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Genre
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What is Genre?

Genre is a foundational concept in the arts, referring to the categories and conventions that organize creative works — whether in literature, film, visual art, or performance. Students encounter genre across disciplines including literary studies, film studies, art history, and cultural criticism. What makes it academically interesting is the tension between genre as a stable set of rules and genre as a living, evolving form shaped by audience expectations, social context, and artistic innovation. The works and movements appearing in this body of student writing — from Rococo and Neoclassical painting to lowbrow art, from dime novels to Western film, from short fiction to hip-hop and street dance — reflect just how broadly genre operates across the arts.

The papers here approach genre from several distinct angles. Some take a comparative approach, placing two works or styles side by side to examine how each handles form and convention, as seen in analyses pairing short stories or contrasting artistic movements. Others focus on a single genre — the Western film, the crime novel, the short story — tracing its defining characteristics and cultural role. Case-study analysis is also common, with writers using a specific work or artist to illuminate broader genre questions. A few papers address how genre intersects with social change, looking at how shifting audiences and cultural moments reshape artistic categories.

A strong essay on genre establishes a clear, arguable thesis about what a genre does, not just what it is. Evidence drawn from close reading of specific texts, films, or artworks carries the most weight. One common pitfall is treating genre as a fixed checklist rather than a dynamic framework — strong essays acknowledge that the most interesting works often push against or redefine the conventions they inherit.

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Paper Doctorate
Film Noir Analysis: Double Indemnity and Its Legacy
Film Analysis of Double Indemnity "From the moment they met, it was murder!" This is the legendary tag line for Billy Wilder's most incisive film noir, Double Indemnity, even though in 1944, when it was first released in New York on September 11, critics called it a melodrama, a elongated dose of premeditated suspense," "with a pragmatism evocative of earlier period French films [poetic realism of the 1930s]," with characters as rough, solid and inflexible as steel.
Research Paper Undergraduate
Fairy Tale Structure, Origins, and Appeal Explained
¶ … tales, as we have come to know them in the modern world, resulted from multiple intersections of technological, commercial, and social processes printing, publishing, book distribution, and story dissemination -…
Research Paper Doctorate
Nurse Practitioner Role: Current Trends and Preferred Future
If one is looking for a bare-bones description of today's nurse practitioner, a description presented in quite simple terms, it is convenient to turn to The International Council of Nurses; this organization defines the…
Paper Undergraduate
Media Exposure and Cognitive Development in Girls 6–12
The objective of this work is to describe, compare and contrast the effects on the development of cognitive thinking behavior of girls between the age of six to puberty when they are exposed to over sexualized media…
Paper Undergraduate
Johannes Brahms: Life, Work, and Musical Legacy
Bach, Beethoven, and Brahms make up the three 'Bs' of great composers of Western music. Their names are often uttered in the same breath. Bach is the great master of form, Beethoven the Romantic and emotional composer…
Paper Doctorate
The Waste Land and French Lieutenant's Woman as Modernist Texts
This paper discusses the Wasteland as an exemplary text of the Modernist Period and the French Lieutenant's Woman as an exemplary test of the Post-Modernist period. It posits that Modernism and Post-Modernism cannot be understood by reference to common features alone, but also as responses to their respective social, cultural, and political contexts. It concludes that both works became exemplary partly because they were so unlike any literature before them. Although unconventional, each was familiar enough to be contextualized in the course of literary history, meaning they unique in a way that could be articulated with the terminology available to literary critics of their time.
Paper Doctorate
Jim Henson: Career, Legacy, and Influence on Children's TV
Jim Henson is one of the most famous originators of children's entertainment in history; at the same time, he remains one of the most underrated and under-appreciated artists (Collins, 1998; Eide & Abrams, 2005).
Paper Undergraduate
Critique of Minor's Faculty Senate Models in University Governance
Minor's "Understanding Faculty Senates: Moving From Mystery to Models": A Critique
Paper Doctorate
Gothic Literature: The Italian and Northanger Abbey Compared
This paper discusses the gothic literary tradition. Ann Radcliffe's "The Italian" is a gothic story of virtuous lovers torn apart by the evil machinations of others, to be reunited at the end by their goodness. Jane Austen's "Northanger Abbey" mocks the conventions of the gothic to tell a story about a young women obsessed with books like Radcliffe's.
Essay Doctorate
John Coltrane's Innovation in "In a Sentimental Mood"
"John Coltrane's brief career was one of constant evolution and the innovations of each period of his development have had ramifications for the playing of virtually every contemporary jazz player;" Coltrane's level of innovation was unprecedented, and still is to this day (Baker 1990 p 11). He is now one of the most well known artists in Jazz music in general, yet he did not always embody the traditional styles of his day. Although there are some clear similarities between "In A Sentimental Mood" and the overall genre, the piece most often stands out as one of great innovation and change; Coltrane's implementation of complex chord changes and progressions, along with incorporating international themes within the piece, prove the song to be incredibly unique when compared to the overall genre in general.