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What is Film?

Film is one of the most versatile subjects in the arts and humanities, appearing in courses ranging from media studies and communication to sociology, psychology, and cultural criticism. What makes it academically compelling is its dual nature: film functions simultaneously as an art form with distinct technical and aesthetic conventions and as a cultural artifact that reflects the values, tensions, and relationships of the society that produces it. Students are asked to analyze specific works such as Mean Girls, Tough Guise, Sarafina, Wit, Menace II Society, and True Grit precisely because these films open up larger conversations about identity, violence, gender, race, and human behavior.

The papers archived here approach film from several directions. Some focus on technical and production elements, examining terminology, cinematography, and the conventions of silent film. Others take a sociological or psychological angle, using specific movies to explore addiction, domestic violence, and human behavior. Comparative essays place films side by side to highlight contrasting storytelling choices, while genre analysis papers examine why a film like The Hangover operates as comedy. Reflective and reaction-based writing also appears frequently, asking students to connect a film's scenes and story to real-world experience.

A strong film essay anchors its argument in specific scenes, dialogue, or cinematic techniques rather than plot summary. A well-scoped thesis makes a clear interpretive claim about what a film communicates and how it achieves that effect. Evidence drawn from the viewer's experience of particular moments carries more weight than general impressions. The most common pitfall is treating a film purely as a story to retell rather than as a constructed text where every choice — sound, framing, character relationship — contributes to meaning.

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Research Paper Undergraduate

Software piracy and intellectual property ethics in the workplace

One of the ethical dilemmas that repeatedly arises where I work is software piracy and other forms of "innocent" property rights infringements. The owner of the business herself uses bootleg copies of software, claiming…

Paper Undergraduate

Jazmin Biltmore's intersecting identities and access to human services

Jazmin Biltmore, the character Mo'Nique plays in the 2006 film Phat Girlz, has many different stereotypes that she is working against in the movie. The main way in which she identifies herself in the movie is indicative…

Paper Doctorate

Intertextuality and sexual awakening in Into the Woods and Hard Candy

Intertextual approaches to the Little Red Riding Hood story are examined in the 2005 film "Hard Candy", as well as original versions of the narrative by Perrault and the Brothers Grimm. The argument is that intertextuality requires not merely an allusion to an earlier story, but a credible way of viewing that earlier story---it requires a text and an accepted reading. In "Hard Candy" the accepted reading of Little Red Riding Hood is Freudian--it sees the story as being about a girl's experience of sexual maturation during puberty, at which point she might experience "predators" not literal (like wolves) but figurative (like older men).

Research Paper Doctorate

Emotional intelligence testing: Validity and reliability in business applications

Psychology Testing: Psychometric Emotional Intelligence (EQ)

Research Paper Doctorate

Law and individual responsibility in Judgment at Nuremberg

Judgment at Nuremberg is a 1961 film, which gives a fictionalized account of the post-World War II Nuremberg Trials. It stars Spencer Tracy, Burt Lancaster, Richard Widmark, Marlene Dietrich, Maximilian Schell, Judy…

Paper Undergraduate

D.W. Griffith's Birth of a Nation: racism and modern remakes

In the period after the Civil War, the United States of America was anything but united, but despite the harsh reconstruction program imposed upon the South by Congress, the country eventually healed.

Research Paper Undergraduate

Advocacy for single-payer healthcare reform in America

Senate Committee on Health, Education, Labor and Pensions

Paper Doctorate

Social and economic inequality in the 1954 film Salt of the Earth

The 1954 film Salt of the Earth explores a wide variety of social issues that would come to the forefront of social conscience in the coming decades. The film examines the economic and social inequalities perpetrated by the economic system in the United States, racial prejudice, and gender equity. The script is based on a real-life labor strike and uses the actual miners involved in the labor dispute as actors. The movie was made outside the studio system by blacklisted writer Michael Wilson, director Paul Jarrico, and director Herbert Biberman.

Research Paper Doctorate

Double imagery and moral duality in Hitchcock's Strangers on a Train

When writers create a story or movie script, they don't start off with an underlying "theme" in mind. After the first writing, as they read it over, a theme -- or the kernel of a theme -- emerges, that is, something the…

Paper Doctorate

Michael Moore's critique of Bush's war on terror policies in Fahrenheit 9/11

Fahrenheit 9/11 was released on 24th June 2004. The film is directed and written by Michael Moore who is also part of the film producing team along with Jim Czarnecki and Kathleen Glynn. The cinematography was done by Mike Desjarlais and the music was done by Jeff Gibbs. This film was distributed by Lions Gate Film/IFC. (Berardinelli) The film had a running length of one hour fifty two minutes. Fahrenheit 9/11 made its debut in 2004 Cannes Film Festival where it received the greatest standing applause from the mass in the history of that festival and was awarded with the Golden Palm, which is the festivals highest award. Apart from United States and Canada, this film was released in 42 other countries.

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