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Lucille Ball. Born in Jamestown Lucille went to New York City Lucille in pursuit of a career to act in films. She played many roles in the small movies during 1930s and by 1940s she was regarded as one of the 'B-grade' cine star. Lucille is acknowledged to be the hardest working person on the stage. She had yet to attain the place that would discharge her to super-stardom in films in spite of her performances. Ball gradually shifted her performance to a new medium of television after a couple of successful years of 'My Favorite Husband' along with Desi Arnaz, the contemporary Cuban band leader who later became her husband. Her debut television program was 'I Love Lucy'. Ball felt perfectly accommodative in I Love Lucy where she could accomplish the true opportunity to exhibit her expertise on physical comedy simultaneously working with her loved one.
And 'I Love…… [Read More]
Soon thereafter, she started working with CNN channel in handling their Washington bureau. For the forthcoming seven years, Couric was engaged with CNN bureaus across the nation as a producer and also as an on-air reporter. She returned to Washington in 1987 taking up job as a reporter at an NBC affiliate station. She rose from her ranks to hold the number two position as a reporter at the Pentagon for the Washington bureau of the NBC news. ("Katie Couric Biography," n. d.)
For the next three years she was in charge of covering the U.S. invasion of the Panama as also Persian Gulf War in her Pentagon position as also as a new post at the NBC's morning newspaper, Today. In the early part of 1991, she discharged her role as a co-anchor of Today. Her immense popularity with the viewers was because of her pleasant and charming demeanor…… [Read More]
ove ucy" Analysis
I ove ucy was an outstanding 1950's sitcom that ultimately supported 1950's non-threatening gender roles. Though the show differed from other 1950's sitcoms in that ucy was a 40+-year-old physical comedian married to a Cuban, ucy still supported the mainstream idea that a wife should be happy at home, doing housework and subservient to her husband. ucy's attempts to leave the mainstream by seeking a career in "show business" against her husband's wishes or seeking a job "outside the home" generally ended in comical disaster and sent the clear message that ucy and her audience were better off in their traditional gender roles.
ucy's character is quite a bit like other TV housewives of the 1950s in some respects, yet quite different in other respects. June Cleaver (Gelman, 2012), Kathy Thomas (Plath, Make room for daddy, 2008), Margaret Anderson (Plath, Father knows best (TV series) - DVD…… [Read More]
She notes that "the laughter from the women in the group led to a pretty obvious bleeding of mascara" (2006). During this uproar, a male voice from the audience piped up and said he didn't find any of it funny. A few more men murmured sounds of agreement. The man said these women were nothing more than a couple of drunks. He ended with the comment, "I don't get the joke" (2006). Umberto Eco has a theory on comedy and cathartic pleasure, "the rule has to be completely understood and, according to Eco, 'inviolable'" (2006).
For women to be able to express themselves freely without worrying if men get the joke or not is important and about time. Sex has always been a part of a discursive notion of 'fun', one with rigidly drawn boundaries which position readers in specific ways. "Men were in on the joke; women could play…… [Read More]
Life for omen in the 1950's Compared To Life Today
Life for women in the 1950's was certainly different from life today in many arenas including political, social, and economic, however, while women in the 1950's were expected to be the epitome of the domestic homemaker, today they are expected to be the epitome of the super-mom.
In "The Feminine Mystique," Betty Friedan writes about the typical lifestyle of the 1950's woman. According to Friedan, women were expected to make the beds, have dinner on the table, chauffeur the children, and as Freudian experts told them, "they could desire no greater destiny than to glory in their own femininity" (Friedan 15). This meant that only neurotic, unhappy women wanted to be writers or politicians, and that truly feminine women did not want careers, higher education or political rights -- all the things the suffragettes fought for (Friedan 16). The proportion…… [Read More]
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the studios in order to see them. They made movies in a profitable manner for the sake of the studios, but placed the entire industry under their control and dominated over it. The discussion here is about some of those famous studios inclusive of that of names like Metro Goldwyn Mayer, Culver, RKO, Paramount Studios, Warner Bros, 20th Century Fox, Walt Disney Studios, Universal Studios, Raleigh Studio, Hollywood Center Studio, Sunset Gower Studio, Ren-Mar Studios, Charlie Chaplin Studios and now, Manhattan Beach Studio.…… [Read More]
Pop is tomorrow's Classical"- Paul McCartney. Discuss this contention within the context of rock/classical music collaborations since the early 1950s.
Classical Rock and Popular Prophecy
To the average music-listener, musical genres are easily divided into homogenous groupings without any danger of overlapping one another. Certainly, there are rare occurrences of "cross-over" hits on the radio that find airplay on both Adult Contemporary and Country stations, or those releases which find an audience among both Easy Listening and Rock fans. Another seemingly strange occurrence that may be observed by the slightly more alert music consumer is that time shifts musical pieces from one genre to another, and yesterday's Alternative Rock is today's Easy Listening, yet even this phenomenon is considered an anomaly of the music industry. A simplicity is desired among musical elitists that preserves some musical forms as valid, labeling others as mere fads. However, the deep impact of musical…… [Read More]