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Epic heroes are drawn from ancient mythology and similar long narratives and epic poems. The term is variously used to refer to any celebrated figure in ancient legends. The heroes belong to a princely stature that is usually born to royalty, gods and special circumstances. These heroes are usually set apart from the ordinary people that lived then. They accomplish extra ordinary things and exceed the abilities of normal humans. They exhibit extra ordinary courage. The hero is the protagonist in these accounts (Encyclopedia Britannica). Epic Heroes share some common traits in the various stories. The stories contain similar elements. Some of the most common characteristics include being called to adventure (the hero either accepts or rejects), a complex and unpredictable journey to an unknown place, supernatural assistance, temptations and challenges, bravery, a resolution from a hero's past, a blessing or major achievement, belief in supernatural power, courage extra-ordinary physical…
Encyclopedia Britannica. Hero: Literary and Cultural Figure. 2016. https://www.britannica.com/art/hero-literary-and-cultural-figure . Accessed 28 September 2016
E-Notes. Epic Poems. 2016. http://www.enotes.com/search?q=epic+poems . Accessed 28 September 2016
Sanderson. Epic Hero. 2016. http://sandersonhs.org/jbennett/resources/Epic_Hero.pdf. Accessed 28 September 2016
However, because of Gilgamesh's thought that he may be invincible, he is actually putting his friend's life at risk by going on his adventure. In his attempt to prove that he is brave and that he would rather die for a cause, he actually indirectly causes the death of Enkidu, who shows that he was the stronger of the two.
5) Defining Honor
Honor is a characteristic that few individuals posses. It is a special type of distinguishing factor, that although many attempt to have, very few actually embrace it to its full meaning. Honor entails pride and personal excellence. It is fully believing in an action or an entity that represents something very important to the self and to those around. To me, honor is being able to stand up for your beliefs despite the opinion of others.
Honor in society can actually be viewed in two ways, depending…
Epic of Gilgamesh
In a time when natural disasters were the whims of the Gods, when hunger, disease, and death stalked ones life as surely as the wild beasts of the land, the epic poem of Gilgamesh found its way across the ancient landscape. It was unearthed as part of a library collected thousands of years before our time, yet "reflects an ancient range of human experience and emotion not so far removed from our own" (Jackson, xi). In a cultural context of nomadic life and city-states, ancient Iraqis worshipped numerous gods. Every aspect of their life depended upon the favor their gods bestowed. The Epic of Gilgamesh illustrates an understanding of the human spirit unbent by fickle gods and powerful kings. This is a story of human growth and acceptance for a difficult life and violent time in human history.
The ancient Iraqi society was "mostly illiterate," passing on…
He is not afraid to battle Grendel and his mother; in fact, he seems to welcome the challenge. This is important to the story because it helps back up the poet's tales of bravery and courage, and helps show that Beowulf is indeed an epic hero. A hero has to be brave in battle, and understanding off the battlefield, and Beowulf is both. He is not afraid to rise to Unferth's challenge because he is sure of himself, and this is a characteristic of a hero as well.
This challenge also helps the reader understand the characters even more. Beowulf shows not only that he is heroic, but also that he can argue and persuade with the best of them, when he takes Unferth's challenge and explains what really happened in the seas. He says, "I had greater strength at sea, withstood in the waves more woes than any man.…
Readable Beowulf: The Old English Epic. Trans. Stanley B. Greenfield. Carbondale, IL: Southern Illinois University Press, 1982.
However, neither is invincible. Beowulf meets a heroic demise when he fights the final dragon at the end of the epic. His death in no way diminishes the grandeur of his heroism. Another feature of the classic hero is their tendency to embark on lengthy journeys and quests to prove their merits, and Beowulf is no exception.
Similarly, Gilgamesh does not completely succeed in his quest for immortality. Gilgamesh does help kill beasts with the help of Enkidu. Enkidu also fits the archetype of the male hero: he is a powerful, seemingly super-human beast who dies before the epic is over. Yet his death does not spell his failure any more than Gilgamesh's mortality minimizes his great successes. Gilgamesh proves his heroism also by demonstrating the lessons he learned through the course of his adventures: coming to terms with mortality and finding love in his heart. Through loving Enkidu, Gilgamesh…
Revenge, too, is prominent in all of these works: Beowulf must destroy the monster our of revenge for the havoc on the Kingdom; the Greeks must avenge the kidnapping of Helen and the slights against their lands; the Knight, the Miller and the ife of Bath all must seek revenge for perceived wrongs. Poems like Canterbury Tales, Beowulf, and the Iliad and Odyssey, especially as oral tradition, frame the journey of the hero through trials and tribulations to, eventually success. The saving of society, though, is often met with grave personal sacrifice, sometimes of tangible wealth, more often of loved ones, or, in the case of Beowulf, the ultimate sacrifice -- giving up one's own life in the service of society.
Yet in each of the tales there is at least one, and frankly many more, characters that have a fatal personality flaw that causes not only consternation, but increases…
Bittarello, M.B. "Recrafiting the Past: The Complex Relationship Between Myth and Ritual." Pomegranate: The International Journal of Pagan Studies 10.2 (2008): 214-19.
Cambpell, J. The Hero With a Thousand Faces. New York: New World Library, 2008.
Campbell, J. And B. Moyers. The Power of Myth. New York: Anchor Books, 1991.
Voytilla, S. Myth and the Movies. New York: Michael Wiese Productions, 1999.
Your answer should be at least five sentences long.
The Legend of Arthur
Lesson 1 Journal Entry # 9 of 16
Journal Exercise 1.7A: Honor and Loyalty
1. Consider how Arthur's actions and personality agree with or challenge your definition of honor. Write a few sentences comparing your definition (from Journal 1.6A) with Arthur's actions and personality.
2. Write a brief paragraph explaining the importance or unimportance of loyalty in being honorable.
Lesson 1 Journal Entry # 10 of 16
Journal Exercise 1.7B: Combining Sentences
Complete the Practice Activity on page 202 of your text. After completing this activity, read over your Essay Assessment or another journal activity you've completed.
* Identify three passages that could be improved by combining two or more sentences with coordinating or subordinating conjunctions. Below the practice activity in your journal, write the original passages and the revised sentences you've created.
* Be sure to…
Those with issues to overcome are always more heroic. Hector also becomes a hero when, after at first running from Achilles, he eventually stands up to him and dies a heroic death.
The Iliad is primarily a war epic. In your opinion, is the Iliad condemnation of the it could easily be argued that the Illiad glorifies war, as much of the poem is spent portraying the warriors as brave and courageous, even as they go on killing rampages. Warriors are describes as "masters of the battle cry" and "warlike" in glowing epithets. When Achilles originally refused to fight, he is roundly condemned for it by all of the other Greek characters. Even the weapons of war, such as Achilles impenetrable shield, are glorified. But homer is more complicated than simple -- war also brings death, which he describes in great detail. Hector's death is perhaps the most graphic of…
Homer's Odyssey is a classic epic poem, demonstrating all the hallmarks of epic poem structure and the epic journey cycle. The narrative of the Odyssey follows the return on Odysseus from Troy, a journey that takes ten years and spans many locations and setbacks, until he finally reaches his home in Ithaca. Even then, Homer must deal with one final setback before being successfully reunited with his family. This paper will focus on three central themes that define the epic poetry genre -- an epic hero
There are several elements of an epic poem. An epic poem should have an epic hero and in this case that is Odysseus. He is the focal point of the action (no author, 2012). His journey is entirely about him, to the point where his actions dictate the fate of all those around him. The key supporting characters are in his and his…
Downes, J. (2005). Epic, epic formula, epic smile. Auburn University. Retrieved February 15, 2012 from http://www.auburn.edu/~downejm/epicbasics.html
No author. (2012). A story of epic proportions: What makes a poem an epic? National Endowment for the Humanities. Retrieved February 15, 2012 from http://edsitement.neh.gov/lesson-plan/story-epic-proportions-what-makes-poem-epic
It is his own acknowledgment of his glory and honor that allows him to stand as an example to future generations. Folk epics are not meant only to recall historical details, but also to inspire modern heroes; the world of Beowulf and the world for which it was written both required strong heroes who knew the honor and righteousness of their actions.
Beowulf is more than the story of a hero's life, journey and adventures, and death. It is the story of a type of person and a people that the author and original readers of Beowulf felt an intimate longing for. As a folk epic, the tale of Beowulf is meant to draw people together in a common history, and to inspire them to the same types of glory that the heroes of the past achieved. Its purpose is to achieve solidarity in the admiration of a common hero,…
Beowulf. Accessed 26 May 2009. http://www.humanities.mcmaster.ca/~beowulf/main.html
Basic organizational plan: Introduce concept f epic, then folk epic, then explain enerally how Beowulf fits the description. The main body of the essay will explicate some brief apssags, explaining how this fits into the general framework.
Dante, Sophocles, Gilgamesh REVISED
The Epic of Gilgamesh, Dante's Inferno and Sophocles Oedipus the King are all classic and foundational estern texts which depict, en passant, the importance of humankind's demand to know, to explore and penetrate the unknown, to arrive at ultimate truths about existence and its mysteries, and to find meaning or value therein. I hope to demonstrate with reference to specific episodes -- that of Utnapishtim in Gilgamesh, of the episode of Ulysses in Dante's Inferno, and in the great address to the protagonist hymned by the chorus of Sophocles' tragedy of Oedipus -- this complicated depiction of human intellectual overreach.
Dante provides us with the basic topos of this kind of overreach as a sort of failed heroism, or heroism that breaks forth the bounds of Aristotelian temperance (or sophrosyne) and becomes, paradoxically, a vice. (The Aristotelian definition of sin is central to Dante, since his…
Alighieri, Dante. The Divine Comedy: Inferno. Translated with an introduction by John Ciardi. New York: Modern Library, 1996.
Kovacs, Maureen Gallery [Translator]. The Epic of Gilgamesh. Electronic edition by Wolf Carnahan, 1998. Accessed 3 March 2011 at: http://www.ancienttexts.org/library/mesopotamian/gilgamesh/
Sophocles. The Three Theban Plays. Translated with an introduction by Robert Fagles. New York: Penguin, 2000.
Madam Eglantyne the Nun, is also an ironic charater. She eats in a very refined manner and attempts other fine characteristics such as speaking French, although she fares poorly at this. Ironically, not all her language is pure, as she swears cosntantly by "St. Loy," a saint renowned for not swearing. Unlike the general conception of the Nun, she is very concerned with outward appearances and did not much care for human beings. Indeed, she cared much more for her three dogs than the human beings around her. Another irony is that she has a coral trinket to fight worldly temptations, which is clearly failing badly.
A second character is the Friar, Hubert. While he is jolly, merry, and festive, his actions are nevertheless evil and cunning. He impregnates girls, for example, and marries them off. He deceived the faithful by hearing confessions for a fee, and even begged from…
Camera angles that focus on wretched faces, of young boys in red coated uniforms begging for mercy, and of the arrogance of the British officer corps, not just towards Americans, but towards their own enlisted men, are shown with filming skill. As might be expected for this type of film, John Williams' score was masterful and very much in line with the generation of epics from the 1950s and 1960s -- painting a realistic picture of the film without dialog. Similarly, the audience is set up between the idyllic farm and hard work of a widower in the opening scene to the juxtaposition and hoped for return to normalcy in the final moments -- however, knowing that things will never be as they were (See: http://www.tcm.com/tcmdb/title.jsp?stid=336714&contentTypeId=130&category=trailer). The scene, however, that most stays with the audience is not one of the grander battles, but a one-on-one battle between Benjamin and Tavington,…
REFERENCES and WORKS CONSULTED
Bittarello, M.B. (2008). "Re-Crafting the Past: The Complex Relationship
Between Myth and Ritual." Pomegranate: The International Journal of Pagan Studies. 10(2): 214.
TRAILERS and PREVIEWS
Brown, Todd. (2007). "Footage from Taras Bulba." Twitch. Cited in:
They also encounter a large religious group coming through the forest to be baptized at a river, sirens who supposedly "lure" Pete into lustful relations and turn him into a toad, and many other characters. They consistently have to stay one step ahead of the sheriff and his bloodhounds, and still must find a way to be pardoned at the end, or they will go back to prison. They steal cars; meet a guitar player who believes he can play the guitar because he sold his soul to the devil, and some hospitable people who help them along their journey. Most of the film involves their travels, trials, and tribulations, and it often seems as if they will never attain their goal, which is another element of an epic journey.
The search does indeed illustrate Ulysses' (and many others) social and religious values. Ulysses is not particularly religious, but his…
He is a full grown hero who only needs a goal to set him on his journey. Gilgamesh is young and inexperienced, and he needs help to grow and mature throughout his journey, which he obtains from his dear friend Enkidu. Gilgamesh has many lessons to learn, and Odysseus learns too, but he is farther on the road to maturity, and so his journey leads him somewhere he already knows and is comfortable with, while Gilgamesh's journey takes him on uncharted territory, and he learns more about himself and the people around him on his journey.
In conclusion, these men are both heroic, but they show it in different ways and they have different heroic ideals. They are real heroes to be sure, but they are also real men, with the faults that only real men seem to have. Gilgamesh can be a violent boor with little regard for women…
The Epic of Gilgamesh. Trans. Kovacs, Maureen Gallery. Stanford, CA: Stanford University Press, 1989.
Homer. Odyssey. Trans. Lombardo, Stanley. Indianapolis: Hackett Publishing Company, 2000.
Leed, Eric J. The Mind of the Traveler: From Gilgamesh to Global Tourism. New York: Basic Books, 1991.
Oinas, Felix J., ed. An Introduction to the World's Great Folk Epics. Bloomington, in: Indiana University Press, 1978.
332-333, 336-337). The fallen angels' response to Satan's call is the final confirmation of his character, because it demonstrates how he is able to maintain the respect and interest of his followers even though it appears as if they have been stripped of everything. In this sense, Satan is a kind of idealized revolutionary leader, outmatched by the "Almighty" but unwilling to give up, all the while maintaining the respect and loyalty of his followers.
In Paradise Lost, it seems almost inevitable that Milton, whether intentionally or not, was on the Devil's side, even if the narrator of the poem was explicitly not. This is evidenced by the discrepancies between the narrator's account of Satan's character and what is revealed in Book I, when Satan first interacts with the other fallen angels. here the narrator suggests that Satan's actions were born out of vanity and greed, Satan argues otherwise, claiming…
Milton, John. Paradise Lost. Boston: Woolsworth, Ainsworth, & Co., 1870.
arrior Hero: A Stranger in a Strange Land
The figure of the hero is set apart from the common herd of ordinary men by virtue of his special qualities and abilities; in some works, this separateness is literal - he is in a strange land apart from his own kin. To see how this alienation enhances the tale of the hero's conflict, The Odyssey, Beowulf and The Tragedy of Othello, the Moor of Venice will be considered.
Odysseus, Beowulf and Othello are all warrior heroes. Odysseus, in The Odyssey, has been instrumental in the victory at Troy, and now fights to return to Ithaca and bring his men safely home; more struggles await him there. Beowulf, a great fighter who has proven his mettle in many conflicts, hears about the depredations of Grendel on Heorot Hall and journeys there to rescue Hrothgar's people. His role in the conflicts against the…
Alexander, Michael, trans. Beowulf, Penguin Classics. New York: Viking Penguin, 1973.
Cook, Albert, trans. Homer: The Odyssey. New York: W.W. Norton and Company, Inc., 1967.
Shakespeare, William. The Tragedy of Othello, The Moor of Venice, The Complete Works of William Shakespeare. London: Abbey Library.
His very defiance of the immortals at almost every turn in the story is evidence of the extreme degree of certainty and even of righteousness that Odysseus carried with him throughout his journey, and this certainty is a strong sign of his heroism.
One of Odysseus' most obvious character traits, and one of the primary indicators of the Western ideal of heroism, is his militancy and physical prowess. This is commented on be several figures in the epic, including Odysseus himself. One of his sailors says at one point, "You are very strong yourself and never get worn out; you seem to be made of iron" (Book XII, par. 22). His single-handed destruction of Penelope's many suitors is also compelling evidence for this facet of his personality. His sheer battle prowess, which is how he came to be on this journey in the first place and is shown in many…
HUM/105 World Mythology Contemporary Hero's Quest Presentation (Robin Hood Prince Thieves 1991 Starring Kevin Costner) Pick a contemporary story form a, movie, video game inspired a mythological epic journey a hero's quest.
The character of Robin of Locksley in Kevin Reynolds' film Robin Hood: Prince of Thieves goes through a complex set of events as he tries to discover his personal identity. In his journey he realizes that it is essential for him to get actively involved in taking on a hero-like attitude in order to save numerous individuals from falling victims to an oppressive system. As a nobleman, one would expect Robin to react differently in the face of danger, taking into account that it was characteristic for people during the era to put across attitudes that had nothing to do with the general public's well-being.
In contrast to how most would expect, Robin takes on a rebellious nature…
Dir. Kevin Reynolds. Robin Hood: Prince of Thieves. Warner Bros., 1991.
Buhle, Paul, "Robin Hood: People's Outlaw and Forest Hero: A Graphic Guide," (PM Press, 01.01.2012)
Thomas, Leitch, "Adaptations without Sources: The Adventures of Robin Hood," Literature/Film Quarterly, Vol. 36, No. 1.
Yet, Odysseus is also rewarded for his loyalty and survives the Trojan War. His wit and intelligence provide a much different vision of an excellent hero than presented by Achilles. However, it is he who figures out how to end the lengthy war with the trick of the wooden horse. In the case of both heroes, it is not divine or monstrous adversaries that they face. Instead they fight a similar battle that Osiris did -- they must fight the greed and lust of mortal men. Although Agamemnon is their king, he is an adversary in that he forces them from their homes and places them and their men in danger for selfish greed and lust. However Agamemnon is later punished when he his murdered by his deceitful wife upon his return. Another human adversary faced by the heroes of the Iliad is Paris and his uncontrollable lust for Helen.…
Homer. The Iliad. Trans. Robert Eagles. New York. Penguin. 1998.
Rosenberg, Donna. World Mythology. 3rd ed. Lincolnwood, IL. NTC Publishing. 1999.
How irrational it is of Odysseus to say to the Cyclops after several men have been eaten, " You ought to be ashamed of yourself; how can you expect people to come see you any more if you treat them in this way?' (Book IX) the Cyclops obviously does not want people to visit him!
Another fault that makes Odysseus an anti-hero and therefore a bad king is how stubbornly prideful he is. An example of this behavior is when he is escaping the island of the Cyclops and decides to jeer at him from the sea and boast by telling him his true name. Odysseus tells that even his men "begged and prayed of me to hold my tongue." (Book IX) Had Odysseus not further taunted the Cyclops, the monster would not have learned Odysseus's real name (and his father's name, and his birthplace!) and therefore called down the…
He is described as being of gigantic size and of tremendous emotion. Always Achilles is described with the most exaggerated terms, shining like the sun or falling in the most absolute wretchedness. In a moment of sublimity oddly precognizant of gothic writers like E.A. Poe, Achilles refuses to bury his beloved Patrocles' body because "since I'm journeying under the earth after you, I'll postpone your burial...Till that time, you'll lie like this with me..." (book 18, 330-338) Achilles is perfect and heroic in the extremity of his nature. A more archetypal approach would say that he was heroic because, more than any other character, he represented the purity of war. Archtypically, he represents a purity of action and emotion than can drive men to battle, the pure warrior who is at once filled with the strength of emotion and will and yet resigned to perfect destiny, faithful towards the gods,…
Off from the sill there
Bent mead-benches many, as men have informed me,
Adorned with gold-work, where the grim ones did struggle.
The Scylding wise men weened ne'er before
That by might and main-strength a man under heaven
Might break it in pieces, bone-decked, resplendent,
Crush it by cunning, unless clutch of the fire
In smoke should consume it. (12. 62-73)
The physical properties that Hrothgar's men had built into the Hall withstood this battle of good vs. evil. Heorot was intended to be a place of greatness and glory to God which gave it the symbolic ability to make good prevail and evil sink.
After Beowulf's victory over Grendel, Beowulf must travel to Grendel's home to do battle with his monstrous mother. Her den is described by Hrothgar to Beowulf as an evil place shrouded in darkness, yet "there ever at night one an ill-meaning portent / a fire-flood…
The Epic of Beowulf. Trans. Lesslie Hall. 2003. 27 October 2006. http://www.bernijohnson.com/beowulf/beowulf.html
Niles, John D. "Beowulf's Great Hall. History Today 56.10 (Oct. 2006): 40 (5p.).
Ebscohost. 27 October 2006. http://www.web110.epnet.com
Anti-discrimination laws are enforced and companies are rated by their policies of tolerance. Homophobia is gradually being extricated from the American consciousness and so is sexism. The media plays a major role in how the American consciousness changes and those changes have an indelible impact on the character of the American Dream.
Thomspon also notes that Thrice was well-loved by his teammates. The community rallied in support of Thrice and there was a general outcry after he died. Being American has always entailed appreciation for grassroots movements. The social and political realities that evolve depend on grassroots movements. Grassroots movements precede legislation and policy changes. America becomes more of a real democracy as grassroots movements offer a voice for the most disenfranchised elements of society. Grassroots movements prevent tyrannnies of the majority and enable minority opinions to make their way into public policy. The American government remains a government of…
The Declaration of Independence." Indiana University School of Law. Retrieved April 1, 2007 at http://www.law.indiana.edu/uslawdocs/declaration.html
Library of Congress (2002). What is the American Dream? Retrieved April 1, 2007 at http://memory.loc.gov/ammem/ndlpedu/lessons/97/dream/thedream.html
United States Constitution: Fourteenth Amendment. Retrieved April 1, 2007 at
However, when Achilles touches Priam as token that he should have no fear; both gods and mortals are said to be asleep. There is a sense of will in Achilles' gentleness towards the man, and his willingness to touch Priam's sleeve that night. In other words, human and divine reconciliation and pity is not simply a law, humans must accept the will of the gods, but they are also capable of choosing to add or subtract the misery of the world by showing pity to their fellow humans. Odysseus' cleverness, although aided by the gods, is also partly drawn from his own resourcefulness and character, as well as merely because Athena helps him.
Achilles makes what is said to be the greatest gift to Priam, that of Hector's body. In Greek custom, gifts were customary to give to visitors. ith such a gift, Achilles gives up his determination to mourn…
Homer. "The Iliad." Trans. Robert Fagles. New York: Penguin, 1990.
Homer. "The Odyssey." Trans. Robert Fagles. New York: Penguin, 1996
Beowulf is a hero who embodies the ideal characteristics in the Anglo-Saxon culture; these characteristics all come together to make up an epic tale. He possesses the traits and beliefs that were respected in the Anglo-Saxon culture. Beowulf displays these traits in his own actions and words during different circumstances throughout the tale. Beowulf is shown to be the strongest among the strong. Physical strength was very much embraced by the Anglo-Saxon culture. Beowulf could slay the greatest monster of all, Grendel who lived in the woods. The portrayal and evil predictions of the eerie woods indicates an unwelcome place, especially as it is widely known by the people to inhabit evil monsters in the form of Grendel and his mother.
Predictability is something that is many times mentioned throughout this tale. Although many times correct, some predictions seem to be a foreshadow of evil things to come. Other predictions…
Campbell, James. The Anglo-Saxons. Ed. Eric John and Patrick Wormald. New York: Penguin Books, Limited, 1991.
Davies, Peter . The American Heritage Dictionary of the English Language. Boston: Houghton Mifflin Company, 1980.
Greenblatt, Stephen. The Norton Anthology of English Literature. 8th ed. Vol. 1. Boston W.W. Norton & Company, Incorporated, 2005.
Beowulf and Predications
Reason and science were replacing the imaginative and poetic view of life. The Romantic poets opposed the increasingly mechanical and scientific world and one of the ways that they expressed their opposition can be seen in the adoration of nature.
yron was the most cynical and radical of the Romantic poets. He was unlike many of the other poets in the Romanic movement in that he was extremely realistic and had no illusions about reality and the negative side of human life and nature. He saw mankind as essentially "fallen." In his poems he often attacks what he considered to be the illusions and pretensions of the other Romantic poets. The yronic hero therefore struggles in a universe which is essentially without divine guidance. He relentlessly interrogates the human situation.
This process of interrogation and the search for a higher form of existence produces a conflict within his poetic works…
Glossary of Literary Gothic Terms. November 14, 2005. http://www.georgiasouthern.edu/~dougt/goth.html
Byron. November 14, 2005. http://www.bartleby.com/222/0211.html
Byron, George Gordon. The Complete Poetical Works of Lord Byron. Boston: Houghton Mifflin, 1905. Questia. 14 Nov. 2005
Faust page. Novenber 13, 2005. http://careo.elearning.ubc.ca/cgi-bin/wiki.pl-FaustPage
Crazy Horse and the Western Hero
Crazy Horse, believed born sometime in 1838, was a respected member of the Oglala Sioux Native American tribe and is noted for his courage in battle. He was recognized among his own people as a visionary leader committed to preserving the traditions and values of the Lakota way of life and leading his people into a war against the take-over of their lands by the White Man. The location of Crazy Horses birth is not conclusively known. Some sources report his birthplace as the South Cheyenne River. Other sources point to either Rapid Creek, near present day Rapid City, South Dakota, or near ear utte outside Sturgis, South Dakota.
Crazy Horse earned his reputation among the Lakota not only by his skill and daring in battle, but also by his fierce determination to preserve his people's traditional way of life. Celebrated for his ferocity…
Marshall, Joseph M. "Crazy Horse (Tasunke Witko) 1840-77."
Pautler, N.P. "We all play the hand we're dealt, honored historian says." University Week. June 22, 1995, p. 3.
Robert Warshow. The Immediate Experience: Movies, Comics, Theatre and Other Aspects of Popular Culture. Cambridge, MA: Harvard University Press, 2001.
White, Richard. It's Your Misfortune and None of My Own. Norman: University of Oklahoma Press, 1991.
Old Western Frontier -- the Pervasiveness of the Western Frontier Hero in the American Imagination
The heroic American national character and the search for an ungoverned American frontier are fused in the America national imagination. America envisions itself as a wide-open place, rather than a contained place of tradition like Europe. America is seen in the natural cultural mythos as an area of limitless expansion. Thus, there are little consequences for the environment because of capitalism and industrialism, because national resources are never-ending. Resettlement of natives and immigrants is of little consequence, because there is so much land. And all restrictive laws regarding the use and abuse of land, people, and morality are seen impingements and infringements upon the ability of masculine commerce and the American spirit to realize their fullest potentials.
The frontier is also a place for and of men, where women are encroachers, never at home. The…
Homer was a legendary Greek poet who is traditionally credited as the author of the major Greek epics the "Iliad and the Odyssey," as well as the comic mini-epic "Batracholmyomachia" (The Frog-Mouse ar), the corpus of Homeric Hymns, and various other lost or fragmentary workd such as "Margites" (Homer pp). Some ancient authors credited him with the entire Epic Cycle, which included other poems about the Trojan ar as well as the Theban poems concerning Oedipus and his sons (Homer pp). According to legend, Homer was blind, and aside from several Ionian cities claiming to be his birthplace, there is nothing else known about him (Homer pp). Aristotle and Pindar believed that Homer was born in Smyrna, on the coast of modern-day Turkey, and enjoyed years of fame on the Aegean island of Chios (Tolson pp). Although the great scholar-librarians of Alexandria scrutinized the epics for historical and geographic errors,…
Tolson, Jay. "Was Homer a solo act or a bevy of bards?"
U.S. News & World Report; 7/24/2000; Tolson, Jay
Boorstin, Daniel J. "The reign of the spoken word; Homer spun epics that survived while marble temples fell to ruin." U.S. News & World Report; 8/31/1992; pp.
Due, Casey. "Homer and the Papyri: Center of Hellenic Studies."
Leadership, Values, And Beowulf
The epic poem of Beowulf is a narrative a famous warrior who eventually becomes a powerful king. The story involves the exploits of a Scandinavian warrior-prince who comes from the land of the Geats, located in what is now southern Sweden. The poem may be divided into two periods of the Beowulf's life. These two periods exemplify the heroic life in youth and old age.
The poem starts by acquainting the reader with the problems of Hrothgar, King of the Danes, who is being threatened by Grendel, a monster who relentlessly has come to the kingdom night after night for twelve years to carry off and devour the vassals of Herot. Beowulf hears of this situation and resolves to defeat the monster. Eventually, Beowulf defeats Grendel in hand to hand combat tearing off one of the monster's arms. The following night Grendel's mother comes to avenge…
Anonymous. Beowulf. Ed. Michael Alexander. Penguin Books: London, 2001.
Hall, Lesslie (Trans.). Beowulf: An Anglo-Saxon Epic Poem." Boston, New York, Chicago: D.C. Heath & Co., 1892. Web. 30 May 2013.
Serriallier, Ian. Beowulf the Warrior. New York: Henry Walck Incorporated,1961. Print.
Stitt, Michael J. "Beowulf and the Heroic Code." English 477 Tolkien & Fantasy Literature, University of Navada, Las Vegas, (ND). Web. 30 May 2013.
Dirty Harry" Stars in Action Hero -- 1984 Hamlet
"Hamlet: The Tragedy of Hamlet, Action Hero of Denmark." This thesis statement or subtitle for Franco Zeffirelli's 1984 movie version of Shakespeare's Danish prince may not be catchy on a box office marquee (although neither is "The Passion of the Christ," for which Gibson is now equally well-known and which did quite well at the box office). However, this appellation is an appropriate summation of a film that fillets away the ambiguity of Shakespeare's original text, reducing the story of Hamlet's quandary about pursuing his father's revenge to a common, moralistic drama of revenge, where there is less moral questioning and more of an emphasis on plot obstacles preventing the simple main character from exercising his prerogative as a son to avenge his father's murder.
The film accomplishes this simplistic early on, during its funerary prologue. This montage is not present…
"Hamlet." Directed by Franco Zeffirelli. Starring Mel Gibson. 1984.
Beowulf and Treasure
In the epic poem Beowulf, the hero is one born to wealth and raised to wealth. This position, rather than making him weak, has allowed Beowulf to become respected in his community as a man of generosity and, because of his skills as a warrior, immense courage. To this extent, the reader sees Beowulf engaging in acts of bravery and of generosity towards his fellow men. Contrast this to the more evil characters, both the monsters Grendel and his mother and the monstrous humans that Beowulf encounters. Those who are ungenerous are invariably the wicked characters, both lacking kindness towards fellow men and the heroic bravery of a Beowulf. Money and treasure are shown in the poem as markers of respect and of decency. Those who give it are treated heroically, as is evidenced at Beowulf's funeral. Those who hoard it are shown to be wicked. In…
The supernatural element is also often present in the Arthurian legends, such as the appearance of the Green Knight in Sir Gawain, and it is an important part of the mystical experiences described in the legends. In a sense, the knights, just like the epic heroes, are confronted with the supernatural so as to prove their worthiness, but the difference is that the knights, such as Lancelot, Percival or King Arthur himself engage in a mystical experience rather than in a mere confrontation with their own destiny, as Ulysses does. The romance is thus more concerned with the inner qualities of the knights. Courtly love also plays a very important part in the romances, as the knights are usually devoted to God, to their king or liege and to a beautiful and virtuous lady.
The Odyssey and the Arthurian Legend
There are many similarities, as well as significant differences between…
In "Federigo's Falcon," the female protagonist Monna Giovanna was widowed by her husband who suddenly fell ill and passed away. Her husband was a very wealthy man, and together they had a son who become the sole beneficiary of his father's estate. From the beginning of the story, female's roles in the Middle Ages become apparent. The story writes, "...he made his son, who was growing up, his heir, and, since he had loved Monna Giovanna very much, he made his/her heir should his son die without a legitimate heir..." Instead of the wife and mother becoming the beneficiary of her husband's finances, it is the male son, who is still not old enough to take care of himself yet, that inherits all of his father's fortune. The wife inherits the money only if the son dies before she does. This notion however, is very reflective of the given time…
In the traditions of Greek epics, he has not only been a hero in his lifetime, but strengthens his legacy by passing the ability to his son.
In addition to accomplishing works of great military valor, Odysseus's character also lends to his heroism. Neither he nor Telemachus exercise their physical abilities for their own sake, or to get praise, but both do it for a very valuable reason. During the Trojan ar, Odysseus fights for his people. His desire to return home is inspired by the love of his wife and his family. His anger towards the suitors is not just because one of them might have taken his worldly riches, but more importantly because they have been threatening his wife's devotion to him. That Odysseus is a family man of great character can be best witnessed through his interactions with Calypso, who fell in love with him and forced…
Homer. The Odyssey. 800 B.C.E. The Internet Classics Archive. 7 September 2009.
O rother, Where Art Thou?
Homer in Hollywood: The Coen rothers' O rother, Where Art Thou?
Could a Hollywood filmmaker adapt Homer's Odyssey for the screen in the same way that James Joyce did for the Modernist novel? The idea of a high-art film adaptation of the Odyssey is actually at the center of the plot of Jean-Luc Godard's 1963 film Contempt, and the Alberto Moravia novel on which Godard's film is based. In Contempt, Prokosch, a rich American dilettante film producer played by Jack Palance, hires Fritz Lang to film a version of Homer's Odyssey, then hires a screenwriter to write it and promptly ruins his marriage to rigitte ardot. Fritz Lang gamely plays himself -- joining the ranks of fellow "arty" German-born directors who had earlier deigned to act before the camera (like Erich von Stroheim in Wilder's Sunset oulevard, playing a former director not unlike himself, or…
Peter Biskind, Easy Riders, Raging Bulls How the Sex-Drugs-and-Rock'N'Roll Generation Saved Hollywood. New York: Simon and Schuster, 1999. Print.
Cavell, Stanley. Pursuits of Happiness: the Hollywood Comedy of Remarriage. Cambridge: Harvard University Press, 1984. Print.
Connors, Catherine. Petronius the Poet: Verse and Literary Tradition in the Satyricon. Cambridge: Cambridge University Press, 1998. Print.
Doom, Ryan P. The Brothers Coen: Unique Characters of Violence. Santa Barbara, Denver and Oxford: Praeger / ABC-CLIO, 2009. Print.
Heroic Qualities of the Son of God and Satan in Milton's Paradise Lost
John Milton's Paradise Lost presents us with complex images of the hero. e have come to understand the epic hero being portrayed as a person of historical significance possessing courage and strength and usually placed in a grand setting. Heroic actions and characteristics are present in the Son of God and Satan and this paper will examine the similarities and differences between each character.
The Son of God can easily be seen as the hero of Paradise Lost because he is good. He sits with God in Heaven and because he is the Son, his actions (as well as his person) are perfect. For instance, Milton tells us that the Son is "most glorious... And in his face/Divine compassion visibly appeared,/Love without end, and without measure grace" (III.139-42). God says that the Son is his word, wisdom,…
Milford, Humphrey. The English Poems of John Milton. London: Oxford University Press. 1926.
Everyman and the Song of Roland focuses on the leading characters of the plays, namely, Everyman and Roland. This paper gives an in depth analysis of Everyman and the ingredients necessary for any man to abode paradise. This paper also reviews the character of Roland and how he earned great praise and respect not only among his mortal friends but also among angels and saints in heaven. By comparing both characters, this paper emphasizes on life after death according to Christian ideals.
Compare And Contrast Everyman And The Song Of Roland
Everyman is a medieval morality play, written anonymously between 1509-1519. This play may have been inspired by an anterior Dutch morality play, Elckerlijk. The play Everyman is an allegory of Death and the destiny of the soul. Everyman calls for Fellowship, Goods and Strength when he is summoned by death but sadly they betray him due to their true…
Eveyman. Mideival Source Book. Available on the address http://www.fordham.edu/halsall/basis/everyman.html . Accessed on 22 Feb. 2003.
The Song Of Roland. Available on the address http://www.sparknotes.com/lit/songofroland . Accessed on 22 Feb. 2003.
According to Griffin, the Odyssey is a didactic poem that delights precisely in its own lesson about human fate and its own rhetoric. Thus, as Griffin emphasizes, the Odyssey teaches its reader that the end of human life and of all the disasters, misfortune and happiness that accompanies it is to provide a theme for a beautiful song like that of Ulysses: "From the narration of suffering we are to draw serenity: the gods devise disasters, Odysseus is told, that there may be song among men (8.579), and to listen to that sad song gives delight. Listen and learn, Penelope was told: the gods bring unhappiness on many others besides you (1.353-5). In the end Odysseus and Penelope have learned that hard lesson. Life is full of unhappiness, but that is what is transmuted into song. They achieve harmony with that process and learn, as we are to learn, the…
Griffin, Jasper. Homer: The Odyssey. Cambridge University Press, 1987, pp 47-98
Halkin, Hillel. "Sailing to Ithaca." Commentary 120.4 (Nov 2005): 69(8).
Homer. The Odyssey. New York: Oxford Classics, 1973
Jones, Peter V. "Introduction," in the Odyssey, by Homer, translated by EV Rieu, Penguin Classics, 1991
Robert Hayden, one of the most important black poets of the 20th Century, was born in Detroit, Michigan in 1913 and grew up in extreme poverty in a racially mixed neighborhood. His parents divorced when he was a child and he was raised by their neighbors, illiam and Sue Ellen Hayden, and not until he was in his forties did he learn that Asa Sheffey and Gladys Finn were his biological parents. During the Great Depression he was employed for two years by the Federal riter's Project, and published his first volume of poetry Heart-Shape in the Dust in 1940. He taught English at Fisk University in Nashville, Tennessee for twenty-three years, and then at the University of Michigan from 1969 until his death in 1980. Among his other works were The Lion and the Archer (1948), Figure of Time (1955), A Ballad of Remembrance (1962), orks in Mourning Time…
Bloom, Harold. Robert Hayden. Chelsea House Publishers, 2005.
Fetrow, Fred M. "Middle Passage: Robert Hayden's Anti-Epoch" in Bloom: 35-48.
Gates, Henry Louis and Evelyn Brooks Higgenbotham. Harlem Renaissance Lives: From the African-American National Biography. Oxford University Press, 2009.
Kutzinski, Vera M. "Changing Permanences: Historical and Literary Revisionism in Robert Hayden's Middle Passage" in Bloom: 306-21.
In conclusion, Jesus defeats Satan through his faith and knowledge of God's law. However, there is a much deeper layer that lies in the supremacy of the spiritual world over the physical world. The temptation story establishes the degree of perfection that is inherent in Jesus through analogy. There is an implied comparison between what Jesus did and what the reader would do. The story asks the reader to look inside themselves and make a comparison. The lessons in the temptation story set the stage for the other tests that are to follow. They demonstrate Jesus' readiness for the tasks that lie ahead.
Antonakes, M. 2004. "Nikos Kazantzakis and Christ as Hero" Journal of Modern Greek
Studies. 22: 95-105.
Conrad, C. 2002. "New Observations on Voice in the Ancient Greek Verb." St., Louis, IL:
ashington University. Online. Available from Internet, http://www.ioa.com/~cwconrad/Docs/NewObsAncGrkVc.pdf, Accessed August 15,
Dunbar, D. 2003. "Re-visioning…
Antonakes, M. 2004. "Nikos Kazantzakis and Christ as Hero" Journal of Modern Greek
Studies. 22: 95-105.
Conrad, C. 2002. "New Observations on Voice in the Ancient Greek Verb." St., Louis, IL:
Washington University. Online. Available from Internet, http://www.ioa.com/~cwconrad/Docs/NewObsAncGrkVc.pdf, Accessed August 15,
myth in Daniel Wallace's ig Fish is particularly what allows Edward loom to keep other people in his life at a distance. y stretching the events of his life into tall tales, Edward was able to create an identity for himself that was more noteworthy or memorable than the objective facts that typified his existence. However, Edward's son, Will, is called home to reconcile with his father has he nears death; though one of his true motivations is to separate myth from reality once and for all. Essentially, this is the emotional setting of the story: Will believes that if he can divine the facts of his father's life from the myths, then he will somehow be closer to him and understand him before his death. Yet, as he uncovers more of the inspirations for Edward's tall tales, he comes to realize that the fictional stories he's been told his…
1. Burton, Tim. Big Fish. Columbia Tristar, 2004. 125 min.
2. Wallace, Daniel. Big Fish. Chapel Hill: Algonquin Books, 1998.
She has a vivid imagination doubled by a deep understanding of the human nature and thus her stories are acting like parables. The story telling is similar to some point to that of Boccacio's Decameron. People will find a something in common with their own experiences and learn something out of them without feeling punished or admonished or even pointed at. One of the lessons Kidd is teaching here through Lily's adventures is that of racism, viewed both from the white and black perspectives.
Spirituality is omnipresent in the book, from the way Lily thinks of her mother as her guardian angel to the new religion she discovers in the Boatwright household, half Christian half self-made. The two worlds she lives in are separated by the same trace and that is where the master work of Kidd is revealed. A simple phrase is revealing more than an extended study on…
Kidd, Sue Monk. The Secret Life of Bees. Penguin, 2002
Breakout bestseller books are sometimes criticized as being undeserving of their success. They may be called poorly written, or people may think they are only successful because they were well-advertised instead of actually unique. The Hunger Games and its sequels, Catching Fire and Mockingjay, fit the category of breakout bestsellers; although the author, Suzanne Collins, had previously written some solid novels, her previous books did not approach the bestselling level of the Hunger Games books. However, it is clear upon reading the Hunger Games books that both the initial book and the trilogy as a whole deserve their success. The Hunger Games and its two sequels are popular because they succeed in drawing the reader into the story with good writing; in providing a unique and interesting story followed by a good ending; and in fulfilling the expectations of the audience in some ways while breaking through them in others.…
Throughout the text of the Odyssey, Odysseus finds recourse to rely on his inner resource to surmount incredible odds in order to finish his journey home. Indeed, often we think of epic heroes using their enormous physical strength to solve a problem, and certainly, Odysseus does have recourse to physical means on more than one occasion. Nonetheless, it is more often that he uses his cleverness and mental agility to defeat opponents who often have greater or strength or significant enough numbers to overcome whatever strength he has. Indeed, this makes sense in the case of Odysseus, because as we know from the Iliad, it was his suggestion to overcome the Trojans by the use of the Trojan Horse. Here, too, Odysseus proved that he was able to solve a difficult conflict that violence could not solve through the power of his cleverness and vision. Indeed, in The Odyssey,…
Fagles, Robert. The Odyssey. New York: Penguin USA, 1999.
Honore De alzac's Views On Family
Honore de alzac had a talent for exposing French social life, particularly in relation to families. Through Cousin ette, Father Goriat and Lost Illusions, alzac expressed his belief that modern society, with greed, corruption and temptation, threatened the basic family structure, making families into monetary units of far less importance than they had been in previous days.
In Cousin ette (alzac, 1991), the main character, Lisbeth "ette" Fischer, is a homely, middle-aged spinster who has lived her whole life in envy of her pretty cousin Adeline, who is married to aron Hector Hulot DErvy, a prestigious military and government official who does not make a lot of money and is a complete womanizer. Hector has a slew of mistresses, despite his wife's loyalty and devotion to him. Their daughter, Hortense, develops a crush on ette's "boyfriend," Wenceslas Steinbock, a young Polish sculptor, and marries…
Balzac, Honore de. (1991). La Cousine Bette. Powell's Books.
Balzac, Honore de. (1999). Pere Goriot. Econo-Class Books.
Balzac, Honore de. (2001). Lost Illusions. Modern Library.
Cartage. (2002). Balzac, Honore de. Retrieved from the Internet at http://www.cartage.org.lb/en/themes/Biographies/MainBiographies/B/balzachonor%C3%A9de/2.html
Greek Hero Odysseus in Homer's Odyssey and the Northern Hero Beowulf in the saga BeoWulf, discussing how either can be heroes and arguing in some ways that it is more than deeds that marks a hero, but also the way in which they behave and relate to others.
Anonymous, 'Beowulf' [online] access at http://www.promo.net/pg/;(2001)
Homer 'The Oddessy' Noonday Press; (1998)
In works of fiction, the hero's journey will always be fraught with danger. He will not only have to overcome his own shortcomings, but will also encounter individuals who hope to impede his journey and prevent him from accomplishing his goals or individuals who will help them overcome their obstacles and succeed. Literature throughout history and literature that transcends cultures exhibit this same proclivity. Each component of the hero's journey, beginning with his quest, his initiation into the situation which will lead to his development, his separation from his origin, and finally his transformation at the end of the story is heavily dictated by the attention and communication he receives from the other male character. The stories "Young Goodman Brown," The Epic of Gilgamesh, Beowulf, and "The Legend of King Arthur" all show pairings of male characters, the protagonist and another male figure who either acts as an…
Hawthorne, Nathaniel. "Young Goodman Brown." 1854.
Hinds, Gareth. Beowulf. Cambridge, MA: Candlewick, 2007. Print.
"King Arthur, and the Legend of the Knights of the Round Table." N.p., n.d.
Sanders, N.K. The Epic of Gilgamesh: an English Version with an Introduction. New York, NY:
e. The Law of Hospitality, which stressed over the utilization of the expertise and support services towards an individual or community, which has experienced critical and crucial time, similarly, the services and obligations between the master and servant towards each other has been the focused of his teachings and practices (Steven, 2006).
The Odyssey attempted several times to return to his kingdom in Ithaca, whereas the exiled ama never planned any political or military outrage against the ruling authority to ensure his return. The major difference in both the epics has been the deep involvement and influence of the ama's family in his life. Sita, the wife of ama, contributed deeply towards the spiritual objectives of her spouse, their children were equally involved in the quest marked by their parents. The Sita was forcibly victimized by the associates of the ama, and she was alleged for malpractices which eventually resulted…
Catherine Clement. Theo's Odyssey. 1999. pp. 32-34. Arcade Publishing.
Arthur Charles Clarke, Gentry Lee. Rama Revealed. 1994. pp. 154-167. Bantam Books.
Steven J. Rosen. Essential Hinduism. 2006. pp. 54-67. Greenwood Press.
George William Cox. The Mythology of the Aryan Nations. 2004. pp. 213-222. Adamant Media Corporation.
Achilles' speech Agamemnon's embassy Book 9 " Illiad" it Achilles reflects codes behavior heroes
The Right to Pride
The Trojan ar was fought for a variety of reasons, the most fundamental of which was because Helen was abducted from Sparta and delivered to Paris of Troy. Yet for many of the individual combatants, and particularly for those who were regarded as heroes, the war was fought for far more personal and lasting reasons. As many of the heroes within this epic indicate via their speech and actions, the Trojan ar was ultimately a chance for glory everlasting, and the opportunity to claim a renown and fame for deeds done and opponents conquered that would not present itself for quite some time, if ever again. Achilles, the hero of the epic and one of its most unequivocal champions, personified this desire for glory that drove most of the heroes in the…
Homer. The Iliad. www.poetryintranslation.com. http://www.poetryintranslation.com/PITBR/Greek/Iliad9.htm. Web.
3. What are some of the themes you notice in the "Love Songs"?
The Egyptian love songs use the terms "brother" and "sister" as generic references to male and female lovers and suggest intimacy as well as the taboo of incest. Brother-sister unions were already written into Egyptian mythology by the time the love songs were penned. Also, the love songs reveal an emerging theme of romantic love, which almost seems out of place in ancient literature.
4. Did the erotic or explicit nature of some of the love songs surprise you? Explain.
The eroticism in the love songs is not wholly surprising, given that many ancient cultures addressed human sexuality frankly and even using graphic depictions. The Egyptians also employed some sexual imagery into their art, as did the ancient Indians and Chinese.
1. In what ways is the Hebrew view of God different from the Sumerian…
eowulf's story is being told by Christian tribes. He finds nature on his side because God is on his side - and he works within Gods will. He does not fight gods or nature, but rather only fights irrevocably evil demons. He is associated with a pious culture which is not humanistic, and in which science and other such forms of hubris are not encouraged. eowulf is a truly medieval hero, just as Odysseus was Grecian.
This difference in culture, between the material and the heavenly, is seen in every aspect of the two characters and their lives. It exists also in their ends. Odysseus spends his entire story seeking a way home to the home of his body - to his wife, his child, his fields and bed. eowulf is seeking only the ultimate good, and he turns down physical reward and even resists kingship until it is forced…
Bibliography used different translations of these two books, so as to make them searchable and because I could not access the specific textbook
Beowulf. Trans. Dr. David Breedan. Archived at http://www.lnstar.com/literature/beowulf/index.html
The Odyssey by Homer. Trans. Samuel Butler. Archived at http://darkwing.uoregon.edu/~joelja/odyssey.html
Honor Code of Chinese Warriors
The objective of this study is to discuss the honor code of warrior-heroes in Chinese history and to answer to what the honor code consists of and the origin of the honor code. As well, this study will examine how this honor code influenced the intentions, words, and actions of the warriors and how the honor code manifests itself in novels, how and when the codes apply and what competing visions existed in human conduct.
Wuxia is a term in Mandarin that means literally "martial arts chivalry" and is representative of a unique Chinese type of story that is dated back as far as the Tang Dynasty (681-907). Wuxia is defined by stories "that combine wushu (martial arts) tradition with deeds of heroic chivalry perfomed by men and women." (Pollard, 2011, p.1) Wuxia stories are rooted in "early youxia (?
) and cike (?
The Warrior Code (nd) China History Forum. Retrieved from: http://www.chinahistoryforum.com/index.php?/topic/31149-warrior-spirit-in-china-chinese-warrior-codes/
Hsia, C.T.C.T. Hsia on Chinese Literature. Columbia University Press, 2004 (ISBN 0231129904), pg. 149
Bordahl, Vibeke. Four Masters Of Chinese Storytelling: Full-length Repertoires Of Yangzhou Storytelling On Video. Nordic Institute of Asian Studies; Bilingual edition, 2004 (ISBN 8-7911-1464-0), pg. 166
Guth, Christine. Longfellow's Tattoos: Tourism, Collecting, and Japan. University of Washington Press (2004), p147
On the other, Ophelia is the opposite of a classic hero. She is a young girl, merely a child, involved by accident in a guerrilla war against one of the greatest evils of modern times; the fascism combined with an authoritative regime. The trickster in this modern fiction does not become her friend, neither does he fight along with her. She has to fight her own battles and he is not even in the position to oversee any of her errors. She is an archetype herself. As soon as she takes her new born brother into her arms she becomes the mother who throws herself into the fire rather than throwing her offspring. It is embedded in her to act this way and the symbolism of her being a princess resides in the true nature of humanity.
Although del Toro's film could be reduced at the representation of the fight…
" 1). The story also portrays the roles of women as incredibly passive. When Ghatotkacha dies, his mother is left vulnerable and is "rendered helpless at the unexpected death of the main pillar of her security," (Bandyopadyay "A Study in Folk 'Mahabharata:' How Balarama Became Abhimanu's Father-in-Law." 1). This was then adopted by Islamic tradition to show the nature of the woman's role within typical life.
The two versions of the Indonesian and Indian portrayals of Ghatotkacha's story have their similarities and differences. According to research, the Mahabharata entered into Indonesia through Java around the first century CE. As it traveled deeper into Indonesia, there were slight variations which were created out of adapting the tale to traditional Indonesian culture. The two are incredibly similar, "the Indonesian version of Mahabharata has great resemblance with the Indian folk-versions," (Bandyopadyay "A Study in Folk 'Mahabharata:' How Balarama Became Abhimanu's Father-in-Law." 1). Yet…
Bandyopadyay, Indrajit. "A Study in Folk 'Mahabharata:' How Balarama Became Abhimanu's Father-in-Law." Epic India. 17(28). 2008. Retrieved 14 Nov 2009 at http://www.epicindia.com/magazine/Culture/a-study-in-folk-mahabharata-how-balarama-became-abhimanyus-father-in-law
Bandyopadyay, Indrajit. "Variations in Indonesian Mahabharata." Boloji. 2009. Retrieved 14 Nov 2009 at http://www.boloji.com/hinduism/145.htm
Chaturvedi Badrinath, The Mahabharata: An Inquiry in the Human Condition, New Delhi, Orient Longman. 2006.
Chidambaram, Vijay. "Ke Sera." Word Press. 2007. Retrieved 15 Nov 2009 at http://thevc.wordpress.com/2007/12/01/ke-sera-sera/
Eumaeus heard the discussion and said: "Don't listen to this girl, she has gone mad after having lost her father, the queen is not ready to pick a suitor yet!" I couldn't tell Eumaeus about my arrangement as he could have ruined it all.
After all the suitors had gathered in the great hall, I've locked all of the doors so that none could escape my father's revenge. My father appeared, and, as if he knew what my plan had been, he asked me for his armor and for his weapons. Soon enough, the great hall boiled as my father murdered every single one of my mother's suitors.
The story of Aeneis pretty much resembles that of Odysseus and like the Greek hero, the Trojan goes through great efforts until reaching his destination. Homer's influence on the Aeneis is seen clearly across the epic.
However, in an attempt to give…
1. Homer. "The Odyssey."
2. Virgil. "The Aeneis."
The fact that Lysistrata's "came to power" by virtue of her own leadership abilities which were recognized and celebrated by their peers rather than having them thrust upon her from above is pointed out by Ober (1989), who reports, "The Athenians' demonstrated concern with native intelligence, their distrust of elite education, and their respect for the authority of the elders are parodied by Aristophanes, who mimics rhetorical topoi in the speech of Lysistrata, the female demagogue:
Listen to my words
I am a woman, but I'm smart enough
Indeed, my mind's not bad at all.
Having listened to my father's discourses
And those of the older men, I'm not ill educated. (Lysistrata 1123-27 quoted in Ober at 182)
Indeed, Lysistrata's leadership qualities were clearly demonstrated in her ability to organize the women of Athens to show the warring men of the city just who in fact had "the power" suggests…
Abusch, T. (2001). "The development and meaning of the epic of Gilgamesh: An interpretive essay." The Journal of the American Oriental Society, 121(4): 614.
Black's Law Dictionary. St. Paul, MN: West Publishing Co., 1990.
Brodie, Thomas L. Genesis as Dialogue: A Literary, Historical, & Theological Commentary. New York: Oxford University Press, 2001.
DeLashmutt, Gary. (2007). "Genesis 1:1-2:4 -- the Beginning of Our World." Xenos Christian Fellowship. [Online]. Available: http://www.xenos.org/teachings/ot/genesis/ .
" The differences in these two lines seem to be only a matter of syntax but in actuality, it also differs in the meaning. The King James Bible version makes it seem like the Lord is making the individual do something, as if by force or obligation, while the Puritan version states that the Lord causes the individual to do something, as if out of their own will. This alone relays the message that faith itself is driving the action, not a perceived obligation.
Another distinction between the two translations can be found with the lines "Surely goodness and mercy shall follow me all the days of my life: / and I will dwell in the house of the Lord forever" (King James Bible) and "Goodness and mercy surely shall / all my days follow me. / and in the Lord's house I shall / dwell so long as days…
Invocation and Prologue
Hearken, O Muse, to this tale I do tell
Of an era on earth reminiscent of Hell
While great strides in technology, science, and art
Were made, so did evil steal over the hearts
Of leaders and men who assumed power, control
And wreaked havoc with their malicious goals.
A new era dawned on the children of man
One steeped in darkness and deepening a plan
Of Evil and Hatred, Corruption and Greed
But through this thick mire arose a new creed.
For the Monkey King, our hero tonight
Muse, fell victim to a vicious plight
The scourge of delusion, self-righteousness, fear
Seduced by the voices whispered in his ear
By ill-meaning forces of failure and fate
To these he fell pray, our hero of late.
So help me, O Muse, in telling this tale
Inspire my pen, my mind to set sail.
For the sons and…