Mini Comic Book Final Assignment
List out 1 to 3 central "theme" ideas here, again remember this is a draft version so rough ideas are fine.
Considering the overwhelming popularity of AMC's The Walking Dead television series, which uses writer Robert Kirkman's and artist Tony Moore's eponymous comic book as its primary source material, I would like to create a parody version to highlight the racial discrepancies in character development found within both the show and the comics. The basic theme of my comic book would be the racial sanitization of mass media marketed primarily to White audiences, and how artists, writers and other creative contributors can subtly alter their work to cast minority characters as insignificant, underdeveloped, or supplementary to the overall narrative.
While The Walking Dead TV series and comic books have enjoyed immense success, both with the subgenre of comic…
As Kent he can never save lives. Superman maintains a total separation between his two selves and this allows Superman to avoid any incongruity between his two identities. Kent remains the newspaper nerd, never hinting at what he is physically capable of. His ability to keep his double hidden from the world becomes evident when he is still in school and manages to resist capitalizing on his strength to become the school's starring quarterback or on his hyper-masculinity to get girlfriends. Kent keeps his double hidden from the world just as Superman keeps his mundane identity secret. Superman never sullies his image by wearing a monkey suit and does not appear weak even in the face of doom or disaster.
The only time Superman compromises the integrity of his double identity is by getting close to Lois Lane. In fact, she begins to suspect that Clark Kent might indeed be…
This accounts for the durable popularity of the superhero -- Superman can fight Nazis during orld ar II and terrorists today. A comic hero can remain the same, yet always seem relevant to the reader's daily life, just like the daily work of a newspaper political cartoonist. The reason that this type of popularity is spurned is because of the fears of mass production of written material. McCloud agrees with Kunzle that mass production is critical to the genre. McCloud calls comics "juxtaposed pictorial and other images in deliberate sequences, intended to convey information and/or to produce an aesthetic response in the viewer" (McCloud 9). This response it elicits from all readers on a visceral level, however, should not be undervalued. Part of the reason for McCloud's trumpeting of the medium, however, may be his broader-reaching focus, while Kunzle tends to focus on more narrow historical or political works designed…
Kunzle, David. History of the Comic Strip. Volume 1: The Early Comic Strip. Berkeley:
University of California Press, 1973.
McCloud, Scott. Understanding Comics. Princeton, WI: Kitchen Sink Press, 1993.
graphic novel Watchmen by Alan Moore. It is basically about what inspired Watchmen's themes, story, and characters. As well as what Watchmen has influenced and how it has been influenced by other comics and heroes like Batman and uperman among others. Watchman and its influences
Watchman, authored by Alan Moore, artist Dave Gibbons, and colourist John Higgins was created in 1986 / 1987 in response to contemporary anxieties and as means of critiquing the superhero concept.
Watchman recreates history where superheroes emerged in the 1940s and 1950s who helped the U..A. win the war against Vietnam and later is involved in preventing nuclear war with the U...R. Most former superheroes have retired or are working for the government, so contumely freelance vigilantes are arbitrarily and voluntarily doing the job of protecting the country. The protagonists actively fight and strategically plot to help retired superheroes survive and they work to stave…
Amaya, Erik. (September 30, 2008) Len Wein: Watching the Watchmen. Comic Book Resources..
Cooke, J.B. (August 2000) Alan Moore discusses the Charlton-Watchmen Connection. Comic Book Artist.
Contino, Jennifer M. (December 28, 2008. ) Who Watches Rich Johnston's Watchmensch. Comicon.com.
Kavanagh, B. (October 17, 2000.) The Alan Moore Interview: Watchmen characters. Blather.net.
The SAS Institute provides "subsidized Montessori child care, free snacks, and unlimited sick time for staff." The result of that impressed Elsen; "An industry-high employee retention rate."
And Elsen couldn't help but be moved by the innovative way in which Southwest Airlines treats employees. The employees at Southwest Airlines are "taught" how the profit-sharing aspect of business works because management stuffs "comic-book style financial statements into Cracker Jack boxes." By seeing the financial realities of day-to-day business dynamics, Southwest Airlines workers know how to "...unleash their creativity to shrink costs and beef up the bottom line," Elsen explains.
She even promotes the book for libraries by suggesting "innovative management is always a winning theme" when it comes to "public and academic library business collections."
Still another review of the book - by Leigh Rivenbark in HR Magazine - explains that what the Freibergs have offered readers is a strategy that…
Elsen, Carol J. (2003). Guts! Companies That Blow the Doors Off Business-as-Usual. Library Journal, 128(20), p. 134.
Freiberg, Kevin, & Freiberg, Jackie. (2004). Guts! Companies That Blow the Doors Off Business-as-Usual. New York: Doubleday.
Hendricks, Mark. (2004). Don't be a hero? Not if this book has anything to say about it.
Entrepreneur, 32(3), p. 29.
Ariel Schrag is a cartoonist, television writer, and novelist. Schrag is perhaps best known through her television work, on the groundbreaking lesbian-themed Showtime series "The L Word" (for which she wrote over two seasons in 2006-7) and the HBO series "How to Make It In America" in 2011. Schrag first came to prominence, however, in the cartooning scene, with her series of autobiographical graphic novels in the late 1990s about being a lesbian in high school in Berkeley, California -- where she indeed grew up, attended high school, and started publishing these cartoon chronicles of her teenage lesbian adventures. Shrag graduated from high school in Berkeley in 1998 and attended Columbia University: she has lived in New York City since that time, although she has now moved from Morningside Heights to a more Bohemian spot in Brooklyn. And it was in Brooklyn that Schrag read from her newly-published novel, Adam…
Indeed, by immediately demonstrating the intent to create a comic strip-based explanation of the field of comic through corresponding exposition and illustration, the author both contends and shows that comics can have purpose, intelligence and even depth.
This chapter is driven by the topic of providing definition for the term comic. The author succeeds well at breaching this subject, using the simplicity of language and the emotional appeal of his cartoon characters to introduce the uninitiated to the selected subject matter. McCloud describes comics according to the words of "Master comics artist ill Eisner," who "uses the term sequential art when describing comics. Taken individually, the pictures below [as shown in the comic] are merely that -- pictures." (McCloud, 5) the author goes on to contend that when sequenced, even with only two images instead of one, the 'art of comics emerges.' The core impetus for this definitional discussion is…
McCloud, S. (1993). Understanding Comics. Tundra Publishing.
ouglas Adam's comic work of science fiction, The Hitchhiker's Guide to the Galaxy, satirizes both society and science. As the story opens, protagonist Arthur ent is railing against the local government for its decision to raze his home, which is in the way of highway construction. ent argues that he was never made aware of the decision, though officials assure him the plans had been on display for a sufficient amount of time, albeit "on the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying 'Beware of the Leopard'"(Adams 2010, p. 9). Similarly, planet Earth is in the way of hyperspace bypass construction project, for which plans were also available for review. Bureaucratic red tape ensured the plans were never seen and ent flees the planet with his alien friend Ford Prefect before it explodes. They hitchhike their way…
Dent and Prefect travel through space by hitchhiking, picked up by spacecraft within the improbable nanosecond during which contact could possibly occur. They travel from planet to planet in a "nothingth of a second," making their travel faster than the speed of light, given the distances over which they traverse. Although this mode of travel has been theoretical supported by the theory of special relativity, it has obviously never been done except within the pages of books such as Adams's. In reality, it seems as improbable as Adams' physics of improbability.
Some of the science in Hitchhiker is accurate, or nearly so. Dent's alien friend is from a small planet "six hundred light-years away in the near vicinity of Betelgeuse" (Adams, p. 22); Betelgeuse is, in fact, 640 light-years from Earth. On page 26, the Vogons admonish Earthlings for failure to involve themselves in the "local" affairs of Alpha Centuri, "only" four light years away; Alpha Centuri is 4.4 light years away (Dickinson 1999, Tyson, Liu and Irion 2000). On page 60, Adams refers to "a nice hot cup of tea" as an example of a strong Brownian Motion producer. Brownian motion refers to the random movement of particles suspended in a fluid. Tea could, in fact, serve as an example.
Some of the science is deliberately ridiculous, such as the computer called the "Bambleweeny 57 Sub-Meson Brain" (Adams, p. 60). Adams also blends science and satire. On page 33, he lets the alien Vogons debunk the theory of evolution by having them ignore nature and have elective surgery to "rectify the gross anatomical inconveniences" that made
Vast lands were open, and adventure seemed rampant. In fact, so compelling was the idea of the American West that Theodore Roosevelt noted, "More and more as the years go by this Republic will find its guidance in the thought and action of the West, because the conditions of development in the West have steadily tended to accentuate the peculiarly American characteristics of its people" (Roosevelt). The frontier was still available through the Dime Novel; adventures with the American Indian, gold mining, vast herds of buffalo, and even the railroad were popular; must like space adventures today. This was the great unknown, and, through a series of essays, historian Frederick Jackson Turner noted that while most of the West was at least mapped, the future of the United States would be decided in the West -- thus, once the frontier became an historical relic, it was fair game to be…
Book II: "The Queen of Air and Darkness,"
Morgause raises four boys. She is not a good mother, and she does not give her boys a sense of right and wrong. She often ignores them for days at a time and beats them when they displease her. She acts as if they were pets rather than human beings, to be loved or not at her convenience. But despite this common maltreatment, the boys turn out very differently. Gawaine is the oldest of the boys and in many ways the most normal. He becomes a knight in Arthur's court, fighting for him loyally. The way in which he is affected by his upbringing is his rages. When provoked Gawaine goes into a berserk rage in which he does things he would normally never do. The next child, Agravaine, is probably the least well-adjusted of the four. He…
It is difficult to write a children's book because there are so many different things to think about before it can be accomplished. The style has to be interesting enough to keep the interest of the audience, no matter whether that is adults or children, but if a book does not flow correctly a child will sense it and be bored. Also, there is the matter of what age level the book is for. The selected subject matter has to be appropriate for the age of the targeted audience and it has to be presented in such a way that it does not lose the young reader. A young child will also want interesting illustrations that can hold interest.
The best advice may be to research others who have been successful with a certain age group nor genre and see what they did. Pat Mora, a…
Barancik, Steve. "Harness the power of storytelling to improve behavior." Best Children's Books. (2011). Web.
Mora, Pat. "20 Tips for Writing children's Books." Bookjoy. (2011). Web.
In his novel Hard Times, Charles Dickens is not shy in confronting what he sees as the paramount social evils of his day, particularly when those evils come in the form of ostensibly beneficent social movements themselves. In particular, Dickens satirizes Jeremy Bentham's Utilitarianism through the characterization of Thomas Gradgrind and Josiah Bounderby as men of cold reason and hard facts, and uses the fates of the various characters to demonstrate the destructive potential of Utilitarian ethics when applied without a comprehensive, objective standard for determining good and bad. The city of Coketown represents the physical embodiment of the cruel, alien world produced by the enactment of Utilitarian policy, and contrasts with its creators expressed dedication to facts and reason. By considering the characterization of Gradgrind and Bounderby, the setting of Coketown, and the narrator's particular use of language throughout the novel alongside the philosophy of Utilitarianism as…
Bentham, Jeremy. The principles of morals and legislation. Oxford: University of Oxford Press,
Dickens, Charles. Hard Times. London: Bradbury & Evans, 1854.
To operationalize the Rubik's cube as a unit of analysis for an idea let's break down the various components of the cube. The original cube has nine tiles per face, six faces (like a die), and six colors per side. There are exactly 43,252,003,274,489,856,000 permutations that the cube can take. To create the metaphor of the Rubik's cube as the root of an idea, we can imagine each permutation having its own total absolute meaning.
Each color could have a symbolic meaning assigned to it, thus any combination of colors would create a new meaning. If you remove the restriction of fixed colors, but leave each tile as its own 'container' of which meaning could be assigned by differing colors representing ideas, you would be left with a container (the Rubik's cube) containing faces (more containers) containing tiles (more containers) that aggregately come up with a meaning for an idea.…
theater and particularly its musical performances, have changed dramatically over the years. Their tone and style have reflected historical and cultural changes as well as shifts in attitudes toward musical theater. Recent productions like Book of Mormon and Hamilton would have been inconceivable just a generation ago. Broadway musicals are unique in that they straddle the line between popular and high culture. They have popular culture appeal, packed within the fine art of theater. In some ways, musical theater is a popular culture version of the opera. Broadway theater has matured and expanded its repertoire considerably, moving from the relatively limited domain of Steven Sondheim and Andrew Lloyd eber productions towards a more diverse and creative one. As Lewis points out, "How sadly limiting that was; it surely took some kind of toll on alternative voices trying to break free of cliche expectations," (2). Broadway has broken free, finally, and…
Lewis, David H. Broadway Musicals. Mcfarland, 2002.
Perpetua, Matthew. "The Book of Mormon,' Triumphs at the Tony Awards." Rolling Stone. Retrieved online: http://www.rollingstone.com/culture/news/the-book-of-mormon-triumphs-at-the-tony-awards-20110613
Schutte, Harm K. and Donald G. Miller. "Belting and Pop, Nonclassical Approaches to the Female middle voice: Some preliminary considerations." Journal of Voice, Vol 7, No. 2, 1993, pp. 142-150.
Stone, Matt and Parker, Trey. Book of Mormon.
Because of the differences in their social status to Robert/Travis', they cannot conceive of Harriet/Tai's attraction to and ultimate love for him, the one due to his wealth and the other due to his habits. This change is necessary for the sympathies of the audience to remain intact. Had Cher objected to Travis simply on the grounds of his financial standing, the audience would not have any sympathy for her. But because he is a stoner and somewhat stupid, her desire to find Tai someone better makes some sense. In Austen's time, class and money were everything; people could be cut off for marrying beneath them, so such a seemingly shallow stance on Emma's part would have been not only understood, but expected.
Character is by no means the only -- or even the most important -- adjustment that Heckerling made in adapting Emma into the movie Clueless. The entire…
Austen, Jane. Emma. New Milford: Toby Press, 2003.
Green, Lindsay. Emma, by Jane Austen, and Clueless, Directed by Amy Heckerling. Sydney: Pascal Press, 2001.
Guney, Ajda and Yavuz, Mehmet Ertug. "The Nineteenth Century Literature and Feminist Motives in Jane Austen's Novels." New World Sciences Academy, Vol 3, Iss. 3 (2008). 523-31. Accessed via Ebsco Host 9 November 2008. http://web.ebscohost.com/ehost/detail?vid=11&hid=6&sid=49eaeb54-778c-4498-ba7a-4cd389bb44d2%40sessionmgr104&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&an=33019184
Macdonald, Gina and Macdonald, Andrew. Jane Austen on Screen. Boston: Cambridge University Press, 2003.
Griffith trusted the intelligence of his audience. For instance, he showed that splicing two different sequences such as a house on fire and the approaching fire engine together over the course of a film would not confuse an audience. He took his work seriously, and conducted research to film "Birth of a Nation." Henderson states that Griffith was "almost obsessed" with research. But Griffith focused only on research that confirmed his racist ideas. (p.150) This is why Griffith remains controversial even to this day, because of the racist images in his great cinematic work about the Civil War. His screenplay for "Birth of a Nation" was based upon a novel called The Klansman by an unrepentant pro-Confederate Southerner. Black leaders protested the film even in its day and the film remains widely credited for causing resurgence in the popularity of the Klu Klux Klan, a Southern Reconstruction-era instrument of hatred.…
Uncle Daniel and Lester Ballard
Proper characterization is one of the greatest skills that a writer possesses because often times poor development of characters or their inapt portrayal can completely destroy even the most perfect of stories. It has been noticed that while most writers pay close attention to evolution of their characters, they do tend to go overboard with negative or positive characterization on some occasions. Despite their good intentions, they get carried away with a desire to create unusual characters that cannot be related to easily. A writer's ability to develop realistic characters tend to add to the overall impact and popularity of their works and similarly a poorly developed or unrealistic character can destroy an otherwise good plot. However in some rare cases, even a seemingly unreal character manages to leave a lasting impact because of the sheer creative genius of the authors. This is exactly what…
Girard, Rene. Violence and the Sacred, Baltimore: Johns Hopkins University Press, 1977.
Lang, John. "Lester Ballard: McCarthy's Challenge to the Reader's Compassion," Sacred Violence El Paso: Texas Western Press, 1995
McCarthy, Cormac. Child of God, New York: Vintage Books, 1993.
Eudora Welty, The Ponder Heart, Harvest Books: 1954
American frontier in a comparative analysis using two books (Luis Alberto Urrea, In Search of Snow, 1994; Sam Shepard, True est, 1981) and a film, No Country for Old Men, Directed by Ethan and Joel Coen, 2007. These books will be presented in a comparative analysis with the film. The analyses used in this paper will focus on values, setting, conflicts and the way of life presented in each.
How factual are entertainment portrayals of the American frontier?
How much of what has been written about the American frontier is myth, and how much is factual? According to history professor Richard . Slatta scholars have "debunked three of the est's central myths," including rugged individualism, frontier violence, and American exceptionalism (Slatta, 2010). riters and film-makers have gone about creating a western frontier "the way they want it rather than the way it was" (Slatta, 84).
No Country for Old Men…
Slatta, Richard W. "Making and unmaking myths of the American frontier." European
Journal of American Culture. 29.2. 2010.
Faced with a social system that has no place for him, Tom does not rebel or repress himself, but merely creates a place for himself by dissolving into the background, becoming part of the hidden (and criminal) world that is a de facto product of any inequitable social system.
As mentioned above, Highsmith wrote for a number of comic books in the 1940s, and almost all of them were concerned with white male superheroes who had been given extraordinary powers or technology. There is a subtle joke about this fact early on, when Tom notes that his most recent victim "was a comic-book artist. He probably didn't know whether he was coming or going" (Highsmith 14). Thus, almost from the beginning Highsmith has made a connection between Tom and the world of comic books, a connection that helps explain Tom's eventual narrative journey.
hen looking at Tom's story in broad…
Haggerty, George. Queer Gothic. Champaign, IL: University of Illinois Press, 2006. Print.
Highsmith, Patricia. The Talented Mr. Ripley. New York: Vintage Books, 1992. Print.
Tuss, Alex. "Masculine Identity and Success: A Critical Analysis of Patricia Highsmith's the Talented Mr. Ripley and Chuck Palahniuk's Fight Club." Journal of Men's Studies 12.2
Global Comic Company (GCC) is a comic bookstore that publishes paperbacks and electronic comic resources. This bookstore is known throughout the world for their innovate use of technology for comic distribution. The company has just launched its newest use of technology, cell phone application. The cell phone users can download the GCC application, where they can get their comics directly to their phone. This feature is new in the comic sector and GCC is leading the way. This is a very exciting breakthrough for the organization. Customers can use their cell phone application to download cartoon clips, and electronic comic books to their cell phone. In this paper I will discuss a marketing strategy and public relation strategy that will help launch this new technology.
The first step in marketing this new product will be to understand the target population. Every company that sells a product has a target population,…
McDaniel, C. (2004). Market Research. United States: John Wiley & Sons.
Taylor et. al. (2010). Focus and diversity in information systems research: meeting the dual demands of a healthy applied discipline. MIS Quarterly. 34 (4) 647-668.
leader admire. Your selected leader a real-Life individual a fictional character television,
The style of leadership that best describes me is known as the dominance style. I focus really intently on goals that I seek to accomplish, and I largely work at them until they are accomplished in as little time as possible. As such, I actually prefer to be the one who is in charge of making decisions and actuating others to accomplish objectives. Once I have an objective, my principle concern is the proverbial bottom-line or achieving that objective with efficiency. I have realized that power is one of the ways in which dominance leaders are able to assert themselves over others to help fulfill the needs of an organization.
Much of my style of leadership involves the assertion of such power over subordinates to get them to best perform tasks that can help me and overarching organizations…
Antoine, P. (no date). Fielder's contingency theory of leadership. www.stfrancis.edu. Retrieved from http://www.stfrancis.edu/content/ba/ghkickul/stuwebs/btopics/works/fied.htm
Ivey, G.W., & Kline, T.B. (2010). "Transformational and active transactional leadership in the Canadian military." Leadership & Organization Development Journal. 31 (3): 246-262. Retrieved from ProQuest.
Northouse, P. (2010). Leadership: Theory and Practice. Thousand Oaks, CA: Sage Publications.
Japanese Pop Culture
There can be no denying the power of America in twentieth century in Japan's cultural landscape. For Japanese, America has served as a model for both emulation and contrast." (Craig) But in this instance, the pupil is becoming the teacher. Americans seem to be energized by being exposed to Japanese culture via this innocent exchange of pop culture and commerce. Many young Americans are taking martial arts and Japanese language lessons and Asian studies in college has become perfectly normal major while the sale of white rice wrapped with seaweed as a snack doesn't sound so bad anymore.
Japanese comics are also migrating into the United States. This report will discuss both the Japanese and American cultural differences that could be leading to this fad. Today, comic books have changed in the sense of how they are used as entertainment tools. Comics are not just for kids…
In Rowson's version he mimics Eliot in the sense that his comic book is part satirical, it is pessimistic, and it is told in fragments, as well. But the two literary works could hardly be farther apart in substance, as Rowson parodies a crime novel's trashy tone -- parodying noted pulp crime writer Raymond Chandler more than Eliot or Eliot's poem -- and it shows in his edgy comic drawings that there is more than one "waste land" in the world.
Rowson had some problems in getting his lawyers to sign off on his parodies of Eliot's lines; for example, in Eliot's "The Fire Sermon," line 205, the poet writes "Jug jug jug jug…" and originally Rowson had his hero, Chris Marlowe ("Philip Marlowe" was a Chandler character ) walking past six jugs in the British Museum (which he uses in his comic illustrations). So instead of the six "jug[s]…"…
Eliot, T.S. (1922). The Waste Land. Bartleby.com. Retrieved January 2, 2012, from http://www.bartleby.com/201/1.html .
Rowson, Martin. (1990). The Waste Land. New York: Harper and Row.
At the high end of the economic spectrum, Reddy can waffle back and forth about whether she wishes to stay home with her children or not simply because she can afford to make that choice. Her ability to maintain a roof over her head and food in her children's stomachs does not depend on whether she has employment or not, and her childcare concerns are confined mainly to the difficulty one has in finding a good nanny. Although it may be unintentional, many of Pearson's best commentaries on motherhood are illustrated through Reddy's relationship with her nanny in that her casual dismissal of her nanny's history and individuality speaks to an inherent power imbalance rooted in class and gender bias. Reddy has the luxury of coming home from a hard day at work to find her children already fed and put to bed; her biggest concern is dealing with a…
Pearson, Allison. I Don't Know How She Does It. New York: Knopf, 2002.
Consequences of these choices only compound his deep-seated insecurities. (Zushi)
Both Ben and Miko are Japanese-Americans, and their shared ethnic background impacts on their lives in significantly different ways. Miko is proactive and politicised -- she is the assistant organiser of a film festival showcasing Asian-American talent. Ben, meanwhile, is a depressive manager of a local cinema, seemingly content in his life of slow-burning frustration and -- not surprisingly -- covert masturbation.
Sexual stereotyping is at the heart of the story. The title itself is a reference to Ben's feeling of inadequacy in the trousers department (underneath the dust jacket, the book cover bears a life-size image of a ruler). At one point, Ben recalls a "stupid joke": "hat's the difference between Asian men and Caucasian men?" The punchline -- "the cauc" -- is both funny and deeply uncomfortable. "I actually heard a girl tell that joke in college! I…
The Columbia World of Quotations. New York: Columbia University Press, 1996. 16 Jan. 2008 www.bartleby.com/66/.
The Comic-Book Heroes with a Touch of Genius." The Daily Mail (London, England) 22 Dec. 2006: 64. Questia. 15 Jan. 2008 http://www.questia.com/PM.qst?a=o& ;d=5018563927' target='_blank' REL='NOFOLLOW'>
Hopefully, regardless of what happens in the rest of the communication world and media, such magazines either in print, electronic or digital form will continue to amaze children.
nfortunately, most young adult books have hit rock bottom, dealing with death, abuse, divorce, sexuality and all the other topics that these youth are bombarded with day after day. It is recognized that youths need to deal with the problems that are facing them, and living in a fantasy world is not helpful. However, do they ever have a time to "chill" as they say it? However, the Twilight Vampire Series is really not the answer to this. It has, what is said, little "redeeming value."
It's difficult deciding on a best YA book and not going back to the classics. The best bet is finding a book that offers imagination, education and entertainment. There are few, but Rebecca Stead's When You…
Unfortunately, most young adult books have hit rock bottom, dealing with death, abuse, divorce, sexuality and all the other topics that these youth are bombarded with day after day. It is recognized that youths need to deal with the problems that are facing them, and living in a fantasy world is not helpful. However, do they ever have a time to "chill" as they say it? However, the Twilight Vampire Series is really not the answer to this. It has, what is said, little "redeeming value."
It's difficult deciding on a best YA book and not going back to the classics. The best bet is finding a book that offers imagination, education and entertainment. There are few, but Rebecca Stead's When You Reach Me comes close. It combines the best elements of recent classics, such as A Wrinkle in Time as well as fun TV game shows like the $20,000 Pyramid, and a story about a girl, Miranda, whose structured world becomes a little more interesting. Miranda's bestest friend Sal stops talking to her he is beat up by Marcus. Marcus then challenges Miranda with arguments about her favorite book, A Wrinkle in Time, and finds flaws in L'Engle's time-travel narrative. Next, Miranda starts receiving notes from someone who seems to know the future. The book's earlier setting in 1980 gets away from all the heavy themes of today and back into "easier" life with Mom on the $20,000 Pyramid.
This is a book that can be enjoyed by readers and nonreaders alike and can be utilized in a variety of different ways for book reports. The teen and pre-teen readers can rely on many different visual arts, TV/film and drama to convey what they have learned from the book. It is also a great book for smaller groups of students to work together for a team project. Forget the horrible Twilight and instead focus on multithematic books like When You Reach Me.
Indeed Tezuka takes great liberties with Buddha, invents scenarios, but his Manga generally stays true to the life of Buddha (Siddhartha) and his spiritual journey to battle injustice (including the caste system), to help those in need during famine, warfare and drought.
Hence, Buddha is editorially far, far apart in style and in concept from Dark Knight, which in comparison, is frivolous and cliched. Aside from the superhero antics -- and saving people from villains -- Dark Knight is a pithy formula-riddled comic that delights readers in a totally different way from the readers' pleasure while going through the many volumes of Buddha. Indeed, many people who are not Buddhists, and have no real knowledge of Buddha and his travels, have been getting an education of sorts by reading Buddha.
Tezuka has brilliant story-telling abilities but his ability to combine the story with the dramatic visual effect brings out a…
Sir or Madam
I am writing in response to your request for a comic book writer to develop an original series for immediate publication. I have a substantial amount of experience with writing, and in writing comic books in particular. I graduated near the top of my class with a Bachelor's Degree in creative writing from New York University. I enlisted in the military so that I could study graphic design, and have spent the past three years learning how to perfect details in graphic art -- which has significantly enhanced my propensity for working in the field of comics.
As per your request in your advertisement for writers at MegaCorp, I have provided an overview of my comic book series and an excerpt from the first issue. It is a period time piece which occurs at the beginning of the year 2000. The protagonists are a group of young…
This 'floating' use of body parts and fluid use of human and mouse anatomical characteristics is another distinct feature of the graphic style of Maus.
In this frame, we discover the source of the father's displeasure with Mala. Mala was putting Artie's coat on a wire hanger. The petty nature of this tantrum indicates the stress under which Artie's father labors. He is angry about small things, despite having recently suffered some permanent tragedies (heart problems and the suicide of his wife) and tragedies in the past. This suggest that the father projects his frustrations and anger about the past into the present and gets angry at relatively minor matters because of his inability to deal with his past experiences. It also is a clue as to why he has heart trouble.
The father's irascible character traits are underlined in the explanatory voice-over by the narrator Artie, who…
Spiegelman, Art. Maus: A survivor's tale. New York: Penguin, 2003.
superheroes in comic books and movies. The writer apparently is fixated on Marvel Comics' Wolverine character because he blasts all other comic books and raves about Marvel and the Wolverine character plus another Marvel feature, X-Men. His conclusion is that spending money on any action movie -- or "summer blockbuster" -- other than the Wolverine or X-Men is wasteful. His basic theme throughout his presentation is that all action figures in comics and in movies pale in comparison to his favorite, Marvel (the Wolverine and X-Men).
What are the reasons?
The reasons that this writer raves about the Wolverine and other Marvel characters is that if his cousin Vinnie says the Marvel Comics characters are by far the best, it must be true. Of course his justification for taking the positions he takes is loaded with hyperbole but his reasons are clearly to make it known his favorite action comic…
According to the Kohlberg theory, the post-conventional level is when a person develops social contract orientation and becomes principled. I believe I felt that I owed society an obligation to work and try to make it better, so I sought public welfare work (Fowler, p. 56).
Eventually, a better job opportunity came to me in the form of a state job in the Department of Youth and Family Services, so I decided to leave the school system. I transferred from my city job and was able work in my chosen field. Between working there and at Families Matter, New Jersey, I learned quite a bit. I would spend hours with parents who did not have the skills to help themselves and children who were in crisis. This motivated me even more to finish my bachelor's degree. This experience made me realize how lucky I was to have supportive family and…
Colby, a and Kohlberg, L. (1987). The Measurement of Moral Judgment, Vol 2. Standard Issue Scoring Manual. Cambridge University Press.
Fowler, J.T., Hennesey, T. (ed.) (1976) "Stages in faith: the structural developmental approach," Values and Moral Development. New York: Paulist Press.
Harder, a.F. (2002). The developmental stages of Erik Erikson. Learning Place Online.com. Retrieved August 8, 2007 at http://www.learningplaceonline.com/stages/organize/Erikson.htm .
Kohlberg, Lawrence (1973). "The claim to moral adequacy of a highest stage of moral judgment." Journal of Philosophy. 70: 630-646.
Ethics of Spider Man
The character Spider Man is a foundational superhero of the modern era. His history and life demonstrate the development of an ordinary and even some would say subpar or at the very least "un-cool" young adolescent into a super hero by a twist of fate, i.e. being bit by a genetically modified spider on a science filed trip. The early life of the Spider Man character as depicted in both comic books, television cartoons and movies in live action or animation depict a young man, who stumbles upon a great power and then struggles with how to use that power. In the 2002 film depiction, and true to the comic storyline Peter's/Spiderman's ethics are developed through the film as he struggles with his new found powers, seizing the opportunity to use them for personal gain, by attempting to win money as an amateur fighter/wrestler in a…
Lee, S. (1962) (Spider Man) Amazing Fantasy Vol. 1 #15.
Jenkins, P. (September 2002) Peter Parker, Spider-Man Vol. 2 #48, titled "The Big Question,"
Raimi, S. (Director). (2002) Spider-Man [Motion Picture]. USA. Columbia Pictures Co.
Raimi, S. (Director). (2004) Spider-Man 2 [Motion Picture]. USA. Columbia Pictures Co.
In both cases, He "is an impersonal force; an indefinable, all-pervading deity. Hinduism recognizes hundreds, even thousands, of lesser gods." (Evangelical.us) the same is true in uddhism, "God is an abstract. In essence, uddhism is an atheistic philosophy." (Evangelical.us) in both Hinduism and uddhism, there are stories of how the divine interacts with humans, but there is no historical proof. Only Christianity has historical proof. Since I am not Asian, I naturally want historical evidence, and I naturally want to follow a religion with a real God who cares about me as a person. Hinduists and uddhists have no sense of self-worth in the scope of the universe. "Humans, as with all living things, are just manifestations of rahman. We have no individual self, or self-worth. The world and everything on it are manifestations of rahman. Sin is committed against oneself, not against God." (Contender Ministries) This idea is opposite…
Christian Response to Hinduism." Apologetics. Contender Ministries. http://www.contenderministries.org/hinduism/christianresponse.php
Comparitive Religions & Christianity." Bibleone.net. 2004. http://www.bibleone.net/print_SF3.html brief comparison of Mohammed to the founders and leading figures of other major religions."
Support the Fight to Acheive Freedom, Secularism, Human Rights and Democracy in Iran. http://www.pcpages.com/ani/pages/isl/moh-comp.htm
How do we know Christianity is the one true way? http://www.evangelical.us/is-christianity-true.html
The argument that I have been making is a twofold one. The first branch of this argument is that Pop Art, while it incorporates ordinary images and commercial motifs and tropes just as does commercial design, it does so in different ways and for different reasons than does purely commercial work. It is because the motivations of the Pop Artist (and I suppose we might say of the art objects themselves) are so different from the motivations of commercial designers that Pop Art must qualify as art. Rather than simply giving his audiences pretty pictures, arhol made them work to understand his creations -- and this seems to me to be a pretty good definition of what art is and what the artist does. And once this condition is met, it really does not matter how much (if any) money the artist makes from the work.
Yes, arhol ended up…
Davies, Stephen. The Philosophy of Art. New York: Wiley-Black, 2006.
Madoff, Stephen Henry. Pop Art: A Critical History. Berkeley: U. Of California Press, 1997.
Sandler, Irving. Abstract Expressionism and the American Experience: A Reevaluation. New York: Hudson Hills Press, 2009.
Warhol, Andy. Andy Warhol: Art from Art. Berlin: Schellmann, 1994.
She said, "What is the point? I don't want to make myself feel that way. I would rather watch something that makes me feel good." Having no need for meditated horror, Fan simply said, "Oh you mean like Nightmare on Elm Street or something?" when asked about films.
Local legends and urban legends were of more interest for Fan because they pointed to the real world and genuine human need to understand crime and victimhood. As a victim of a crime, Fan said that she felt no matter how good a person is, bad things can still happen to them. It is philosophically difficult to understand, and the most important thing is to not be depressed and get on with life.
Daymien is an African-American gay male. He is 30 years old and the boyfriend of one of my brother's friends. I interviewed Daymien because he is a…
Dominican Fantasies, ritten and Unwritten:
The use of science fiction in the Brief ondrous Life of Oscar ao
Juan Diaz's novel The Brief ondrous Life of Oscar ao details the life of an overweight Dominican boy who has aspirations of being a romantic hero that are continually thwarted by his great size and unattractive physical appearance. However, one of the dominant themes of the book is that appearances can deceive. Despite the fact that he is ugly on the outside, Oscar has a beautiful soul. His inner life is at odds with his outer life. One way in which Oscar deals with this is by escaping into a world of fantasy novels and characters. Diaz's coming-of-age novel is thus very much a book 'about' other books, just as much as it is a book about a man's life. Its postmodern nature is clear in the sense that the novels and…
Diaz, Juan. The Brief Wondrous Life of Oscar Wao. New York: Riverhead, 2008.
Lingam, John. Review of The Brief Wondrous Life of Oscar Wao.
The Quarterly Conversation, 2008. [7 Dec 2012]
Competition therefore often takes place at the distributor level, as gaining access to retailers is critical. Even a company like ebags.com only carries a select handful of manufacturers.
The implications for this are significant for Kidage. The chosen strategy of marketing just one bag is probably the wrong strategy. In order to meet the needs of major manufacturers, Kidage is competing against firms that offer a wide range of children's bags, of different types. For Kidage to gain access to retailers, it will need to match the range offered by major competitors like North Face and Firefly. In doing this, Kidage can gain access to important retail channels. Then, the company can put the benefits of each particular bag up against the price/benefits of whatever company's bags are competing in a given retail channel.
The Kidage bag has a number of distinctive features, and these make the product unique from…
Alibaba.com. (2012). "Children's Book Bag." Alibaba.com. Retrieved April 2, 2012 from http://www.alibaba.com/showroom/children%2527s-book-bag.html
eBags.com. (2012). Kids' backpacks. Retrieved April 2, 2012 from http://www.ebags.com/category/kids-backpacks/20010555
Porter, M. (1980). Competitive Strategy. The Free Press: New York, NY.
Pottery Barn Kids: Children's Book Bag. (2012). Retrieved April 2, 2012 from http://www.potterybarnkids.com/shop/kids/backpacks-luggage/shop-all-backpacks/
Vebell was interested in art from a very early age and he attended the Harrison Art School at the age of 14 where he excelled at life drawings. When he graduated from high school, Vebell won three art scholarships and he attended all three schools -- moving from each throughout the day. He launched his professional illustration career in a busy Chicago agency and then enlisted in World War II. It was not long after this that he was recruited to create images for the Stars and Stripes, a military publication that had also featured Norman ockwell's drawings during World War I. In 1945, he participated in the Nuremberg War Crimes Trial as a courtroom artists, capturing the likenesses of Goering, Hess, Speer, and ibbentrop (now in the collections of the Museum of the Holocaust in Washington, D.C.). He created paintings and drawings for mass circulation magazines like eaders Digest,…
Arisman, Marshall. "Wilson McLean: 2010 Hall of Fame Inductee." Society of Illustrators. Accessed on November 17, 2010:
Fame/Current-Inductees/2010 -- Wilson-McLean.aspx
ArtNet. "Francis Livingston." 2010. Accessed on November 17, 2010:
Gotham is a dark place, which manifests evil in the character of the Joker (Jack Nicholson). Bruce Wayne, Batman, is the force with which evil must reckon. Batman, however, has his own dark side, which is manifest in his costume, his gothic style mansion, and the technology he employs to combat the Joker and other criminal elements.
In this film, Burton needed only a few big name and talented actors -- Jack Nicholson (the Joker), Michael Keaton (Bruce Wayne aka Batman), Billy Dee Williams (Harvey Bent), and Kim Bassinger (Vicky Vale) to attract that audience that might otherwise have opted out of a comic book to film production. Yet the actors in this instance by virtue of their talent need minimal direction, and that allows Burton to focus on the structure of the film. The film is not structured around the actors, but the actors fill the structure of the…
Dudley, Andrew (1984). Concepts in Film Theory, Oxford University Press.
Caughie, John (1982). Theories of Authorship: A Reader, Routledge, New York, New
Valicha, Kishore (1988). The Moving Image: A Study of Indian Cinema, Orient
cult TV series (e.g. True Blood) watched, making
Television of Steel
There are several different definitions of, and criteria for, what constitutes a cult television series. Smallville, however, is one of the few television series that fulfills nearly all such requisites for the attaining of cult status. The show was broadcast before a national audience during prime time hours for 10 years, has won a host of awards, and generated a following that has spanned so many different genres, media, and spin-offs, that virtually the only word to describe it would be cult. However, one of the primary factors that readily afforded Smallville to be able to attain a cult like status was in place well before a single scene was shot or before a solitary actor had been cast. The fact that Smallville was based on the character of Superman, originally a DC Comics character and best selling title,…
Sumner, D. (2011). "Smallville bows this week -- with Stargate's world record." GateWorld. Retrieved from http://www.gateworld.net/news/2011/05/smallville-bows-this-week-with-stargates-world-record/
Bennet, C., Gottesfelf, J. (2002). Smallville: See No Evil. New York: Little, Brown Young Readers.
Ives, N. (2003). "The Media Business: Advertising -- Addenda; Verizon and WB Join for Promotion." The New York Times. Retrieved from http://www.nytimes.com/2003/09/12/business/the-media-business-advertising-addenda-verizon-and-wb-join-for-promotion.html
The boy has begun to understand something different about the nature of literature -- goodness is not the only standard by which to judge others, at least the goodness of the Church.
The man, however, only smiled. I saw that he had great gaps in his mouth between his yellow teeth. Then he asked us which of us had the most sweethearts. Mahony mentioned lightly that he had three totties. The man asked me how many I had. I answered that I had none. He did not believe me and said he was sure I must have one. I was silent." (3) the boy feels, however, that he is lacking in front of his friend Mahoney because he lacks for female affection. Desiring to seem different in all ways from Mahoney, he comes up short. Yet the older man, by identifying a different means of measuring the moral nature of…
Joyce, James. "An Encounter." Dubliners. http://www.bibliomania.com/0/0/29/63/frameset.html
Joyce, James. "Araby." Dubliners. Bibliomania. http://www.bibliomania.com/0/0/29/63/frameset.html
Children's literature can provide rich pictorials that appeal equally to adults as to children. David Wiesner is one author-illustrator that can be singled out for his talents at reeling in grown-ups. Some of his picture books are exactly that; containing few or no words, they feel more like surreal comic strips than children's literature. Wiesner's artwork, usually done in watercolor or colored pencil, is at once striking and subtle. The subject matter often seems eerie until the end of the story, which finishes on an upbeat note. Books like Sector 7, Tuesday, Hurricane, and The Three Pigs, all written and illustrated by David Wiesner, convey his mood and tone with pictures alone. Any accompanying text is ancillary to the illustrations and causes the reader to wonder whether the publisher demanded that some words be inserted for convention's sake (especially in Hurricane). Wiesner's illustrations tell the tale far better than any…
The different tastes in personal pleasure can be seen in the leisure industry as a whole. Some people seek out community service vacations, some seek adventure vacations, and other people simply want a nice, pretty beach and warm sun. All seek, I believe, to become better people, even if only simply through relaxation. My standards for happiness and my virtue ethics are less stringent than Aristotle's standards. So long as pleasure does not impinge upon the lives and productivity of native inhabitants, or the pleasures of others, varied quests in the pursuit of leisure are all honorable, from the vacationing volunteer in Dafur to the Disneyland tourist seeking to give memories to a child, and finding pleasure in the child's reactions to new sights and sounds.
Defense of Rule-Based Ethics." NYU Philosophy Homepage. Retrieved 29 May 2007 at: http://homepages.nyu.edu/~rpm213/philosophy.html
McLean, Donald & Yoder, Daniel. (2005). Issues in Recreation…
Defense of Rule-Based Ethics." NYU Philosophy Homepage. Retrieved 29 May 2007 at: http://homepages.nyu.edu/~rpm213/philosophy.html
McLean, Donald & Yoder, Daniel. (2005). Issues in Recreation and Leisure-- Ethical
Decision Making. New York: Human Kinetics Publishers.
Nussbaum, Martha C. (22 March 2004). "Mill between Aristotle & Bentham."
eading is a fundamental part of a child's education. Many techniques have been utilized in an effort to make learning to read and reading comprehension easier for students (McCray 2001). One such technique is Sustained Silent eading (SS). The purpose of this discussion is to investigate Sustained Silent eading as it relates to reluctant middle school aged children. Let us begin our investigation by discussing the theoretical framework of Sustained Silent eading.
Sustained Silent eading (SS)
Jenson & Jenson (2002) report that The Uninterrupted Sustained Silent eading program (USS) was first implemented by Lyman Hunt at the University of Vermont during the 1960's (Jensen & Jensen 2002). By the 1970's the program was implemented into the American public school system (Jensen & Jensen 2002). Forty years after its initial inception this same program has an array of aliases including: Motivation in Middle Schools (MIMS), High Intensity Practice (HIP), Free Voluntary…
Broughton, M.A., & Fairbanks, C.M. (2003). In the Middle of the Middle: Seventh-Grade Girls' Literacy and Identity Development Here Is a Look at the Ways in Which a Group of Girls Perceived Themselves and How Their Perceptions and Behaviors Changed as They Moved from the Sixth Grade to the Seventh Grade: The Middle of Middle School. Journal of Adolescent & Adult Literacy, 46(5), 426
Brozo, W.G., & Hargis, C.H. (2003). Taking Seriously the Idea of Reform: One High School's Efforts to Make Reading More Responsive to All Students. Journal of Adolescent & Adult Literacy, 47(1), 14
Crawford P.C.2004. Using Graphic Novels to Attract Reluctant Readers. Library Media Connection
Graham, S., & Taylor, A.Z. (1998). Exploring Achievement Values Among Ethnic Minority Early Adolescents. Journal of Educational Psychology, 90(4), 606-620.
Perhaps that is Augie's final flaw - to remain the eternal optimist even when there is nothing to be optimistic about. If he has learned his lessons well from the other characters in the novel, then he will know if his life will turn out successfully, and that he does not have to fit into the perfect model of the American male to still succeed and be happy in his chosen pursuits.
In conclusion, the flawed characters in this novel add to the rich texture and fabric of the work. Augie must learn lessons from these characters by learning how to overcome many of his own flaws. Augie does learn that life in American society is a struggle, but there is still happiness waiting to be found somewhere in all the chaos. Bellow's use of disability and distress helps define his major theme of overcoming obstacles and an individual's struggle…
Author Not Available. "I Got a Scheme!," New Yorker, 0028792X, 4/25/2005, Vol. 81, Issue 10.
Bach, Gerhard, ed. The Critical Response to Saul Bellow. Westport, CT: Greenwood Press, 1995.
Bellow, Saul. The Adventures of Augie March. New York: The Viking Press, 1953.
Nilsen, Don L.F. "Humorous Contemporary Jewish-American Authors: An Overview of the Criticism." MELUS 21.4 (1996): 71+.
Technology and Society
All print media including books, newspapers and magazines are in deep trouble today thanks to new developments in technology, as are traditional methods of classroom instruction and school curricula. To that extent the Internet can be described as a revolutionary invention that has altered and transformed the way information is presented and conceived. Individuals are learning and creating innovative ways to contribute to relevant knowledge at an excessive speed, and the estern world has become dependent on this technology and also more aware of its negative side. hether the technology in our surroundings is causing human beings to become distracted, affecting our communication skills, or making them stupider is a question that has to be addressed.
This memorandum will describe these issues of trivialization and the 'shallow-ing out' of contemporary American culture, most of which are either as deliberately exaggerated and sensationalized as the Internet itself or…
Corey, G. et al. Issues and Ethics in the Helping Professions, 8th Edition. Cengage Learning, 2011.
Milliken, J. Brands and Social Media Participation; United Breaks Guitars. Coreographytv, 2010.
Morozov, Evgeny. "Losing Our Minds to the Web." Prospect, June 22, 2010.
) Uncle Reginald "mentors" young Draper Doyle by inviting him to submit to "psycho-oralysis" - the inverse of psychoanalysis, in which he, as the oralyst, lectures Draper Doyle about life - not without his typically sardonic sense of humor, either.
The day after we watched yet another version of a Christmas Carol, Uncle Reginald devoted a full session of oralysis to it. He invented something called the Tiny Timometer, an instrument which measured cuteness, and said that we should take readings from it throughout Christmas, especially when corny movies were playing. Every night after that, as we sat watching the likes of Hayley Mills and Julie Andrews succumbing to the call of the convent while angels sang and light came breaking through the clouds, Uncle Reginald would consult the Tiny Timometer, take readings and announce them to the living room (93-94).
These sessions - and Uncle Reginald's continual presence in…
Johnston, Wayne. The Divine Ryans. Toronto: McClelland and Stewart, 1990.
A Vonnegut theme, however, is often hard to miss; especially since part of Vonnegut's style placed the author in a position where many readers could palpably feel him throughout the novel. Vonnegut seems to read alongside the reader and assist him; he seems to teach and guide -- gently -- as well as write. As such, Vonnegut helped re-define what high art, and the novel specifically, could be:
Irving, who went on to write "The World According to Garp" and "The Cider House Rules," remembered Vonnegut as a self-effacing presence who "didn't have an agenda about what 'the novel' should be." Vonnegut also appreciated that you didn't have to be in the classroom to get your work done (MSNC, 2007).
South Park postmodernism seems to be endemic to recent generations, and, if so, the ideological roots of those generations must be traced back to Vonnegut and his contemporaries.
1. Vonnegut, Kurt.
a. Slaughterhouse Five. New York: Random House, 1969. Print
b. Glapagos. New York: Random House, 1985. Print.
c. Cat's Cradle. New York: Random House, 1963. Print.
Students then move to advisory to discuss what they learned from the principal, then begins first period science class.
Science is tutorial based, but often broken up into groups of four for lab and experimentation work. Math lab includes a number of different activities that change out regularly.
Following math, the students meet for Art class, which varies daily in activities, social and spatial development.
Lunch and a brief recess follows.
First class after lunch focuses on learning tools combined with independent reading; teacher uses only worksheets as student activity after reading; question worksheet designed to uncover comprehension and vocabulary development
Next class is social studies, work in pairs, teacher uses a number of different strategies and course outlines for variety.
Final period of the day focuses on English, or ESL for international students.
Reviewing a typical day for Ahmad, however, shows some serious disconnects in terms of his continual…
What do Tom and Mary have in common?
Outside of the purview of this essay, but nevertheless vital to the arguments presented when dealing with multicultural education, one must understand that there is a rather hierarchical taxonomy regarding the topic: Conservative multiculturalism, which assumes that unsuccessful minorities come from culturally deprived backgrounds and require ethnicity "stripping" for economic success of the child; Liberal multiculturalism which formats the sameness of all groups and requires manifesting language, but remaining culturally aware of the base culture; Pluralistic multiculturalism that shares features with the liberal view but focuses more on learning about differences and integration of race into simply being part of the individual; Left-Essentialist multicultural that holds that the conservative element uses language and other educational means as a way to control a minority and that essential traits may be romanticized for effect; and Critical multiculturalism that takes race, class, gender and even sexuality and transcends to a larger, more complex, social struggle. See: Kincheloe, J. And S. Steinberg. (1997). Changing Multiculturalism. Open University Press; and D. Campbell (2008). Choosing Democracy, a practical guide to Multicultural education. Allyn/Bacon.
The Miracle Worker. New York: Bantam, 1960.
ISBN: 0553247786 9780553247787, 122 pages, play. Appropriate for all audiences, intended primarily for adults but of interest to early adolescents and up. High critical appraise and winner of the Tony Award for Best Play in 1960, the year following the script's debut on Broadway.
This play is based on the autobiography of Helen Keller, focusing on the character of Helen's teacher Anne Sullivan and the struggle and ultimate triumph of this woman's struggle to teach Helen how to communicate and understand the world around her. Dramatic action must serve as a substitute for more direct textual exposition, making a reading of the play somewhat lackluster in comparison with viewing a full performance of the script. The characters are fully realized and highly compelling, however, and though the plot is generally well-known amongst most readers of a certain age level, the details and lifelike…
Diaz's Examination Of Culture: Clashes And Identities
Diaz's Wondrous Life of Oscar Wao is a combination of cultural experiences and influences that are as rich and imaginative as the stories the book contains. Within the main character, Oscar, lies the power to both transcend definition of culture and become victim or prey of a specific culture's stereotypes and norms. Oscar is an obese, alienated person within his own culture, but he is drawn out of his personal problems and violent existence within the Dominican dictatorship through his love of escapist literature and stories. Oscar even refers to himself as a "victim of fuku americanus," or the "Curse of the New World." (Diaz, 2007). This is an integral idea within the novel and helps to shape the cultural struggles that are contained within it.
Throughout this entire voyage through Oscar's life, author Diaz explores the mixture of cultures, languages, and ideas…
Celayo, Armando & Shook, David. "In Darkness We Meet: A Conversation with Junot Diaz."
Molossus, May 11, 2008. Accessed online May 9, 2011 at: http://www.molossus.co/fiction/in-darkness-we-meet-a-conversation-with-junot-diaz-test/.
Diaz, Juniot. The Brief Wondrous Life of Oscar Wao. Riverhead: New York, NY. 2007.
Tehelka TV. "In Conversation with Juniot Diaz." Santo Domingo: Dominican Republic, March
Dracula is a far more traditional Gothic novel in the classic sense than the four books of the Twilight series, in which Bella Swan and her vampire lover Edward Cullen never even fully consummate their relationship until they are married in the third book Eclipse, and Bella does not finally get her wish to become a vampire until the fourth and final book Breaking Dawn. Far from being Edward's victim, or used as a pawn and discarded, she is eager to leave her dull, empty middle class life behind and become part of the Cullen vampire family. When she nearly dies giving birth to their half-vampire daughter, Edward finally does 'turn' her to save her life, and to paraphrase the title of the old song, we can only hope that she is satisfied. Bella in fact is a very traditional and conservative character, including her religion and even…
Branch, L. 2010. "Carlisle's Cross: Locating the Past in Secular Gothic" in A.M. Clarke and M. Osburn (eds). The Twilight Mystique: Critical Essays on the Novels and Films. McFarland & Company Publishers: 60-79.
Byron, G. 2008. "As One Dead': Romeo and Juliet in the Twilight" in J. Drakakis and D. Townshend (eds) Gothic Shakespeares. Routledge: 167-86.
Meyer, S. 2005. Twilight. Little, Brown and Company.
Meyer, S. 2006. New Moon. Little, Brown and Company.
Dual Coding Theory (DCT) was originally developed for memory research. The basic notion is that images and words influence memory differently. DCT has been applied to reading and has been used to improve reading programs. The assertion is that learning to read a new word is more efficient if more than one part of the brain is activated, by paring verbal and nonverbal codes. Verbal code would be language in any form; nonverbal codes are tangible objects, pictures, feelings, and events. If one code is forgotten, the second code can serve as a backup during word retrieval. By paring written words, pronunciations, pictures, and experience we are focusing on all levels of processing in DCT which fosters learning. The following paper describes the basic elements of DCT.
According to Dual Coding Theory (DCT) information is represented in the brain via both verbal and imagined codes (Paivio, 1971). These two…
Execution of Mayor Yin and Other Stories from the Great Proletarian Cultural Revolution written by Chen Jo-hsi. Specifically, it will analyze the author's ideas in the book. Chen Jo-hsi writes about real life in China, and how the people suffered under the Cultural Revolution.
THE EXECUTION OF MAYOR YIN
The Execution of Mayor Yin" is a collection of short stories that show what life was life in China during the Cultural Revolution, sponsored by Chairman Mao Tse-tung. The author, Chen Jo-shi, grew up in Taiwan, and lived in Canada and the United States since 1974. She writes of her experiences under Chinese rule, and hopes to share those experiences with her readers. The short stories in this book reflect this, and show her writing talent along with her commitment to sharing what life in China was really like during the Cultural Revolution.
The book contains eight different short stories, and…
Chen Jo-hsi. The Execution of Mayor Yin and Other Stories of the Great Proletarian Cultural Revolution. Trans. Nancy Ing and Howard Goldblatt. Bloomington: Indiana University Press, 1978.
Examining the Narrator's...."Helpfulness"...in Laurence Sterne's Comic Novel Tristram Shandy
Tristram Shandy has earned a very mixed reputation in the several centuries since it was initially published; it is undoubtedly the work of a man with no small intelligence, but whether or not the novel is truly a work of literary greatness or merely an interesting diversion of largely empty wit has been a matter of some debate amongst scholars of many eras. Essentially, this issue comes down to how superficially the text is read and received. On the surface, the protagonist and narrator of this story appears to be little more than a piece of high-society fluff, full of self-importance and an almost charming innocence and naivete regarding the frustrating nature of his lengthy tale. A deeper reading, however, reveals the narrator's somewhat patronizing attitude towards his readers as a symptom of the societal influences that shaped this…