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Documentary
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What is Documentary?

Documentary film sits at the intersection of journalism, history, and cinematic art, making it a frequent subject of study in film studies, media studies, communications, and humanities courses. Unlike fictional narrative film, documentary claims a direct relationship with reality, which raises compelling academic questions about objectivity, representation, and the ethics of storytelling. This tension between truth and construction gives the genre its intellectual weight and invites students to examine how filmmakers shape a viewer's understanding of real events, real people, and real social issues.

The papers collected here reflect a wide range of approaches to documentary study. Some take a reaction or response format, engaging directly with specific films such as Eyes on the Prize Part 2, Man on Wire, Outfoxed, and Paris Is Burning to analyze how each documentary frames its subject. Others pursue broader thematic or evaluative analysis, looking at how films like Beyond Beats and Rhymes address social issues around identity and culture. A number of papers also blur the line between documentary and dramatization, examining works like the World Trade Center film or Valkyrie to question historical accuracy and cinematic interpretation.

A strong essay on documentary begins with a clear, arguable claim about how a film constructs meaning rather than simply summarizing its content. Evidence drawn from specific scenes, editorial choices, framing, and narration carries the most weight. One common pitfall to avoid is treating a documentary as a neutral record of facts; the most rigorous essays treat every filmmaking decision as deliberate and worth interrogating.

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Paper Doctorate
Susanna's journey toward recovery in Girl, Interrupted
Girl, Interrupted depicts the journey of a young lady, Susanna, from craziness back to sanity. After graduating high school, Susanna is the only one from her graduating class that does not go on to college.
Research Paper Undergraduate
Baseball's role in American culture, film, and national identity
America's Pastime: The Importance of Baseball to United States Life and Culture: in Film, Society, and in Everyday Life That now timeworn clich?, 'baseball is as American as apple pie' may in fact nowadays ring (and…
Paper Doctorate
Framing, fairness and balance in Outfoxed: Rupert Murdoch's War on Journalism
Few viewers of Outfoxed: Rupert Murdoch's War on Journalism would emerge having much faith in the validity of Fox News, a news channel owned by media mogul and billionaire Rupert Murdoch.
Research Paper Undergraduate
Hillary Clinton and Barack Obama's 2008 Democratic primary campaigns
Hillary vs. Obama - Which One Has the Best Plan and Best Chance?
Research Paper Doctorate
John Grierson and the development of documentary film
The documentary film developed alongside the narrative film, though largely during the sound era. It was shaped most profoundly during the 1930s as filmmakers began to record sociological an anthropological studies of…
Paper Undergraduate
Economic convergence and divergence in globalization
Economic and Democratic Divergence/Convergence
Research Paper Undergraduate
Christian responsibilities toward human rights in Darfur and non-Christian regions
Responsibilities of Christians as Regards Human Rights
Paper Undergraduate
John Huston's Battle of San Pietro as anti-war propaganda
To the eyes of a modern viewer, the Battle of San Pietro, a documentary crafted by John Huston, seems a very rare thing: a film intended to be a propagandistic war film that is also a work of art.
Essay Doctorate
Michael Moore's critique of capitalism in "Capitalism: A Love Story"
Michael Moore is an expert at tugging on viewer's heart strings, and never passes up an opportunity to do so in Capitalism: A Love Story -- even though the docu-tragi-comedy would have been better without so much bathos.
Paper Doctorate
Henri Cartier-Bresson and the development of modern photography
The following paper will provide a cultural and historical perspective on the work of urban photographer Henri Cartier-Bresson. Further, the paper will provide the contextual frame of reference for the prominent activities occurring at the time of the photographer's work as well as how his work was received by the public at large. Moreover, I will offer my agreement of disagreement with the way in which Cartier-Bresson's work was received and extrapolate regarding his influence or lack thereof on those photographers that followed.