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Islamic Art
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What is Islamic Art?

Islamic art encompasses the visual and material culture produced across Muslim-majority societies from the seventh century onward, spanning calligraphy, architecture, painting, pottery, and decorative arts. Students encounter this topic in art history, cultural studies, and humanities courses that examine how religious values, trade networks, and dynastic patronage shaped aesthetic traditions across a vast geographic range. The subject is academically compelling because it challenges narrow definitions of "fine art" and requires engagement with how faith, geometry, and language converge in visual form. Arabic calligraphy, frequently highlighted as a central element, illustrates how the written word carried both spiritual authority and artistic sophistication throughout Islamic civilization.

Student papers on this topic approach it from several distinct angles. Historical surveys trace the development of Islamic art and architecture from early periods through the medieval era, often examining how construction technologies and regional influences evolved over time. Some papers take a literary or interdisciplinary route, drawing on works such as Orhan Pamuk's My Name Is Red to explore questions of artistic identity and tradition. Others focus on specific media — pottery, calligraphy, or monumental architecture — using case studies to analyze how environment, culture, and Islamic civilization interacted to produce distinctive formal solutions. Comparative approaches also appear, placing Islamic medieval art alongside Roman, Gothic, and early Middle Ages traditions.

A strong essay on Islamic art benefits from a clearly scoped thesis that connects a specific medium, period, or region to a broader interpretive argument rather than summarizing development in general terms. Visual and material evidence carries significant weight, so close formal analysis of particular objects or buildings strengthens any claim. The most common pitfall is treating Islamic art as monolithic; acknowledging regional and temporal diversity demonstrates the critical awareness examiners expect.

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Essay Doctorate
Empires in Early Centuries
Byzantine Empire in the Eastern Mediterranean that extended from Syria, Egypt up to and across North Africa is seen to have made significant contact with the emerging Islamic world in the period from seventh and ninth…
Essay Doctorate
Islam Al Andalus, Ha-Sefarad, Andalucia: \"A Remarkable
After having read María Rosa Menocal's lecture and the other materials thoroughly, write a 5-page essay (approximately 1,250 words) on the relationship between different communities in Islamic Spain. Begin by identifying these communities, and at some stage in your discussion describe the impact of Arab-Muslim culture on other cultures of al-Andalus. Be sure to analyze the role of Arabic literature in the literary growth of Hebrew and the impact of Spanish Islamic architecture on Christian and Jewish monuments.
Paper Undergraduate
African Versus Islamic Artifact Comparison
An Islamic Rosary versus an African Bracelet
Essay Doctorate
Progressivist modes of display in major art and anthropology museums
The progressivist philosophy of culture, which posits that advancements in science, technology, social, and economic development are crucial in the development of advanced societies, and that societies advance from a…
Thesis Masters
Fine arts: history, theory, and contemporary practice
The style of used by Henri Matisse in the painting Still Life after Jan Davidsz. de Heem's ‘La Desserte' is that of Cubism. Cubism is a name for art suggested in 1909 by Henri Matisse and is a "non-objective approach to painting developed originally in France around 1906 by Picasso and Baque. Cubism is characterized by the emphasis on the process of construction "of creating a pictorial rhythm and converting the represented forms into the essential geometric shape: the cube, the sphere, the cylinder, and the cone." (Boguslawski, 2005) The painting is in oils and painted during a "pivotal period in Matisse's artistic development when he temporarily abandoned his interest in decorative patterning and brilliant color for darker, more abstract compositions. The curators propose that these geometrically composed paintings, dominated by blacks and grays, were at least partly a response to World War I, which erupted in Europe in 1914, a year after Matisse, returned to Paris from Morocco." (Levin, 2010) It is stated that the works accomplished by Matisse during these period also serve to "represent his attempt to absorb and respond to the challenge of cubism, then the dominant trend in the avant-garde art world, with its radical reinvention of form and space." (Levin, 2010)
Paper Doctorate
Islamic Art History
This paper describes various monuments around the world and includes: Sultaniyya, Great Mongol Shahnama, the Complex of Qalawun, the Madrasa of Sultan Hasan, the Suleymaniye Complex, the Topkapi Palace, the Alhambra Palace, Masjid-i Shah, Chehel Sutun, the Shahnama of Shah Tahmasp, the Court of Gayumars, Zal Sighted by the Caravan, the Taj Mahal, and the City of Fatehpur Sikri.
Paper Doctorate
Bahram Gur and Azada\'s Representations
Ceramic art was of great importance during the medieval period. The region of Kashan in Iran bears a mark on Islamic art and the relevance of ceramic artworks. This form of art is in bowls and other forms of ceramics. This paper illustrates the importance of ceramics scenes on the history and the culture of the medieval time.