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What is Novels?

Novels are one of the most studied forms of literary art across undergraduate and graduate curricula alike. Courses in world literature, postcolonial studies, American literature, and critical theory regularly assign extended prose fiction as primary texts because novels offer sustained explorations of character, society, and human experience. Works such as To Kill a Mockingbird, Les Misérables, The Brief Wondrous Life of Oscar Wao, and the fiction of Vladimir Sorokin appear frequently in academic writing precisely because they raise questions about identity, family, power, love, and the relationship between storytelling and culture.

Student papers on this subject take a wide range of approaches. Comparative essays are especially common, setting texts against one another to examine shared themes or divergent techniques — pairing works like Snow Country and The Stranger, or The Bluest Eye and When the Legends Die, to illuminate how different authors construct character and society. Other papers focus on a single text through close critical reading, genre analysis of forms like hard-boiled detective fiction, or postcolonial frameworks applied to literature emerging from histories of colonization. Biographical and authorial approaches, as seen in papers on Danielle Steel and Julian Barnes, also appear regularly.

A strong essay on novels begins with a focused, arguable thesis rather than a broad plot summary. Evidence should come from specific passages — dialogue, narrative structure, imagery — that directly support the argument about how the writing shapes meaning for the reader. The most common pitfall is treating character analysis as an end in itself; always connect observations about characters back to a larger claim about what the novel reveals.

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Research Paper Doctorate
Marcel Duchamp, Dada, and the democratization of art
¶ … Marcel Duchamp took a urinal, called it "Fountain," put it in an art show and then defended his action on the grounds that as he was an artist and he said the urinal was art, then it was.
Essay Doctorate
Exploitative labor and inequality in America's Gilded Age
This paper argues that the increase in American industrialization in the period from 1865 to 1920 was, in some sense, the cause of massive political inequality and unrest, and necessitated the age of reform that would follow. The paper examines the issues of labor exploitation (particularly child labor and convict labor), economic inequality (with the rise of the US Senate as a "millionaire's club" and the 50 years of Republican-party dominance over the political process) and economic instablity (with the Panic of 1873, the Populist movement, and the rise of organized labor). It concludes that industrialization was the cause of all this unrest, and required the rise of reform-minded Presidents like Theodore Roosevelt.
Research Paper Doctorate
Hemingway's modernist style and autobiographical influences in his fiction
Hemingway is classified as a modernist in fiction. Modernism rejected traditions that existed in the nineteenth century and sought to stretch the boundaries, striking out in new directions and with new techniques.
Research Paper Doctorate
George Knightley as Austen's redefined English gentleman ideal
In her third novel, Jane Austen created a flawed but sympathetic heroine in the young Emma Woodhouse. Widely considered her finest work, Austen's Emma once again deals with social mores, particularly those dealing with…
Research Paper Doctorate
George Eliot's portrayal of the female body and feminism
Kristeva's philosophy can be applied to nearly every narrative especially in association with the body as a universal source of human language. In every narrative there are traces of description that help the reader…
Research Paper Doctorate
The Hemingway code and heroism in A Farewell to Arms
Life sucks and then you die, is a popular saying among Gen-Xers to describe the futility of it all. The phrase may be original, but the sentiment certainly is not. Long before Generation X came on the scene, Ernest…
Paper Undergraduate
Fascination and repulsion from Otherness in Song of Kali and The City of Joy
In this chapter, I examine similarities and differences between The City of Joy by Dominique Lapierre (1985) and Song of Kali by Dan Simmons (1985) with regard to the themes of the Western journalistic observer of the Oriental Other, and the fascination-repulsion that inspires the Occidental spatial imaginary of Calcutta. By comparing and contrasting these two popular novels, both describing white men's journey into the space of the Other, the chapter seeks to achieve a two-fold objective: (a) to provide insight into the authors with respect to alterity (otherness), and (b) to examine the discursive practices of these novels in terms of contrasting spatial metaphors of Calcutta as "The City of Dreadful Night" or "The City of Joy." The chapter further argues that these spatial metaphors are redolent of what Peter Stallybrass and Allon White (1986) refer to as the "phobic enchantment" (p. 124) of the Occidental social imaginary for the poverty, squalor and the horror of the Third World.
Paper Undergraduate
Female identity formation in Push, Soledad, and the Interpreter
This essay compares and contrasts the process of identity formation seen in three different novels featuring female characters making their way in New York. Although the novels Push, Soledad, and The Interpreter all feature extremely different plots and characters, they nevertheless produce a congruent image of identity formation as it relates to ethnic and familial influence. By examining the main characters from each novel, one is able to see how successful identity formation depends on integrating the past into the present, rather than ignoring that past.
Paper Masters
Alienation and isolation in Orhan Pamuk's The Silent House
In this paper, we are going to be analyzing the book the Silent House and the sense of alienation the different characters are feeling. This will be accomplished by focusing on these ideas and how it is impacting the plot. Once this occurs, is when we will show how this is used to connect the reader with the various conflicts throughout the novel.
Research Paper Doctorate
Émile Zola's use of the macabre in social realist fiction
Zola: Master of the Macabre and of the Novel Of Social Justice